Style Is A Way Of Saying Who U R Quotes & Sayings

Of the countless ways to feel old in your 40s, perhaps none is quite as perplexing as seeing a young person trendily decked out in 1980s-style garb and saying to yourself, 'I can't believe that look is back in style. It was bad enough the first time around!' — Meghan Daum

Henry Gerber, writing in 1932 under the pseudonym Parisex, responded to an article in The Modern Thinker that condemned homosexuality. "Is not the psychiatrist again putting the cart before the horse in saying that homosexuality is a symptom of the neurotic style of life?" he insisted. "Would it not sound more natural to say that the homosexual is made neurotic because his style of life is beset by thousands of dangers? — George Chauncey

Every song has a different genesis, or feeling. Usually the lyrics, I don't really know what it's all about, I just kinda do it. I mean, there's a combination of, like you're saying, that kind of lyrics about commitment or vaguely relationship lyrics mixed with jokey 90s Beck-style non-sequiturs and stuff. — Stephen Malkmus

As I said, i'm very quiet, i don't go around saying "I'm awesome!" but when I brought in my portfolio into DreamWorks and showed them what I could do, my art style is a lot wilder than I am. — Jennifer Yuh Nelson

Artistic style is only a means to an end, and the more styles you have, the better. To get trapped in a style is to lose all flexibility. If you have only one style, then you're going to do the same book over and over, which is pretty dull. Lots of styles permit you to walk in and out of books. So, develop a fine style, a fat style, and fairly slim style, and a really rough style.
As an aspiring artist, you should strive for originality of vision. Have something to say and a fresh way of saying it. No story is worth the writing, no picture worth the making, if it's not the work of the imagination. — Maurice Sendak

Sinatra is the essence of vocal style. This man has an innate quality of knowing what is good musically. You can sum that up best by saying that he has musical integrity. Even when he does a bad song, there's a good quality in the presentation. — Sammy Davis Jr.

It goes without saying that these effects do not suffice to annul the necessity for a "change of terrain." It also goes without saying that the choice between these two forms of deconstruction cannot be simple and unique. A new writing must weave and interlace these two motifs of deconstruction. Which amounts to saying that one must speak several languages and produce several texts at once. I would like to point out especially that the style of the first deconstruction is mostly that of the Heideggerian questions, and the other is mostly the one which dominates France today. I am purposely speaking in terms of a dominant style: because there are also breaks and changes of terrain in texts of the Heideggerian type; because the "change of terrain" is far from upsetting the entire French landscape to which I am referring; because what we need, perhaps, as Nietzsche said, is a change of "style"; and if there is style, Nietzsche reminded us, it must be plural. — Jacques Derrida

Style is a simple way of saying complicated things. — Jean Cocteau

He'd never been to a wedding at a castle before but it fit the style of the bride, who brought geekiness to a whole new level. In fact, she was the one who'd told him to go. Wait. That wasn't right. She didn't tell him to go. She'd told him to, "Make a break for it! Before the
hounds of darkness come for you and destroy our plans to release our people from their enslavement! Go, Lachlan MacRyrie of the Clan MacRyrie. Go! And don't look back, my friend!" It would seem strange to those who didn't know her, but Lock knew it was simply Jessica Ward's way of saying, "Could you look more miserable? Just go already! — Shelly Laurenston

The way for a person to develop a style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that. — C.S. Lewis

He just danced, eating chips. Then he started bouncing up and down, bending at the knees. Classic baby style. I felt like turning to the girl next to me and saying, "Ah, classic baby style. — Sam Pink

Style is that which indicates how the writer takes himself and what he is saying. It is the mind skating circles around itself as it moves forward. — Robert Frost

Human beings are not comparable. You can't compare us any more than you can compare roses and oranges, or mountains and the sea. You might prefer living by the sea to living in the mountains. You certainly like some people better than you like others. Preferences are perfectly valid ... they're just your style asserting itself again. But you'd feel pretty silly saying 'The sea is better than the mountains.' It's every bit as silly to go around saying 'I'm better than Mary, but Joe is better than me.' — Barbara Sher

A future priest, I faced her as before an altar: one of her cheeks was the Epistle and the other the Gospel. Her mouth might have been the chalice, her lips the paten. All I needed to do was to say a new mass, according to a Latin that no one learns at school, and is the catholic language of mankind. Don't think me sacrilegious, devout lady reader; the purity of the intention cleanses anything unorthodox in the style. We stood there with heaven within us. Our hands, their nerve ends touching, made two creatures one: a single, seraphic being. Our eyes went on saying infinite things, and the words did not even try to pass our lips: they went back to the heart as silently as they had come ... — Machado De Assis

I'm more of a sprinter than a marathoner when it comes to many aspects of life. For example, when I'm running. Over short distances
up to two yards
I can run faster than cheap panty hose on an itchy porcupine. But over long distances, I'm not so impressive.
I try to compensate for my lack of long-distance endurance by having good form. I'm told that my running style is quite majestic. That's probably because I learned to run by watching nature films in which leopards chased frightened zebras. Now when I run, I open my eyes real wide and let my tongue slap the side of my face. If you saw it, you'd be saying, "That's very majestic." And then you'd run like a frightened zebra. That's why my homeowners association voted to ask me to do my jogging with a pillowcase over my head. — Scott Adams

