Stresses On Words Quotes & Sayings
Enjoy reading and share 17 famous quotes about Stresses On Words with everyone.
Top Stresses On Words Quotes

So many people think buckets of money will solve or eliminate the stresses in life. Such is not the case. More is more and less is less. In other words, the more you bring into your life, the more you have to maintain. If you are accumulating things, the initial purchase is just the beginning. In addition to any debt you took on to make the purchase, this new item you now own may need to be stored, dusted, watered, cleaned, oiled, tightened, filled, emptied, refilled, tuned, insured, renewed - or any number of other time-consuming (and possibly expensive) maintenance chores. If you avoid the purchase altogether, you cut out the chain reaction of obligations to this thing. So — Cristin Frank

My incarceration was actually a positive thing from the beginning. I needed a gimmick to get my act going again, it gave me material. — Tommy Chong

With acting, there are a lot of subtleties and non-verbals involved. If someone is over there, getting eaten by a shark, there's a non-verbal way of how to act that. There's a certain nuance to acting that does not come intuitively to me. It's something I still have to learn. — Mark McGrath

The idea is to intentionally design a relaxing environment that is off-limits to many of the stresses and distractions that
define your waking hours. Begin with aesthetics, making an effort to keep your bedroom neat and attractive. In other words, aim for Southern Living in your private quarters even if the rest of your house looks like Mechanics Weekly. Then begin to work on behaviors, keeping your bedroom off-limits to activities other than sleeping, relaxing, or making love. Nix the stacks of unpaid bills, piles of dirty laundry, collections of unread newspapers, and file folders from the office. By fostering this kind of space, seemingly untouched by the nitty gritty of daily life, you will have created a quiet haven where-by simply stepping inside and closing the door behind you-you can take a mini-vacation from stress. This time can then be used to pray, to relax, or to lavish your undivided romantic attentions on your husband. — William R. Cutrer

That caravan looks as if it's all Vorin. Also, you look a little spindly for a Horneater."
"Did you just insult the princess's weight?" Tyn asked, aghast.
Storms! She was good. She actually managed to produce angerspren with the remark.
Well, nothing to do but soldier on.
"I am offend!" Shallan yelled.
"You have offended Her Highness again!"
"Very offend!"
"You'd better apologize."
"No apologize!" Shallan declared. "Boots! — Brandon Sanderson

I used to work in a record store. I'm kind of a record nerd. — Patrick Stump

A man is called a saint not because he does no longer sin but because he recognizes his weakness and seeks for forgiveness every time he falls — Bangambiki Habyarimana

No facts are to me sacred; none are profane; I simply experiment, an endless seeker with no Past at my back. — Ralph Waldo Emerson

I happen to be pretty productive when I am in jail. When you are in jail, you have to spend more time with yourself. — Pramoedya Ananta Toer

Language is music. Written words are musical notation. The music of a piece of fiction establishes the way in which it is to be read, and, in the largest sense, what it means. It is essential to remember that characters have a music as well, a pitch and tempo, just as real people do. To make them believable, you must always be aware of what they would or would not say, where stresses would or would not fall. — Marilynne Robinson

Why is it, I wonder, that anyone who displays superior athletic ability is an object of admiration to his classmates, while one who displays superior mental ability is an object of hatred? — Isaac Asimov

Kids who are poor often have families that have not really been kept informed about ... how important it is to read to your child, to reduce stresses in their life, to use positive incentives and words. — Geoffrey Canada

Perhaps it's true that in our sex-saturated culture it does take a certain amount of self-discipline to resist having sex, but restraint does not equal morality. And let's be honest: if this were simply about resisting peer pressure and being strong, then the women who have sex because they actively want to - as appalling as that idea might be to those who advocate abstinence - wouldn't be scorned. Because the "strength" involved in these women's choice would be about doing what they want despite pressure to the contrary, not about resisting the sex act itself. — Jessica Valenti

Woodshadows floated silently by through the morning peace from the stairhead seaward where he gazed. Inshore and farther out the mirror of water whitened, spurned by lightshod hurrying feet. White breast of the dim sea. The twining stresses, two by two. A hand plucking the harpstrings, merging their twining chords. Wavewhite wedded words shimmering on the dim tide. — James Joyce

There are not many things finer in our murderous species than this noble curiosity, this restless and reckless passion to understand. — Will Durant

The tragedy of sin is that it diverts gifts. The person who has a genuine capacity for loving becomes promiscuous, maybe sexually, or maybe by becoming frivolous and fickle, afraid to make a commitment to anyone or anything. The person with a gift for passionate intensity squanders it in angry tirades and, given power, becomes a demagogue. — Kathleen Norris

Tragedy's language stresses that whatever is within us is obscure, many faceted, impossible to see. Performance gave this question of what is within a physical force. The spectators were far away from the performers, on that hill above the theatre. At the centre of their vision was a small hut, into which they could not see. The physical action presented to their attention was violent but mostly unseen. They inferred it, as they inferred inner movement, from words spoken by figures whose entrances and exits into and out of the visible space patterned the play. They saw its results when that facade opened to reveal a dead body. This genre, with its dialectics of seen and unseen, inside and outside, exit and entrance, was a simultaneously internal and external, intellectual and somatic expression of contemporary questions about the inward sources of harm, knowledge, power, and darkness. — Ruth Padel