Quotes & Sayings About Talking To A Guy You Like

There's always that one guy who gets a hold on you. Not like your best friend's brother who gets you in a headlock kind of hold. Or the little kid you're babysitting who attaches himself to your leg kind of hold.
I'm talking epic. Life changing. The "can't eat, can't sleep, can't do your homework, can't stop giggling, can't remember anything but his smile" kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite '80s songs, like the "Must Have Been Love"s, the "Take My Breath Away"s, the "Eternal Flame"s - the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night. — Jess Rothenberg

She reached out and touched the bright colors of the cashmere scarf, her face filled with wonder as much as shock. "This ... this is Ibrahim's scarf ... it's a family heirloom ... "
"No, it belongs to this mobster guy named Abe ...
[ ... ]
"Mom," I said disbelievingly. "You know Abe."
"Yes, Rose. I know him."
"Please don't tell me ... "
Oh, man. Why couldn't I have been an illegitimate half-royal like Robert Doru? Or even the mail-man's daughter?
"Please don't tell me Abe is my father ... "
She didn't have to tell me. It was all over her face.
"Oh God, " I said. "I'm Zmey's daughter. Zmey Junior. Zmeyette, even."
That got her attention. She looked up at me. "What on earth are you talking about?"
"Nothing," I said. — Richelle Mead

With books you learn things, random things, whatever the author might be talking to you about, and you sort of soak them up like a sponge over the years. They are stored away in some dim recess of the unconscious mind until one day some equally random stimulus sparks a connection, and you find that you've combined different items of memory and perception into a completely new insight. — Guy Fraser-Sampson

Purple Hair stopped dusting blush over Cameron's cheeks. "Hold up. Are you talking about the dark-haired guy who came in with you? The one who searched me before I could do your makeup?" Cameron grimaced. "Sorry about that." "Don't be - it was the highlight of my month." Purple Hair threw her a get-real stare. "That's the guy you're holding out on? Sweetie, you need to grab that stallion and ride him like a cowgirl. — Julie James

He returned his gaze to the spotlight, focusing on the person to the right of it. That was his best guess at who'd been doing the talking. "My name is Thomas. This is Brenda. We know Gally - we were with him at WICKED and he told us about the Right Arm and what you guys are doing a few days ago. We were on board to help, but not like this. We just want to know what you're planning, why you're kidnapping immune people and locking them up. I thought that was WICKED kind of stuff." Thomas didn't know what he'd expected, but the guy started to chuckle. "I think I'll let you see the boss just so you get the damn idea out of your head that we'd ever do anything like WICKED. — James Dashner

I was talking to my friend and he said his girlfriend was mad at him. I said, "What happened?" He goes: "Well, I guess I, uh ... I guess I said something, and, uh ... and then she got her feelings hurt." That's a weird way to phrase it: "She got her feelings hurt. I said something, and then she ... " Could you more remove yourself from responsibility? "She got her feelings hurt." It's like saying, "Yeah, I shot this guy in the face, and then I guess he got himself murdered. I don't know what happened. He leaned into it." — Louis C.K.

I'm flattered, Vince. You and Jak seemed to have spent a lot of time talking about me." "Not you, housework brat, your meal ticket boyfriends. I reckon if I try hard enough, I can win over Dick, and according to Jak, winning over Dick is the key to winning over Shane. That's how you wheedled your way in. Dick's a nice guy, but Shane is," he gave a low whistle, "something special. I like powerful men." I flinched as he reached out and patted me condescendingly on the upper arm. "Don't worry though. I won't let them kick you out of the house straight away. I quite fancy having an epileptic sock washer at my beck and call for a while. — Gillibran Brown

