Quotes & Sayings About Style Of Writing

I often reread passages of "Lolita" for its exquisite language. To me, "Lolita" has no message, no purpose, other than to exist as a marvel of literary creation. It has wit, intelligence and style. It pointedly makes no attempt to serve a higher moral purpose, and previous attempts by critics to find one have proven ludicrous. The annotated edition is accompanied by a brilliant afterword by Nabokov that is a lucid reminder of the pure joy of writing, its interplay with life. — Amy Tan

Prescriptive grammar has spread linguistic insecurity like a plague among English speakers for centuries, numbs us to the aesthetic richness of non-standard speech, and distracts us from attending to genuine issues of linguistic style in writing. — John McWhorter

Henry Gerber, writing in 1932 under the pseudonym Parisex, responded to an article in The Modern Thinker that condemned homosexuality. "Is not the psychiatrist again putting the cart before the horse in saying that homosexuality is a symptom of the neurotic style of life?" he insisted. "Would it not sound more natural to say that the homosexual is made neurotic because his style of life is beset by thousands of dangers? — George Chauncey

Beautiful Lies is a book every woman should read. Jennifer Strickland weaves the powerful story of her life throughout each chapter while emphasizing transformational truths from God's Word. Her vulnerability, exquisite writing style, and practical take-home applications make this book the ideal choice for personal or for small group use. — Carol Kent

Do not copy my style! The first rule of writing is write about what you know, not what you think you know. So, think about what you've done in your life and write about that. — Jackie Collins

Style has always been in my mind the author's Self, the creative expression of that Self. — Whit Burnett

A simple [writing] style is the result of very hard work. — William Zinsser

My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. — Vladimir Nabokov

Order to find them at the bottom of the box, Rodolphe disturbed all the others, and mechanically began rummaging amidst this mass of papers and things, finding pell-mell bouquets, garters, a black mask, pins, and hair - hair! dark and fair, some even, catching in the hinges of the box, broke when it was opened. Thus dallying with his souvenirs, he examined the writing and the style of the letters, as varied as their orthography. They were tender or jovial, facetious, melancholy; there were some that asked for love, others that asked for money. A word recalled faces to him, certain gestures, the sound of a voice; sometimes, however, he remembered nothing at all. — Gustave Flaubert

The best style of writing, as well as the most forcible, is the plainest. — Horace Greeley

Having done Spaced, I can't even remember it being that difficult on Spaced, but we know what the end's going to be like. We know why we're putting in this amount of work, or why a shot might be particularly tricky, because we know that what we do is create a whole package. It's the writing, the performances, and the style of camerawork, that's what we're working toward, and we're prepared for that. — Simon Pegg

Let us not write at a loose rambling rate, in hope the world will wink at all our faults. — Wentworth Dillon, 4th Earl Of Roscommon

And so with Hemingway's writing, he famously wrote to one of his publishers - he said, you don't need a high school education to enjoy my writing. And it's going to titillate the masses. I mean, anybody can relate to it, but the style is so revolutionary that it will titillate highbrow critics, which it did. — Lesley M.M. Blume

Every writer must find a way of writing that tells the reader: This is me and no one else. The Voice can be idiosyncratic, but it cannot be obscure. It is a blend of style and content and intent and rhythm and pure personality. — Jeff Lindsay

You remind me of a boy I used to know
Same Smile, same easy, laid-back style
And man, could he kiss
Blew my mind the very first time
His lips touched mine.
You remind me

You remind me of a boy I used to like.
Same eyes, strong arms, same open mind
And man, could he dance
Arms around me, lost in a trance
I'd hear his heart
You remind me

I'm scared of you
How did you find me?
Turn and walk away
'Cause you remind me

You remind me of a boy I used to love
Same laughter and tears, shared through the years
And man, how he felt

Made my bones more than melt
He touched my soul.
You remind me

I'm scared of you
How did you find me?
Turn and walk away
'Cause you remind me — Malorie Blackman

We achieve originality of style not by avoiding the influences of others but by blending them into a combination that has not been heard before. — Scott Norton

So the aim for the press was a mixture of things: to publish under-represented writing, which is an intersection of original language, style, content, and often its author's gender. To publish it properly, in a way that makes it clear that this is art, not anthropology. To spotlight the importance of translation in making cultures less dully homogenous. — Deborah Smith

