Tentative Define Quotes & Sayings

I like French fries, I say. I like French fries? I sound like a slow child in a made-for-TV movie. — Gayle Forman

How are things with you, sir?"
"Fine." He says it flat."Coffee black. BLT."
Now my heart tells me this guy needs more in life, so I take a short. "You ever had a cheese burger with grilled onions and mushrooms on pumpernickel, sir?"
That takes a minute to sink in.
Then he slaps the counter, grinning. "Bring it on."
I sense he needs more.
"You want a malt with that, by any chance?"
He did, of course. "Chocolate," he says, beaming like a kid.
Now he's loosening up.
It's a privilege to touch humanity in such a fashion. — Joan Bauer

[God] never will institute an ordinance or give a commandment to His people that is not calculated in its nature to promote that happiness which He has designed, and which will not end in the greatest amount of good and glory to those who become the recipients of His law and ordinances. — Joseph Smith Jr.

What I'd really like to control is not machines, but people. — Stephen Hawking

When you work behind the ropes, you know the heartbreaking stories behind their smiles; you see the pins and nauseating amount of hair products that glaze their heads; and you see the wedges (even flats) under their eternally beaded gowns. — Kath C. Eustaquio-Derla

People can say whatever they want about you without knowing the facts. They can criticize you without even knowing you, and hate you when they don't even know you. All of a sudden, you're, like, the bin Laden of America. Osama bin Laden is the only one who knows exactly what I'm going through. — R. Kelly

We are in a double bind. We are expected to feel inferior not only as women, but because we are old. — Elizabeth Janeway

The world I was born into was one filled with music. — Martha Reeves

WORKSHOP 1. Read your writing aloud to a friend. Ask, "Does this sound like me?" Discuss the response. 2. After rereading your work, make a list of adjectives that define your voice, such as heavy or aggressive, ludicrous or tentative. Now try to identify the evidence in your writing that led you to these conclusions. 3. Read a draft of a story aloud. Can you hear problems in the story that you could not see? 4. Save the work of writers whose voices appeal to you. Consider why you admire the voice of a particular writer. How is it like your voice? How is it different? In a piece of freewriting, imitate that voice. — Roy Peter Clark

My philosophy about journalism is simple - that we have a job to hold those in power accountable, to give voice to the voiceless, and to provide people with information that they can use to make informed decisions about what policies they want enacted in their name and what policies they don't. — Jeremy Scahill