Talk Back And You're Dead Quotes & Sayings

We can all talk to the dead. It's getting them to talk back that's the hard part."2 — Bruce M. Hood

She pushed back from the table. "I've got some stuff I need to do."
"The Walking Dead said there was chocolate cake."
"Jamie," Roarke said mildly.
"Sorry," Jamie said reluctantly. "Mister Walking Dead, also known as Summerset, said there was chocolate cake."
"And if you eat it all, I'll kill you in your sleep. Then you can join The Walking Dead. Roarke, I need to talk to you."
As they started out, she heard Jamie ask: "Think they're gonna go do it?" And heard the quick slap of Feeney's hand on the teenaged skull.
"Are we going to go do it?" Roarke grabbed her hand.
"Want me to have Feeney knock you, too?"
"I'm a bit quicker than Jamie yet. But I take that to mean we're not going back upstairs for a fast tumble."
"How many times a day do you think about sex?"
He gave her a considering look. "Would that be actively thinking of it, or just having the concept of it lurking there, like Jamie's invisible document? — J.D. Robb

But God's love is big enough to touch any life, to make light out of any darkness. Jesus came that we might have life, so that no more would we have to die in depression, anger or pain. He loved people back to life. He would go anywhere, talk to anyone. And wherever He went, He would stop for the one
the forgotten one, the one who was rejected, outcast, sick, even stone dead. Even a thief who was dying for his crimes on the cross next to Him. In the Kingdom of God's love there is no sinner who cannot come home. — Heidi Baker

The rowdy gang of singers who sat at the scattered tables saw Arthur walk unsteadily to the head of the stairs, and though they must have all known that he was dead drunk, and seen the danger he would soon be in, no one attempted to talk to him and lead him back to his seat. With eleven pints of beer and seven small gins playing hide-and-seek inside his stomach, he fell from the top-most stair to the bottom. — Alan Sillitoe

I feel like I'm going to die,' he says.
'Could we talk for a few minutes before you die?'
'Only if you do it quietly.'
'I met this girl last night. I need your advice.'
'Come back later.'
'No. You might be dead. — Doug MacLeod

You interrogated a man at Hades's compound a year ago. I heard what you did to him. I can't have dead prisoners here; we have to be better than that." "I didn't kill him," I objected, remembering the murderous bastard who'd tried to kill Hades before he'd been caught. Unfortunately we hadn't stopped him from killing his own wife and children. "You took his hands. You know he killed himself in our jail?" "Yeah, well, I'm not going to kill anyone. Just talk. They wanted to kill me back in Southampton, now they want to take me to talk. I'd like to know why. And I heard your prisoner died by getting into a fight with another prisoner." "He walked up to a cave troll and kicked him. The troll tore his head off and threw it fifty feet away. What would you call that?" "Suicide by troll. That's new. — Steve McHugh

When I die, I wonder what will happen to me. Is there some place like heaven, and will I be able to meet you there someday? I don't know. There's no way to know. No one knows what comes after death. But at the very least, we won't be able to talk until then.

There's a wide, deep and fast running river between the living and the dead. Once you cross that river, no matter what happens, you're never coming back. It's a one way trip. — Ao Jyumonji

The surgeon tells me that you're a sorcerer," Pym said. "Is that so?"
Jaki looked to the captain with the glare of the masts in his eyes. "Yes."
Pym weighed this disclosure. "You speak with the dead?"
"Yes."
The captain's eyes screwed up intently. "What do they say to you?"
"They don't talk back."
Pym and Mister Blackheart laughed in unison ... The captain said, "Mister Blackheart wants to know what kind of sorcerer you are."
Jaki pondered a response and finally said, "I was learning to catch souls before my teacher was killed."
"Souls, eh? And what do you do with them after you catch them?"
"I put them back in their bodies."
"Ah, then you're telling us you're a surgeon. — A.A. Attanasio

He could galvanize the dead with his talk. It was a sort of devouring process: when he described a place he ate into it, like a goat at tacking a carpet. If he described a person he ate him alive from head to toe. If it were an event he would devour every detail, like an army of white ants descending upon a forest. He was everywhere at once, in his talk. He attacked from above and below, from the front, rear and flanks. If he couldn't dispose of a thing at once, for lack of a phrase or an image, he would spike it temporarily and move on, coming back to it later and devouring it piecemeal. Or like a juggler,- he would toss it in the air arid, just when you thought he had forgotten it, that it would fall and break, he would deftly put an-arm behind his back and catch it in his palm without even turning his eye. It wasn't just talk he handed out, but language - food and beast language. He always talked against a landscape, like the protagonist of a lost world. — Henry Miller

