Sweet One Line Quotes & Sayings

A line will take us hours maybe; / Yet if it does not seem a moment's thought, / Our stitching and unstitching has been naught ... Better go down upon your marrow-bones / And scrub a kitchen pavement, or break stones ... For to articulate sweet sounds together / Is to work harder than all these, and yet / Be thought an idler by the noisy set ... — William Butler Yeats

Son of a bitch!" "What is it?" asked Coleman. "Our flight's delayed!" "But only fifteen minutes," said Coleman. "I've seen this movie before. 'Fifteen minutes' is code for 'at least three to five hours.' They know the plane's stuck in Pittsburgh, where they wrestled another drunk pilot to the runway, but they don't want an open passenger revolt, so they incrementally string us along fifteen minutes at a time, until you're across the international date line." Serge paced in front of the departure screen. Fifteen minutes later, Serge grabbed Coleman and pointed. "Sweet Jesus! They just added another fifteen minutes! — Tim Dorsey

I developed that for a long time. I also developed 'Sugar Sweet Science' at New Line and that didn't happen. That was a boxing movie. And between all that there were a couple of other things. — Danny DeVito

Kaden leaned against the doorframe, running his fingers through his dark hair. He was barefoot and shirtless, wearing only a pair of gray sweatpants. His upper body was tanned and cut to perfection. A sparse patch of dark hair covered the center of his chest while a thin line ran down the middle of his stomach muscles. Oh, sweet baby Jesus, his stomach. She'd seen professional athletes on television with an eight-pack but hadn't thought normal people could actually achieve them. Her fingertips tingled with the urge to run her fingers over each of his pecs. — Stacey O'Neale

Now, remembering Daniel's blustering description of Grant's weekend companion, Justin controlled a grin. "Daniel mentioned you were bringing-an artist."
Grant recognized, as few would have, the gleam of humor in Justin's eyes. "I'm sure he did," he returned in the same conversational tone. "I haven't congratulated you yet on ensuring the continuity of the line."
"And saving the rest of us from the pressure to do so immediately," Shelby finished.
"Don't count on it," a smooth voice warned.
Gennie looked up to see a blond woman descending the steps, carrying a bundle in a blue blanket.
"Hello,Grant. It's nice to see you." Serena cradled her son in one arm as she leaned over to kiss Grant's cheek. "It was sweet of you to answer the royal summons. — Nora Roberts

Time, That Is Pleased to Lengthen out the Day

Time, that is pleased to lengthen out the day
For grieving lovers parted or denied,
And pleased to hurry the sweet hours away
From such as lie enchanted side by side,
Is not my kinsman; nay, my feudal foe
Is he that in my childhood was the thief
Of all my mother's beauty, and in woe
My father bowed, and brought our house to grief.
Thus, though he think to touch with hateful frost
Your treasured curls, and your clear forehead line,
And so persuade me from you, he has lost;
Never shall he inherit what was mine.
When Time and all his tricks have done their worst,
Still will I hold you dear, and him accurst. — Edna St. Vincent Millay

Emily felt the sweet strains of paranoia drifting back. They told her to look over her shoulder, and when she did, they told her to check the lock on the door, and when she did that, they told her that her fears had meaning and depth, and that she was right to feel them. Each shadow meant something different and strange, an unfamiliar animal or a line of weapons. These visions were terrifying, but after they went away, she felt a strange kind of peace that those things existed in the world, that her world was powerful enough to conjure them. My world, she thought. — Amelia Gray

There's a fine line between being sweet and innocent and being a tough broad. — Phyllis George

I know as soon as we hit the sweet spot, an intangible instant when the music gains control of fluttering wings to take real flight - soaring, swooping, diving and rising in the small studio. No single one of us is in control. The wall of sound is its own thing - lifted, weight shared, by five pairs of hands. I shake hair from closed eyes just because I need to move. If I let the pressure build and build and keep it in my hands, in the guitar, I'll explode. We carve out places for the verses, the chorus repetitions, and the coda. We line the edges of sonic space with rhythm and melody and stand Scope's sharp samples at each corner. — Emma Trevayne

