Strachey Quotes & Sayings

But Racine's extraordinary powers as a writer become still more obvious when we consider that besides being a great poet he is also a great psychologist. — Lytton Strachey

It is probably always disastrous not to be a poet. — Lytton Strachey

In what resides the most characteristic Virtue of humanity?
In good works?
Possibly.
In the creation of beautiful objects? Perhaps.
But some would look in a different direction, and find it in detachment. To all such David Hume must be a great saint in the calendar; for no mortal being was ever more completely divested of the trammels of the personal and the particular, none ever practiced with more consummated success the divine art of impartiality — Lytton Strachey

During this earlier period of his activity Voltaire seems to have been trying - half unconsciously, perhaps - to discover and to express the fundamental quality of his genius. — Lytton Strachey

William Strachey, who would later write the most detailed account of the storm, must have made his way from his quarters to the deck so he could see conditions for himself. — Kieran Doherty

As usual, it struck me that letters were the only really satisfactory form of literature. They give one the facts so amazingly, don't they? I felt when I got to the end that I'd lived for years in that set. But oh dearie me I am glad that I'm not in it! — Lytton Strachey

It has long been my personal view that the separation of practical and theoretical work is artificial and injurious. Much of the practical work done in computing, both in software and in hardware design, is unsound and clumsy because the people who do it have not any clear understanding of the fundamental design principles of their work. Most of the abstract mathematical and theoretical work is sterile because it has no point of contact with real computing. — Christopher Strachey

The history of the Victorian Age will never be written: we know too much about it. — Lytton Strachey

Voltaire abolished Christianity by believing in God. — Lytton Strachey

One has a few moments that are tolerable
one breathes,as it were,again;one remembers things,but one hardly hopes.I hope for the New Age-that is all-which will cure all our woes,and give us new ones,and make us happy enough for death ... — Lytton Strachey

When the French nation gradually came into existence among the ruins of the Roman civilization in Gaul, a new language was at the same time slowly evolved. — Lytton Strachey

Leonard Woolf in a letter to Lytton Strachey said he hated John Maynard Keynes "for his crass stupidity and hideous face". — Leonard Woolf

Modern as the style of Pascal's writing is, his thought is deeply impregnated with the spirit of the Middle Ages. He belonged, almost equally, to the future and to the past. — Lytton Strachey

The stability and peace which seemed to be so firmly established by the brilliant monarchy of Francis I vanished with the terrible outbreak of the Wars of Religion. — Lytton Strachey

For all her active goodness, Florence Nightingale herself was far from being the angelic figure of popular adulation: according to Lytton Strachey's Eminent Victorians she was a self-righteous, domineering amazon, who was ruthless in her compassion, merciless in her philantropy, destructive in friendships, obsessional in her list for power, and demonic in her saintliness. — David Cannadine

The genius of the French language, descended from its single Latin stock, has triumphed most in the contrary direction - in simplicity, in unity, in clarity, and in restraint. — Lytton Strachey

How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question. — Lytton Strachey

In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal. — Lytton Strachey

It is impossible to forsee the consequences of being clever. — Christopher Strachey

You can't see the semantic wood for the syntactic trees. — Christopher Strachey

There are a great deal of a great many kinds of love. — Lytton Strachey

English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind. — Lytton Strachey

There was hardly an eminent writer in Paris who was unacquainted with the inside of the Conciergerie or the Bastille. — Lytton Strachey

When Louis XIV assumed the reins of government France suddenly and wonderfully came to her maturity; it was as if the whole nation had burst into splendid flower. — Lytton Strachey

In pure literature, the writers of the eighteenth century achieved, indeed, many triumphs; but their great, their peculiar, triumphs were in the domain of thought. — Lytton Strachey

Discretion is not the better part of biography. — Lytton Strachey

How on earth does she make the English language float and float? — Lytton Strachey

Avuncular authority. In an abrupt, an almost peremptory letter, he laid his case, — Lytton Strachey

Perhaps of all the creations of man language is the most astonishing. — Lytton Strachey

