Surprise And Shock Quotes & Sayings
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Top Surprise And Shock Quotes

I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise. — George Carlin

I think she is going to find you too old ... Yes that was it, the moment she said it I knew it was true, and the revelation caused me no surprise, it was like the echo of a dull, not unexpected shock. The age difference was the last taboo, the final limit, all the stronger for the fact that it remained the last and had replaced all the others. In the modern world you could be a swinger, bi, trans, zoo into S&M, but it was forbidden to be old. — Michel Houellebecq

When I say that a good picture has surprise quality or shock appeal, I do not mean that it is a loud or vulgar picture but, instead, that it stimulates my thinking and intrigues me. — Alexey Brodovitch

In 2002, my daughter was diagnosed with a rare form of colon cancer. And it was such a shock, a surprise to us. — Iyanla Vanzant

If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk. — John Waters

Perhaps one of these days she'd surprise herself and not actually do the thing that was right and proper and best for all concerned. And probably give herself heart failure from the shock. — Jo Victor

I think it's part of the responsibility of an artist to shock, to upset, to make people think differently, and to surprise people. And that's where the good humor is, if there's a surprise and there's something unexpected. Something that's not normal, not in the realm of general living expectations. — Bill Plympton

There is no "tropical island paradise" I know of which remotely matches up to the fantasy ideal that such a phrase is meant to conjure up, or even to what we find described in holiday brochures. It's natural to put this down to the discrepancy we are all used to finding between what advertisers promise and what the real world delivers. It doesn't surprise us much any more. So it can come as a shock to realise that the world we hear described by travellers of previous centuries (or even previous decades) and biologists of today really did exist. The state it's in now is only the result of what we've done to it, and the mildness of the disappointment we feel when we arrive somewhere and find that it's a bit tatty is only a measure of how far our own expectations have been degraded and how little we understand what we've lost. The people who do understand what we've lost are the ones who are rushing around in a frenzy trying to save the bits that are left. — Douglas Adams

The sight of Florence below, the cluster of churches and towers and palaces tiered up on either side of the river, is as familiar as his own hand, as surreal as any nightmare. The setting of many of the most intimate and heartening moments of his life. Taunting him now with a spell of inaccessibility. Since the advent of war many things have happened to him that he could not possibly have imagined. He wonders if this is one of the subliminal reasons men wage war. To increase the daily frequency of surprise and shock. The forerunners of revelation. — Glenn Haybittle

Spell-Cleaver. That was his title. She surveyed him with her usual disdain. But Helion gave her the same bow he'd offered me - though his smile was edged with enough sensuality that even my heart raced a bit. No wonder the Lady of Autumn hadn't stood a chance. "I don't think we were introduced properly earlier," he crooned to Nesta. "I'm - " "I don't care," Nesta said with a snap of her wrist, striding right past him and up to my side. "I'd like a word," she said. "Now." Cassian was biting his knuckle to keep from laughing - at the utter surprise and shock on Helion's face. It wasn't every day, I supposed, that anyone of either sex dismissed him so thoroughly. I threw the High Lord a semi-apologetic glance and led my sister out of the room. — Sarah J. Maas

I'm afraid that surprise, shock, and regret is the fate of authors when they finally see themselves on the page. — Julia Child

Lady Kingsley, when you read this, do attempt to keep an open mind."
"I will if you will," she retorted hotly.
To her surprise, he chuckled. "I daresay neither of us will. It's a pity, too, because if we could ever see our way clear to agreeing on a matter, we might accomplish a great deal of good in this world."
It infuriated her that he could pretend to care even one whit for these boys. "Now you've confused me. I'd assumed that your reason for serving on so many charitable boards was to further your political aims. Yet all the time you were merely hoping to accomplish some 'good in this world.' How very astonishing."
Just that quickly, his amusement vanished. "While I don't pretend to be as morally superior as you and your late husband, my intentions are good, no matter what you make of them. It may shock you to learn that those of us with character flaws sometimes do as much good as those of you without. — Sabrina Jeffries

Bream Mortimer was tall and thin. He had small bright eyes and a sharply curving nose. He looked much more like a parrot than most parrots do. It gave strangers a momentary shock of surprise when they saw Bream Mortimer in restaurants, eating roast beef. They had the feeling that he would have preferred sunflower seeds. — P.G. Wodehouse

I imagine that the essential gesture of the Operator is to surprise something or someone (through the little hole in the camera), and that this gesture is therefore perfect when it is performed unbeknownst to the subject being photographed. From this gesture derive all photographs whose principle (or better whose alibi) is "shock"; for the photographic "shock" consists less in traumatizing than in revealing what was so well hidden that the actor himself was unaware or unconscious of it. — Roland Barthes

