Story Within A Story Quotes & Sayings

When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story. — Roger Deakins

I think this takes a lot of courage and integrity to find your own voice and way to express not only your story, but the reality you are setting it within. — Danae Elon

The place of horror turns out to be no more than a green scoop, sometimes shadowed, sometimes shining with the bilberries and grass within it, as if a mouth had opened from which streamed a beam of light. So my uncle Robert's death, which had looked from a distance to be an all-consuming tragedy was, close-up, the story of a man finding release from his pain and how his brother had showed such defiant love. The past was a grave, a trap - and yet, also neither of these. Just light, coming and going.
At the wolf pit you imagine you will stare into a hole littered with bones, but what draws you to that place is not what you take from it. The wolf pit seems a delicate illusion. You walk towards it; there is nothing, just a curve of the moor; then it is a soft green light, and then it is nothing again. — Will Cohu

Tempting as it may be to draw one conclusion or another from my story and universalize it to apply to another's experience, it is not my intention for my book to be seen as some sort of cookie-cutter approach and explanation of mental illness, It is not ab advocacy of any particular form of therapy over another. Nor is it meant to take sides in the legitimate and necessary debate within the mental health profession if which treatments are most effective for this or any other mental illness.
What it is, I hope, is a way for readers to get a true feel for what it's like to be in the grips of mental illness and what it's like to strive for recovery. — Rachel Reiland

If a mother is mourning not for what she has lost but for what her dead child has lost, it is a comfort to believe that the child has not lost the end for which it was created. And it is a comfort to believe that she herself, in losing her chief or only natural happiness, has not lost a greater thing, that she may still hope to "glorify God and enjoy Him forever." A comfort to the God-aimed, eternal spirit within her. But not to her motherhood. The specifically maternal happiness must be written off. Never, in any place or time, will she have her son on her knees, or bathe him, or tell him a story, or plan for his future, or see her grandchild. — C.S. Lewis

But all along she had held within her a second story underneath the first, waging a terrible and silent battle with her certainty. — Lauren Groff

Nothing is more important to human beings than an ecologically functioning, life sustaining biosphere on the earth. It is the only habitable place we know of in a forbidding universe. We all depend on it to live and we are compelled to share it; it is our only home ... the earth's biosphere seems almost magically suited to human beings and indeed it is, for we evolved through eons of intimate immersion within it. We cannot live long or well without a functioning biosphere, and so it is worth everything we have. — Joseph Guth

My daughter had carried within her a story that kept hurting her: Her dad abandoned her. She started telling herself a new story. Her dad had done the best he could. He wasn't capable of giving more. It had nothing to do with her. She could no longer take it personally. — Regina Brett

I'm not saying that you should deny the difficult events of your life. But the fact that you survived is also a wonderful story to tell. And that story, the story of the way you came through a difficult situation, found resources within yourself or outside of yourself, gleaned from that experience what you wanted and what you didn't want going forward - that is a story that can inspire you and others to heal and grow. — Golda Poretsky

Barbee had always wondered about mental institutions. He thought of taking notes for a feature story on this adventure at Glennhaven, as the evening wore on, began to seem remarkable for utter lack of anything noteworthy. It began to appear as a fragile never-never land, populated with timid souls in continual retreat from the real world outside and even from one another within. — Jack Williamson

Yes", Kumiko said, seriously. "Exactly that. The extraordinary happens all the time. So much, we can't take it. Life and happiness and heartache and love. If we couldn't put it in story - "
"And explain it -"
"No!" she said, suddenly sharp. "Not explain. Stories do not explain. They seem to, but all they provide is a starting point. The story never ends at the end. There is always after. And even within itself, even by saying that this version is the right one, it suggests other versions, versions that exist in parallel. No, story is not an explanation, it is a net, a net through which the truth flows. The net catches some of the truth, but not all, never all, only enough so that we can live with the extraordinary without it killing us." She sagged a little, as if exhausted by this speech. "As it surely, surely would. — Patrick Ness