I put on a good show. I strutted my new faith in high histrionic style. I believed what I was saying for the length of time I was saying it. I possessed a chameleon soul. — James Ellroy

Why did you want to live here? No offense, but it doesn't really seem to be your style."
He paused at her room. "I think I might ought to be offended by that. What exactly are you saying about my style?"
She paused, too, then shrugged. "I don't know. You just seem to be the kind of guy to have a man cave, not something this ... "
"Refined?"
She shook her head affirmatively.
"Well, that just shows what you know. For your information, I do like some fancy things."
"Like what? Lacy underwear?"
"On my women, yeah." He flashed that grin at her that she was learning to hate. Not for any reason other than the fact that it softened his features and made him terribly irresistible. — Sherrilyn Kenyon

It's frequently said that there is 'no reason' for such 'military-style weapons' as the Bushmaster to be available to citizens. But isn't that a lot like saying there is no reason why any civilian should drive a military-style car like the Hummer? — Glenn Beck

Invisible prose only!" rules out the sparkling style of [writers] ... For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. — Diane Ackerman

In order for a musician to grow, he's got to pay his dues. Some musicians ask me, 'well, what do you mean? You're saying I have to 'starve' and pay all these dues just to play jazz?' And my answer to them is, well, to some degree, yes! Because in order to play jazz you have to live it. Those notes mean something. They don't just come from your brain, they come from your heart and soul too. And in order to have that heart and soul you have to experience life. So I relate my music to my life and my life style. You can't separate the two. — Woody Shaw

They might be talking in perfect latin tongue and without warning begin to talk in perfect anglo tongue and keep it up like that, alternating between a thing that believes itself to be perfect and a thing that believes itself to be perfect, morphing back and forth between two beasts until out of carelessness or clear intent they suddenly stop switching tongues and start speaking that other one. In it brims nostalgia for the land they left or never knew when they use the words with which they name objects; while actions are alluded to with an anglo verb conjugated latin-style, pinning on a sonorous tail from back there. Using in one tongue the word for a thing in the other makes the attributes of both resound: if you say Give me fire when they say Give me a light, what is not to be learned about fire, light and the act of giving? It's not another way of saying things: these are new things — Yuri Herrera

When you have style, it doesn't matter what other people are saying. — Common

The main thing is, the constraints have come off style. What we are saying now is that the Revolution does not proceed in a pitiless, forward direction, its politics and its language becoming ever more gross and simplistic: the Revolution is always flexible, subtle, elegant. — Hilary Mantel

It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style. — Quentin Crisp

What is style? Saying complicated things in a simple way. — Jean Cocteau

In these days Melissa's absorbed and provoking gentleness had all the qualities of a rediscovered youth. Her long uncertain fingers - I used to feel them moving over my face when she thought I slept, as if to memorize the happiness we had shared. In her there was a pliancy, a resilience which was Oriental - a passion to serve. My shabby clothes - the way she picked up a dirty shirt seemed to engulf it with an overflowing solicitude; in the morning I found my razor beautifully cleaned and even the toothpaste laid upon the brush in readiness. Her care for me was a goad, provoking me to give my life some sort of shape and style that might match the simplicity of hers. Of her experiences in love she would never speak, turning from them with a weariness and distaste which suggested that they had been born of necessity rather than desire. She paid me the comlpiment of saying: "For the first time I am not afraid to be light-headed or foolish with a man". — Lawrence Durrell

What does it mean to care? Let me start by saying that the word care has become a very ambivalent word. When someone says: 'I will take care of him!' it is more likely an announcement of an impending attack than of a tender compassion. And besides this ambivalence, the word is most often used in a negative way. 'Do you want coffee or tea?' 'I don't care.' 'Do you want to stay home or go to a movie?' 'I don't care.' 'Do you want to walk or go by car?' 'I don't care.' This expression of indifference toward choices in life has become commonplace. And often it seems that not to care has become more acceptable than to care, and a carefree life-style more attractive than a careful one. — Henri J.M. Nouwen

You know what it is, the reason so many 18-year-olds, 19-year-olds are saying 'Drive' is their favorite movie is that 'Drive' is a 90-minute trip into what a lot of seventies filmmaking was. It encapsulates the best of a certain kind of style, and a style that a lot of people haven't seen before, with the music and the way it's edited. — Albert Brooks

Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write. — Jean-Paul Sartre

Sometimes when one cannot stand the story or novel one
is working on, it helps to write something else - a different
story or novel, or essays venting one's favorite peeves, or exercises
aimed at passing the time and incidentally polishing up
one's craft. The best way in the world for breaking a writer's
block is to write a lot. Jabbering away on paper, one gets
tricked into feeling interested, all at once, in something one is
saying, and behold, the magic waters are flowing again. Often
it helps to work on a journal, since that allows the writer to
write about those things that most interest him, yet frees him
of the pressure of achievement and encourages him to develop
a more natural, more personal style. — John Gardner