Suzanne Arms Quotes & Sayings

And he would put his arms around her and hold her, but he had no idea what to tell her. In his mind, Gregor knew how to kill things, not bring them back ti life. — Suzanne Collins

Who had ever held Suzanne in their arms and told her that her heart, beating away in her chest, was there on purpose? — Emma Cline

The sensation inside me grows warmer and spreads out from my chest down through my body out along my arms and legs to the tips of my being. Instead of satisfying me the kisses have the opposite effect of making my need greater. — Suzanne Collins

I got the idea from our family's plant book. The place where we recorded things you cannot trust to memory. The page begin's with the person's picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie's newborn son. — Suzanne Collins

I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. — Suzanne Collins

Harlin smiles softly and steps up, wrapping his arms around me as he brings his lips to my ear. I close my eyes. "I hate every second I'm away from you," he says. "Don't ever doubt that." And then he kisses me. — Suzanne Young

Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their death count. — Suzanne Collins

Jeremy takes the money and heads toward the back bedroom to get dressed.
"Chinese? I'll come with," Henry calls, but then pauses to look at us, one eyebrow raised.
Harlin laughs and puts his arm around me. "Don't even say it," he warns. "You'll embarrass her." But he always says it.
"Charlotte," Henry begins in a mock parental tone, "when two people love each other, they may have certain urges. Protection is an important - "
"Oh my God!" I cover my ears and laugh. I wait until his lips have stopped moving before I drop my arms. — Suzanne Young

What am I going to do? I take a deep breath. My arms rise slightly - as if recalling the black-and-white wings Cinna gave me - then come to rest at my sides. I'm going to be the Mockingjay. — Suzanne Collins

I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go. — Suzanne Collins

Samuel walked out to Lindsey then, and there she was in his arms, my sweet butterball babe, born ten years after my fourteen years on Earth: Abigail Suzanne. Little Susie to me. Samuel placed Susie on a blanket near the flowers. And my sister, my Lindsey, left me in her memories, where I was meant to be. — Alice Sebold

It's only now that he's been corrupted that I can fully appreciate the real Peeta. Even more than I would've if he'd died. The kindness, the steadiness, the warmth that had an unexpected heat behind it. Outside of Prim, my mother and Gale, how many people in the world love me unconditionally? I think in my case, the answer may be none.
Sometimes, when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day. — Suzanne Collins

Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The color of Finnick's eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended,like a bird about to take flight. — Suzanne Collins

Then there's Peeta just a few yards away. He looks so clean and healthy and beautiful, I can hardly recognize him. But his smile is the same weather in mud or in the Capital and when I see it, I take about three steps and fling myself into his arms. — Suzanne Collins

The pain over my heart returns, and from it I imagine tiny fissures spreading out into my body. Through my torso, down my arms and legs, over my face, leaving it crisscrossed with cracks. One good jolt ... and I could shatter into strange razor-sharp shards. — Suzanne Collins

I cover my face with my arms because this isn't happening. It isn't possible. For someone to make Peeta forget he loves me ... no one can do that. — Suzanne Collins

my muscles are rigid with the tension of holding myself together. the pain over my heart returns, and from it i imagine tiny fissures spreading out into my body. through my torso, down my arms and legs, over my face, leaving it crisscrossed with cracks. — Suzanne Collins

When Peeta holds out his arms, I walk straight into them. It's the first time since they announced the Quarter Quell that he's offered me any sort of affection. He's been more like a very demanding trainer, always pushing, always insisting Haymitch and I run faster, eat more, know our enemy better. Lovers? Forget about that. He abandoned any pretense of even being my friend. I wrap my arms tightly around his neck before he can order me to do push-ups or something. Instead he pulls me in close and buries his face in my hair. Warmth radiates from the spot where his lips just touch my neck, slowly spreading through the rest of me. It feels so good, so impossibly good, that I know I will not be the first to let go.
And why should I? — Suzanne Collins

If she cries, he will nose his way into her arms and curl up there until she calms down and falls asleep. I'm so glad I didn't drown him. — Suzanne Collins

Peeta's awake already, sitting on the side of the bed, looking bewildered as the trio of doctors reassure him, flash lights in his eyes, checks his pules. I'm disappointed that mine was not the first face he saw when he woke up, but he sees it now. His features registrer disbelief and something more intense that I can't quite place. Desire? Desperation? Surely both, for he sweeps the doctors aside, leaps to his feets and moves towards me. I run to meet him, my arms extended to embrace him. His hands are reaching for mine too, to caress my face, I think.
My lips are forming his name when his fingers lock around my throat. — Suzanne Collins

I swing my arms to loosen myself up. Place my fists on my hips. then drop them to my sides. Saliva's filling my mouth at a ridiculous rate and i feel vomit at the back of my throat. I swallow hard and open my lips so I can get the stupid line out and go hide in the woods and-that's when i start crying. — Suzanne Collins

He watches the shadows cast by her hands as she sorts through their clothes scattered across the floor. The shape of her arms as she reaches up, slipping his black T-shirt over her head -- like victory. He considers the triumph of this moment, the slick of sweat on his chest. A small clatter, then the sound of a striking match. Her face glows. he reaches for her. She blows the match out, darts across the room, lights another one, glows, blows it out. — Suzanne Alyssa Andrew

But his arms are there to comfort me, and eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, "You love me. Real or not real?" I tell him "Real. — Suzanne Collins