The entity God created to traffic His transcendence has fallen far from its mission when it chooses instead to traffic what can be found on any street corner or at the local mall. You may ask, "But how has the church done that?"
* By offering secularists what they find mildly interesting and calling it church.
*By submitting to self-help sermons where encounter with God is not even on the agenda.
* By letting the horizontal excellence of the show stand in for Vertical impact.
*By substituting the surprise or shock of superficial entertainment for the supernatural.
Church was designed to deliver what we were created to long for. Church must again be about a Vertical encounter that interrupts and alters everything. — James MacDonald

Perhaps we are born knowing the tales of our grandmothers and all their ancestral kin continually run in our blood repeating them endlessly, and the shock they give us when we first bear them is not of surprise but of recognition. — P.L. Travers

I am a fool, said Richard Lovat, which was the most frequent discovery
he made. It came, moreover, every time with a new shock of surprise and
chagrin. Every time he climbed a new mountain range and looked over, he
saw, not only a new world, but a big anticipatory fool on this side of
it, namely, himself. — D.H. Lawrence

People should never surprise you. Humans have basic animal drives that are going to make people predictable. Don't let them shock you. A person is too easily predicted. Now, Shirley listen closely. There are wolves and there are sheep. Most people are sheep. Even if a person is a sheep, don't turn your back to them. There is a reason that sheep are so easily controlled... — Raven Huffman

Inevitably, the flood of literary pornography loosed on us is dulling our reactions of surprise or shock. Its writers are forced to raise the ante, to provide stronger and stronger stimulants. Or try to provide them, since both the manner, the naming of parts and the few inexpressive four-letter words, and the matter, are narrowly limited. — Storm Jameson

This undoubtedly accounts for my sense of shock when, on my first visit to Duke University, and by surprise, I came face-to-face with James B. Duke in his dignity, his glory perhaps, as the founder of that university. He stands imperially in bronze in front of a Methodist chapel aspiring to be a cathedral. He holds between two fingers of his left hand a bronze cigar. On one side of his pedestal is the legend: INDUSTRIALIST. On the other side is another single word: PHILANTHROPIST. The man thus commemorated seemed to me terrifyingly ignorant, even terrifyingly innocent, of the connection between his industry and his philanthropy. But I did know the connection. I felt it instantly and physically. The connection was my grandparents and thousands of others more or less like them. If you can appropriate for little or nothing the work and hope of enough such farmers, then you may dispense the grand charity of "philanthropy. — Wendell Berry

When World War II erupted, colonialism was at its apogee. The courde of the war, however, its symbolic undertones, would sow the seeds of the system's defeat and demise. [ ... ] The central subject, the essence, the core relations between Europeans and Africans during the colonial era, was the difference of race, of skin color. Everything-each eaxchange, connection, conflict-was translated into the language of black and white. [ ... ] Into the African was inculcated the notion that the white man was untouchable, unconquerable, that whites constitute a homogenous, cohesive force. [ ... ] Then, suddenly, Africans recruited into the British and French armies in Europe observed that the white men were fighting one another, shooting one another, destroying one another's cities. It was revelation, a surprise, a shock. — Ryszard Kapuscinski

I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line ... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me. — George Carlin

That people were manifold creatures didn't come as a surprise to the Swede, even if it was a bit of a shock to realize it anew when someone let you down. What was astonishing to him was how people seemed to run out of their own being, run out of whatever the stuff was that made them who they were and, drained of themselves, turn into the sort of people they would once have felt sorry for. It was as though while their lives were rich and full they were secretly sick of themselves and couldn't wait to dispose of their sanity and their health and all sense of proportion so as to get down to that other self, the true self, who was a wholly deluded fuckup. It was as though being in tune with life was an accident that might sometimes befall the fortunate young but was otherwise something for which human beings lacked any real affinity. — Philip Roth

Oh ... and Bacon Surprise.'
REALLY? WHAT IS SO SURPRISING ABOUT BACON?
'I don't know. I suppose it comes as something of a shock to the pig. — Terry Pratchett

I know," she said, "rejection's not easy. But you reject words, whole pages, long impossible stories, and it feels good once it's done. It's no different rejecting pictures, a picture's right to hang on a wall. And most of these have hung here too long; you don't even see them any more. The best stuff you have, you don't see any more. And they kill each other because they're badly hung. Look, here's a thing of mine and here's your drawing, and they clash. We need distance, it's essential. And different periods need distance to set them apart - unless you're just cramming them together for the shock effect! You simply have to feel it ... There should be an element of surprise when people's eyes move across a wall covered with pictures. We don't want to make it too easy for them. Let them catch their breath and look again because they can't help it. Make them think, make them mad, even ... Now we'll give our colleagues here better light. Why did you leave so much space right here? — Tove Jansson

