Sud Quotes & Sayings

If I had multiple lives, I'd like to do many things, including being a homicide investigator. I'm not brave enough to chase people and draw down on them. Having spent time with that, it can be an incredibly terrifying job. — Veena Sud

We read novels. We read hundreds of pages of words, when the story is good because we're willing to stay there. I hope the story is good. I'm going into this venture thinking that the audience is really smart and really wants to hear all the nuances of what we're saying. — Veena Sud

Because we spent so much time in the writer's room, not even talking about where it goes, but just who the people are in our world, we could find all those unexpected moments and twists and turns that we didn't even see ourselves. — Veena Sud

The poets say some moths will do anything out of love for a flame
[ ... ]
The moth takes off again, and we both step back, because he's circling at eye level now and seems to have lost rudder control, smacking into the wall on each round. He circles lower and lower, spinning around the candle in tighter revolutions, like a soap sud over an open drain. A few times he seems to touch the flame, but dances off unhurt.
Then he ignites like a ball of hair, curling into an oily puff of fumes with a hiss. The candle flame flickers and dims for a moment, then burns as bright as before.
Moth Smoke Lingers. — Mohsin Hamid

Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me. — Katie McGrath

The question isn't whether we 'need' guns. It's wether the government should have a monopoly on force — Ann Coulter

903AL RAGHIF is now available in French (LE PAIN) beautifully translated by Fifi Abou Dib. Check it out!
Publisher: Acte Sud/ L'Orient des livres — Toufic Youssef Aouad

I've always been kind of drawn to the extremities of human nature. I wrote my first screenplay when I was 16. The initial idea was a friendship between two prostitutes, and I spent time with a vice squad guy in Cincinnati who brought me to a brothel and gave me the rundown on how street prostitution works. — Veena Sud

He must be stilled in order to create that deep repose of the soul in which alone the word of God can be heard. Of — Max Weber

The thing I love about this story [The Killing] and this type of storytelling is that I don't have to know the end before I know the beginning. — Veena Sud

Cause I'll be by your side wherever you fall
In the dead of night whenever you call
And please don't fight these hands that are holding you
My hands are holding you — Tenth Avenue North

I think it is the hardest thing in the world. I'm endlessly intrigued by what human nature is capable of, both the horrible things we are capable of and also the heroic things. I'm really interested in exploring that side of human nature. — Veena Sud

By not foretelling the ending to yourself, as a writer, you're able to open up the canvas and say, "I'm going to go here. I'm going to go there." It's just a little bit more freeing than a stand-alone procedural, where you work backwards from the end. — Veena Sud

There were supposed to be safeguards in place, firewalls to keep the pieces independent. But they have been relaxed for the sake of 'efficiency.'"

They sat in silence for a few moments. Helen spoke first. "People. Dumb." The others nodded in agreement. — Bryce C. Anderson

And as cynical and jaded as many have become, you see the heroic nature of cops, who put aside a lot of their own personal concerns and their families to speak for the dead, which is a sacred thing. Over time there is this thing in them that is very powerful and interesting and provocative to me. — Veena Sud

It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months. — Veena Sud

A child's love naturally expands to encompass any person in his family that loves him. — S.R. Skelton

Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction. — Veena Sud

People talk to you and they try to convince you that they like what they do just because it sucks less than what they used to do ... which sucked a lot. — Doug Stanhope

It's a challenge, for sure. My family is not seeing me at all, for probably the next six months, and they haven't seen me for the last year. I'm really blessed with a lot of great partners, including my writing staff. Being able to rely on the people around me has really helped out. — Veena Sud

I'm really trying to just keep this internal, and be faithful to the story and the characters, and keep 99.9% of my brain there, serving the story. It's a great network. It's the golden network of cable, so it's totally an honor to be there and tell this story, but I try not to think about anything beyond that. — Veena Sud

Remember kids: Don't get emotionally attached to a band. You'll get pregnant and die. — Ashton Irwin

The most surprising thing to me is what an incredibly intense effort it's been to create a world from the ground up. I had run a show that had already existed and had been created by the show-runner, Meredith [Stiehm]. It's a very different experience to come in at ground zero and meet people and assemble the cast and crew. As a group and as a family, we're creating this world. — Veena Sud

It's the open ocean right now because it's so unique. It's a really unique way of doing American television. There are a million possibilities. We can stay with the cops. We can introduce new worlds. And, who knows where it will end. — Veena Sud

But, for the role of Sarah Linden, we saw everybody. Everybody wanted this role. Every female actor in town really wanted to play a real woman and be in this drama. It was incredible that all these women were coming in. And then, Mireille [Enos] walked in the door and she was reading the lines that I had written, and I saw her in that field. I was like, "Wow, she's the one." — Veena Sud

Before I write anything, before I create any assumption in my mind about what it's like to be in that world, I go out there first. I'm very drawn to darkness and light, very drawn to cop drama, because there are very few places besides war and murder and a homicide investigation where you see the extremes of human nature - the darkest crevices and cracks in what people do to one another. — Veena Sud

Seattle is beautiful. You look at the sky and it's one of the most beautiful skies in the world, and then there's the Puget Sound, which will kill you, if you fall into it, but it's also beautiful. Seattle is a city of contradictions. It's the most liberal and most literate city in America, and it has Starbucks and [Bill] Gates, but it's also where the Green River killer hunted women and where the runaway population is just shocking when you walk the streets. Within the same city, there's darkness and light. — Veena Sud

We refuse unfair offers because people who meekly accepted unfair offers didn't survive in the Stone Age. Observations — Yuval Noah Harari

I heard John Wells say something really smart, many years ago. He said, "Assume your audience is really intelligent. Assume that they are really smart, and tell your story that way." So, for me, it's about never assuming that they will go away because they're not entertained. — Veena Sud

I am endlessly fascinated by this notion that everyone has a secret. Some of our secrets are tiny, small things, and some of them are huge. Given that reality of the human condition, that's what our characters will go through. There will be some things where you'll just be like, "What the hell! How the hell did that happen?" — Veena Sud

The Old Religion, as we call it, is closer in spirit to Native American traditions or to shamanism of the Arctic. It is not based on dogma or a set of beliefs, nor on scriptures or a sacred book revealed by a great man. Witchcraft takes it's teachings from nature, and reads inspiration in the movements of the sun, moon, and stars, the flight of birds, the slow growth of trees, and the cycles of the seasons. — Starhawk

I used to live in New York and now I live in L.A., and somehow I've become a different person because of the air and what I see every day, and I think we all do. — Veena Sud

She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping. — Suzanne Collins