I refuse to remember the dead.
And the dead are bored with the whole thing.
But you - you go ahead,
go on, go back down,
into the graveyard,
lie down where you think their faces are;
talk back to your old bad dreams. — Anne Sexton

I fought to stay awake and keep the car on the road. And I thought back to texts I had read from the British Army in India, during the Raj, at the height of their empire. Young subalterns trapped in junior ranks had their own mess. They would dine together in splendid dress uniforms and talk about their chances of promotion. But they had none, unless a superior officer died. Dead men's shoes was the rule. So they would raise their crystal glasses of fine French wine and toast "bloody wars and dread diseases" because a casualty further up the chain of command was their only way to get ahead. Brutal, but that's how it's always been, in the military. — Lee Child

Since I'm not dead yet I can talk back. — Amy Tan

Loden loves guns, loves to talk about them. Right now he's trying to talk about them with me, a distinctly trying experience for I keep shepherding the conversation back to dead bodies which Loden clearly doesn't enjoy very much. You would think that a man who felt comfortable extolling the virtues of hollow point bullets ("Expands to twice its size and just thumps that person.") would be okay talking about dead bodies, but apparently not. "You just cringe," he said when I mentioned the prospect of shooting into human cadaver tissue. Then he made a noise that I transcribed in my notes as olllggg. — Mary Roach

Help!" screeched a feminine voice. "HELP ME!" Parker whipped around, automatically reaching for the weapon that he didn't have at the small of his back because, oh yeah, he was in running gear with no place to hide a weapon. But there was no woman. Just a huge parrot perched on a printer at the front desk. "Help!" it squeaked in a shockingly authentic woman's voice. "I've been turned into a parrot!" "Peanut, play dead," Wyatt said. Peanut sighed and tucked her head into her feathers. "Good parrot." Wyatt looked at Parker. "She's a nut." "Damn, shit, farts," the bird muttered beneath her breath, making Parker grin. Wyatt sighed. "Peanut's a mimic, and Jade, our office manager, has a bit of a potty mouth." "Boner," Peanut said, head still tucked into her feathers. "Peanut, dead parrots don't talk." Wyatt turned back to Parker. "Follow me. — Jill Shalvis

Angela," she whispered, "are you asleep?"

Angela, lying on her back with her eyes shut and her hands folded like Snow White in a glass coffin, said flatly, "Yes."

"Because I'd like to talk about our feeeeeeeelings."

"I wish I was dead."

"Angela, you don't mean that."

"Kami, I do. And do you know why? Because then you might let me rest in peace. — Sarah Rees Brennan

Small animals are a great problem. I wish God had never created small animals, or else that He had made them so they could talk, or else that He'd given them better faces. Space. Take moths. They fly at the lamp and burn themsleves, and then they fly right back again. It can't be instinct, because it isn't the way it works. They just don't understand, so they go right on doing it. Then they lie on their backs and all their legs quiver, and then they're dead. Did you get all that? Does it sound good?"
"Very good," Grandmother said.
Sophia stood up and shouted, "Say this: say I hate everything that dies slow! Say I hate everything that won't let you help! Did you write that? — Tove Jansson

Don't talk to the crazy kids. I longed to shout back that we weren't crazy. I'd mistaken her kid for a ghost, that's all.
I wondered whether they had books about his sort of thing. Fifty Ways to Tell the Living from the Dead Before You Wind Up in a Padded Room. Yep, I'm sure the library carried that one. — Kelley Armstrong

A black raven flew past me and landed on the back of the couch.
Roman slapped his hand over his face.
"There you are," the raven said in Evdokia's voice. "Ungrateful son."
"Here we go ... " Roman muttered.
"Eighteen hours in labor and that's what I get. He can't even pick up the phone to talk to his own mother."
"Mother, can't you see I have people here?"
"I bet if their mothers called them, they would pick up."
That would be a neat trick for both of us. Sadly, dead mothers didn't come back to life, even in post-Shift Atlanta.
"Nice to see you, Roman." I grabbed Curran by the hand.
The bird swiveled toward me. "Katya!"
Oh no.
"Don't you leave. I need to talk to you."
"Got to go, bye! — Ilona Andrews