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

I have so many songs, it's ridiculous. I love so many different types of music and tend to write all over the map, style-wise. R&B, rock 'n' roll, screamers, pop, good-time songs. — Taryn Manning

It goes without saying that these effects do not suffice to annul the necessity for a "change of terrain." It also goes without saying that the choice between these two forms of deconstruction cannot be simple and unique. A new writing must weave and interlace these two motifs of deconstruction. Which amounts to saying that one must speak several languages and produce several texts at once. I would like to point out especially that the style of the first deconstruction is mostly that of the Heideggerian questions, and the other is mostly the one which dominates France today. I am purposely speaking in terms of a dominant style: because there are also breaks and changes of terrain in texts of the Heideggerian type; because the "change of terrain" is far from upsetting the entire French landscape to which I am referring; because what we need, perhaps, as Nietzsche said, is a change of "style"; and if there is style, Nietzsche reminded us, it must be plural. — Jacques Derrida

To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality? — Remy De Gourmont

It's somewhat of a contradiction, .. I guess the quieter the voice, the more necessary it is to push it. It's not going to leap out at you and scream. I also can't control how a book is marketed. To say the book marketing is aggressive, fine, I'm happy with that. Push the book. That doesn't mean that my personality or writing style changes. — David Bergen

Writing is not about the end product, yes that is extremely important. It's not even about the grammar or style you write in; style and grammar are in the eye of the beholder. With each person, someone will find problems so grammar and style are moot. Writing, truly diving in is about the creative process...discovering a newer side of yourself as you are writing; creating. The adventure from page one to being done is what it is about. Do you feel good with the end product? do you feel good half way through? The point to this is simple...feedback is vital to selling your work, paying attention to hurtful feedback can destroy your pursuit of your dreams. so write for you...sell to others but write from your soul. Whether it's fiction/faction/non fiction or somewhere in between if your heart and soul is not in it...you are not going to be happy with it. — Kyle Williamson

With many readers, brilliancy of style passes for affluence of thought; they mistake buttercups in the grass for immeasurable gold mines under ground. — Henry Wadsworth Longfellow

His novel or book of poems, decent, adequate, arises not from an exercise of style or will, as the poor unfortunate believes, but as the result of an exercise of concealment. There must be many books, many lovely pines, to shield from hungry eyes the book that really matters, the wretched cave of our misfortune, the magic flower of winter! — Roberto Bolano

I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers. — Creed Bratton

Bottom line, when someone defensively says their way of writing is their style, then that usually means they're making an excuse for poor prose. — A.J. Flowers

Some of my favorite poets had a tremendous sense of whimsy, so it's a writing style I guess I admire. — Jewel

We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?" — John Petrucci

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Life is nearly over with me. I have taken no pains about my style of writing. — Charles Darwin

An author arrives at a good style when his language performs what is required of it without shyness. — Cyril Connolly

It's a type of frame control," Tyler Durden replied. A frame is an NLP term: It is the perspective through which one sees the world. Whoever's frame - or subjective reality - is the strongest tends to dominate an interaction. "Style has all these really subtle ways of keeping control of the frame and getting people to qualify themselves to him. He makes sure that the focus is always on him. I'm writing a post about it." "That's — Neil Strauss

I think, obviously, everyone has a lot of favorite movies, but I really for some reason just love Quentin Tarantino's writing and directing style. — Kodi Smit-McPhee

Invisible prose only!" rules out the sparkling style of [writers] ... For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. — Diane Ackerman

The writer's silent mind is a period of intermission before orchestrating a symphony of words. — Khaled Talib

I would describe my style of songwriting as classic. I learned very early on and have stuck to the core principles of song structure regardless of which genre I'm writing in. — Wendy Starland

The greatest possible mint of style is to make the words absolutely disappear into the thought. — Nathaniel Hawthorne

The translators of the Bible were masters of an English style much fitter for that work than any we see in our present writings; the which is owing to the simplicity that runs through the whole. — Jonathan Swift

The dangerous pileup of modifiers is a hallmark of Joel's rhetorical style. — Michael Pollan

As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That's all. People can mimic your style, but they can never achieve your unique point of view. — Kristine Kathryn Rusch

I wrote without much effort; for I was rich, and the rich are always respectable, whatever be their style of writing. — Jane Austen

