Story Weather Quotes & Sayings

There is history the way Tolstoy imagined it, as a great, slow-moving weather system in which even tsars and generals are just leaves before the storm. And there is history the way Hollywood imagines it, as a single story line in which the right move by the tsar or the wrong move by the general changes everything. Most of us, deep down, are probably Hollywood people. We like to invent "what if" scenarios
what if x had never happened, what if y had happened instead?
because we like to believe that individual decisions make a difference: that, if not for x, or if only there had been y, history might have plunged forever down a completely different path. Since we are agents, we have an interest in the efficacy of agency. — Louis Menand

You have a long history," he said, when Lanya indicated her story was finished.
"Ah, Harrier, were I to tell you a long story, we should be here for a sennight, perhaps more. Long stories are best saved for deep winter, when the days are short and time grows heavy." Lanya glanced at the sky. — Mercedes Lackey

The elk that you glimpse in the summer, those at the forest edge, are survivors of winter, only the strongest. You see one just before dusk that summer, standing at the perimeter of the meadow so it can step back to the forest and vanish. You can't help imagining the still, frozen nights behind it, so cold that the slightest motion is monumental. I have found their bodies, half drifted over in snow, no sign of animal attack or injury. Just toppled over one night with ice working into their lungs. You wouldn't want to stand outside for more than a few minutes in that kind of weather. If you lived through only one of those winters the way this elk has, you would write books about it. You would become a shaman. You would be forever changed. That elk from the winter stands there on the summer evening, watching from beside the forest. It keeps its story to itself. — Craig Childs

I grew up reading 19th-century novels and late Victorian children's books, so I try for a good story full of coincidence and error, landscape and weather. However, the world was radically changed during my lifetime, and I tell of that battering as best I can. — Fanny Howe

I always go with the story and character and if those are good and if the setting is something that's scary (horror films seem to always take place at night and the weather's always bad) then I might be interested. — David Naughton

What are you staring at?"
"Rain drops on window glass is a sort of love-bite, is it not? — Jasleen Kaur Gumber

It's all in the details - what you put in, what you don't. I mean, you leave out the weather and what people are wearing, you can skip half the story. — Neil Gaiman

Every performance is different. There are so many factors involved ... the people I've met that day, the weather, the city I'm in, conversations, sleep, mood, everything. However, there are many nights when the stars align and I feel like both the story teller and the stranger in the crowd, hearing it all for the very first time. — Dia Frampton

In the dresser mirror, my face looks the same, but I feel something happening around me, some change as palpable as weather. Stuck in the mirror are mementos from my childhood - red and yellow ribbons for various underachievements, a brown corsage from grad school graduation, a curling and faded picture of me petting a deer in Wisconsin - which is now over. I wandered through it and came out the other side.

It's a stark feeling. Like getting to the last page of a book and seeing 'The End.' Even if you didn't like the story that much, or your childhood, you read it, you lived it. And now it's over, book closed, that long-ago deer you petted in the Dells as dead as the one in The Yearling. — Jo Ann Beard

With all this snow, with the sun not there, with the cold and dreariness, this place doesn't look like my America, doesn't even look real. It's like we are in a terrible story, like we're in the crazy parts of the Bible, there where God is busy punishing people for their sins and is making them miserable with all the weather. The sky, for example, has stayed white all this time I have been here, which tells you that something is not right. Even the stones know that a sky is supposed to be blue, like our sky back home, which is blue, so blue you can spray Clorox on it and wipe it with a paper towel and it wouldn't even come off. — NoViolet Bulawayo

When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there's a clue? What if there's a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody's big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she's under there? What if she's crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there's nowhere to go from here. Home is home is home. — Carol Rifka Brunt

The first thing I check once I'm inside a story is the emotional weather. Is there a storm coming? What's the temperature, and how powerful are the winds? The difference between walking on water and sliding one's ass across slick ice is only a matter of degree. — Bob Thurber

Something about the structure of my brain, its associative, porous, open-endedness, was defenseless against the ever-enlarging Web. Every video, news story, photo, email, stock chart, sexy picture, and five-day weather forecast was an enticement to step into the forest, and once I was two or three bread crumbs down the path, the witches had me, I was in their oven. — Walter Kirn

Readers want to know a few things right up front, like what the weather is like and the lay of the land, the color of that lake, or the steep pitch of that steeple. Now whether or not these things have one iota to do with your story doesn't concern the reader. — Ron Rozelle

Segregation shaped me; education liberated me. — Maya Angelou

We were a pairing out of an Aesop's fable, the grasshopper and the ant, the tortoise and the hare. And sure, maybe the ant was warmer in the winter and the tortoise won the race, but everyone knows that the grasshopper and the hare were infinitely more appealing animals in all their leggy beauty, their music and interesting side trips. What the story didn't tell you is that the ant relented at the eleventh hour and took in the grasshopper when the weather was hard, fed him on his tenderest store of grass all winter. The tortoise, being uninterested in such things, gave over his medal to the hare. Grasshoppers and hares find the ants and tortoises. They need us to survive, but we need them as well. They were the ones who brought the truth and beauty to the party, which Lucy could tell you as she recited her Keats over breakfast, was better than food any day. — Ann Patchett