I don't know why you want to hang out when I'm half asleep?"
Cooper leaned over and kissed me softly. His lips sucked at my bottom lip for a second before he pulled back and relaxed into the corner of the couch. "You pout when you sleep."
"Huh?"
"Like an angry little pout," he said, demonstrating with his lips. "It's the hottest thing I've ever seen. I thought you might give me a real talking to like my old gym teacher. Man, did that bitch hate me."
"I'm sure she had her reasons."
Cooper snorted. "Of course, you'd take a stranger's side over the guy who's feeding you."
"Maybe you called her a bitch forty times."
"Yeah, there was that. — Bijou Hunter

Last Saturday night I was in a club on the South Side of Chicago listening to live rock music and talking to a guitar playing veteran of the music scene in the city. He looked and talked like the musicians that I recall from my childhood; he was a thin, cigarette smoking, avant garde and interesting guy. We got to talking about a life in the relatively risky creative arts and he said, "Look, you could get that safe job and spend your whole life that way, but what are you waiting for? When you're ninety-six years old and have three days left? Is that when you decide to do what you love? — Jamie Freveletti

When we talk about reviews, what we are really talking about is just a market report - it's like reading about the new Lexus. You have to know what the guy writing the review cares about to understand his take. Does he like sports cars, or does he like Bentleys? — Mike Nichols

Well, the American public always wanted to vote for a guy - and Bush was the perfect guy - who they'd want to have over for pot-roast. And George Bush is that guy. He does that well. You'd like to have him over for pot-roast. He reminds you of yourself. Okay. Well, now he's been over, he's had the pot-roast. But he's getting drunk and now he's talking about stem cells and Terri Schiavo and gay marriage. And now he's the guest that won't leave. — Bill Maher

Who am I??
I'm a person who was scammed by somebody and who scammed people - First! (Don't worry that's my past! Everyone have such past do they??)
I'm the guy who was punched and kicked in School when we are talking about this (This reminds me for some films like Monk - check out he in school (his past!))
I'm the guy who follow the crowd, what I found was horrible that I went in a place where most people play the games which other play like "League of Legends" - outside and home all they talking about this game which one round takes 60 minutes. I'm now 2016 year in school and still listening about the football what has happen, who has played, who has won, who has won privious round, which is the best team and I'm sure that I'm genius because of listening this discussion. I can say it from here....
I'm just ironic, I don't like football, logicaly I don't like to listen = so I don't like to watch why?? You must find out! — Deyth Banger

This one guy Roland was so weird that during sex his voice altered - as if he were a fucking alien - and he started talking like a baby in a bizarre high-pitched voice. He'd start screaming shit like, "I just want to fuck my baby! I'm your baby! Will you be my baby? Baby? Baby?" For one thing, he couldn't decide whether he was the baby or the daddy. Make up your mind, freak. I had to force myself out from under him and flee the apartment undressed, clutching my clothes. — Kathy Griffin

A guy I knew in high school got my number from my mom, called me up and was like, 'I can't believe I'm talking to you.' I was like, 'It's me - it's Terry; I went to high school with you! What do you mean?' — Terry Crews

I'd get this, I luuuuuuuv you, buddy! stuff, and I'd just look at him like, Who are you talking to, guy? What does that mean, your dad 'loves' you and hasn't a [bleep]ing clue who you are? What's he love then? Some kid in Happy Days. Not me. — Lionel Shriver

2. This guy in the Group of Friends named Clint was talking about the letter at lunch and in the process of talking about it, he called me a bitchsquealer, and I didn't know what a bitchsquealer was, so I was like, 'What do you mean?' And then he called me a bitchsquealer again, at which point I told Clint to fuck off and then took my tray and left — John Green

You know what the bodega is? It's the little Latin store, and they try to act like it's a grocery store. It has two aisles. And the guy, he always tries to help me, 'You looking for the bread?' I was like, 'Dude, I can see it right here, alright.' He's like, 'Hey, hey, it's in aisle two.' That's all you got, what are you talking about? — Godfrey