I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world. — J.M. Coetzee

The professions of novelist and journalist are very separate. As a novelist, you are ultimately working for yourself. Yes, you need the approval of a publisher and an audience, but what is valued in fiction writing - style, individual voice, insight - is scorned by the editor who is combing through your newspaper article. — Jon Weisman

A writer's voice is not character alone, it is not style alone; it is far more. A writer's voice line the stroke of an artist's brush- is the thumbprint of her whole person- her idea, wit, humor, passions, rhythms. — Patricia Lee Gauch

You have to know writing styles well before you can copy them - and then incorporate parts of them into your own style. — Josh Lieb

Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?' — James Thurber

I didn't want to be a sideman. My own style was coming out and I was into my own writing. I wrote a whole album, I arranged it all with pencil and paper. I did eventually do a lot of work with my father, but that was different. I was living at home; I wasn't a starving musician. I wasn't spoiled, but I wasn't going to have some producer come in and tell me what to play. — Shuggie Otis

The style of writing required in the great world is distinguished by a free and daring grace, a careless security, a fine and sharp polish, a delicate and perfect taste; while that fitted for the people is characterized by a vigorous natural fulness, a profound depth of feeling, and an engaging naivete. — Johann Wolfgang Von Goethe

Pseudo-modernists pursue individual style because they know they cannot make a name without it; but if they had lived in the eighteenth century their sole object would have been to write correctly, to conform to the manner of the period. In practice, their conforming individualism means an imitation, studiously concealed, of the eccentricities of poems which really are individual. — Laura Riding

A terrific exercise is to take a paragraph of someone's writing who has a really strong style, and using their structure, substitute your own words for theirs, and see how they achieved their effects. — Janet Fitch

In description we hear and feel the absorption of the author in the material. We sense the presence of the creator of the scene.. This personal absorption is what we mean by 'style.' It is strange that we would choose so oddly surfacey a word - style - for this most soulful aspect of writing. We could, perhaps more exactly, call this relation between consciousness and its subject 'integrity.' What else is the articulation of perception? — Patricia Hampl

A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet. — Ryan Adams

The thing that I hate is that Nicholas Kristof style of writing where it's like, "I saw the poor, they made me so sad. What can I do about sadness? I am so brave." It's just like, shut up, man, shut up. — Molly Crabapple

Never will I make that extra effort to live according to reality which alone makes good writing possible: hence the manic-depressiveness of my style, - which is either bright, cruel and superficial; or pessimistic; moth-eaten with self-pity — Cyril Connolly

So, then, what is style? There are two chief aspects of any piece of writing: 1) what you say and 2) how you say it. The former is "content" and the latter is "style." — Isaac Asimov

The sad truth is, S - , most people are not writers. This has nothing to do with literacy - or intelligence, or general culture. There are people who can correct the grammar, spelling, diction, and style of a college English paper with the best of them - who are still not writers. Indeed, most of what gets published in books, magazines, and newspapers is not written by real writers - which is one reason why so much of it is so bad. — Samuel R. Delany

I am uneasy about the practice of other people telling you how to write. This is especially true for beginners who haven't yet developed their style and their writer's persona and are easily pushed off the course. — Yuriy Tarnawsky

And not only narrativity but the quality of the writing is of the first importance to me. Rightly or not, I believe a dull, inept style signals poverty or incompleteness of thought. I see the accuracy, scope, and quality of Darwin's intellect directly expressed in the clarity, strength, and vitality of his writing - the beauty of it. — Ursula K. Le Guin

{When Abraham Lincoln was 26 years old in 1835, he wrote a defense of Thomas Paine's deism; a political associate, Samuel Hill, burned it to save Lincoln's political career. Historian Roy Basler, the editor of Lincoln's papers, said Paine had a strong influence on Lincoln's style:}

No other writer of the eighteenth century, with the exception of Jefferson, parallels more closely the temper or gist of Lincoln's later thought. In style, Paine above all others affords the variety of eloquence which, chastened and adapted to Lincoln's own mood, is revealed in Lincoln's formal writings. — Roy Basler

Try as I might, Agatha Christie is unique. The actual writing style can't be exactly the same, so instead of trying to replicate it exactly, the way I got around it was by inventing a new narrator. — Sophie Hannah

