Surfaces Quotes & Sayings
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EVERYONE JOINS A BAND IN THIS LIFE. You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it. And, as is usually the fate with bands, most of them will break up - through distance, differences, divorce, or death. — Mitch Albom

Nature has many scenes to exhibit, and constantly draws a curtain over this part or that. She is constantly repainting the landscape and all surfaces, dressing up some scene for our entertainment. Lately we had a leafy wilderness; now bare twigs begin to prevail, and soon she will surprise us with a mantle of snow. Some green she thinks so good for our eyes that, like blue, she never banishes it entirely from our eyes, but has created evergreens. — Henry David Thoreau

An imagined landscape, then, is a landscape not of being but of becoming: a composition not of objects and surfaces but of movements and stillness, not there to be surveyed but cast in the current of time. — Tim Ingold

I think I am a complete player. I can play well on all the surfaces. For me, the clay might be easiest, but I am not a specialist on clay. — Rafael Nadal

Showmen's Rest was truly something to behold. Throughout the entire yard, statues and carvings of elephants, clowns, and tight-rope walkers danced on the gray and white surfaces of tombstones and grave-markers. For the first time, Michael got the feeling that the men and women who'd been buried there were probably really happy with their final resting place. It was a touching tribute, one that honored their passion in life and that had been constructed out of love and respect. — Jacqueline E. Smith

The electrical matter consists of particles extremely subtile, since it can permeate common matter, even the densest metals, with such ease and freedom as not to receive any perceptible resistance.
If anyone should doubt whether the electrical matter passes through the substance of bodies, or only over along their surfaces, a shock from an electrified large glass jar, taken through his own body, will probably convince him.
Electrical matter differs from common matter in this, that the parts of the latter mutually attract, those of the former mutually repel each other. — Benjamin Franklin

Most of the planet's terrestrial surfaces are visually accessible through video cameras and satellite imagery, if not physically within reach. Even the approaches to Mount Everest are now littered with human debris. One can drive to Timbuktu, which for centuries was synonymous with inaccessibility. — Alan Huffman

The strange feature of partial reflection by two surfaces has forced physicists away form making absolute predictions to merely calculating the probability of an event. Quantum electrodynamics provides a method for doing this-drawing little arrows on a piece of paper. The probability of an event is represented by the area of the square of an arrow. For example, an arrow representing a probability of 0.04 (4%) has a length of 0.2. — Richard Feynman

You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. — Mitch Albom

She finds the door wide open and the place empty, another failed dotcom joining the officescape of the time - tarnished metallic surfaces, shaggy gray soundproofing, Steelcase screens and Herman Miller workpods - already beginning to decompose, littered, dust gathering . . . Well, almost empty. From some distant cubicle comes a tinny electronic melody Maxine recognizes as "Korobushka," the anthem of nineties workplace fecklessness, playing faster and faster and accompanied by screams of anxiety. Ghost vendor indeed. Has she entered some supernatural timewarp where the shades of office layabouts continue to waste uncountable person-hours playing Tetris? Between that and Solitaire for Windows, no wonder the tech sector tanked. — Thomas Pynchon

'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography. — Sam Abell

I got the idea from our family's plant book. The place where we recorded things you cannot trust to memory. The page begin's with the person's picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie's newborn son. — Suzanne Collins

To photograph truthfully and effectively is to see beneath the surfaces and record the qualities of nature and humanity which live or are latent in all things. — Ansel Adams

Its immeasurably easier to live in a world that's all surfaces, that means nothing and demands nothing of you. — Dean Koontz

Bit burrs. Tongue-tying. Saddling for exercise and saddling for races. There was shoeing and bandaging, conditioning and equipment. I had to learn to read track surfaces and stakes sheets, and calculate weight allowances. I had to know the diseases and ailments forward and back - bowed tendons and splints, foundering, bucked shins, bone chips, slab fractures, and quarter cracks. Thoroughbreds were glorious and also fragile in very specific ways. They often had small hearts, and the exertion of racing also made them susceptible to haemorrhaging in the lungs. Undetected colic could kill them - and — Paula McLain

With all due respect for the wondrous ways people have invented to amuse themselves and one another on paved surfaces, I find that this exodus from the land makes me unspeakably sad. I think of the children who will never know, intuitively, that a flower is a plant's way of making love, or what silence sounds like, or that trees breathe out what we breathe in. — Barbara Kingsolver