Lily stopped dead in the doorway to her room and then took a step back. Apollo cocked his head. It'd been a very long day full of trepidation mixed with tediousness and he'd used up all his patience. "If you leave, I'll follow you out and we'll have this discussion in the hallway where everyone can hear." She scowled ferociously at him, but came all the way in the room and shut the door. "What do you want to talk about?" "Us." "There's nothing to discuss." "Yes," he said patiently, "there is. — Elizabeth Hoyt

Life ... we understand it differently at different stages. It's what is interesting about getting older, you realize your relationship with the past is always negotiable. There is a lot of freedom in that, because you realize you can go back to what you did such a long time ago. You can talk with the dead, talk with your lost self, your disappeared self, and you can visit those places again, and understand it differently. That makes a huge difference. — Jeanette Winterson

Then she's the mother!" "No. For various good reasons, no. I won't - " "But she knows who the mother is!" "Probably she did. At least she knew where she got it and who from. But she won't tell because she's dead. She was - " "Dead?" "I'm telling you. After a short talk with her Friday morning I left to get to a phone and send for help, and when I got back to the house her car was gone and so was she. I spent three hours searching the house. I'm reporting only the details that you need to understand the situation. Ellen Tenzer never returned to her house. At six o'clock yesterday morning a cop found a dead woman in a parked car - here in Manhattan, Thirty-eighth Street near Third Avenue. She had been strangled with a piece of cord. It was Ellen Tenzer, and it was her car. You would know about that if you read the papers. So she can't tell us anything. — Rex Stout

My parents said I'd always been attracted to music from an early age. The classic story is I started singing before I talked. My Mom would play me tapes, and I'd be able to sing them back perfectly. She said my pitch was dead on, but I'd fill in nonsense syllables for all the rest of it. The words would be all garbled, because I didn't know how to talk yet. — Vienna Teng

And as I sit and talk to you I see your face go white
This shadow hanging over me
Is no trick of the light
The spectre on my back will soon be free
The dead have come to claim a debt from thee — Shane MacGowan

Go on, glare your eyes at me, and cry and plead, and talk to
me about money and what it can buy. But it can't buy back a child once he's dead! — V.C. Andrews

I get very nervous when it's quiet, because I think it's dead. What I learned in the moment was to hold back a little before you talk. — Sheila Nevins

When Ray Charles is concentrating he's like a piece of granite, nothing twitches, nothing, ... He sat for 25 minutes solid like that, like a stone, and I thought, 'Oh my God, if he doesn't like it I'm dead.' ... And then finally, after 25 minutes he started to talk back to the screen. I heard him say 'That's right. That's the truth.' . — Taylor Hackford

I have developed a very strong partiality for the dead: they don't talk back, they don't sue, and they don't have angry relatives. — Ron Chernow

Claire scraped her chair back, walked over to the cordless phone lying on the counter, and dialed from the business card still stuck to the refrigerator with a magnet. Four rings, and a cheerful voice answered on the other end and announced she'd reached Common Grounds. "Hi,'" Claire said. "Can I talk to Sam, please?'"
"Sam? Hold on.'" The phone clattered, and Claire could hear the buzz of activity in the background - milk being steamed, people chatting, the usual excitement of a busy coffee shop. She waited, jittering one leg impatiently, until the voice came back on the line. "Sorry,'" it said. "He's not here tonight. I think he went to the party.'"
"The party?'"
"You know, the zombie frat party? Epsilon Epsilon Kappa? The Dead Girls' Dance?'"
"Thanks,'" Claire said. She hung up and turned to face Michael and Eve, who were staring at her in outright surprise. She held up the phone. "The power of technology. Embrace it. — Rachel Caine

I also think Valkyire's ex-boyfriend will come in handy here."
Ravel frowned, "The dead vampire?"
Valkyrie glared at him, "I think he means Fletcher."
"Oh. Sorry."
"Caelen was never my boyfriend."
"I didn't mean to-"
"We never talk about Caelen," Ghastly muttered."
"I'm really sorry, Valkyrie, Ravel said. "Fletcher's great. He's wonderful. I'm sure he'd be delighted to help, and having a teleporter here will certainly solve some problems. We'll arrange that, we'll get him over to you, start the ball rolling, as it were. Once again, sorry about bringing up the vampire."
Ghastly shot him a look whispered, "Why do you keep talking about him?"
"I can't help it," Ravel whispered back. "Now he's all I can think about."
"You realise," Valkyrie said, "that we can hear you both perfectly well. — Derek Landy

I'm on this planet for another forty years at the most and I got a baby and a wife and I'm worried about their future and that kind of fear, that anger is spilling into my lyrics, I can't just sit back and talk about myself until I'm dead. — Richard Patrick