Foreign novels are less action-oriented. They have a different pace; they're more reflective. They challenge us to look for the story, find the story within the story. — Stephanie Perkins

The Islamic conquest of India is probably the bloodiest story in history. It is a discouraging tale, for its evident moral is that civilization is a precious good, whose delicate complex of order and freedom, culture and peace, can at any moment be overthrown by barbarians invading from without or multiplying within. — Will Durant

The more limitations you put on a character, often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework. — Brandon Sanderson

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

Rabbinic literature, though it includes plenty of material from before AD 135, tends to see everything in the light, not of a continuing story about God and Israel within the ongoing flow of world history, but of the much thinner, often dehistoricized world of Torah-piety. — N. T. Wright

What I like about fairy tales is that they highlight the emotions within a story. The situations aren't real, with falling stars and pirates. But what you do relate to is the emotions that the characters feel. — Charlie Cox

The multiverse, she said, was like an old library whose shelves were packed with books arranged by a cataloguing system that ranked them according to similarity, each book containing within its covers a story that varied only slightly from the stories of its immediate neighbours, but by increasing degrees from those of increasingly distant books. — Paul McAuley

As I stared at him, elation,excitement, and lust began exploding within me like a fireworks display, rising within and bursting with a range of exquisite emotion that I had never known existed, let alone experienced, leaving me breathless, nervous, and excited. — Bindu Adai

There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man, standing alongside the road, shouts, "Where are you going?"and the first man replies, "I don't know! Ask the horse!" This is also our story. We are riding a horse, we don't know where we are going, and we can't stop. The horse is our habit energy pulling us along, and we are powerless. We are always running,and it has become a habit. We struggle all the time, even during our sleep. We are at war within ourselves, and we can easily start a war with others. We have to learn the art of stopping. — Thich Nhat Hanh

You don't necessarily have to go to film school to be a brilliant film maker. If you are a good listener and you study life, and you find that story that is buried within each and every one of us, and you figure out a way to bring that out. And sometimes it doesn't necessarily mean money or winning the lottery. — Tony Todd

The heart responds to the conflict within a story. — Donald Miller

For decades I've had an intense interest in the history and mythology of the Silk Road, I think in part because an aspect of me loves the resonance of long distance travel as a theme or anchor, if you will, for narrative. The ways that cultures rise and fade across centuries, the ways cultures connect and conflict, absorb and reject, transform or remain static: As a writer this is thematic content that never gets old for me. A million million stories rise out of the endless back and forth of cultural contact in all its best and worst aspects, and everything in between. Weave that within a story of adventure or empire or a journey into unknown spaces and I'm in writer and reader hog heaven. — Kate Elliott

When it comes to who will like your writing; the ones who will like it will like it because they can relate to the story or can find a piece of their own story hidden within - regardless of the mistakes. The ones who won't, never will - no matter what. — Beverly S. Harless

The Gospel is not an old, old story, freshly told. It is a fire in the Spirit, fed by the flame of Immortal Love; and woe unto us, if, through our negligence to stir up the Gift of God which is within us, that fire burns low. — Leonard Ravenhill

What say you, can you love the gentleman?
This night you shall behold him at our feast.
Read o'er the volume of young Paris' face,
And find delight writ there with beauty's pen;
Examine every married lineament,
And see how one another lends content;
And what obscured in this fair volume lies
Find written in the margent of his eyes.
This precious book of love, this unbound lover,
To beautify him only lacks a cover.
The fish lives in the sea, and 'tis much pride
For fair without the fair within to hide.
That book in many's eyes doth share the glory,
That in gold clasps locks in the golden story.
So shall you share all that he doth possess,
By having him, making yourself no less. — William Shakespeare

