Take Me Back To Paris Quotes & Sayings

I would not like to live in the past because you don't get anesthetic when you go to the dentist. You don't get antibiotics. You don't get the things that you are used to now, cell phones and televisions and things that are very convenient. You don't want that. But, it would be fun if you could, every now and then, just meet a friend for lunch at Maxim's in Paris in 1900, or go back to 1870 just for a couple of hours, take a walk in the park, and then come right back to Broadway. — Woody Allen

So I take a deep breath.
Step forward.
Let go.

10 seconds and I'm trying to breathe
9
And I'm trying to be brave
8
But the truth is I'm scared out of my mind
7
And I have no idea what's waiting for me behind that door
6
And I'm pretty sure I'm going to have a heart attack
5
But I can't turn back now
4
Because there it is
3
The door is right in front of me
2
All I have to do is knock
1
Butthe door flies open first. — Tahereh Mafi

If the king had given me for my own
Paris, his citadel,
And I for that must leave alone
Her whom I love so well,
I'd say then to the Crown
Take back your glittering town
My darling is more fair, I swear.
My darling is more fair. — Richard Wilbur

Rick Blaine: We'll always have Paris. We didn't have Paris, we lost it until you came to Casablanca. We got it back last night. Ilsa Lund: When I said I would never leave you ... Rick Blaine: And you never will. But I got a job to do too. Where I'm going you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now ... here's looking at you kid. — Humphrey Bogart

Paris rubbed his forehead against his, running his hands through Roan's hair, and said, 'How about we come back here
and exchange notes once we're done with the interviews? Take a long lunch.'

'Only exchange notes?'

'No one said we can't exchange notes in bed. — Andrea Speed

It is no accident that propels people like us to Paris. Paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. Of itself Paris initiates no dramas. They are begun elsewhere. Paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator. Paris is the cradle of artificial births. Rocking here in the cradle each one slips back into his soil: one dreams back to Berlin, New York, Chicago, Vienna, Minsk. Vienna is never more Vienna than in Paris. Everything is raised to apotheosis. The cradle gives up its babes and new ones take their places. You can read here on the walls where Zola lived and Balzac and Dante and Strindberg and everybody who ever was anything. Everyone has lived here some time or other.Nobody dies here ... — Henry Miller

It was necessary that I leave Schruns and go to New York to rearrange publishers. I did my business in
New York and when I got back to Paris I should have caught the first train from the Gare de 1'Est that would take me down to Austria. But the girl I was in love with was in Paris then, and I did not take the first train, or the second or the third. — Ernest Hemingway,

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Tonight I came back to the hotel alone; the other has decided to return later on. The anxieties are already here, like the poison already prepared (jealousy, abandonment, restlessness); they merely wait for a little time to pass in order to be able to declare themselves with some propriety. I pick up a book and take a sleeping pill, "calmly." The silence of this huge hotel is echoing, indifferent, idiotic (faint murmur of draining bathtubs); the furniture and the lamps are stupid; nothing friendly that might warm ("I'm cold, let's go back to Paris). Anxiety mounts; I observe its progress, like Socrates chatting (as I am reading) and feeling the cold of the hemlock rising in his body; I hear it identify itself moving up, like an inexorable figure, against the background of the things that are here. — Roland Barthes