The volumes, the surfaces, the lines-in one word, the structures that build a tectonic construction-do not represent the whole picture: there is also the movement that animated and still animates these bodies because the history continues and we live under no particular privileged conditions at any given time in this great process. — Emile Argand

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks 'modern'; ergo, Japan is supremely modern. — Alex Kerr

Psychologists call this cognitive impenetrability: our conscious understanding of the situation is unable to penetrate a compelling perception generated by relatively inflexible mechanisms that interpret visual contours, surfaces, and shapes. — John C. Wathey

If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect. — Brian Eno

Nothing is rich but the inexhaustible wealth of nature. She shows us only surfaces, but she is a million fathoms deep. — Ralph Waldo Emerson

I was trying to show colour, but I realized at the private view that the public were prisoners of a preconceived point of view and that, confronted with all these surfaces of different colours, they responded far more to the inter-relationship of the different propositions, they reconstituted the elements of a decorative polychromy. — Yves Klein

I think my view is rather more radical than Pete Mandik's. Both of us want to show that colour perception doesn't transcend what can be conceptualized, but I don't think he goes so far as to deny that it doesn't involve different responses to all the discriminable surfaces. — David Papineau

Life just seems so full of connections. Most of the time we don't even pay attention to the depth of life. We only see flat surfaces. — Colin Neenan

Quietly, continually, the rain fell and the inconsolable wind that died then was forever resurrected ruffled the still surfaces of puddles so lightly it failed to disturb the delicate dead skin that had covered them during the night so that instead of recovering the previous day's tired glitter they increasingly and remorselessly absorbed the light that swam slowly out of the east. — Laszlo Krasznahorkai

The tubular steel chair is surely rational from technical and constructive points of view. It is light, suitable for mass production, and so on. But steel and chromium surfaces are not satisfactory from the human point of view. — Alvar Aalto

Most of us abandoned the idea of a life full of adventure and travel sometime between puberty and our first job. Our dreams died under the dark weight of responsibility. Occasionally the old urge surfaces, and we label it with names that suggest psychological aberrations: the big chill, a midlife crisis. — Tim Cahill

Like the muscles knew from the beginning that it would end with this, this inevitable falling apart ... It's sad, but a relief as well to know that two things so closely bound together can separate with so little violence, leaving smooth surfaces instead of bloody shreds. — Julie Powell

She remembered one of her boyfriends asking, offhandedly, how many books she read in a year. "A few hundred," she said.
"How do you have the time?" he asked, gobsmacked.
She narrowed her eyes and considered the array of potential answers in front of her. Because I don't spend hours flipping through cable complaining there's nothing on? Because my entire Sunday is not eaten up with pre-game, in-game, and post-game talking heads? Because I do not spend every night drinking overpriced beer and engaging in dick-swinging contests with the other financirati? Because when I am waiting in line, at the gym, on the train, eating lunch, I am not complaining about the wait/staring into space/admiring myself in reflective surfaces? I am reading!
"I don't know," she said, shrugging. — Eleanor Brown

We awoke to a fabulation of ice, the sun shining like a weapon, light rocketing off every surface except the surfaces of the Army's clean streets and walks. — Stephanie Vaughn

To get from the tangible to the intangible (which mature artists in any medium claim as part of their task) a paradox of some kind has frequently been helpful. For the photographer to free himself of the tyranny of the visual facts upon which he is utterly dependent, a paradox is the only possible tool. And the talisman paradox for unique photography is to work "the mirror with a memory" as if it were a mirage, and the camera is a metamorphosing machine, and the photograph as if it were a metaphor ... . Once freed of the tyranny of surfaces and textures, substance and form [the photographer] can use the same to pursue poetic truth" (Minor White, Newhall, 281). — Minor White

That solar hue, that variegation of gleam and shade, made Don Fabrizio's heart ache as he stood black and stiff in a doorway: this eminently patrician room reminded him of country things; the chromatic scale was the same as that of the vast wheat fields around Donnafugata, rapt, begging pity from the tyrannous sun; in this room, too, as on his estates in mid-August, the harvest had been gathered long before, stacked elsewhere, leaving, as here, a sole reminder in the color of the stubble burned and useless now. The notes of the waltz in the warm air seemed to him but a stylization of the incessant winds harping their own sorrows on the parched surfaces, today, yesterday, tomorrow, forever and forever. The crowd of dancers, among whom he could count so many near to him in blood if not in heart, began to seem unreal, made up of that material from which are woven lapsed memories, more elusive even than the stuff of disturbing dreams. — Giuseppe Tomasi Di Lampedusa

