Studio And Big Quotes & Sayings

I've done big studio films and the big studio films I've done, I've tried to do the interesting ones and the ones where I could live with myself in the morning. — Kevin Spacey

There's a lot of different parts to me, so it makes total sense to me that I would do a big TV show or studio movie and then do a free comedy show the next day. They both feel equally important to me. — Jenny Slate

Storytelling is the only studio movie where the censorship is perfectly clear, the only studio movie with a big red box covering up a shot. I take pride in that - and, of course, in having avoided the fate of Eyes Wide Shut. — Todd Solondz

I have been very fortunate to be able to work and get the opportunity to play different roles. It's nice to do big studio pictures and then work in Glasgow on films like 'Red Road' and then dress up as a vampire or an alien. I think that's why a lot of people are actors - the versatility. — Tony Curran

I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them. — Nia Vardalos

When I'm in the studio, I don't finish the song and say, 'That's going to be a big ringtone.' — T-Pain

With 'Believe' bringing really big success for me outside of the U.K. for the first time, it meant I have been touring around the world and that led to a gap from the studio. I really feel like the gap has done me the world of good. Throughout that time I was able to collect songs that I really loved. — Katherine Jenkins

Movies have kind of become a tad bit uninspired, in that the big studio movies are spending more money to chase the big money with all these franchises and superhero movies. Some of them have been great, but some of them are a little tiresome. — Mark Wahlberg

The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world. — Dave Grohl

Look at the studio filled with glamorous merchandise. Fabulous and exciting bonus prizes. Thousands of dollars in cash. Over $150,000 just waiting to be won as we present our big bonanza of cash on Wheel Of Fortune. — Dustin Hoffman

I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along. — Daniel Wu

I really like our studio. It's definitely not in any way slick; it's very homemade, literally. Everyone has their own room to produce and write, and [there's a] big rehearsal space. — Yukimi Nagano

People are piling into England, there's lots of studio films happening there. When we budget our films we multiply it by 1.55 it's much easier than when we multiply it by 2 so the cost looks a lot less in dollars, because everybody talks in dollars in terms of finance. And then the shift that I think is coming, I hope is coming, is movies made in a ... "simple" is the wrong word, you visit movie sets all the time I imagine, the whole process has just got so big. — Eric Fellner

There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now. — Erro

Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music. — David Lynch

I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.' — James Caan

'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in a big studio film. — Doug Liman

I'm always looking for a reason to say no when I'm approached about a big studio tentpole because your fear is will you be consumed into the anonymous machine, and it will suck out any specificity and point of view that you might hope to express. — Matt Reeves

The first person that I ever heard sing a song I wrote was Jason Derulo. I was in the studio when he was doing it, and I mean, I've heard that guy's voice my whole life. When he was singing words I wrote, I started kind of choking up, but I tried to be all manly and puff my chest up and be all, 'Yeah, it's not a big deal.' — Charlie Puth

Despite the fact the studio looks out of five windows onto a picture perfect view of sky, hills and wide open spaces, I work with my blinds firmly drawn, daylight filtered through their white canvas, a painterly northern light falling through two big skylights above my table, and nothing visible outside to distract me. — Debi Gliori

The big studio era is from the coming of sound until 1950, until I came in ... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking. — Charlton Heston

I met Jack Bruce, one of my heroes, in a studio while doing some recording. England had just beat Scotland in a big football match and I saw Jack trying to break into this refrigerator in the lounge, drunk out of his brain, and I didn't know what to say. — Andy Partridge

I have a big barn that I converted to my music studio, so I go there early in the morning and the first thing I do is rowing. And that's when I listen to a lot of music. — Tod Machover

Even with Dream Theater, we track in a big studio and everything. But when it comes to doing leads, I don't really require a lot of studio to do that. I need a good sounding room and a Pro Tools rig, and some Neve mic-pres, and I'm good. — John Petrucci

Some friends and I, we went right up there behind the studio and we got on a train, we could tell it was going to go to Roseville. We got off it and got on another train. And we got to Roseville, and it takes hours to get through that yard. It's really big. So we ended up just coming back here. It's like fishing or hunting. You can't always come back with something. — William T. Vollmann

Coming from my bedroom in San Antonio to this big world and going from singing covers off my laptop to making music in this nice studio, making professional-sounding music - it's just weird. — Austin Mahone

The actor that taught me the most was Bernie Mac. I did my first big budget studio film with he and Angela Bassett, 'Mr. 3000' for Disney. Bernie taught me by example what creates success is humility and hard work. — Brian J. White