Louis shook his head. "I don't know." "What's that?" "About going with you." "You don't think you will or you know it?" Louis shrugged and drew on his cigarette. "I said before I ain't talking you into anything. But just answer me this, Louis. What does a three-time loser have to lose?" He started to back out of the drive and stopped. He said, "Louis? You only think you're a good guy. You're just like me, only you turned out white. — Elmore Leonard

Every now and then, we change our minds. It's our prerogative. The big secret is" - I leaned in conspiratorially - "sometimes, even we don't know why. There are times after we pick a fight where we're as confused as you are. But there's no way we're admitting it." I shrugged a shoulder, "That's why we have boobs."
Jake's eyebrows shot up.
"See, after we've acted crazy, and the guy's wondering what he's doing with us, we use them to mesmerize him, so he forgets that we're crazy." I shot Jake my most seductive smile and leaned the assets in question against his arm. "And by the way, if you look at my cleavage right now, even though I'm the one talking about it, I'll accuse you of not caring about what I saw and of just treating me like an object."
Jake swallowed hard, keeping eye contact with me, though I could tell he was fighting his impulse to look down. A mischievous glint flickered through his eyes. "And treating you like an object would be bad? — Cindi Madsen

Isn't that the guy you asked me to throw soda on?"
Colton's head jerked up. He stared first at Reece, then at me. "You asked him to throw soda on me?"
"Of course not. The boy is delirious, That's what happens to children when they're malnourished. They start hallucinating." I put my hand against Reese's forehead as though checking for a temperature. "I'm afraid he has a serious case of it."
Colton folded his arms and continued to glare at me. "No, Charlotte, you have a serious case of it, and I'm not talking about malnourishment."
Reese stepped away from my temperature check and toward Colton. "She said you wouldn't melt like the Wicked Witch of the West, but you might fizz a little." Reese turned back to me. "He never did fizz."
"I'm about to," Colton said. "Just watch for a few more seconds. — Janette Rallison

'3:10 to Yuma' was one that I just kept on talking and thinking about after reading it. And I think the reason is because, like in most Westerns, you have the very clear-cut bad-guy/good-guy, however, as the movie progresses, you kind of see that it's a very fine line that divides these two. — Christian Bale

If I'm talking to a guy who's straight and cute and single, I'm like 'are you a unicorn?' — Margaret Cho

But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk. — Roy Ayers

A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good ... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him. — Scott Raab

Any kind of art that seems to be just about normal people, it's judged less by how good of a work of art it is, and more by how much the critic thinks that that is true to life. Which, you know, I think might be why something like Boyhood was so hugely praised, whereas something like Margaret was a little unfairly marginalized. There were people who said, "OK, well, I don't relate to these characters," or, "I think the way they speak is off from real-life" as opposed to saying, "Is what's being expressed in it - is the emotional content true to life?" You can just look on Youtube and see clips into people's real life very easily, so I'm actually more excited by that feeling of, I'm being immersed completely in this one guy's view of the world. But, obviously, I get more excited talking about other people's work than my own. — Adrian Tomine

I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!' — Lucy Hale

I kind of play like a guy. I don't hold grudges. I don't get dramatic with things. If somebody slide tackles me in training and we leave the field, I'm still talking to them. I think that there's very few of us out there that can just take confrontation, and if you've got an issue with something, you can go to that person and say it. — Carli Lloyd

I raised an eyebrow at him. "Don't be that guy. Didn't you know that talking to someone while they're reading a book ups the likelihood of you getting stabbed by like four hundred percent? — Staci Hart

Like the bad guy said, never give an artist a Browning; they're some of the most dangerous folks you can meet ... Artists almost always want an audience, the spectacle of destruction. That name - Dadaist. It's a dead giveaway. Expect a senseless act of mass violence, the theater of cruelty. About all I can do is try and keep him talking while you get in position to kill him. And don't give him anything he might mistake for an audience."
Charles Stross, "Iron Sunrise. — Charles Stross

I wake on the fiction couch deeply hungover, my head cracking, with Rachel telling me to get up. She's holding my eyelids open like she used to do in high school when we'd stayed up all night talking and then slept through the morning alarm. 'Get. Up. Henry.'