My kitchen is a mystical place, a kind of temple for me. It is a place where
the surfaces seem to have significance, where the sounds and odors carry
meaning that transfers from the past and bridges to the future. — Pearl Bailey

As Attraction is stronger in small Magnets than in great ones in proportion to their Bulk, and Gravity is greater in the Surfaces of small Planets than in those of great ones in proportion to their bulk, and small Bodies are agitated much more by electric attraction than great ones; so the smallness of the Rays of Light may contribute very much to the power of the Agent by which they are refracted. — Isaac Newton

Our masks, always in peril of smearing or cracking,
In need of continuous check in the mirror or silverware,
Keep us in thrall to ourselves, concerned with our surfaces.
[ ... ]
So primp, preen, prink, pluck, and prize your flesh,
All posturings! All ravishment! All sensibility!
Meanwhile, have you used your mind today? — Carolyn Kizer

When I was twenty-five and living in Chicago, the building supers were two very polite and meticulous meth heads. Matt and I lived above them and listened to them constantly washing their floors. They also loved to vacuum. They often spent the night rearranging furniture and wiping down surfaces. More than once I woke to the sound of them sweeping the porch steps, moving the same pile of dirt around and around. They were tough to talk to, almost impossible to understand and make eye contact with, but I had a strange affection for their ability to channel their meth-taking into real apartment improvements. — Amy Poehler

Perhaps that's what I feel, an outside and an inside and me in the middle, perhaps that's what I am, the thing that divides the world in two, on the one side the outside, on the other the inside, that can be as thin as foil, I'm neither one side nor the other, I'm in the middle, I'm the partition, I've two surfaces and no thickness, perhaps that's what I feel, myself vibrating, I'm the tympanum, on the one hand the mind, on the other the world, I don't belong to either. — Samuel Beckett

If I were going to paint the dimension I see in front of me, I'd load my palette up with burnt umber, opaque black, a spectrum of grays - nothing brighter than that. I'd have to grind something into the paint with my thumb, some sort of grit or ash, because the grime here goes deeper than surfaces. — Claudia Gray

How children adapt to available surfaces, using curbstones, stoops and manhole covers. How they take the pockmarked world and turn a delicate inversion, making something brainy and rule-bound and smooth, and then spend the rest of their lives trying to repeat the process. — Don DeLillo

The self plays among the waves of existence. It surfaces, it comes up for a while, and then it disappears again. — Frederick Lenz

You are 100 percent responsible for all you experience. What happens in your life is not your fault, but it is your responsibility. The concept of personal responsibility goes beyond what you say, do, and think. It includes what others say, do, and think that shows up in your life. If you take complete responsibility for all that appears in your life, then when someone surfaces with a problem, then it is your problem, too.This ties in to principle three, which states you can heal whatever comes your way. In short, you can't blame anyone or anything for your current reality.All you can do is take responsibility for it, which means accept it, own it, and love it.The more you heal what comes up, the more you get in tune with the source.5. — Anonymous

In us, there is a river of feelings, in which every drop of water is a different feeling, and each feeling relies on all the others for its existence. To observe it, we just sit on the bank of the river and identify each feeling as it surfaces, flows by, and disappears. — Nhat Hanh

Bodies are real entities. Surfaces and lines are but fictitious entities. A surface without depth, a line without thickness, was never seen by any man; no; nor can any conception be seriously formed of its existence. — Jeremy Bentham

What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein - Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example - like a caboose? I am not talking about engaging directly with another artist's work or ideas, but of perpetuating a look or, in the case of Wade Guyton, the various monochromatic, striped and geometric surfaces we associate with Minimalism. — John Yau

Despite our instinct to polarize ourselves in the name of survival, an indescribable connection - call it love or compassion - pervades and dissolves our apparent separation. This oneness transcends physical and emotional relationships; it's a deep connection that surfaces only when the ego-laden barriers are lifted. — Rajeev Kurapati

I'm surprised that the next speaker is Boggs, who I think of as a muscular robot that does Coin's bidding. "When she sang the song. While the little girl died." Somewhere in my head an image surfaces of Boggs with a young boy perched up on his hip. In the dining hall, I think. Maybe he's not a robot after all. — Suzanne Collins