It is commonly said to my little friend Legion: Read the great writers for style. But I say to him: Read the great dead masters for ideas. Devour them, Fletcherize them, digest, assimilate, make them part of your blood; let the enriched blood visit your brain. The resultant activities will be fairly your own, and the little kinks and convolutions of your brain, which are entirely different from the kinks of any other brain, will furnish you all the style you will ever get.
There are no really fresh ideas; just as there is not any fresh air. Air and ideas are refreshed and refreshing, vitalized and vitalizing; but the thoughts have been thought before and the air has been breathed before. — Eugene Manlove Rhodes

It is in writing of the emotions that style becomes most individual, in moments of passion, betrayal, of life and death. — Hallie Burnett

To be read. To be heard. To be seen. I want to be read, I want to be heard. I don't need to be seen. To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Words have a weight to them. How you choose to present them and to whom is a matter of style and choice. — Terry Tempest Williams

Read good writing, and don't live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it's not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. — Rebecca Solnit

Whatever the style is, I want to have a sense that the writer is thinking, and really trying to get at something, and that there's a sense of discovery as the writing goes along. — Lynne Tillman

The conversation progressed, bumper-car style, to a very heated discussion about death and the survival of the soul. It amazes me that we, as a species, can argue so fervently over something that is, when all is said and done, unknowable and unprovable. Nonetheless, we all arrive at conclusions and cleave to our certainties: that there is nothing but the Void; or that we will find ourselves writing an admissions exam at the Pearly Gates. — Bill Richardson

We wanted to create an environment where if a game player enjoyed the 'writing style' of a particular game designer, he or she could look for the next game by that same author and not be disappointed. — David Crane

Ms. Taylor's writing style is clear, without frills, and so streamlined that her story flows and flows and flows, without taking a break, to its satisfying conclusion.
Maeve of Tara — Vicki M. Taylor

One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily. In the first paragraph you solve most of the problems with your book. The theme is defined, the style, the tone. At least in my case, the first paragraph is a kind of sample of what the rest of the book is going to be. That's why writing a book of short stories is much more difficult than writing a novel. Every time you write a short story, you have to begin all over again. — Gabriel Garcia Marquez

Author branding is the process of positioning an author as the center of attraction and influence, to be the preferred choice in a given theme, style, category, niche or genre — Bernard Kelvin Clive

His style as a writer places him in the category of the immortals, and his courage as a critic outlives the bitter battles in which he engaged. As a result, we use the word 'Orwellian' in two senses: The first describes a nightmare state, a dystopia of untrammelled power; the second describes the human qualities that are always ranged in resistance to such regimes, and that may be more potent and durable than we sometimes dare to think. — Christopher Hitchens

Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years. — Lauren Conrad

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin, because you got to persevere despite the fact that people tell you you shouldn't do this or you shouldn't do that or you're not good enough or your style's too different. I've heard all of that stuff. — John Legend

Writer's groups work for some new writers, not for others. I was never cut out for a writer's group. So much depends on the people in it. What are they criticizing about your work? Grammar, syntax, plot holes? Or are they criticizing your personal style, your world view and your personal philosophy? If they're criticizing the latter, it's not a good group for you, no matter what support you might think you're getting from it. Your style, your perspective, and your philosophy of life are the main things you have to sell; they are what make you different, and you shouldn't
in fact you can't
change them. — Dean Koontz

My style is personal, my style of writing is personal, and I believe in that. I believe what comes out of me is an individual thing, and that's why I, I believe in the individual. — Jack Kirby

The look that one directs at things, both outward and inward, as an artist, is not the same as that with which one would regard the same as a man, but at once colder and more passionate. As a man, you might be well-disposed, patient, loving, positive, and have a wholly uncritical inclination to look upon everything as all right, but as an artist your daemon constrains you to "observe", to take note, lightning fast and with hurtful malice, of every detail that in the literary sense would be characteristic, distinctive, significant, opening insights, typifying the race, the social or the psychological mode, recording all as mercilessly as though you had no human relationship to the observed object whatever. — Joseph Campbell

I have a lot of teenage readers and readers in their early twenties. My writing style appeals to them. And if they look at my picture on the back of the book, they don't see someone who looks like their mother. — Julia Quinn

I don't care about truth; I care about art and style and writing and occupying the wall. For me, my writing style is very linked to the fact that it is a work of art on the wall. I had to find a way to write in concise, effective phrases that people standing or walking into a room could read. — Sophie Calle

To write a genuine familiar or truly English style, is to write as any one would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes. — William Hazlitt