This level reach of blue is not my sea;
Here are sweet waters, pretty in the sun,
Whose quiet ripples meet obediently
A marked and measured line, one after one.
This is no sea of mine. that humbly laves
Untroubled sands, spread glittering and warm.
I have a need of wilder, crueler waves;
They sicken of the calm, who knew the storm.
So let a love beat over me again,
Loosing its million desperate breakers wide;
Sudden and terrible to rise and wane;
Roaring the heavens apart; a reckless tide
That casts upon the heart, as it recedes,
Splinters and spars and dripping, salty weeds. — Dorothy Parker

In the case of 'Sweet Tooth,' and in the case of a lot of stuff I do, it all starts with the image. It may be something I sketch in my sketchbooks - something that reoccurs in the sketchbooks. Eventually, a character or story line starts to grow out of that. — Jeff Lemire

When you're a trans woman, you are made to walk this very fine line, where if you act feminine you are accused of being a parody, but if you act masculine, it is seen as a sign of your true male identity. And if you act sweet and demure, you're accused of reinforcing patriarchal ideals of female passivity, but if you stand up for your own rights and make your voice heard, then you are dismissed as wielding male privilege and entitlement. — Julia Serano

What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten'd in the tract of time?


These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden's locks;
Or when a thousand moons shall wane


A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.


But what of that? My darken'd ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise. — Alfred Tennyson

The golden line is drawn between winter and summer. Behind all is blackness and darkness and dissolution. Before is hope, and soft airs, and the flowers, and the sweet season of hay; and people will cross the fields, reading or walking with one another; and instead of the rain that soaks death into the heart of green things, will be the rain which they drink with delight; and there will be sleep on the grass at midday, and early rising in the morning, and long moonlight evenings. — Leigh Hunt

There was a fine line of making love and fucking but this was love-fucking. This was cruel but sweet. Angry but happy. It was a thousand words in one timeless action - righting the wrongs of our past and hopefully repairing a future we both didn't think we'd ever find. — Pepper Winters

Tell me not, sweet, I am unkind," he said, "That from the nunnery, Of they chaste breast and quiet mind."
I looked up at him, and said the next line, "To war and arms I fly."
"True, a new mistress now I chase," he said.
"The first foe in the field," I said, and let him draw me closer.
"And with a stronger faith embrace," he said.
"A sword, a horse, a shield." And the last word was whispered against his chest, still looking up into those eyes, searching his face.
"Yet this inconstancy is such, As thou too shalt adore," he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. "I could not love thee, dear, so much, Loved I not honor more. — Laurell K. Hamilton

The key to skeleton is to find the line, and I think I spend most of training figuring out where that sweet spot is ... — Katie Uhlaender

Her heart sprang up into her throat.
Watching that shadow play was like paying a quarter for a peep show. Only she got it for free.
He thinks I'm pretty.
Butterflies did a dance around her heart before she could swat them away.
Behind the shade. his shadow unbuttoned those soft, worn, butt-hugging jeans and slid them down his lean hips. Charli sucked in a big gulp of air, then headed back to the veranda and her glass of wine.
With all the estrogen doing a conga line through her blood, she needed a drink.
Well, she really needed something else.
But she'd settle for a drink. — Candis Terry

I have always been suspicious of the phrase, the glow of pregnancy, and my suspicions were only confirmed by Lillian's appearance. Instead of a glow, her whole body seemed to become more and more dull, sallow and sickly sweet and vague, like a candle burning out or a line of smudged writing. — John Burnside

That's the beauty of this great sport (track), though-it's such a fine line between success or not, which makes the sweet moments that much more worth savoring. — Nick Willis

Hakan cursed his plan. What had he done bringing that sweet girl here? She was as delicate as she was beautiful. Her life on Sol had not exposed her to the kind of danger present in the Hub. He'd thought her name would protect her, a great family that could trace its line back to the first convoys from Earth. Her wealth, too, which could command anyone's respect. But the Hub was in the deepest black of space, where starlight was a distant glitter.
Nothing could protect her here. — Erin Kellison