Humor is based on surprise, and surprise is a milder way of saying shock. It's surprise that makes the joke. — George Carlin

to express our dream about life in words is not easy but to show it with an example will surprise a lot of people and give them a shock. — Jan Jansen

The biggest surprise for me, without a doubt, was that the first black people who came to the United States weren't the 20 who arrived in Jamestown in 1619. All of us had been taught that. Well, guess what? The first African came to Florida in 1513. And the huge shock is we know his name, Juan Garrido, and that he wasn't a slave. He was free! This brother was a conquistador who came with Ponce de Leon. He was looking for the Fountain of Youth just like the white people were. — Henry Louis Gates

while he emphasized that peace is wonderful, Rogers was not altogether starry-eyed in this first week. In fact, he seemed quite the political realist in teaching us that peacemaking will be hard work. It will certainly require the most creative thoughts our moral imagination can muster. Like Daniel Striped Tiger, we will have to move beyond typical options and come up with creative strategies that surprise and shock the warmongers we seek to influence. Peacemaking will also no doubt be time-consuming. It will require us, as it did Lady Aberlin, to take time off from our regular work to create and carry out unique plans we would not normally even consider. And peacemaking will lead us into moments of doubt and uncertainty. Like Lady Aberlin and Mister Rogers, we will find ourselves wondering whether our ideas will really work. — Michael G. Long

I heard a horrible, stomach-turning crack that vibrated up my arms. Ari and I stared at each other in shock. "You really hurt me," he gasped rawly, terrible surprise in his voice. "I wouldn't hurt you. Not like this." Then his head flopped down, and Ari went totally limp. His — James Patterson

I would like to please the reader, and I think that surprise has to be an element of this, and that may necessitate a certain amount of teasing. To shock the reader is something else again. That has to be handled with great care if you're not going to alienate and hurt him, and I'm firmly against that, just as I disapprove of people who dress with that in mind
dye their hair blue and stick safety pins through their noses and so on. — John Ashbery

Now, some people do this for shock value. Shock is just another uptown word for surprise. Granted it has a different quality to it, but a joke is about surprising someone. I'm a great believer in context. You can joke about anything. I do like finding out where the line is drawn, deliberately crossing it and bringing some of them with me across the line, and having them be happy that I did. — George Carlin

My kind [vampires] does not surprise easily," he said. "You surprised me, this morning. I have thus used up my full quota of shock and consternation for some interval."
I stared at him. "You made a *joke*."
"I have heard this kind of thing may happen ... — Robin McKinley

deep-seated hatred between the cattlemen and the settler."40 This should come as no shock; the only surprise is that the big cattlemen would sometimes deny their attitude toward settlers. A settler who exercised his perfect right to 160 acres along a stream could significantly impair a big cowman's range; if several did so, the range would be lost altogether, as happened, for example, along Shell Creek in the Big Horn Basin. — John W. Davis

My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents ... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered ... A small ugly boy born to be a king ... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone. — Ben Bova

Fame is always a shock to the system; there's no school to go to, there are no books to read, and when it hits you, it's a surprise. You could be working for 10, 20 years and when it finally hits you, you get knocked down. — Barry Manilow

Keep your whole being on the thing you are turning into words. The minute you flinch, and take your mind off this thing, and begin to look at the words and worry about them... Then your worry goes into them and they set about killing each other. So you keep going as long as you can, then look back and see what you have written. After a bit of practice and after telling yourself you are going to use any old word that comes into your head so long as it seems right, you will surprise yourself. You will read back through what you have written and you will get a shock. You will have captured a spirit, a creature. — Ted Hughes

The only place where you can really surprise or shock the reader, or make someone laugh, is on the lower righthand corner - the very last panel - so as you turn the page, the payoff is in the upper lefthand panel. To pace every story so that there's a setup and a payoff at the page turn was a huge challenge; it's a part of the medium and you really have to learn what can be done in the medium. — Chuck Palahniuk

The essence of the ludicrous consists in surprise,
in unexpected terms of feeling and explosions of thought,
often bringing dissimilar things together with a shock; as when some wit called Boyle, the celebrated philosopher, the father of chemistry and brother of the Earl of Cork. — Edwin Percy Whipple