'What time is it? I ask, batting off her hands.

'It's eleven. The shop's been open for an hour. There are customers asking for books I can't find. George is yelling at a guy called Martin Gamble who's here to help me create the database. And as a separate issue, Amy's waiting in the reading garden.'

'Amy's here?' I sit up and mess my hair around. 'How do I look?'

'I decline to answer on the grounds that technically you're my boss and I don't want to start my new job by insulting you.'

'Thank you,' I say. 'I appreciate that. — Cath Crowley

A man walks into a coffee shop. As the man talks across the counter, the coffee guy makes his coffee and sets the cup and saucer between them. But the man doesn't drink it; he keeps talking, so the coffee gets cold, useless. The coffee guy pours it out and pulls another, sets it up. The man still can't stop talking and the next one goes bad too. So the coffee guy throws that one out, makes another. And this goes on, see? You may think you're the coffee guy in the parable, but you're not - you're the espresso. (It's like that in parables.) You're not for you. You're someone else's beverage. And God, the coffee guy, he's going to keep remaking you again and again, as many times as it takes until you're drinkable. God's pulling the shots and he's got standards. — Geoffrey Wood

I called them up, "Ya, I have ten boxes; can you come pick them up?" "We need to know the weight and the girth." "Okay, good-bye." So I called back. "We need the weight and the girth." "Okay, I don't know what the weight is, and um, I don't know what girth means ... So now what's the procedure?" So this guy talks to me like I'm four years old. "Well do you have a bathroom scale?" "Uh, ya but if I put the box on the scale it's gonna cover up the NUMBERS!" What, do I take it off really quick? Ah, zero: I'm not fast enough. What's he talking about? So then he gives me his Mister Wizard Formula, "How about if you stand on the scale and weigh yourself and get off the scale. Pick up the box, get back on, weigh you and the box together, and subtract your own weight." I'm going, "Slow down. Hold on professor." I know this guys never tried this, because I tried it and you still can't see the NUMBERS! Then I had to hang up in the middle of his girth formula. — Brian Regan

So.....you're the guy Maggie's got the hots for." Maggie rolled her eyes and dropped her head into her hands. Leave it to Shad to just come right out with it. From her dejected position, she couldn't see Johnny's response, but she felt his interest pique like a blow torch aimed right at her face. Her neck and cheeks flamed hot.

"Johnny Kinross - in the flesh," Shad was warming up to the subject now, his lines right out of a poorly-written made-for-TV movie. "You are Johnny Kinross, right? I mean...I never saw you. But I think we had a pretty good relationship." Maggie sputtered, a laugh erupting from her chest. Shad swiveled his head and gave her his "Shut-up-woman!" lips and his "domineering male" chin thrust. He was talking again before Maggie could give him her "you've-got-ten-seconds-to-vacate-the-premises-before-I-cut-you" glare in response. — Amy Harmon

I turn to Libby. "You're kind. Probably the kindest person I know. You're also forgiving, at least a little, but I'm hoping a lot, and in my book that's a superpower." Her eyes are on mine, and there's a lot going on there. "You're smart as hell, and you don't take people's crap, least of all mine. You are who you are. You know who that is, and you aren't afraid of it, and how many of us can say that." She's not smiling, but it's not about what her mouth is doing. It's about her eyes. "You're strong too. It's not just a matter of being able to knock down a guy with a single shot to the jaw." (Everyone laughs, except her.) "I'm talking about inner strength. Like, if I would draw that inner strength it might look a lot like a triangle made of carbyne. That's the world's strongest material. You also make things better for people around you... — Jennifer Niven

What the hell does liberty mean anyhow? It's just a word like house or table or any other word. Only it's a special kind of word. A guy says house and he can point to a house to prove it. But a guy says come on let's fight for liberty and he can't show you liberty. He can't prove the thing he is talking about so how in the hell can he be telling you to fight for it? — Dalton Trumbo