So tired of this straight line, and everywhere you turn
There's vultures and thieves at your back
The storm keeps on twisting, you keep on building the lies
That you make up for all that you lack.
It don't make no difference, escaping one last time
It's easier to believe
In this sweet madness, oh this glorious sadness
That brings me to my knees. — Sarah McLachlan

I remember being little and wondering if I smoothed this line away would I be able to see inside you, like it was a door or some kind of opening to your insides. Dumb, huh?"
"Sweet," he said, softly. "Little girl sweet. Never dumb."
Her eyes traveled up to his and locked there.
"When I got older I wondered what it would be like to kiss it. — Peggy Jaeger

Abel was brushing the snow off his parka while Micha was dancing around him, still balancing the plate of cookies, singing, 'We're staying, we're staying, we're staying overnight! We're drying! We're drying! We're drying on the line! — Antonia Michaelis

Sweet allowed her pregnancy to get the better of her and simply sat down. Reenie's lips set into a straight, emotionless line. Mawu no longer talked back, the words she did speak taking on an air of vapidity. Philip was chained at night, no longer trusted. So it was no wonder that Lizzie sought out the white woman then. — Dolen Perkins-Valdez

Great. So basically you're saying your entire family is trained to kick my ass if I step out of line."
Sherry tapped his chest with a smirk she didn't quite feel. "AND don't you forget it."
"Well, except for me," Colby replied. "I leave the fighting to my man. I'd just slip something in your food. — Rachel Harris

She has no interest in the composition from ten or twenty feet - that will come later. What she wants is topography, the impasto, the furrows where sable hairs were dragged into tiny painted crests to catch the light. Or the stray line of charcoal or chalk, glimpsed beneath a glaze that's three hundred years old. She's been known to take a safety pin and test the porosity of the paint and then bring the point to her tongue. Since old-world grounds contain gesso, glue, and something edible - honey, milk, cheese - the Golden Age has a distinctively sweet or curdled taste. She is always careful to avoid the leads and the cobalts. What — Dominic Smith

Put your arms around my waist,
Hold me close for a kiss and savour the taste,
I love you now I love you true,
Can I drown please in your eyes so blue?
Let's hang our hearts on a crescent moon,
And skinny-dip in starlit lakes to loves sweet tune,
Let's dance on boithrins grassy line,
And waltz 'Neath the canopied leaves of nature fine.
Lets sit afore fires on a winters night
Let me read you poetry aloud by candlelight,
Let's lay under the skylight and tell constellations apart,
And I'll remind you of the place you have in my heart. — Michelle Geaney

The two men were slowly pacing the terrace in front of Dr. Raymond's house. The sun still hung above the western mountain-line, but it shone with a dull red glow that cast no shadows, and all the air was quiet; a sweet breath came from the great wood on the hillside above, and with it, at intervals, the soft murmuring call of the wild doves. Below, in the long lovely valley, the river wound in and out between the lonely hills, and, as the sun hovered and vanished into the west, a faint mist, pure white, began to rise from the hills. Dr. Raymond turned sharply to his friend. Safe? Of course it is. In itself the operation is a perfectly simple one; any surgeon could do it. — Arthur Machen

My real bottom-line hypothesis is that nobody has a sweet clue what they're doing. Therefore you better be trying stuff at an insanely rapid pace. You want to be screwing around with nearly everything. Relentless experimentation was probably important in the 1970s-now it's do or die. — Tom Peters

If this were a courageous country,
it would ask Gloria to lead it
since she is sane and funny and beautiful and smart
and the National Leaders we've always had
are not.
When I listen to her talk about women's rights
children's rights
men's rights
I think of the long line of Americans
who should have been president, but weren't.
Imagine Crazy Horse as president. Sojourner Truth.
John Brown. Harriet Tubman. Black Elk or Geronimo.
Imagine President Martin Luther King confronting
the youthful "Oppie" Oppenheimer. Imagine President
Malcolm X going after the Klan. Imagine President Stevie
Wonder dealing with the "Truly Needy."
Imagine President Shirley Chisholm, Ron Dellums, or
Sweet Honey in the Rock
dealing with Anything.
It is imagining to make us weep with frustration,
as we languish under real estate dealers, killers,
and bad actors. — Alice Walker