That's the shock, and the surprise, to a lot of repatriates: No one back home cares. There's an initial, shallow interest in what life is like abroad, but most Americans aren't actually interested, at all. — Janice Y.K. Lee

Andras went through the Sortie doors and walked out into a city that no longer contained his brother. He walked on benumbed feet in the new black Oxfords his brother had brought him from Hungary. He didn't care who passed him on the street or where he was going. If he had stepped off the curb into the air instead of down into the gutter, if he had climbed the void above the cars and between the buildings until he was looking down at the rooftops with their red-clay chimney pots, their irregular curving grid, and if he had then kept climbing until he was wading through the slough of low-lying clouds in the winter sky, he would have felt no shock or joy, no wonder or surprise, just the same leaden dampness in his limbs. — Julie Orringer

Odd, don't you think? I have seen war, and invasions and riots. I have heard of massacres and brutalities beyond imagining, and I have kept my faith in the power of civilization to bring men back from the brink. And yet one women writes a letter, and my whole world falls to pieces.
You see, she is an ordinary woman. A good one, even. That's the point ... Nothing [a recognizably bad person does] can surprise or shock me, or worry me. But she denounced Julia and sent her to her death because she resented her, and because Julia is a Jew.
I thought in this simple contrast between the civilized and the barbaric, but I was wrong. It is the civilized who are the truly barbaric, and the [Nazi] Germans are merely the supreme expression of it. — Iain Pears

History , as it comes into our daily lives, is charged with surprise and shock. — Robert Heilbroner

Archibald MacLeish affirmed that 'A poem should be equal to / not true'. As a defiant statement of poetry's gift for telling truth but telling it slant, this is both cogent and corrective. Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a retuning of the world itself. We want the surprise to be transitive, like the impatient thump which unexpectedly restores the picture to the television set, or the electric shock which sets the fibrillating heart back to its proper rhythm. We want what the woman wanted in the prison queue in Leningrad, standing there blue with cold and whispering for fear, enduring the terror of Stalin's regime and asking the poet Anna Akhmatova if she could describe it all, if her art could be equal to it. — Seamus Heaney

The second glimpse came through Squirrel Nutkin; through it only, though I loved all the Beatrix Potter books. But the rest of them were merely entertaining; it administered the shock, it was a trouble. It troubled me with what I can only describe as the Idea of Autumn. It sounds fantastic to say that one can be enamored of a season, but that is something like what happened; and, as before, the experience was one of intense desire. And one went back to the book, not to gratify the desire (that was impossible - how can one possess Autumn?) but to reawake it. And in this experience also there was the same surprise and the same sense of incalculable importance. It was something quite different from ordinary life and even from ordinary pleasure; something, as they would now say, "in another dimension." The — C.S. Lewis

Shock and surprise, my little beauties, and quickness to strike, and lack of pity. These are the things that make a killer. — Joe Abercrombie

What occasions the greater part of the world's quarrels? Simply this: Two minds meet and do not understand each other in time enough to prevent any shock of surprise at the conduct of either party. — John Keats

But apart from these lazinesses of logic, what makes the story so tired is the failure of the writer to reach for anything but the nearest cliche'. "Shouldered his way," "only to be met," "crashing into his face," "waging a lonely war," "corruption that is rife," "sending shock waves," "New York's finest," - these dreary phrases constitute writing at its most banal. We know just what to expect. No surprise awaits us in the form of an unusual word, an oblique look. We are in the hands of a hack, and we know it right away, We stop reading. — William Zinsser

The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more. — Susan Sontag

Ricky just listens. He isn't shocked. He isn't surprised. He listens to me because he knows. He knows the shame and the guilt and the sorrow and the rage. And he does not judge me. He just listens. — Emily Andrews

He blocked me. " What'd you do, Chloe?"
I sidestepped. He sidesteped.
"You like him, don't you?" he said.
"Yes, I like him. Just not..."
"Not what?"
"Talk to Simon. He's the one who thinks..."
"Thinks what?"
Step. Block.
"Thinks what?"
"That there's someone else," I blurted before I could stop myself. I took a deep, shuddering breath. "He thinks there's someone else."
"Who?"
I was going to say I don't know. Some guy from school, I guess. But Derek's expression already knew the answer. The look on his face...It'd been humiliating before, having Simon accuse me of liking Derek, but that was nothing compared to how I felt when I saw Derek's look. Not just surprise, but shock. Shock and horror.
"Me?" he said. "Simon said he thinks you and I are-"
"No, not that. He knows we aren't-"
"Good. So what does he think?"
"That I like you." Again, the words flew out before I could stop them. — Kelley Armstrong