The situation today is, we haven't got a good model to explain partial reflection by two surfaces; we just calculate the probability that a particular photomultiplier will be hit by a photon reflected from a sheet of glass. I have chosen this calculation as our first example of the method provided by theory of quantum electrodynamics. I am going to show you "how we count the beans"-what the physicists do to get the right answer. I am not going to explain how the photons actually "decide" whether to bounce back or go through; that is not known. (Probably the question has no meaning.) I will only show you how to calculate the correct probability that light will be reflected from glass of a given thickness, because that's the only thing physicists know how to do! What we do to get the answer to this problem is analogous to the things we have to do to get the answer to every other problem explained by quantum electrodynamics. — Richard Feynman

When sunlight, which contains red, yellow, green, and blue light, shines on a mud puddle with oil on it, the areas that strongly reflect each of those colors overlap and produce all kinds of combinations which our eyes see as different colors ... This phenomenon of colors produced by the partial reflection of white light by two surfaces is called iridescence, and can be found in many places ... the more you see how strangely Nature behaves, the harder it is to make a model that explains how even the simplest phenomena actually work. — Richard Feynman

It was a small room, and it was as crowded with coffee- and end-tables, chairs and hassocks and bookcases, as a second-hand furniture store. The horizontal surfaces were littered with gewgaws, shells and framed photographs, vases and pincushions and doilies. If the lady had come down in the world, she'd brought a lot down with her. My sensation of stepping into the past was getting too strong for comfort. The half-armed chair closed on me like a hand. — Ross Macdonald

Most of the houses were of logs - all of them, indeed, except three or four; these latter were frame ones. There were none of brick, and none of stone. There was a log church, with a puncheon floor and slab benches. A puncheon floor is made of logs whose upper surfaces have been chipped flat with the adze. The cracks between the logs were not filled; there was no carpet; consequently, if you dropped anything smaller than a peach, it was likely to go through. The church was perched upon short sections of logs, which elevated it two or three feet from the ground. Hogs slept under there, and whenever the dogs got after them during services, the minister had to wait till the disturbance was over. In winter there was always a refreshing breeze up through the puncheon floor; in summer there were fleas enough for all. — Mark Twain

Shower sex sucks," Meryn announced loudly.
Elizabeth leaned forward dying to know what prompted that statement. "What happened?"
"Slippery surfaces and not the good kind, one." Meryn started ticking off reasons on her fingers. "Water not a natural lubricant, two. Height differences, three. And I got a freaking charley horse right when..." Aiden covered her mouth at that point.
Ahh. So someone had fun and someone didn't. Poor Meryn. — Alanea Alder

You live on the surface," Lia told me years later. "You sometimes seem profound, but it's only because you piece a lot of surfaces together to create the impression of depth, solidity. That solidity would collapse if you try to stand it up. — Umberto Eco

These human eyes seemed weak to me at first," said Eskar, still staring away from me, scratching her short black hair. "They detect fewer colors and have terrible resolution, but they see things dragon eyes cannot. They can see beyond surfaces. I don't understand how that's possible, but it happened incrementally as I traveled with Orma: I began to see the inside of him. His questioning and gentle nature. His conviction. I'd glimpse it in something as incongruous as his hand holding a teacup, or his eyes when he spoke of you. — Rachel Hartman

I like talking to myself and making patterns out of the letters of the alphabet on blank surfaces. — Yvonne Adhiambo Owuor

I've always questioned the so-called perfection of surfaces. If you looked close enough, there was always a flaw. — Amy Talkington

There is a recurrent scene from those dinners that surfaces again and again, like an obsessive undercurrent in a dream. Julian, at the head of the long table, rises to his feet and lifts his wineglass. 'Live forever,' he says.
And the rest of us rise too, and clink our glasses across the table, like an army regiment crossing sabres: Henry and Bunny, Charles and Francis, Camilla and I. 'Live forever,' we chorus, throwing our glasses back in unison.
And always, always, that same toast. Live forever. — Donna Tartt

Clouds overlaid the sky as with a shroud of mist, and everything looked sad, rainy, and threatening under a fine drizzle which was beating against the window-panes, and streaking their dull, dark surfaces with runlets of cold, dirty moisture. Only a scanty modicum of daylight entered to war with the trembling rays of the ikon lamp. The dying man threw me a wistful look, and nodded. The next moment he had passed away. — Fyodor Dostoyevsky

Surfaces simultaneously reveal and conceal. — John Paul Caponigro

Because, between 'reality' on the one hand, and the point where the mind strikes reality, there's a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic. — Donna Tartt