From 1985 to 1994, I lived in Manhattan in a big old loft right off Times Square. I could walk to work, which was in a couple of Broadway theaters, to Howard Stern's studio, and to 30 Rock for 'Letterman' and 'SNL.' Even in New York, walking to work is homey and folksy, like living in a small town. — Penn Jillette

When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces. — Jon Favreau

I guess, you make a big studio film, you spend a lot of money on it and you hope people go see it. It's really risky. — John Slattery

We're told that independent film lovers ... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true. — Ava DuVernay

I've certainly auditioned for big budget studio films. I don't know if it's because there's so much money involved, but a lot of times the pressure overwhelms me and engulfs me. I end up falling apart in the audition. — Jason Ritter

And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture. — Griffin Dunne

You've got to do the big studio movies to get your name, but as an actor and for your own well-being you kind of need to step back from that occasionally and do the smaller films. In the end, that's what helps you learn and makes you a better actor. — A. J. Cook

All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape. — Robby Krieger

Now I know that if I'm in a fight or a big argument with executives or the studio or whoever, and it's getting to a point where it's starting to get bad, I don't have to have the fear of, "Am I strong enough to see this through? Would I really make a stand here? Would I really quit over this issue?" And I know in my heart that there is a place where I would walk away. I don't have to make it about my ego. I don't have to make it about whether I'm being strong enough or tough enough. — Ronald D. Moore

When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs. — Peter Max

A big part of the Motown formula was, they took music and turned it into this sort of automotive assembly line. They were cranking out 10 songs a day in that studio, or more. — Mayer Hawthorne

I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money. — John Polson

I think the most takes I've ever done would probably be maybe 10, on like a big studio movie where you can do those. But after a while it's like, "It's not gonna get any better, this is what it is," the light's just gonna dull from your eyes. I think the more you do it, the less the actors listen to each other because then you start memorizing the other person's lines and you start getting bored. — Jennifer Lawrence

In a lot of movies, especially big studio ones, they're not constructed in any other way than to get people to like them and then tell their friends. It's a product. — Charlie Kaufman

I don't see Hollywood as the big enemy, because this is where the money is, and not all of the companies are doing studio movies. I'm not tempted to sell out. If I'm going to become well known, I want it to be for something I'm proud of. — Baltasar Kormakur

I guess for major film industry players a film is a money making devise, so using formulas assures them that their investment will have returns. A lot of big studio films are created by formulas and committees, stripping away any individuality or personality from the work so that they could appeal to most everyone on there planet but to no one in particular. — Signe Baumane

I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well. I'd love to be able to do a mixture. — Holliday Grainger

I liked 'Robocop' because of the director, and it was an intelligent, big-action studio movie. — Michael Keaton

New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at the same time. — Dylan McDermott

I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek. — Mandy Moore

In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again. — William Wegman

I need boundaries. In the modern studio there are a bunch of instruments around me, and I can simulate anything I can't play, so sometimes the palette feels too big. — Trent Reznor

I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films. — Aurora Guerrero

The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can. — Tamaryn

It was way out in the woods in a beautiful, huge log studio. Keith Richards came in and did the vocals with Levon. Again, a big party, but we did get a good cut out of it. — Scotty Moore

Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it. — David Guetta

The beauty of having a studio is I can go in and record any time I want to, so you can always put down your ideas or whatever. You use your voice recorder and, you know, take your voice notes down and just preserve all the little jewels and gems when you're in there, putting that song together. — Big Boi

The main thing in measuring integrity is someone's motive and intent, not how many records they sell. Our intent in Ministry was never to be big. We just wanted to make enough money to live and to buy a studio, which we have done in Austin. — Al Jourgensen

I think quite often when you have a hell of a lot more money and time, as you very much do on a big studio film, you don't necessarily have to make the decisions right there. You can always goback and reshoot it. — Keira Knightley

I always feel I could be like Toni Collette, going between big studio things and indie films. That would be feasible. — Chloe Sevigny

I'm a big micro manager; I'm a stickler about organisation; everything needs a place, a purpose, and micro managing myself even when I'm in the studio. — Christina Aguilera

A lot of rappers want somebody to always sing on their records. If you can hold a note, they're gonna' ask you to come and be apart of their creativity. At that time, they were eager and on the streets selling drugs or in the studio making music. That was a big part of our lives were I grew up. — Nicki Minaj

When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound. — Tom DeLonge

Yes John and I were together for nearly ten years. It was nice for a long time. I worked for Oldmanston and Pheiff, one of LA's big ad agencies. He and I bought a loft in one of the downtown renovations. Very Pricey. I had a studio. It was all very Queer as Folk. — Z.A. Maxfield

