Symbols In Art Quotes & Sayings
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I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness ... Indeed to cast a spell is simply to spell, to manipulate words, to change peoples consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman. — Alan Moore

When you grow up being taught to worship, whatever that means, there is an array of body-rich symbols: tears, blood, crucifixion, the stations of the cross, transubstantiation ... Faith is a belief in something that is irrational, and so to have faith, there is some correlation there with the belief in the art. — Robert Gober

The real risk is that we will fall into depression and despair; the danger is that we will lose hope in the human project. It is this kind of despondency that art is uniquely well suited to correct. Flowers in spring, blue skies, children running on the beach ... these are the visual symbols of hope. — Alain De Botton

As symbol, or as the structuring of symbols, art can render intelligible
or at least visible, at least discussible
those wilderness regions which philosophy has abandoned and those hazardous terrains where science's tools do not fit. I mean the rim of knowledge where language falters; and I mean all those areas of human experience, feeling, and thought about which we care so much and know so little: the meaning of all we see before us, of our love for each other, and the forms of freedom in time, and power, and destiny, and all whereof we imagine: grace, perfection, beauty, and the passage of all materials to thoughts, and of all ideas to forms. — Annie Dillard

All my life I have refused to be for or against parties, for or against nations, for or against people. I never seek novelty or the eccentric; I do not go from land to land to contrast civilizations. I seek only, wherever I go, for symbols of greatness, and as I have already said, they may be found in the eyes of a child, in the movement of a gladiator, in the heart of a gypsy, in twilight in Ireland or in moonrise over the deserts. To hold the spirit of greatness is in my mind what the world was created for. The human body is beautiful as this spirit shines through, and art is great as it translates and embodies this spirit. — Robert Henri

At first the creative mind submits to its entry into the symbolic register and gets itself structured like everyone else. Then he balks at a fateful moment which becomes a turning point in the history of his mental growth. From the entry into the imaginary order where he acknowledges his ego and then to the symbolic order where he recognizes his place in the society and finally in his de-symbolization or a refusal to obey the Law that is the rules of the world of symbols, a creative genius is born. — Anuradha Bhattacharyya

While photographs certainly attest to Nazi crimes, the magnitude of Nazi genocide demands that every trace of the regime be forever remembered. The various symbols devised by the Nazi image-makers for the most sophisticated visual identity of any nation are a vivid reminder of the systematic torture and murder engaged in by this totalitarian state. These pictures, signs, and emblems are not merely clip art for contemporary designers to toy with as they please, but evidence of crimes against humanity. — Steven Heller

That way of inspiration
is always open,
and open to everyone;
it acts as go-between, interpreter,
it explains symbols of the past
in to-day's imagery. — Hilda Doolittle

The art of writing is not, as many seem to imagine, the art of bringing fine phrases into rhythmical order, but the art of placing before the reader intelligible symbols of the thoughts and feelings in the writer's mind. — George Henry Lewes

Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself. — Henri Bergson

We can hardly imagine a state of mind in which all material objects were regarded as symbols of spirtual truths or episodes in sacred history. Yet, unless we make this effort of imagination, Medieval art is largely incomprehensible. — Kenneth Clark

Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner. — Aldous Huxley

The history of art cannot be properly understood without some reference to the history of science. In both we are studying the symbols by which man affirms his mental scheme, and these symbols, be they pictorial or mathematical, a fable or formula, will reflect the same changes. — Kenneth Clark

In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational (blood and sex). — Cesare Pavese

Medical training taught me the art of breaking down the complex maze of stories, symbols and rituals into clear systems. You could say that it helped me figure out the anatomy and physiology of mythology and its relevance in a society more incisively. How is it that no society can, or does, exist without them? — Devdutt Pattanaik

Visual journals are created in a secret language of symbols. Intentional or not, they are private maps only their makers can follow. — Jennifer New

Poetry is that art which selects and arranges the symbols of thought in such a manner as to excite the imagination the most powerfully and delightfully. — William C. Bryant

The wonders of the Grand Canyon cannot be adequately represented in symbols of speech, nor by speech itself. The resources of the graphic art are taxed beyond their powers in attempting to portray its features. Language and illustration combined must fail. — John Wesley Powell