No, you don't remember, and sometimes it's best that way. Sometimes it's best to start fresh. Every day, fresh. Living always in the present, unburdened by the pain of the past. Most of us drag around our misdeeds like giant dead birds tied to our necks; we condemn ourselves to telling every stranger we meet the story of our anguish and inadequacies, hoping that one day we will be forgiven, hoping that we will find a person who will look at us and pretend to ignore the ridiculous dead birds hanging from our sunburned and weather-beaten necks. And if we find that person, and if we don't hate him for not hating us, if we don't hold him in contempt for not treating us contemptuously, as we expect to be treated - nay, as we demand to be treated - well, that person will be something of a soul mate, I imagine. — Garth Stein

Kvothe looked at Bast for a long moment. "Oh Bast," he said softly to his student. His smile was gentle and sad. "I know what sort of story I'm telling. This is no comedy."
"This is the end of the story, Bast. We all know that." Kvothe's voice was matter-of-fact, as casual as if he were describing yesterday's weather. "I have led an interesting life, and this reminiscence has a certain sweetness to it. But ... "
Kvothe drew a deep breath and let it out gently. " ... but this is not a dashing romance. This is no fable where folk come back from the dead. It's not a rousing epic meant to stir the blood. No.
We all know what kind of story this is. — Patrick Rothfuss

Hot soup becomes a king after a long walk in a snowy day! Everything carries the potential to be a respected king, even the most ordinary things! — Mehmet Murat Ildan

Oftentimes the quality of the light tells the story: the time of day, the weather, whether sun is streaming through the window. It can also help you appreciate what the actor is feeling, what the playwright wants you to feel. Any engineer can put a spot on someone. — Jules Fisher

One ancient retired Air Force nurse does nothing but screams 'Help!' for hours at a time from a second-story window. Not six weeks ago, a huge stole HELP WANTED sign was found attached right below the retired shrieking nurse's window.
Unit #5, kittycorner across the little street from Ennet House, is for catatonics and various vegetablish, fetal-positioned mental patients. It is, understandably, a pretty quiet place. But in nice weather, when its more portable inmates are carried out and placed in the front lawn to take the air, standing there propped-up and staring, they present a tableau it took Gately some time to get used to. A couple newer residents got discharged late in Gately's treatment for tossing firecrackers into the crowd of catatonics on the lawn to see if they could get them to jump around or display affect. — David Foster Wallace

Meggie thought this first whisper sounded a little different from one book to another, depending on weather or not she already knew the story it was going to tell her. — Cornelia Funke

The thing is, all memory is fiction. You have to remember that. Of course, there are things that actually, certifiably happened, things you can pinpoint the day, the hour, the minute. When you think about it, though, those things, mostly seem to happen to other people.
This story actually happened, and it happened pretty much the way I am going to tell it to you. It's a true story as much as six decades or telling and remembering can allow it to be true. Time changes things, and you don't always get everything right. You remember a little thing clear as a bell, the weather, say, or the splash of light on the river's ripples as the sun was going down into the black pines. things not even connected to anything in particular, while other things, big things even, come completely disconnected and no longer have any shape or sound. The little things seem more real than the big things. — Robert Goolrick

Are your desires purely selfish? Do your tastes run to a grand home, automobiles, fine clothes, an abundance of amusements, and so forth? If so, look around you at people who have such things in superabundance. Are they any happier, do you think, than you are? Are they any better morally? Are they any stronger physically? Are they better liked by their friends than you are by your friends? ... Carnegie said, Millionaires rarely smile. This is substantially true. — B.C. Forbes

We must be careful with our lives, for Christ's sake, because it would seem that they are the only lives we are going to have in this puzzling and perilous world, and so they are very precious and what we do with them matters enormously. — Frederick Buechner

As we lay huddled together under the tent, which leaked considerably about the sides, with our baggage at our feet, we listened to some of the grandest thunder which I ever heard, -rapid peals, round and plump, bang, bang, bang in succession, like artillery from some fortress in the sky; and the lightning was proportionally brilliant. The Indian said, 'It must be good powder.' All for the benefit of the moose and us, echoing far over the concealed lakes. — Henry David Thoreau

Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that."
"Richard. You wrote a whole book."
"But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?"
"Yes. I suppose we do."
"You kissed me beside a pond."
"Ten thousand years ago."
"It's still happening. — Michael Cunningham

My energy level has not changed. — Eddie Perez

The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light. — Janet Fitch

The audience burst into applause and hallelujahs. I kept trying to make sense of it, and kept coming up short. Here were people who routinely used their computers to stay in touch with their friends and get the news of the day, people who took weather satellites and lung transplants for granted, people who expected to live lives thirty and forty years longer than those of their great-grandparents. Here they were, falling for a story that made Santa and the Tooth Fairy look like gritty realism. — Stephen King

Life without God is a long and fruitless search for enjoyment, meaning, and fulfillment. — Jim George

It was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories. — Margaret Atwood

It is called cacophobia, Miss Snow. It is a disorder. I blinked at him, trying my best not to laugh hysterically and roll on the floor. — Mimi Jean Pamfiloff