A bottle that reads, "Drink me." A tea party, with a dormouse, a March Hare, and of course, one Mad Hatter. A red queen, with as much a fondness for tarts as for saying, "Off with their heads!" When we think of Alice and her adventures in wonderland, we often think of these amazing (and amusing) elements. Although today, your vision of Alice in Wonderland probably includes Johnny Depp and a certain visual aesthetic by Tim Burton, it's difficult not to think of the Alice stories without thinking about the food that appears within the pages of the story. — Lewis Carroll

Read a book, words by words, to find a story within and be amazed. Your heart will make that poor written book into a greatest book. Because, you forgive the mistake and because no book is perfect.
Read a book, few words of every page, to find a mistake and it will shows you a lot of mistakes. Even a greatest book will looks like poor written book. Because you are unforgivable and because no book is perfect.
What inside you make the book in your hand looks different. It just a mirror of your heart. — Adam Aksara

And so The Snow Queen also became a story about the need to seek equilibrium, in our own lives, with the natural world, even within the universe at large. — Joan D. Vinge

The first rule of life is to reveal nothing, to be exceptionally cautious in what you say, in whatever company you may find yourself. If you have a secret, you have only to whisper it to your dearest friend with the strictest injunction that it will go no further, and within half a day the story is all over town, and when you do make what would seem to be a perfectly sensible remark, you will find it reported in the most grotesque form, thus incurring no end of criticism to rebound upon you. — Elizabeth Aston

The brief story of the supper at Emmaus carries within it a number of core principles of the Christian life as Luke understands it. First, the idea that one comes to know Christ through acts of generosity to other human beings. It is because of their kindness to a stranger that the disciples find the beloved teacher whom they had lost. Second, there is the idea that they can conjure his presence in prayer and in communal acts such as the breaking of bread - by remembering his life, death, and resurrection - even in an undistinguished house in an anonymous village. The simple acts of generosity and community in daily life are the acts that make real the living presence of Jesus. — Kate Cooper

If our lives are to be shaped by the story of Scripture, we need to understand two things well: the biblical story is a compelling unity on which we may depend, and each of us has a place within that story. — Craig G. Bartholomew

Both education and religion need to ground themselves within the story of the universe as we now understand this story through empirical knowledge. Within this functional cosmology, we can overcome our alienation and begin the renewal of life on a sustainable basis. This story is a numinous revelatory story that could evoke the vision and the energy required to bring not only ourselves but the entire planet into a new order of magnificence. — Thomas Berry

Romantic love is pure fantasy. It destroys a woman's common sense; there simply is no place for it within the walls of a rational mind. You're better off eating a plug of chocolate!" Rachel in Small Pleasures: Mya's Story — Darnishia Bolden

We have to create miracles. A miracle is not the intersession of an external divine agency in violation of the laws of physics. A miracle is simply something that is impossible from an old story but possible from within a new one. It is an expansion of what is possible. — Charles Eisenstein

When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own. — John Berger

A story is a story is a story. The only difference is in the techniques you bring to bear. There are always limitations on what you can and can't do. But I enjoy that. Just like when you write a sonnet or haiku, there are rules you have to abide by. And to me, playing within the rules is the fun part. It keeps the brain fresh. — J. Michael Straczynski

Any book, any story, is a piece of history. Be it fiction and fable or historical fact, history is a very important part of our lives. And one thing I have learned is that history is important to us as a people, we can learn from it and we can find hope within it. We can live and laugh in ways that may not be found in our current lives and we can find solace in those times of heartache and pain. There is so much that a book can do for an individual person. That is why if there is but a single person willing to lose themselves to that history that we hold in our own hearts, than it is up to us as authors to make it available to them. — A.W.Chrystalis

I glare at him and sigh. "Don't you understand what a book is?"
"Obviously."
"Then how can it be boring? It's not just twenty-six little letters all mushed together to make words that link together to tell a story. It's the creation of another world where anything can happen and anyone can be whoever they want to be. It's a crazy, special kind of magic that can transport you out of the real world, to anywhere you want to go. It doesn't matter if it's a made-up universe or it's written in a city you can drive to within an hour. It's what happens within the pages that makes reading so...not boring."