One series of notes, high and delicate, sang of a sweet moonlight kiss gone sour; another line of music rippled with regret over opportunities forever lost. — Sharon M. Draper

I started to imagine Mary tugging at the shirt of Jesus and saying, I will not keep silent. I will obey you and I will tell others to obey you but I will not keep silent. People are thirsty. In John's Gospel, Mary is not the young virgin pondering sweet things in her heart. In John's Gospel, Mary is not surrounded by singing angels... I started to see Mary in a long line of prophets who have not kept silent. The prophet Mary stands and says, "Lord we've run out of wine and people are thirsty." And Jesus hears her. — Nadia Bolz-Weber

It is a two-line poem, which could be really sweet, or sour at times and it depends, totally on the way we use it. — Saravana Kumar Murugan

Landry looked crestfallen. "Too bad. Having a beautiful woman whisper sweet nothings in my ear with a French accent would have been intriguing."
Okay, what was a woman supposed to do after a line like that? Everly couldn't resist leaning closer and giving him what she hoped was a sexy, come-hither look.
"I think I may be able to help you with those sweet little nothings," she said in her best French accent. — Paige Tyler

There'll be moments in life, sweet pea, that stand out in your memories like a photograph. Scenes captured perfectly in your mind, frozen in time with each detail as colorful as it was that first time you saw it. 'Flashbulb memories,' some people call them," she'd told me, her eyes crinkling up and nearly disappearing in a face etched with too many laugh lines to count. "Most people don't recognize those moments as they happen. They look back fifty years later, and realize that those were the most important parts of their entire life. But at the time, they're so busy looking ahead to what's coming down the line or worrying about their future, they don't enjoy their present. Don't be like them, sweet pea. Don't get so caught up in chasing your dreams that you forget to live them. — Julie Johnson

I would say that whatever happens down the line, that Quicksilver vanishes from the movies, I don't know. At this point it is the beginning of him coming into the group and being a force that fights evil. It's pretty sweet. — Evan Peters

He smiled, setting his forehead to hers. "you are very bad for me. I am trying to turn over a new leaf
I am trying to be more gentlemanly."
"But what if I want you to stay a rake?" she teased, her fingers trailing down his neck and chest, fingering the buttons on his waistcoat. "A libertine, even?" she slipped one fastening from its seat and he grabbed her errant hand, bringing it to his lips for a swift kiss.
"Callie," he said, his voice thick with warning as she set her free hand to the second button on his coat.
"What if I want the rogue, Gabriel?" the question was soft and sweet.
"What are you saying?"
She kissed across the firm square line of his jaw and whispered to him, shyness in her shaking voice, "Take me to bed, Gabriel. Give me a taste of scandal. — Sarah MacLean

Within my heart a garden grows,
wild with violets and fragrant rose.
bright daffodils line the narrow path,
my footsteps silent as i pass.
sweet tulips nod their heads in rest;
i kneel in prayer to seek gods best.
for round my garden a fence stands firm
to guard my heart so i can learn
who should enter, and who should wait
on the other side of my locked gate.
i clasp the key around my neck
and wonder if the time is yet.
if i unlocked the gate today,
would you come in? or run away? — Robin Jones Gunn

I was a good college kid, all-American and baseball-playing, living in the dorms with a million barbarians. I did not expect to be claimed by Fitzgerald hook, line, and sinker. 'This Side of Paradise' - that sweet, sophomoric pastiche of notes, scenes, poetry, and plays - I felt like he'd written the book just for me. — Ron Carlson

I look for women I know are gonna bust me up good. Come on, man, who can resist that? Who can resist that emotional pain? Yeah, they all have the same line, they're so sweet: I'm not gonna hurt you like all the others. Really I'm not. I'm gonna introduce you to a whole new level of pain! — Sam Kinison

Sweet Jesus," he whispered, trailing kisses along the line of her jaw. "Our excavation must have freed some deep, dark ancient enchantment from the earth. How else to explain this magic? — Cara Elliott

Gary Robinson died hungry.

He wanted fried chicken, the three-piece box for $2.19. Drunk, loud, and obnoxious, he pushed ahead of seven customers on line at a fast-food chicken outlet. The counter girl told him that his behavior was impolite. She calmed him down with sweet talk, and he agreed to step to the end of the line. His turn came just before closing time, just after the fried chicken ran out.