I was always pretty broad. I've had a couple bad experiences. One time, I showed up late for a gig in Brooklyn at an Italian restaurant. I ran on stage, did my show, and then some guy in the audience threatened to kill me because he didn't like my joke. Instead of talking to him, I just ran off stage. And then, because I was late, the owner of the restaurant threatened to kill me. And I was 19 years old and so scared that I almost started crying. But, I've done every gig you can imagine, in every state. — Nick Swardson

Don't wait for the muse. As I've said, he's a hardheaded guy who's not susceptible to a lot of creative fluttering. This isn't the Ouija board or the spirit-world we're talking about here, but just another job like laying pipe or driving long-haul trucks. Your job is to make sure the muse knows where you're going to be every day from nine 'til noon. or seven 'til three. If he does know, I assure you that sooner or later he'll start showing up. — Stephen King

How much do you have in common with
this guy?"
"Not much. Basically we're polar opposites.
But do you want to know the main attraction,
the weird part? ... It's the talking."
"Talking about what?"
"About anything," I said earnestly. "We
get started and it's like sex, this back-andforth,
and we're both so there, do you know
what I mean? We rattle each other. And
some conversations seem to be happening on
a few different levels at once. But even when
we're disagreeing on something, there's a
weird kind of harmony in it. A connection. — Lisa Kleypas

What if one of your customers hears us talking about covers and such things?"
"We're in the perfect place to talk of them. They'll assume you're Wiccan. And if you're going to go way back in history and anyone is rude enough to interrupt and ask you about it, like that guy who just left, we'll say we're part of the SCA."
Her brows crinkled in confusion. "The Society for Cruelty to Animals?"
"No, I think you mean the SPCA, where the P stands for Prevention."
"Ah. Of course."
I shot a quick thought to Oberon. 'See? Witches.'
— Kevin Hearne

I was watching an interview with Martin Scorcese concerning Raging Bull, which is one of my favorite films, and he was talking about how he'd worked with a lot of guys who weren't quote-unquote "actors," like Joe Pesce and Frank Vincent. Scorcese was very smart in the way that he cast, because you don't know where you're going to find the right person who can carry a role and summon that emotion you're looking for. — Lenny Kravitz

Everyone said I had a boyish look about me. The Thunderdome manager Axel mentioned the same thing when I arrived for my first fight. Why does a sweet boy like you want to get your ass kicked? I just smiled at his comment since I never had a talent for the kind of trash talking that made so many men scary. As a teenager, I practiced acting tough in front of the mirror. I always ended up laughing because even I didn't believe the bullshit coming out of my mouth. Though tall and strong, I'd never be scary.
Every guy I'd fought over the years thought he could take me in less than a minute. Even now as Dragon, I never scared anyone. Their lack of fear was what made the first punch so perfect. The moment my opponents realized they were fucked. — Bijou Hunter

I'm not the guy who will sit in a room with somebody who's using a bunch of big words and just act like I know what they're talking about, or sit on set with somebody and they'll be trying to explain something and not using layman's terms and I'll just say, "Hey, excuse me, what do you mean by that? Explain to me so I just understand." — Mark Wahlberg

Put it this way, how do you feel about the supernatural?"
"I'm fine with it," Molly replied coolly. "I used to watch Charmed and Buffy and all those shows."
Gabriel winced slightly. "This isn't quite the same thing."
"Okay, well, listen to this. Last week my horoscope in Cosmo told me I was going to meet an enchanting stranger
and this guy on the bus gave me his phone number. I'm a total believer now."
"Yeah, you've really seen the light," Xavier said under his breath.
"Did you know that Sagittarians have a problem with sarcasm?" Molly snapped.
"That would be very enlightening, except I'm a Leo."
"Yeah, well, everyone knows they're a pack of assholes!"
"My God, you're like talking to a rock."
"You're a rock! — Alexandra Adornetto