-Emma Hart "Dirty Little Rendezvous (The Burke Brothers Spin-Off #1). — Emma Hart

It wasn't just movies that couldn't contain the full cast of characters - it was us. We had to winnow life down so we knew where to put our tenderness and attention; and that was a good, sweet thing. But together or alone, we were still embedded in a kaleidoscope, ruthlessly varied and continuous, until the end of the end. I knew I would forget this within the hour, and then remember, and forget, and remember. Each time I remembered it would be a tiny miracle, and forgetting was just as important - I had to believe in my own story. — Miranda July

The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word - a glance. The pages of a recently finished story seemed to vibrate in her hand with all the life they contained. — Ian McEwan

If there is a lack of specificity in Grossman's description of the town and the walkers, and if the story perhaps sometimes becomes lost and confusing, then it is because the landscape and its inhabitants are really shadows, creatures of an interior world, whose journey and whose quest are within. Falling Out of Time is short, and clearly a deeply personal book, but its importance and impact ought not to be underestimated. — Ian Sansom

Pictures could not be accessories to the story
evidence
they had to contain the story within the frame; the best picture contained a whole war within one frame. — Tatjana Soli

Certain coincidence is wonderful. Certain meetings are memorable. Sometimes you meet some people for just a moment and they leave indelible footprints on your mind. They give you the reasons to ponder over and over. They become your food for thought. Though they go, their presence is felt within the innermost of the heart and the soul; especially when such people were a reason for a smile, or they were a perfect fit for a vacuum or probably they were a heavenly sent or maybe they were an epitome of a great union; when their light could shine to brighten the dark side of our lives; when they knew how to arouse interest even in the face of dull atmosphere; when they did understand silence and know the value and power of words; when even their absence is felt more than their presence. You can't just forget about such people. Though they leave, they live within our hearts, mind, body and soul. — Ernest Agyemang Yeboah

I am called to listen to the sound of my own heart
to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart. — Katherine Paterson

Everyone tells a story about who they are in their own head. That story defines you, dictating all your actions and all your mistakes. If your own story is filled with guilt and fear and self-hatred, life can look pretty miserable. But, if you're very lucky, you might have a person who tells you a better story, one that takes up residence in your soul, speaking louder than the woeful tale of which you've convinced yourself. If you let it speak loudly within your heart, it becomes your passion and your purpose. — Mia Sheridan

Every now and then, I need a little spark of inspiration. It could be from reading (a novel, poetry, story, news article, a blog) or it could be attending an event (play, musical performance, poetry reading, writers conference). Something to wake up the drowsy Artist that lives within. For the past seven months, I have done all of these things and I noticed that my Artist has been up writing articles, a children's story, and most recently, working on new poems. After several years of hibernation, it is good to see my Artist so active. I must continue to give her a jolt to inspire her to do much more. — Sandra Proto

Coca-Cola remains emblematic of the best and worst of America and Western civilization. The history of Coca-Cola is the often funny story of a group of men obsessed with putting a trivial soft drink "within an arm's reach of desire." But at the same time, it is a microcosm of American history. Coca-Cola grew up with the country, shaping and shaped by the times. The drink not only helped to alter consumption patterns, but attitudes toward leisure, work, advertising, sex, family life, and patriotism. — Mark Pendergrast

As she appears in the room, her face is still covered by the hood of her coat, but I can see the outline of her chin, and a faint glow that frightens me. She slowly pulls back the hood and her eyes bore into me. Eyes red with flame, it is though they are scanning my soul, deep within me."

