Stuff To Draw Quotes & Sayings

I think gardens are fantastic, and I'd love to draw and design and stuff like that. I love just planting flowers during the summer. There's something very humble about it, and natural and beautiful. — Ed Westwick

I haven't watched 'Mad TV' a lot, but I have seen some stuff on there that is truly funny. You have to have some sort of attitude toward the subject, and they seem to have it. It depends on how much blood you want to draw. — Joe Flaherty

When I was there at Marvel, everybody thought if you could draw well and you could do sensational panels, that you were going to be a success. The truth is that no matter how good or bad you are as a draftsman, if you can't tell a story, you don't last in comics ... About halfway through my stay at Marvel, I realized I was being paid to tell a story, not do a drawing. That's why my stuff is always rather simple and uncomplicated compared to a lot of guys. — John Romita, Sr.

I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that. — Roz Chast

When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records. — Eric Church

You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up! — Donny Osmond

What's your deal?" I asked in the hallway after class. "I know you did that."
He shrugged. "So?"
... "That was rude, Daemon. You embarrassed him." ... "And I thought using your ... stuff would draw them here?"
... "That was barley a blip on the map. That didn't even leave a trace on anyone."
He lowered his head until the edges of his dark curled brushed my cheek. I was caught between wanting to crawl into my locker or crawl into him. "Besides, I was doing you a favor."
I laughed. "And how was that doing me a favor?"
... "Studying math wasn't what he had in mind."
That was debatable, but I decided to play along ... "And what if that's the case?"
"You like Simon?" His chin jerked up, anger flashing in his emerald eyes. "You can't possibly like him."
... "Are you jealous? ... Your jealous of Simon?" I lowered my voice. "Of a human? For shame, Daemon. — Jennifer L. Armentrout

Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him. — Bill James

I've been collecting since college, .. When we're children, we're taught to draw in the lines, use certain colors. In this art, the talent and the creativity we had as children hasn't been squashed. The early stuff is still there. — Beverly L. Kaye

I always thought I was going to be an artist. All I ever did was draw. I only ever turned to writing because I couldn't find somebody to write the kind of stuff I wanted to do. That just spiraled out of control. — Jonathan Hickman

We've already seen the attention merchant's basic modus operandi: draw attention with apparently free stuff and then resell it. but a consequence of that model is a total dependence on gaining and holding attention. This means that under competition, the race will naturally run to the bottom; attention will almost invariably gravitate to the more garish, lurid, outrageous alternative, whatever stimulus may more likely engage what cognitive scientists call our 'automatic' attention as opposed to our 'controlled' attention, the kind we direct with intent. The race to a bottomless bottom, appealing to what one might call the audience's baser instincts, poses a fundamental, continual dilemma for the attention merchant-just how far will he go to get his harvest? If the history of attention capture teaches us anything, it is that the limits are often theoretical, and when real, rarely self-imposed. — Tim Wu

Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff. — Jeff Bridges

I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably. — Jhonen Vasquez

A WORD OF CAUTION The material in this chapter is "tough stuff." It should be read, studied, and prayed about when life is more or less routine. It should be stored up or hidden in our hearts (see Psalm 119:11) for the time of adversity when we must draw upon its truth. Above all, we need to be very sensitive about instructing someone else in the sovereignty of God and encouraging that person to trust God when he or she is in the midst of adversity or pain. It is much easier to trust in the sovereignty of God when it is the other person who is hurting. We need to be like Jesus, of whom it was said, "A bruised reed he will not break" (Matthew 12:20). Let us not be guilty of breaking a bruised reed (a heavy heart) by insensitive treatment of the heavy doctrine of the sovereignty of God. — Jerry Bridges

Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head, that I couldn't afford to actually do. — Jennifer Yuh Nelson

The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass. — Les Claypool

Some stuff can't be explained... I want to say "To Draw "How I paint" in "How I paint" in "How I paint" in "How I paint" in "How I paint"... (Which will mean a Paint in the Paint)
A seaside... — Deyth Banger

It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations. — Warren Ellis

I buy mainly Beatles bootlegs and stuff like that. I'm hoping I can go there today. My dad buys my drawings and he re-sells them for quite a bit more and then he puts the money in my savings. I just draw all the time and he buys and I get a lot money [laughs]. It's great. My dad's my best manager I ever had. If I get richer, I'd like to be able to buy more of the real collectible Beatles things. I just need a little more money to be a higher class collector [laughs]. — Daniel Johnston