I waited at least two hours. I'd begun to think that he'd given up on me in the weeks that had passed. Or that he no longer cared about me. Hated me even. And the idea of losing him for ever, my best friend, the only person I'd ever trusted with my secrets, was so painful I couldn't stand it. Not on top of everything else that had happened. I could feel my eyes tearing up and my throat starting to close the way it does when I get upset.
Then I look up and there he was, three metres away, just watching me. Without even thinking, I jumped up and threw my arms around him, making some weird sound that combined laughing, choking and crying. — Suzanne Collins

He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep. After that, I refuse the pills. But every night I let him into my bed. We manage the darkness as we did in the arena, wrapped in each other's arms, guarding against dangers that can descend at any moment — Suzanne Collins

Once you start spending time together, you'll learn things about her that no one else could have told you. Things that you never would have suspected. Like the fact that she snores and has cold feet." He folded his arms and I caught his smile in my peripheral vision. Why was he smiling at me? Hey, was he referring to our nap on the cot? "Maybe you'll learn that she'd make a great doctor or that she has the capacity to care about people she barely knows." He took a dramatic pause, leaning against the wall. "Maybe you'll learn that she's not the spoiled princess you thought she was."
Maybe you'll learn that she'd rather have someone speak directly to her than about her," I said, folding my arms and leaning against the wall. — Suzanne Selfors

I cross to Peeta and wrap my arms around him, and for a while we all stay silent. — Suzanne Collins

They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stirring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. — Suzanne Collins

Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. — Suzanne Collins

Returning to her position beneath the skylight, she yanked her arm down. The end of a length of rope tumbled into the room. "Oh, Mr. Addison. I never give something for nothing."
He found that he wasn't quite ready for her to leave. "Perhaps we could negotiate."
She released the rope, approaching him with a walk that looked half Catwoman and all sexy. "I already suggested that, and you turned me down. But be careful. Somebody wants you dead. And you have no idea how close somebody like me can get, without you ever knowing," she
murmured, lifting her face to his.
Jesus. She practically gave off sparks. He could feel the hairs on his arms lifting. "I would know," he returned in the same low tone, taking a slow step closer, daring her to make the next move. If she did, he was going to touch her. He wanted to touch her, badly. The heat coming off her body was almost palpable. — Suzanne Enoch

I reach for Prim in the twilight, clamp my hand on her leg and pull myself over to her. Her voice remains steady as she croons to Buttercup. "It's all right, baby, it's all right. We'll be OK down there."
My mother wraps her arms around us. I allow myself to feel young for a moment and rest my head on her shoulder. — Suzanne Collins

Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. — Suzanne Collins

My legs, arms, torso, underarms, and parts of my eyebrows have been stripped of the stuff, leaving me like a plucked bird, ready for roasting. — Suzanne Collins

I wrap my arms around his neck, feel his arms hesitate before they embrace me. Not as steady as they once were, but still warm and strong. A thousand moments surge through me. All the times these arms were my only refuge from the world. Perhaps not fully appreciated then, but so sweet in my memory, and now gone for ever. — Suzanne Collins

Nonetheless, after we've dropped off the birds and volunteered to go back to the woods to gather kindling for the evening fire, I find myself wrapped in his arms. His lips brushing the faded bruises on my neck, working their way to my mouth. Despite what I feel for Peeta, this is when I accept deep down that he'll never come back to me. Or I'll never go back to him. I'll stay in 2 until it falls, go to the Capitol and kill Snow, and then die for my trouble. And he'll die insane and hating me. So in the fading light I shut my eyes and kiss Gale to make up for all the kisses I've withheld, and because it doesn't matter any more, and because I'm so desperately lonely I can't stand it.
Gale's touch and taste and heat remind me that at least my body's still alive, and for the moment it's a welcome feeling. I empty my mind and let the sensations run through my flesh, happy to lose myself. — Suzanne Collins

In stark contrast to two nights ago, when I felt Peeta was a million miles away, I'm struck by his immediacy now. As we settle in, he pulls my head down to use his arm as a pillow; the other rests protectively over me even when he goes to sleep. No one has held me like this in such a long time. Since my father died and I stopped trusting my mother, no one else's arms have made me feel this safe. — Suzanne Collins

Vikus looked at Luxa and opened his arms. She stood, still frozen, staring at him as if he were a complete stranger.
"Luxa, it's your grandpa," said Gregor. It seemed like the best and most important thing to say at the moment. "It's your grandpa."
Luxa blinked. A tiny tear formed at the corner of her eye. A battle took place on her face as she tried to stop the feelings rising up inside her.
The feelings won, and to Gregor's great relief, she ran into Vikus's arms. — Suzanne Collins

You're my girl, Tessa Crimson. You'll always be my girl." He brought me close to him and wrapped me up in his arms, staring down into my face. "And even if we aren't together, that won't change. — Suzanne Young

In some African tribes, this would make us married," a dry male voice returned. Angel looked up. His arms reflexively gripping her waist, a tall, lean man with windswept black hair looked down at her with amused emerald eyes. "In others, it would mean we're being prepared for supper — Suzanne Enoch

Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob. — Suzanne Collins

A disturbing thought hits me,"but then our only neighbor would be Haymich!"
"Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales."
"I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal.
"Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta.
He's never sober!" I protest.
That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you."
" I thought that you said I was his favorite," I say.
"He hates me more," says Peeta, "I don't think people in general are his sort of thing. — Suzanne Collins