From 'She Blames Me' (Banfield Tales) — Michael Braccia

Not everyone is meant to be a writer," Shyla said. "I do believe, however, that everyone has a story within them to be written. — Barbara Casey

The silence of a convent at night is the silence of the grave. Too far removed from the busy world without for external sounds to penetrate the thick walls, whilst within no slamming door, nor wandering foot, nor sacrilegious voice breaks in upon the stillness, the slightest noise strikes upon the ear with a fearful distinctness. ("The Monk's Story") — Catherine Crowe

My mother, whom I love dearly, has continually revised my life story within the context of a complicated family history that includes more than the usual share of divorce, step-children, dysfunction, and obfuscation. I've spent most of my adult life attempting to deconstruct that history and separate fact from fiction. — Melissa Gilbert

Girls are the best readers in the world. Reading is really a way of kind of escaping so deeply into yourself and pursuing your own thoughts within the construct of a story. — Caitlin Flanagan

There are many ways to go about a story. And if you give yourself some formal constraints, it just makes the job so much - maybe 'easier' isn't the right word, but because you know your boundaries, you can just play within those boundaries much more, so it's much more fun to do. — Samantha Harvey

Medieval chroniclers
recording events of
their time could not
but reflect the
views of the reigning monarch.
As a writer of historical novels, I attempt
not only to tell
a good story
but to unravel that historical data
and seek the
truth within. — Roy Stedall-Humphryes

No one's fated or doomed to love anyone.
The accidents happen, we're not heroines,
they happen in our lives like car crashes,
books that change us, neighborhoods
we move into and come to love.
Tristan and Isolde is scarcely the story,
women at least should know the difference
between love and death. No poison cup,
no penance. Merely a notion that the tape-recorder
should have caught some ghost of us: that tape-recorder
not merely played but should have listened to us,
and could instruct those after us:
this we were, this is how we tried to love,
and these are the forces they had ranged against us,
and these are the forces we had ranged within us,
within us and against us, against us and within us. — Adrienne Rich

New York in a way functions as another character within the story, as it does within most of Woody Allen's stories. — Radha Mitchell

I love touring, I love making records, but eventually all I want ... I want to score. I want people to ask me to score their film or use my songs in cinematic ways. I think the ultimate media is a story that you can watch and feel and have a musical moment to. I think it's my favorite. I love watching something when music is creating motion within the motion. — Justin Vernon

I have always loved story - I escaped within it as a child, I read every day, I love figuring out the complex layers of an author's work. — Kirsten Prout

Some of us are born rebellious. Reading the story of Zelda Fitzgerald by Nancy Milford, I identified with her mutinous spirit. I remember passing shopwindows with my mother and asking why people didn't just kick them in. She explained that there were unspoken rules of social behavior, and that's the way we coexist as people. I felt instantly confined by the notion that we are born into a world where everything was mapped out by those before us. I struggled to suppress destructive impulses and worked instead on creative ones. Still, the small rule-hating self within me did not die. — Patti Smith

Accept the unknown. There are no secondary characters. Each one is silhouetted against the sky. All have the same stature. Within a given story some simply occupy more space. — John Berger

We all love stories, even if they're not true. As we grow up, one of the ways we learn about the world is through the stories we hear. Some are about particular events and personalities within our personal circles of family and friends. Some are part of the larger cultures we belong to - the myths, fables, and fairy tales about our own ways of life that have captivated people for generations. In stories that are told often, the line between fact and myth can become so blurred that we easily mistake one for the other. This is true of a story that many people believe about education, even though it's not real and never really was. It goes like this: Young children go to elementary school mainly to learn the basic skills of reading, writing, and mathematics. These skills are essential so they can do well academically in high school. If they go on to higher education and graduate with a good degree, they'll find a well-paid job and the country will prosper too. — Ken Robinson

There is a theory that watching unbearable stories about other people lost in grief and rage is good for you - may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn't that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours. — Anne Carson