If I had unlimited funds, wall space and storage, I would collect a lot more things, like 'Planet of the Apes,' 'Star Wars,' science fiction stuff, autographs, and prop guns and weapons. I have to draw the line somewhere. — Kirk Hammett

I went to school for about 2 years on a technical course, and I learned a lot. I learned about air mixture ratios and all the stuff; I learned how to draw blood. — Tom Araya

After being in a studio, working on games stuff, I'm like, 'Oh my God, I wish I could just sit in my room for a week and listen to music and draw by myself.' — Joe Madureira

The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on. — Miranda Richardson

I knew how to draw all of the different smokestacks on the old trains and all that stuff, and then I realized that if I can draw trains, which is the thing I was probably the least interested in in the world at the time, I can do anything and find a way into it that will be interesting. — Daniel Clowes

My weekends are oases of time and space, where I am able to draw a breath and dive into the stuff I couldn't get to that week - the great article I bookmarked, the friend whose emails I kept dropping, the blog post I'd meant to write on a subject that wasn't timely but was still important. — Rachel Sklar

So are you turning out like them? Do you still write and draw?"
"yeah, but I don't do anything personnal or profound. My parents take life way to seriousely. I lke to make people laugh. I had a regular cartoon feature in the school news paper and created some for the year book. Social satire stuff. I've done a couple of political cartoons for wisteria's paper and just got one accepted in Easton's, which has a much bigger circulation. Impressed? — Elizabeth Chandler

I may have said that stories can have a multitude of false starts. But now that I think about it, I'm not sure there's any such thing. It's sort of like the best comics - frames burst into one another, and colours bleed between lines, and the richness of a universe is only fully graspable when you understand the prequels and crossovers and spin-offs and stuff. Like the superhero stories that veer through a thousand different incarnations, with no beginning or end. It's possible that this is a rubbish metaphor. My point is, most stories can only start when you place yourself in them.
And I think I'm ready, finally, to draw myself in mine. — Melissa Keil

Enchantment frightens us for good reason. Whether it's enchantment of the ordinary kind or the magical kind, it may very well change us, and we may not be able to return to our old selves, to our old certainties and our easy understandings. Magical people seem to fear that less than the rest of us. They want to be enchanted and are quite willing to be changed forever as they go deeper and deeper into realms beyond everyday understanding. Most of us wouldn't mind a little more magic ourselves, if we could slip in and out of it. We too want to leave the brab realities of work-a-day life, experience the transcendent, to revel in endless possibility. But most of us have lost any belief in good magic. All that's left is a vague sence that evil is afoot and ready to draw nearer. The only magic most of us believe in is the scary stuff. — Christine Wicker

We go outside.
We rake the leaves.
We pile them way up high.
We jump on top.
We toss them up and watch the colors fly.
What can we do with all these leaves?
I know. I have a plan.
We run inside and find old clothes.
We'll make a pumpkin man.
We button all the buttons.
We tie up legs and sleeves.
We fill and stuff the body with lots of crunchy leaves.
We give him gloves.
We give him boots.
We're having so much fun.
It's time to pick a pumpkin head.
We'll find the nicest one.
Some are short and some are tall.
Some are bumpy.
Some are small.
We look around the pumpkin patch.
We find the best of all!
We cut the top to get inside.
We scoop out all the seeds.
We draw a face and cut it out.
A light is all it needs.
We go outside at sunset, put the pumpkin head in place.
Our pumpkin man smiles back at us with a happy, glowing face. — Judith Moffatt

I'm 14 years in the game, ... There's some kids that weren't even born when my first album came out. I wanted to draw a timeline between my old stuff and my new stuff and bridge it to where there's a level of continuity. — DJ Quik

The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like getting married. — Jeff Dunham

I want to draw subjects that seem very boring and everyday ... Stuff that would be normal except for one thing. Or two things. Or stuff that's undeniably weird. — Chelsea Martin

I don't like to write rhetorically or get on a soapbox. I try to make the stuff multi-layered, so that it always has a life outside its social context. I don't believe that you can tell people anything; you can only draw them in. — Bruce Springsteen

I can't draw a line between myself and stuff that I do. It's funny, I don't want to sound like it's just about this, but really with everything I do, it's hard for me to take myself out of it. — Kristen Stewart

In terms of the organic feel and the love for noises, I definitely feel more connected to Four Tet and Fennesz, as any dance floor artist. I do like some dancey stuff like Martyn when I DJ, but I draw my inspiration from other things. — Apparat