What genuine painters do is to reveal the underlying psychological and spiritual conditions of their relationship to their world; thus in the works of a great painter we have a reflection of the emotional and spiritual condition of human beings in that period of history. If you wish to understand the psychological and spiritual temper of any historical period, you can do no better than to look long and searchingly at its art. For in the art the underlying spiritual meaning of the period is expressed directly in symbols. This is not because artists are didactic or set out to teach or to make propaganda; to the extend that they do, their power of expression is broken; their direct relations to the inarticulate, or, if you will, 'unconscious' levels of the culture is destroyed. They have the power to reveal the underlying meaning of any period precisely because the essence of art is the powerful and alive encounter between the artist and his or her world. (pg 52) — Rollo May

There are enough ideas, images, symbols, and experiences in your head already to work with for a lifetime. It's a little like having a car with an unpredictable battery, though. Sometimes you get in and it starts right up. Other times, especially if it has been sitting idle for awhile, you turn the key and nothing happens. — Bert Dodson

The task of art is to transform what is continuously happening to us, to transform all of these things into symbols, into music, into something which can last in man's memory. That is our duty. If we don't fulfill it, we feel unhappy. — Jorge Luis Borges

Imagination has the creative task of making symbols, joining things together in such a way that they throw new light on each other and on everything around them. The imagination is a discovering faculty, a faculty for seeing relationships, for seeing meanings that are special and even quite new. — Thomas Merton

In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs. — Northrop Frye

Provided we can escape from the museums we carry around inside us, provided we can stop selling ourselves tickets to the galleries in our own skulls, we can begin to contemplate an art which re-creates the goal of the sorcerer: changing the structure of reality by the manipulation of living symbols ... Art tells gorgeous lies that come true. — Hakim Bey

The art of meditation is a way of getting into touch with reality, and the reason for it is that most civilized people are out of touch with reality because they confuse the world as it with the world as they think about it and talk about it and describe it. For on the one hand there is the real world and on the other there is a whole system of symbols about that world which we have in our minds. These are very very useful symbols, all civilization depends on them, but like all good things they have their disadvantages, and the principle disadvantage of symbols is that we confuse them with reality, just as we confuse money with actual wealth. — Alan W. Watts

All art speaks in signs and symbols. No one can explain how it happens that the artist can waken to life in us the existence that he has seen and lives through. No artistic speech is the adequate expression of what it represents; its vital force comes from what is unspoken in it. — Albert Schweitzer

Poetry is a very complex art ... It is an art of pure sound bound in through an art of arbitrary and conventional symbols. — Ezra Pound

Masonry, according to the general acceptation of the term, is an art founded on the principles of geometry, and devoted to the service and convenience of mankind. But Freemasonry, embracing a wider range and having a nobler object in view, namely, the cultivation and improvement of the human mind, may with more propriety be called a science, inasmuch as, availing itself of the terms of the former, it inculcates the principles of the purest morality, though its lessons are for the most part veiled in allegory and illustrated by symbols. — William Howard Taft

The Byzantines hammered away at their hard and orthodox symbols, because they could not be in a mood to believe that men could take a hint. The moderns drag out into lengths and reels of extravagance their new orthodoxy of being unorthodox, because they also cannot give a hint
or take a hint. Yet all perfect and well-poised art is really a hint. — Gilbert K. Chesterton

Like most geniuses, the Countess was a very limited person. Sigmund Freud was so ignorant of the art that Surrealist painters had to explain then- use of Freudian symbols over and over again, and he still didn't get it. Einstein never could remember to take the biscuits out of oven. Those same forces that drive a genius to create things or ideas that entertain or enlighten us often gobble so much of his personality that he has none left for the social graces (Should you invite Van Gogh to your home he might stand on your sofa in his muddy boots and pee where he pleased), and the very act of creation requires such focused concentration that vast areas of knowledge may be completely overlooked. Well, so what? There is no evidence that generalized skills are in any way superior to specialized brilliance, and certainly that sputter less little candle. Same of the mediocre mind known as "common sense" has never produced anything worth celebrating. — Tom Robbins

As once-colonized nations seek to stand on their own, the countries once denuded of their past seek to assert their independent identities through the objects that tie them to it. The demand for restitution is a way to reclaim history, to assert a moral imperative over those who were once overlords. Those countries still in the shadow of more powerful empires seek to claim the symbols of antiquity and colonialism to burnish their own national mythmaking. — Sharon Waxman

Art is, like magic, the science of manipulating symbols, words or images to achieve changes in consciousness — Alan Moore

After living with his art in my own chamber, I saw there was more than mere mimicry, and that art was a world unto itself, with its own symbols and language. A leaf seen in a certain light might be gray or violet as well as purple, and a latticework of twigs might easily turn red as the sky paled above the city. — Alice Hoffman