Good writing arises out of obsession. With obsession there is emotional depth and a certain weight and gravity to the language and story. Without obsession I would be empty, and, literally, I wonder if I would even have any substance. The body is like a cathedral, and the cathedral needs music and prayer filling its grand spaces. Obsession turning over and over within the body creates music, prayer, substance that, although providing the depth, weight, and gravity I first evoked, also allows for lyricism, lightness, and flight up into the various arches and ellipses of the cathedral. Obsession is filled with slowness - and so obsession in my writing, for good or bad, doesn't come about because of an immediate intellectual idea or problem, nor a quick flash of inspiration. There's this slow energy at work, and I begin to become a part of that when I'm very close to silence. — Fred Arroyo

The United States came within a whisker of invading Utah in 1858 and starting a civil war three years before the Civil War. Because the conflict ended up fizzling out, it's not the most dramatic story about the West. — David Roberts

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It's not a black darkness. It's simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I've heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It's all we know to do. We have screamed for eternity. Within this empty space. — F.K. Preston

Women's stories are as powerful, inspiring, and terrifying as the goddess herself. And in fact, these are the stories of the goddess. As women, we know her because we are her. Each woman, no matter how powerless she might feel, is a cell within her vast form, an embodiment of her essence, and each woman's story is a chapter in the biography of the sacred feminine. — Jalaja Bonheim

Storytelling awakens us to that which is real. Honest ... it transcends the individual ... Those things that are most personal are most general, and are, in turn, most trusted. Stories bind ... They are basic to who we are.
A story composite personality which grows out of its community. It maintains a stability within that community, providing common knowledge as to how things are, how things should be
knowledge based on experience. These stories become the conscience of the group. They belong to everyone. — Terry Tempest Williams

Daniel, I was asked of a budding author, how do you know if your story is on track? My answer: I start by knowing my intention, my target. Then, with purpose, I write the scene that unfolds before me, as faithfully as is human. - Daniel LaMonte — Daniel LaMonte

Gosh, it's easy!' he marveled, open-mouthed. 'I never knew before how easy it is to kill anyone! Twenty years to grow 'em, and all it takes is one little push!'
He was suddenly drunk with some new kind of power, undiscovered until this minute. The power of life and death over his fellowmen! Everyone had it, everyone strong enough to raise a violent arm, but they were afraid to use it. Well, he wasn't! And here he'd been going around for weeks living from hand to mouth, without any money, without enough food, when everything he wanted lay within his reach all the while! He had been green all right, and no mistake about it!
Death had become familiar. At seven it had been the most mysterious thing in the world to him, by midnight it was already an old story. ("Dusk To Dawn") — Cornell Woolrich

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end - as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary. — John Berendt

I remember seeing one elderly man look at us, and he held his hand out, and most frightening were his eyes, dark as a soulless abyss, so black that it looked as if it had been blasted from a cyclone. I felt he was looking right at me. For a moment, I thought I was looking through his sockets, past his brain and behind him; as the tears started rolling down my cheeks a godless universe was expanding within me. Then I became hysterical. — Alfred Nestor

What justifies specifically churchly exegesis of Scripture? Can church doctrine guide our reading? Why should it? Why should we interpret the story of Abraham and Isaac by the passion of Jesus? The answer is bluntly simple: What justifies churchly reading of Scripture is that there is no other way to read it, since "it" dissolves under other regimes. Thus a hermeneutical exhortation from this first perspective. Be entirely blatant and unabashed in reading Scripture for the church's purposes and within the context of Christian faith and practice. Indeed, guide your reading by church doctrine. For if, say, the doctrine of Trinity and Matthew's construal of the passion do not fit each other, then the church lost its diachronic self in the early fourth century at the latest, and the whole enterprise of Bible reading is moot. The question, after all, is not whether churchly reading of Scripture is justified; the question is, what could possibly justify any other? — Ellen F. Davis

Sometimes you have to go places with characters and emotions within yourself you don't want to do, but you have a duty to the story and as a storyteller to do it. — Hugh Jackman