Sometimes the one who is running from the Life/Death/Life nature insists on thinking of love as a boon only. Yet love in its fullest form is a series of deaths and rebirths. We let go of one phase, one aspect of love, and enter another. Passion dies and is brought back. Pain is chased away and surfaces another time. To love means to embrace and at the same time to withstand many endings, and many many beginnings- all in the same relationship. — Clarissa Pinkola Estes

So many things fail to interest us, simply because they don't find in us enough surfaces on which to live, and what we have to do is to increase the number of planes in our mind, so that a much larger number of themes can find a place in it at the same time — Jose Ortega Y Gasset

The family home is where the deepest resentments grow, subtle, relentless as moss, the furring of surfaces organic and gradual, as though life were no longer flesh and blood but bricks and mortar, a suffocation. — Charles Lambert

Every artist undresses his subject, whether human or still life. It is his business to find essences in surfaces, and what more attractive and challenging surface than the skin around a soul? — Richard Corliss

You must let it glide on surfaces so you don't make a mess of things — Lidia Yuknavitch

There's warm skin. A strong body that embraces you. Breaths that escape his gasping mouth. But... we're calling out another's name in our hearts. With our eyes closed, that person's image surfaces in our minds. It was a sweet, gentle, yet cruel night. — Yuuri Eda

The normality of the house terrified her: the gleaming surfaces, the tidiness, the homey touches, the sense that a person lived here who might walk in daylight on any street and pass for human in spite of the atrocities that he had committed. — Dean Koontz

Now, let's look again at the partial reflection of light by a layer of glass. How does it work? I talked about light reflected from the front surface and the back surface. This idea of surfaces was a simplification I made in order to keep things easy at the beginning. Light is really not affected by surfaces. An incoming photon is scattered by the electrons in the atoms inside the glass, and a new photon comes back up to the detector. It's interesting that instead of adding up all the billions of tiny arrows that represent the amplitude for all the electrons inside the glass to scatter an incoming photon, we can add just two arrows-for the "front surface" and "back surface" reflections-and come out with the same answer. Let's see why. — Richard Feynman

I work barefooted on balance plates. I do explosive squats on balance surfaces that your body has to use muscles it's not used to. It's all kinds of exercises that your body isn't really used to, and it tricks your body into getting stronger every time. — Troy Polamalu

The TV camera has no shutter. It does not deal with aspects or facets of objects in high resolution. It is a means of direct pick-up by the electrical groping over surfaces. — Marshall McLuhan

In particular, with climbing, we're climbing on these surfaces that Mother Nature has created. We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. — Chris Sharma

The role of the artist I now understood as that of revealing through the world-surfaces the implicit forms of the soul, and the great agent to assist the artist was the myth. — Joseph Campbell

Lennie Smullenski and Anthony Zuck bake the goodies in the back room in big steel ovens and troughs of hot oil. Clouds of flour and sugar sift onto table surfaces and slip under foot. And lard is transferred daily from commercial sized vats directly to local butts. — Janet Evanovich

Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity. — Mark Jenkins

The heart of the problem is not so much how we see objects in depth, as how we see the constant layout of the world around us. Space, as such, empty space, is not visible, but surfaces are. — James J. Gibson

1: There are at least six of them: Sight, which embraces space itself, and tells us by means of light of the existence of the objects which surround us, and of their colors. Hearing, which absorbs through the air the vibrations caused by agreeably resonant or merely noisy bodies. Smell, by means of which we savor all odorous things. Taste, by which we appreciate whatever is palatable or only edible. Touch, by which we are made aware of the surfaces and the textures of objects. Finally physical desire, which draws the two sexes together so that they may procreate. — Jean Anthelme Brillat-Savarin

Figure 18. As the thickness of a layer increases, the two surfaces produce a partial reflection of monochromatic light whose probability fluctuates in a cycle from 0% to 16%. Since the speed of the imaginary stopwatch hand is different for different colors of light, the cycle repeats itself at different rates. Thus when two colors such as pure red and pure blue are aimed at the layer, a given thickness will reflect only red, only blue, both red and blue in different proportions (which produce various hues of violet), or neither color (black). If the layer is of varying thicknesses, such as a drop of oil spreading out on a mud puddle, all of the combinations will occur. In sunlight, which consists of all colors, all sorts of combinations occur, which produce lots of colors. — Richard Feynman

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye. — Robert Smithson

When we PEEL off LAYERS of SOCIAL CONDITIONING and the need to live upto that EXPECTATION..
The most beautiful 'creation' surfaces ...The REAL YOU !!!
To be real, it needs courage..Our biggest aim should be to build that COURAGE..
Being 'that' REAL is our biggest POSSIBILITY...also the biggest RESPONSIBILITY! — Abha Maryada Banerjee