He punched the counter girl so hard her ears rang, and a security guard shot him - three times. — Edna Buchanan

No reflection was to be allowed now, not one glance was to be cast back; not even one forward. Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet, so deadly sad, that to read one line of it would dissolve my courage and break down my energy. The last was an awful blank, something like then world when the deluge was gone by. — Charlotte Bronte

Strike, with hand of fire, O weird musician, thy harp strung with Apollo's golden hair; fill the vast cathedral aisles with symphonies sweet and dim, deft toucher of the organ keys; blow, bugler, blow, until thy silver notes do touch and kiss the moonlit waves, and charm the lovers wandering 'mid the vine-clad hills. But know, your sweetest strains are discords all, compared with childhood's happy laugh - the laugh that fills the eyes with light and every heart with joy. O rippling river of laughter, thou art the blessed boundary line between the beasts and men; and every wayward wave of thine doth drown some fretful fiend of care. O Laughter, rose-lipped daughter of Joy, there are dimples enough in thy cheeks to catch and hold and glorify all the tears of grief. — Robert G. Ingersoll

I always tell Noah to behave or I'll sell him on eBay. You've got to have some way to keep these little buggers in line or they'll just walk all over you. It's a nightmare. Honestly. All the livelong day. Daddy, I want this. Daddy, I want that. Daddy, daddy, daddy! Gimme gimme gimme! I'm like, honest to almighty Christ and sweet and sunny jumped-up Jesus, if you don't shut up, it's back to the basement and the duct tape and the handcuffs again and I'm not joking. Now get me a beer, you frikkin' munchkin! — Nick Wilgus

Contrast is important in life. We understand what light is because we can compare it with what we know is dark. Sweet is made sweeter after we eat something bitter. It's the very same with sadness. And it's important to experience sadness, to embrace it in order to truly know happiness. I was just a flat line until he came along. And maybe now I'm hurting. But isn't that what love is supposed to do? Make you feel, make you brave, make you look at yourself more carefully? — Tarryn Fisher

Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet - so deadly sad - that to read one line of it would dissolve any courage and break down my energy. The last was an awful blank: something like the world when the deluge was gone by. — Charlotte Bronte

And even though they fail us every bit as readily as we fail ourselves, even though they prove just as incapable of fulfilling us as all the other people do in our lives, we still keep pushing that gimme button like blasted morons, fully expecting that the next time we snag whatever comes out of it will be the time when the satisfaction finally takes hold, when the good feelings finally stick around and stay. And so like clockwork, we go down in flames again and again to our alcohol abuse or our sexual lust or our sweet tooth or our credit line - whatever particular desire is so powerful and predictable at deceiving us. We grab for things that have never failed to disappoint us in the past, thinking that what we must need more than anything is more of it ... more of the same thing that's never been able to satisfy us before. That's the call of the world for you. And it's madness. — Matt Chandler

I walked back to the front of the bakery to see a knot of people stalking our display for June. Apricot and lavender might seem like an unusual pairing, but it made perfect sense to me. Luscious, sweet apricots taste best when they're baked and the flavor is concentrated. On the other hand, lavender likes it cool; the buds have a floral, almost astringent flavor. Lavender was a line drawing that I filled in with brushstrokes of lush apricot. — Judith Fertig

Our sorrows, like the passing keels of the vessels upon the sea, leave a silver line of holy light behind them "afterwards." It is peace, sweet, deep peace, which follows the horrible turmoil which once reigned in our tormented, guilty souls. — Charles Haddon Spurgeon

Lila walked by with her nose in the air. In a straight line behind her, six obedient kindergartners waddled like baby geese, singing in unison, 'Row, row, row your yacht ... — Francine Pascal

I don't even know if I have bones in my body anymore. I don't know how I'm standing. I could melt under the sweet heat of his lips that are now tracing a line down my chest to the very top of my breasts, as he tugs gently at my shirt, giving himself room to leave one more brush of his lips, before he stops. — Lauren Blakely

But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And - since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form - the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light. — Donna Tartt