Along with the other animals, the stones, the trees, and the clouds, we ourselves are characters within a huge story that is visibly unfolding all around us, participants within the vast imagination, or Dreaming, of the world. — David Abram

The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, always the one, shape-shifting yet marvelously constant story that we find. — Phil Cousineau

Consider the different narrative styles within the story, and the glee with which the "moralistic narrator" celebrates Aschenbach's fall - maybe, then, this is a hostile verdict and the international fame is warranted after all (given that Mann modeled his protagonist so closely on himself, it would be quite odd if he had intended Aschenbach's literary inferiority to be a fixed part of the interpretation). — Philip Kitcher

The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me. — PJ Harvey

If you can see a world within a portrait I would be happy with that. I don't want to tell the story with a painting, though. I'm trying to get away from the story- from the beginning and the ending. — Danny Fox

I want you to read 'God Sees the Truth, but Waits,' " said Mother. "Tolstoy writes about a man, wrongly accused of a murder, who spends the rest of his life in a prison camp. Twenty-six years later, as a convict in Siberia, he meets the true murderer and has an opportunity to free himself, but chooses not to. His longing for home leaves him and he dies." I ask Mother why this story matters to her. "Each of us must face our own Siberia," she says. "We must come to peace within our own isolation. No one can rescue us. My cancer is my Siberia." Suddenly, two white birds about the size of finches, dart in front of us and land on the snow. — Terry Tempest Williams

Our living within and enjoyment and use of space, time, and matter must constantly be measured against the story of Jesus, in his sharing of space, time, and matter as the Incarnate Son; in his death, which passes judgment on all idolatry and sin; and in his resurrection, in which space, time, and matter are renewed in his body, anticipating the final renewal of all things. The danger of idolatry and the proper response to it stand as a rubric over what is now to come. The church is called to a mission of implementing Jesus's resurrection and thereby anticipating the final new creation. — N. T. Wright

I don't believe in nudity for nudity's sake, but it's really beautiful when it's done well, when it's within a story. I'm very comfortable with my body. I grew up mostly in France, where nudity is not taboo. — Leonor Varela

I know that every interpretation of a myth impoverishes and suffocates it; with myths, it's better not to rush things, better to let them settle in memory, pausing to consider their details, to ponder them without moving beyond the language of their images. The lesson we can draw from a myth lies within the literality of its story, not in what we add to it from without. — Italo Calvino

Because of an instability at my own core, it comforts me to live, fixed, within a story. If reading is our consolation for having been allotted only one life, I find that writing oneself into a fictional world is even more comforting. — Norman Lock

Everything within takes place after Jack died and before my mom and I drowned in a burning ferry in the cool tannin-tinted Guaviare River, in east-central Colombia, with forty-two locals we hadn't yet met. It was a clear and eyeblue day, that day, as was the first day of this story, a few years ago in January, on Chicago's North Side, in the opulent shadow of Wrigley and with the wind coming low and searching off the jagged half-frozen lake. — Dave Eggers

It's worth noting up front that I have always conceived of my mind as a digestive organ. A stomach for processing knowledge, if you will. As a looping, wrinkled mass, a human brain unmistakably looks like gray intestines, and it's within these thinking bowels that my experiences are broken down, consumed to become my life story. My thoughts occur as flavorful burps or acrid barf. The indigestible gristle and bone of my memories are expelled as these words. — Chuck Palahniuk

Old Nan nodded. 'In that darkness, the Others came for the first time,' she said as her needles went click, click, click. 'They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins. They swept over holdfasts and cities and kingdoms, felled heroes and armies by the score, riding their pale dead horses and leading hosts of the slain. All the swords of men could not stay their advance, and even maidens and suckling babes found no pity in them. They hunted the maids through frozen forests, and fed their dead servants on the flesh of human children.' (p240) — George R R Martin