The grass is a very big challenge for me. There are these low bounces and different movements, which is very difficult, especially for my height and weight. When the surfaces change, and I start to play on grass, I start to feel it in the lower back and the lower hamstring. — Tomas Berdych

The camera can't see space. It sees surfaces. People see space, which is much more interesting. — David Hockney

You can conclude from the glossy surfaces of 'The L Word' that L stands for latte or Lexus and stop there. Or you can notice that in some of its less flashy moments, the show has staked a claim on Large - as in a larger, denser, more ambivalent imaginary world, populated by imperfect and riveting citizens of all sexual stripes. — Stacey D'Erasmo

Photography, too, reduces the world to strips and rectangles; photographers scrutinize the surfaces of reality in hope of unlocking the potential for significance that is latent within them. — Frank Gohlke

History resists an ending as surely as nature abhors a vacuum; the narrative of our days is a run-on sentence, every full stop a comma in embryo. But more: like thought, like water, history is fluid, unpredictable, dangerous. It leaps and surges and doubles back, cuts unpredictable channels, surfaces suddenly in places no one would expect. — Mark Slouka

God is not attracted to mountaintops or church steeples. God is drawn to suffering, and the dark places it surfaces, which is why sharing pain freely feels very much like love, and may be the same thing. (207) — Keith Ablow

In my experience, if you steer clear of dogma and muster up more love than you thought you had to give, then your vitality increases, satisfaction sets in, sweetness surfaces. I believe in the creative power of good feelings. I'm convinced that the desire to be real is everyone's divine imperative. — Danielle LaPorte

Most sculptors make the mistake", he said, "of thinking of eyes as form and they therefore make them as spherical surfaces. Eyes are not forms, they are transparent, and what one really sees is the light of the soul in them - and that is what I try to give them — Walter Russell

Now,' [her father] barked.
She stiffly followed, still fully dressed in the elaborate navy-and-white gown she had worn all evening. It was hard not to feel as if the bare walls and surfaces she passed had been bled, leeched, into the cloth encasing her. Stripped paint and sacrificed heirlooms clinging to her, demanding she make everything right once more. — Anne Mallory

The fanatic emphasis on 'Plan B' that professionals talk about is not a coward's fall-back system. It serves a purpose, a purpose that a strategist has envisioned and planned before the need for an alternate solution surfaces. — Andy Paula

Hope is one leg of a three-legged stool, together with faith and charity. These three stabilize our lives regardless of the rough or uneven surfaces we might encounter at the time ... Hope in our Heavenly Father's merciful plan of happiness leads to peace, mercy, rejoicing, and gladness. The hope of salvation is like a protective helmet; it is the foundation of our faith and an anchor to our souls. — Dieter F. Uchtdorf

Men had sought beauty in many forms - in sequences of sound, in lines upon paper, in surfaces of stone, in the movements of the human body, in colours ranged through space. — Arthur C. Clarke

Thus we can get the correct answer for the probability of partial reflection by imagining (falsely) that all reflection comes from only the front and back surfaces. In this intuitively easy analysis, the 'front surface' and 'back surface' arrows are mathematical constructions that give us the right answer, whereas ... a more accurate representation of what is really going on: partial reflection is the scattering of light by electrons inside the glass. — Richard P. Feynman

An optical impression is produced on our organs of sight which makes us classify as light, half-tone or quartertone, the surfaces represented by colour sensations. So that light does not exist for the painter. — Paul Cezanne

There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book. — Nora Ephron

Most of the common infections - colds, flu, diarrhea - you get environmentally transmitted either in the air or on surfaces you touch. I think people under-rate surfaces. — Charles P. Gerba

Fiction doesn't appeal to me because it can describe physical appearances exhaustively or because it can offer access to the inner depths of an array of human characters - neither that kind of "realism" of bodily surfaces nor of individual psychologies seems particularly realistic to me. — Ben Lerner

A tapered diamond or bur will impart an inclination of 2 to 3 degrees to any surface it cuts if the shank of the instrument is held parallel to the intended path of insertion of the preparation. Two opposing surfaces, each with a 3-degree inclination, would give the preparation a 6-degree taper. — Herbert T. Shillingburg Jr.

There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces. — Rei Kawakubo

Men are socialized to trust women until evidence to the contrary surfaces; women are socialized to be suspicious of men until an individual man earns trust. — Warren Farrell