Quotes & Sayings About Surface Design

And this is a table ma'am. What in essence it consists of is a horizontal rectilinear plane surface maintained by four vertical columnar supports, which we call legs. The tables in this laboratory, ma'am, are as advanced in design as one will find anywhere in the world. — Michael Frayn

Two observations take us across the finish line. The Second Law ensures that entropy increases throughout the entire process, and so the information hidden within the hard drives, Kindles, old-fashioned paper books, and everything else you packed into the region is less than that hidden in the black hole. From the results of Bekenstein and Hawking, we know that the black hole's hidden information content is given by the area of its event horizon. Moreover, because you were careful not to overspill the original region of space, the black hole's event horizon coincides with the region's boundary, so the black hole's entropy equals the area of this surrounding surface. We thus learn an important lesson. The amount of information contained within a region of space, stored in any objects of any design, is always less than the area of the surface that surrounds the region (measured in square Planck units). — Brian Greene

Never forget that all these people are primarily a visual people. They are designers, window dressers, models, photographers, graphic artists. They design the windows at Saks. Do you understand? They are a visual people, and they value the eye, and their sins, as Saint Augustine said, are the sins of the eye. And being people who live on the surface of the eye, they cannot be expected to have minds or hearts. It sounds absurd but it's that simple. Everything is beautiful here, and that is all it is: beautiful. Do not expect anything else, do not expect nourishment for anything but your eye - and you will handle it all beautifully. You will know exactly what you are dealing with. — Andrew Holleran

After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared. — Arthur Erickson

The pot-thrower in the hut behind the shop, hands and forearms slick with clay, dreaming, yes, of the years in which a life took shape, when each press of a fingertip sent a deep track across a once smooth surface, changing the future, reshaping the past, and was this not as much chance as design? For all that intent could score a path, that the ripples sent up and down and outward could be surmised by decades of experience, was the outcome ever truly predictable? — Steven Erikson

Teaching involves a search for meaning in the world. Teaching is a life project, a calling, a vocation that is an organizing center of all other activities. Teaching is past and future as well as present, it is background as well as foreground, it is depth as well as surface. Teaching is pain and humor, joy and anger, dreariness and epiphany. Teaching is world building, it is architecture and design, it is purpose and moral enterprise. Teaching is a way of being in the world that breaks through the boundaries of the traditional job and in the process redefines all life and teaching itself. (p. 130) — Nancy Fichtman Dana

Any concentrated mass is actually a local distortion of space itself, there happens to be exactly one surface, registered with the U.S. Patent Office, which, incorporated into a suitable hat design, will take the impact load of any known safe falling from any current altitude, transmitting to the wearer only the most trivial of resultant vectors. — Thomas Pynchon

We are convinced by things that show internal complexity, that show the traces of an interesting evolution. Those signs tell us that we might be rewarded if we accord it our trust. An important aspect of design is the degree to which the object involves you in its own completion. Some work invites you into itself by not offering a finished, glossy, one-reading-only surface. This is what makes old buildings interesting to me. I think that humans have a taste for things that not only show that they have been through a process of evolution, but which also show they are still a part of one. They are not dead yet. — Stewart Brand

To grasp the reality of life as it has been revealed by molecular biology, we must magnify a cell a thousand million times until it is twenty kilometers in diameter and resembles a giant airship large enough to cover a great city like London or New York. What we would then see would be an object of unparalleled complexity and adaptive design. On the surface of the cell we would see millions of openings, like the port holes of a vast space ship, opening and closing to allow a continual stream of materials to flow in and out. If we were to enter one of these openings we would find ourselves in a world of supreme technology and bewildering complexity. — Michael Denton

Design cannot be heard or read, it must be seen. Design is the structural link between the customers and the product. Content must be brought to the surface. And when a design is completed, it should seem natural and obvious. It should look like it is always been this way. And it should last. — Roger Black

The soul is often in the surface, and the importance of 'depth' is overestimated. — Italo Calvino

Think of it this way: if you wandered into a cave and saw scratched into the wall some markings which on closer inspection read "Gary woz ere", how would you think that they got there? Would you guess that a river had run through and eroded the wall into a shape? Would you think that perhaps a bear had been sharpening his claws on the rough surface? Or would you be sensible and immediately recognise that someone called Gary, who was probably a bit of a yob, had been through and wanted to leave a message for the world? — Lewis N. Roe

All you have to do is pick up a baseball. It begs to you: throw me. If you took a year to design an object to hurl, you'd end up with that little spheroid small enough to nestle in your fingers but big enough to have some heft, lighter than a rock but heavier than a hunk of wood. Its even, neat stitching, laced into the leather's slippery white surface, gives your fingers a purchase. A baseball was made to throw. It's almost irresistible. — Dave Dravecky