Studio And 1 Quotes & Sayings

I remember seeing a photograph of myself en pointe with my hand over my head and the other hand turned in under my breast curtseying. I took dance lessons at Miss Debbie's Dance Studio, and she put this picture of me in the storefront window. I was so unbelievably humiliated by the sight of myself. — Lisa Yuskavage

The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world. — Dave Grohl

Anna and I did not make love. I don't remember why. Maybe we didn't need to. She might have been afraid, although I doubt she was afraid of much. She'd been a midwife before she opened a studio; she'd held life in her hands, like a wire from a galvanic cell. Maybe death was too strong in me for an act so inspirited with life. Although I sometimes think that death is what gives lovemaking its desperate and terrible joy. — Norman Lock

People are piling into England, there's lots of studio films happening there. When we budget our films we multiply it by 1.55 it's much easier than when we multiply it by 2 so the cost looks a lot less in dollars, because everybody talks in dollars in terms of finance. And then the shift that I think is coming, I hope is coming, is movies made in a ... "simple" is the wrong word, you visit movie sets all the time I imagine, the whole process has just got so big. — Eric Fellner

As a studio, you have to have a niche. You have to provide a service and there has to be a reason for your being around. — John Vanderslice

I'm portable. I carry a laptop and a little recording studio on my back. — Abbie Cornish

It's a completely independent atelier and company. We develop the prototypes here. There's a pattern maker, a sample maker, a commercial team, a head of sales, an in-house production team. That's the price of independence. And in the studio I work closely with Sarah-Linh on the collection, and Nao takes care of development. — Christophe Lemaitre

If I don't stay creative and if I don't stay in the studio and keep writing and recording, I get kind of depressed. I can't quite remember what I'm supposed to be doing with myself. — Kenny Loggins

Writing on a contract for a major studio you get the very best. — Terry Southern

I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on. — Evan Parker

Every Vacation movie didn't just make the studio money. They each made the studio a lot of money. — Chevy Chase

A Hank Cochran song in the studio is spiritual. It's like singing a hymn in a church. — Jamey Johnson

I've only ever gone into studio films with people I really like. — Tilda Swinton

I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played. — Jason Aldean

I hate normal studios, because you have to say "hi" to the person at the front desk. And then you go into the studio, and there's a second engineer in there that you don't know, and then you're stuck in a glass box with someone talking to you through a walkie-talkie. — Marilyn Manson

I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself. — Andrew Neel

I really just wanted to work on adventure games, so Pinkerton Road is our own little indie studio that's focused on that. — Jane Jensen

What's great about working with EPIX is that we have unparalleled access to the top movie talent and do exclusive 1:1 sit-down interviews with the actors, sometimes before anyone else does. With 'The Hunger Games,' we had our own studio set up and did 1:1s with Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Lenny Kravitz, etc. — Carly Steel

Louis 'Thunder Thumbs' Johnson was one of the greatest bass players to ever pick up the instrument, as a member of the Brothers Johnson, we shared decades of magical times working together in the studio and touring the world. From my albums 'Body Heat' and 'Mellow Madness,' to their platinum albums 'Look Out for #1,' 'Right On Time,' 'Blam' and 'Light Up the Night,' which I produced, to Michael's solo debut 'Off the Wall,' I considered Louis a core member of my production team. He was a dear and beloved friend and brother, and I will miss his presence and joy of life every day. — Quincy Jones

NIGHT 1: LEXI

Lexi arrives at eleven o'clock wearing a black lace dress that is both sexy and modest at the same time. It comes to just above her knees and the v-neckline reveals a hint of her small, round breasts. She's wearing black stockings and short heels, and I'm curious to see if she's wearing a garter belt under there. Her thick brown hair falls to her shoulders and her large brown eyes make her look innocent and doe-like.