The young of the town, preoccupied with their own germinating angst, which each possessed in varying degree (though few were ever fully aware of its existence), felt no particular connection to the land, its people, its structures, or its history. As such, they had no inclination to defend its invisible borders from declared enemies within or without. They desired only escape from this small village, which each viewed as an existential prison built upon the antiquated expectations of their parents and their parents' parents. And because of their invisible bondage, the young of this town were possessed by a quiet rage. But this rage laid torpid and inert within them, dulled to sleep by the tired repetition of nothing happening over and over and over again, day after day after day.
This is the story of one of those young people, and the terrible things that happened to her, and the terrible things she did as a result. — P.S. Baber

Johnny Depp's performance is quite remarkable. Sweeney's desire for revenge and the simmering anger and hurt that he feels carry the story forward, and Johnny finds the most remarkable variety within that narrow set of emotions. The intensity is at a boil all the time and he never drops it. It's real anger. — Stephen Sondheim

There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed. — Haile Gerima

You are a writer - you write one chapter and go on to the next and the next and so forth. You manage the story, you control the ending, no one else. Think about it. The only difference between life and fiction is you cannot rewrite the beginning, but the ending is always within reach. While you write you think how the story will end. Do you make it an ending with no regrets? — Patrick Timm

Further, in the modern story, reality is that which is observable, measurable, and repeatable - the kinds of phenomena available, accessible, and verifiable to the five senses. Thus, reality comes to equal the scientific method. It should come as no surprise that in such a world the life of the spirit is ignored or marginalized (as well as a great many other nonmaterial things.) This view of life subsequently birthed in human beings a ravenous materialism as matters of the soul were ignored or reinterpreted within this tightly controlled version of reality. When the life of the spirit is ignored, people will seek to feed the hunger of a neglected soul with the only nourishment available: in our context, the consumptive acquisition of material goods. — Tim Keel

Everyone has a story within them, let yours out. — C.J. Heath

My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages. — Jeffery Taylor

This was not the way to think things out for himself, and that was what he had to do. Take each piece of happening that, by itself, was just a meaningless hurt and find its place in the big picture. Do it over and over and over, because that way one came to understand things, and they hurt less. He had ... come to understand a lot and the knowledge he now held within himself was not made of sharp, separate hurts. It was just one big, heavy sadness. It made him stand very straight, braced against the weight in his heart proudly ... Each bit of knowledge he had gathered, each new hurt he had mastered, made him lift his chin a little higher, hold himself more closely knit and proud, because he had found out all by himself that his pride could be used as a shield to soften and deflect each new blow. His proud, strong body, his still, calm face, was the shield; he had no other weapon against the monsters in this dark tunnel of time that was so much like the shivery, scary part of a story. — Kate Seredy

Although when I start a novel I know how it will begin and end, I like to let the people within the story take me on a journey between those points without having a fixed plan. — Cecelia Ahern

The pleasures of being a novelist are many. But the greatest by far is the manner in which I live through my characters; experiencing every detail of their story as it unfolds gradually and personally within my own creative psyche. I'm like a cat with untold lives, because each new book is my rebirth. — Richelle E. Goodrich

No episode is a priori condemned to remain an episode forever, for every event, no matter how trivial, conceals within itself the possibility of sooner or later becoming the cause of other events and thus changing into a story or an adventure. Episodes are like land mines. The majority of them never explode, but the most unremarkable of them may someday turn into a story that will prove fateful to you. — Milan Kundera

It is amazing that 2001: A Space Odyssey has not aged at all, except for a few minor technical gadgets. The main reason is, of course, the philosophical or spiritual element in this story. We know as little today about the secrets of Creation and evolution as we knew before, and it is not likely that we'll ever know much more. We'll have to be satisfied, as Kubrick was, respectfully admiring the potential for evolution within the mystery of the universe's creation. — Jan Harlan

There is a story that you have to tell within a certain amount of time, and you can only show so much of the character. So as much as the script is born from the source material, there are certain limitations. — Henry Cavill