When the onward rush of a powerful spirit sweeps a weaker one to its destruction, the commonplaces of the moral judgement are better left unmade. — Lytton Strachey

Englishmen have always loved Moliere. — Lytton Strachey

It i impossible to foresee the consequences of being clever, so you try to avoid it whenever you can. — Christopher Strachey

Human beings are too important to be treated as mere symptoms of the past. They have a value which is independent of any temporal process--which is eternal, and must be felt for its own sake. — Lytton Strachey

It was not by gentle sweetness and self-abnegation that order was brought out of chaos; it was by strict method, by stern discipline, by rigid attention to detail, by ceaseless labor, by the fixed determination of an indomitable will. — Lytton Strachey

In sheer genius Pascal ranks among the very greatest writers who have lived upon this earth. And his genius was not simply artistic; it displayed itself no less in his character and in the quality of his thought. — Lytton Strachey

If this is dying, I don't think much of it. — Lytton Strachey

Unlike the majority of the writers of his age, La Rochefoucauld was an aristocrat; and this fact gives a peculiar tone to his work. — Lytton Strachey

Though, with the ascendancy of Louis, the political power of the nobles finally came to an end, France remained, in the whole complexion of her social life, completely aristocratic. — Lytton Strachey

Perhaps the best test of a man's intelligence is his capacity for making a summary. — Lytton Strachey

The old interests of aristocracy - the romance of action, the exalted passions of chivalry and war - faded into the background, and their place was taken by the refined and intimate pursuits of peace and civilization. — Lytton Strachey

Bloomsbury lost Fry, in 1934, and Lytton Strachey before him, in January 1932, to early deaths. The loss of Strachey
was compounded by Carrington's suicide just two months after, in March. Another old friend, Ka Cox, died of a heart attack in 1938. But the death, in 1937, of Woolf 's nephew Julian, in the Spanish Civil War, was perhaps the
bitterest blow. Vanessa found her sister her only comfort: 'I couldn't get on at all if it weren't for you' (VWB2 203). Julian, a radical thinker and aspiring writer, campaigned all his life against war, but he had to be dissuaded by his
family from joining the International Brigade to fight Franco. Instead he worked as an ambulance driver, a role that did not prevent his death from shrapnel wounds. Woolf 's Three Guineas, she wrote to his mother, was
written 'as an argument with him — Jane Goldman

The amateur is very rare in French literature - as rare as he is common in our own. — Lytton Strachey

For ignorance is the first requisite of the historian--ignorance, which simplifies and clarifies, which selects and omits, with a placid perfection that unattainable by the highest art. — Lytton Strachey

I keep three framed photographs on my desk: the latest school picture of my daughter; a photo of my wife getting her diploma from the University of Chicago; and Lytton Strachey, looking serenely self-possessed. — Blake Bailey

It is perhaps as difficult to write a good life as to live one. — Lytton Strachey

The daughter of the literary biographer Leslie Stephen, and close friend of the innovative biographer of the Victorians, Lytton Strachey, Woolf herself put forward, in 'The New Biography' (1927) (reviewing work by another biographer acquaintance, Harold Nicolson), her own memorable theory of biography, encapsulated in her phrase 'granite and rainbow'. 'Truth' she envisions 'as something of granite-like solidity', and 'personality as
something of rainbow-like intangibility', and 'the aim of biography', she proposes, 'is to weld these two into one seamless whole' (E4 473). The following short biographical account ofWoolf will attempt to keep to the basic granitelike facts that Woolf novices need to know, while also occasionally attending in brief to the more elusive, but equally relevant, matter of rainbow-like personality. — Jane Goldman

There is something dark and wintry about the atmosphere of the later Middle Ages. — Lytton Strachey

A writer's promise is like a tiger's smile — Lytton Strachey

With a very few exceptions, every word in the French vocabulary comes straight from the Latin. — Lytton Strachey

The chief news is that I have grown a beard! Its colour is very much admired, and it is generally considered extremely effective, though some ill-bred persons have been observed to laugh. It is a red-brown of the most approved tint, and makes me look like a French decadent poet - or something equally distinguished. — Lytton Strachey