Sometimes when one cannot stand the story or novel one
is working on, it helps to write something else - a different
story or novel, or essays venting one's favorite peeves, or exercises
aimed at passing the time and incidentally polishing up
one's craft. The best way in the world for breaking a writer's
block is to write a lot. Jabbering away on paper, one gets
tricked into feeling interested, all at once, in something one is
saying, and behold, the magic waters are flowing again. Often
it helps to work on a journal, since that allows the writer to
write about those things that most interest him, yet frees him
of the pressure of achievement and encourages him to develop
a more natural, more personal style. — John Gardner

Tides of History provides a splendid prism through which we may view the wider world of Victorian science ... Historians of science will have cause to heap praise on this book, but so too will the non-specialists. The author's splendid writing style, at times appropriately Puckish, makes this work an accessible and enjoyable read. — William M. Fowler

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

Anyone moderately familiar with the rigours of composition will not need to be told the story in detail; how he wrote and it seemed good; read and it seemed vile; corrected and tore up; cut out; put in; was in ecstasy; in despair; had his good nights and bad mornings; snatched at ideas and lost them; saw his book plain before him and it vanished; acted people's parts as he ate; mouthed them as he walked; now cried; now laughed; vacillated between this style and that; now preferred the heroic and pompous; next the plain and simple; now the vales of Tempe; then the fields of Kent or Cornwall; and could not decide whether he was the divinest genius or the greatest fool in the world. — Virginia Woolf

Most of us find our own voices only after we've sounded like a lot of other people. — Neil Gaiman

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about. — Michael Chabon

People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity.
Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves. — Ruskin Bond

Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write. — Jean-Paul Sartre

Evidently there are plenty of people in journalism who have neither got what they liked nor quite grown to like what they get. They write pieces they do not much enjoy writing, for papers they totally despise, and the sad process ends by ruining their style and disintegrating their personality, two developments which in a writer cannot be separate, since his personality and style must progress or deteriorate together, like a married couple in a country where death is the only permissible divorce. — Claud Cockburn

I think my books are lighter and funnier than some of the big series out there. You may not walk away from my books having learned a life-altering lesson, but you will feel better for having laughed for a few hours. It's just a different style of writing. — Molly Harper

Artspeak is an arcane writing style that can result in a vocabulary of obscurities ... Today, some of the more spectacular examples are in artist's statements. — Robert Genn

One of the reasons why I agreed to do commercials is that they gave me complete freedom. I just had to have the car in it and write a story around it. I wanted to do something serious set in a Latin American country, but again, it was an exercise in style for me. — Alejandro Gonzalez Inarritu

The guiding metaphor of classic style is seeing the world. The writer can see something that the reader has not yet noticed, and he orients the reader's gaze so that she can see it for herself. The purpose of writing is presentation, and its motive is disinterested truth. It succeeds when it aligns language with the truth, the proof of success being clarity and simplicity. The truth can be known, and is not the same as the language that reveals it; prose is a window onto the world. The writer knows the truth before putting it into words; he is not using the occasion of writing to sort out what he thinks. Nor does the writer of classic prose have to argue for the truth; he just needs to present it. That is because the reader is competent and can recognize the truth when she sees it, as long as she is given an unobstructed view. The writer and the reader are equals, and the process of directing the reader's gaze takes the form of a conversation. — Steven Pinker

However, please allow me to say that the fundamental style of my writing has been to start from my personal matters and then to link it up with society, the state and the world. — Kenzaburo Oe

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow. — G. M. Trevelyan

As for style of writing, if one has anything to say, it drops from him simply and directly, as a stone falls to the ground. — Henry David Thoreau

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony. — Sergei Prokofiev

I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation. — F Scott Fitzgerald

In this couple defects were multiplied, as if by a dangerous doubling; weakness fed upon itself without a counterstrength and they were trapped, defaults, mutually committed, left holes everywhere in their lives. When you read their letters to each other it is often necessary to consult the signature in order to be sure which one has done the writing. Their tone about themselves, their mood, is the fatal one of nostalgia
a passive, consuming, repetitive poetry. Sometimes one feels even its most felicitious and melodious moments are fixed, rigid in experession, and that their feelings have gradually merged with their manner, fallen under the domination of style. Even in their suffering, so deep and beyond relief, their tonal memory controls the words, shaping them into the Fitzgerald tune, always so regretful, regressive, and touched with a careful felicity. — Elizabeth Hardwick