If you are someone like Jeff Koons, and you have to work out how to make a big chrome heart or something, then there are lots of people and a big production involved. The money is more natural somehow. For me, I am just on my own in the studio, trying to make things work. One thing is sure: it doesn't make painting any easier. — Peter Doig

It is really amazing to be able to do cinematic, big feature style film music on a weekly basis and do it in LA, on a big scoring stage, on a studio lot, and do it with the right players and make it sound great. — Christopher Lennertz

Justin wandered over to the big fir between the coach house and his studio, and began freeing the new growth from their rust colored casings.
"Why do you do that?" I walked around kitten's nose, and came up behind him.
"So they have a few more days in the sun."
"Is that why you keep trying to save me? So I have a few more days in the sun?"
He shook his head and glanced back at me. "No. You still don't understand do you? You are my sun."
From;Trey Grey Out of The Dark — Tara Spears

And sometimes, I'd be allowed to be hanging out in the studio, which I just loved kind of, like, being in the room with these big recording desks, with all these, like, buttons and knobs and watching the guys use them. — Mark Ronson

You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place. — Imogen Poots

Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names. — Taraji P. Henson

Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show. — Conleth Hill

I mean, just like every other prominent songwriter or producer, you have the shot. You send in records and if they make it, they make it. If they get heard, they get heard. I'm not sure if you know how that circle of songwriting and producing works, but every time a big artist is working, everybody and their mother is in the studio writing records to try to get on it. — Bryce Wilson

I guess we all had that work ethic. None of us were rock stars, so if you had time in a studio, it was a big, big deal: you're not going to sit around taking drugs and drinking and waste it, you'll do something. — David Toop

There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit. — Ben Harper

I would love to do a big studio movie, just because they're going to put the money into distributing it. A lot of times you do these little movies, you love them and they never get seen by anyone. — Gina Gershon

People look at me in many ways. They've said, 'The guy has no regard for money.' That is not true. I have had regard for money. It depends on who's saying that. Some people worship money as something you've got to have piled up in a big pile somewhere. I've only thought about money in one way, and that is to do something with it. I don't think there's a thing I own that I will ever get the benefit of except through doing things with it. I don't even want the dividends from the stock in the studio, because the government's going to take it away. I'd rather have that in (the company) working ... — Walt Disney

Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there. — Donnie Fritts

The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou." — Erro

I am scared of the photo studio. I am scared of the telephone. Scared of anything outside our apartment. Scared of the people in their big fur hats. Scared of the snow. Scared of the cold. Scared of the heat. Scared of the ceiling fan at which I would point one tragic finger and start weeping. Scared of any height higher than my sickbed. Scared of Uncle Electric Current. "Why was I so scared of everything?" I ask my mother nearly forty years later.
"Because you were born a Jewish person," she says. — Gary Shteyngart

It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create. — Joe Elliott

When someone has too much of a thought-out idea, that can be a big obstacle to get anywhere. Because it's like [if] you have a preconceived idea of what's going to happen in the studio in an hour's time, then you're not free anymore and you lock yourself into your own expectations. I don't think that's very creative. It doesn't work well with me. — Pontus Winnberg

'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. — P. J. Soles

A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it. — Malin Akerman

But the arbitrary cuts, edits, and other changes the studio bosses made before releasing that movie were a bitter lesson for my friend, who valued creative control of his work as paramount. When he went on to make a movie based on another script of his own, a big Hollywood studio offered him a standard deal whereby the studio financed the project and held the power to change the film before its release. He refused the deal - his artistic integrity was more important. Instead my friend "bought" creative control by going off on his own and putting every penny of his profits from the first film into this second project. When he was almost done, his money ran out. He went looking for loans, but bank after bank turned him down. Only a last-minute loan from the tenth bank he implored saved the project. The film was Star Wars. — Daniel Goleman

He pauses, swipes a matchstick on a column. It bursts into flame. "I tell you, you must take risks in my studio." He finds a cigarette behind his ear and lights it. "I tell you not to be timid. I tell you to make the choices, make the mistakes, big, terrible, reckless mistakes, really screw it all up. I tell you it is the only way." An affirmative murmur. "I say this, yes, but I still see so many of you afraid to cut in." He begins to pace, slowly like a wolf, which is definitely his mirror animal. "I see what you are doing. When you leave yesterday, I go from work to work. You feel like Rambo maybe with the drills, the saws. You make lots of noise, lots of dust, but very few of you have found even this much" - he pinches two fingers together - "of your sculptures. Today this changes." He walks over to a short blond-haired girl. "May I, Melinda?" "Please, — Jandy Nelson