"Come in," I say opening the door wide and stepping aside. Lexi hesitates for a second then comes in, looking around at our small studio apartment. The room is dimly lit by shaded lamps, letting most of the light come in through the uncurtained windows. I can see the full moon framed against one pane. In the center of the room is our four-poster king sized bed. Eric is lying on the red silk sheets. — Marketa Giavonni

I have no policy for my collection. For example, there's a bunch of meteorite [on the windowsill in my studio]. I touch it and I feel the energy from the universe. I have a 1/1,000th of a fragment of stone-age tools and pottery and debris. I can learn many things from my collection. Actually, the 1,000 Buddha, I wanted to buy it, but it's a National Treasure, so I couldn't. If you cannot buy it, just photograph it! — Hiroshi Sugimoto

You need to get in studio; we're excited about the Pay 1 opportunity with Disney because those movies are not just movies. They're amazing family content that get flexed over and over again, forms great loyalty with our subscribers, and it's a real trust brand for parents as well. — Ted Sarandos

The game is No. 1. You are an adjunct to the game. In a studio, there is no game. You are the star. That's why you are there. For the game, you can't go away from the game and beat your chest. People are there to watch the game. You are there to supplement, not to override or overwhelm. — Al Michaels

It doesn't matter if they're famous or not - I just want to meet other creative people who can maybe bring something different to the studio than what I have. I think that's the most important thing for me. — Tiesto

Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion. — Marilyn Monroe

The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly. — Eric Maisel

The painter locks himself out of his own studio. And then has to break in like a thief. — Jackson Pollock

When I go in to the recording studio, I already know almost exactly what I am going to do, but when I go to set, it is really a wildcard. I have no idea what is going to happen. — Joshua Rush

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

The good thing about the studio is that, when the movie comes out, they will put their marketing and their money behind it, which isn't necessarily true with indie movies, just by the nature of it being an independent film. — Jamie Linden

I knew that I could be more creative onstage, to state my own case and deliver my own interpretation of the role much more aggressively than in the recording studio. — Kiri Te Kanawa

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film. — Nicole Holofcener

You can tell the difference between songs that were created in a garage and songs that were created in the studio. — Gary Cherone

How many leaps did Nijinksy take before he made the one that startled the world? He took thousands and thousands and it is that legend that gives us the courage, the energy, and arrogance to go back into the studio knowing that while there is so little time to be born to the instant, you will work again among the many that you may once more be born as one. That is a dancer's world. — Martha Graham

I love to go into the studio on days when I'm not even doing anything. It's like my senior club. Some people go to senior centers, well I go to my senior center. — Robert Morse

Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose? — Eddie Van Halen

I'm not prejudiced about what type of movies I'm in, what form they take or whether they're studio or independent. I just want to make films that are going to be good. — Michael Pitt

Some days I'll be like, "You know what? Why don't I go to my daughter's studio and make a song?!" And then I don't! I don't know if I would have all the time it takes to put into a song. — Tameka Cottle

The radical rightwing pegs Hollywood as a leftist town, which is completely wrong. There are a lot of actors, writers, and directors who talk a liberal agenda ... but all the studio bosses, for as long as there have been studios, have all been as far rightwing as you can possibly imagine. — Paul Haggis

What would I say about "Heaven Without a Gun"? For me, to have this man, and our friendship [ with Andy Kim] grew really slowly and very consistently throughout the years before we decided to get into a studio together, I wasn't sure if he wanted to do songs that were pre-written or what. We didn't know what we were getting into. — Kevin Drew

There's something fun about the road because there's no 9 to 5. But I do find myself making the effort to take some time off. As much as I don't want to, I have to. I need to reset. I love weeks off, because I can go in the studio and just be creative again. — Hunter Hayes

The dream world of sleep and the dream world of music are not far apart. I often catch glimpses of one as I pass through a door to the other, like encountering a neighbor in the hallway going into the apartment next to one's own. In the recording studio, I would often lie down to nap and wake up with harmony parts fully formed in my mind, ready to be recorded. I think of music as dreaming in sound. — Linda Ronstadt

... as a convention, you get up and walk to the window to make the audience believe that you're looking out. It's for the audience, not for you! And what it means to you is something emotional [...] If you went to the Actors Studio you'd spend six months seeing the snow before you could say, 'Look at the snow.' This takes a terrible burden away from the actor, who thinks he's got to see the woods and the snow. 'Give me my gun! I see a rabbit! Give me my gun!' "

Meisner sounds thrilled at the possibility of a hunt.

"That happens when you're still sitting there reading. Then when they put in the scenery you move to the window. Isn't that simple? How simple it is to solve the problem of seeing things when you know that it's all in you emotionally, and that walking to the window is only a convention. — Sanford Meisner

I love being in the studio, and I am a huge fan of live music. Without writing good stuff in the studio, you have nothing to play live. — Anthony Hamilton