Story Themes Quotes & Sayings

Every man who has an idol or admires someone can recognise its themes. It's not only a film about the relationship between fans and idols, it's also a love story, a story of a man who is depressed, who has problems in his relationship with his teenage step-children. — Eric Cantona

You don't choose your themes; they choose you. The meaning of your stories will rise out of your deepest longings, often out of longings so deep that you haven't admitted them even to yourself. Your convictions, your confusions, your most passionate dreams will be there whenever you begin a story, so you might as well learn to tap into them. — Marion Dane Bauer

Hollywood is McWorld's storyteller, and it inculcates secularism, passivity, consumerism, vicariousness, impulse buying, and an accelerated pace of life, not as a result of its overt themes and explicit story lines but by virtue of what Hollywood is and how its products are consumed. — Benjamin R. Barber

The principles of storytelling are immutable, explaining why we see shards of ourselves in other people's stories. All enduring stories predicate its themes upon humankind's ability to exercise free will. Without a character's ability to make choices of how to act, there can be no story. In absence of free will, there is no humanity. Only after God evicted them from the Garden of Eden, could Adam and Eve experience what it means to be human. — Kilroy J. Oldster

You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox. — Deepak Chopra

I always set out to tell a good story, to create a character that young people can relate to, place them in a situation that will be interesting, intriguing, eventually suspenseful. But what I find is that after I do that, then there are themes that emerge, which teachers can then use to provoke discussion and debate. — Lois Lowry

The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling. — George Nolfi

I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through. — John Irving

'The Wizard of Oz' and 'Alice in Wonderland' inspired me. I wanted to take those themes and try to bring it into a more 21st story with aliens. — Tony DiTerlizzi

With my students, I don't offer any simple tips like that, maybe because my own process is pretty messy, but when we workshop we talk a lot about the deeper subject, which is what the story or novel is about. I think defining a narrative's themes can lay bare a narrative's tensions. — Edan Lepucki

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers. — Mary Alice Monroe

I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there. — Iain Banks

'The 5th Wave' is sci-fi, but I tried very hard to ground the story in very human terms and in those universal themes that transcend genre. How do we define ourselves? What, exactly, does it mean to be human? What remains after everything we trust, everything we believe in and rely upon, has been stripped away? — Rick Yancey

Matthew's story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile. And when we ask why such stories, so different in many ways and yet so interestingly consistent in these and other features, could have come into existence so early, all the early Christians give the obvious answer: something like this is what happened, even though it was hard to describe at the time and remains mind-boggling thereafter. — N. T. Wright

If one wants to go on living, one must evolve. Before, when we composed, we would start by a series of music themes. Once created, we would hire writers and lyricists to make up the text and the story line. I was the first to do this backwards with 'Man of La Mancha.' — Mitch Leigh

They're classic themes, which is why I think it's such a great story to look at again. The concept of being loyal to your friends, to the point where you'd even die for them, is a great subject. — Adrian Hodges

Sometimes, I have themes that interest me or that touch on larger issues but, really, I'm just trying to figure out the plot, or how the characters work. I'm trying to make the best story I possibly can. — Brian Selznick

I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc. — Jeff Lemire

Every day I fantasise about situations and little themes I see in front of me that would make a good beginning of a story. But one has to be disciplined and just sit down and do it. — Emilia Fox

We are all writing the story of our life. We want to know what it's "about," what are its themes and which theme is on the rise. We demand of it something deeper, or richer, or more substantive. We want to know where we're headed not to spoil our own ending by ruining the surprise, but we want to ensure that when the ending comes, it won't be shallow. We will not have done something. We will not have squandered our time here. — Po Bronson

Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldn't rely on it, because it's not guaranteed and it's not permanent and it's not sufficient. So work hard, fall in love with the writing - the characters, the story, the words, the themes - and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they don't warp you, and when the bad things hit you, you don't fall apart. — Veronica Roth

Why do stories cluster around a few big themes, and why do they hew so closely to problem structure? Why are stories this way instead of all the other ways they could be? I think that problem structure reveals a major function of storytelling. It suggests that the human mind was shaped for story, so that it could be shaped by story. — Jonathan Gottschall

I look for two things when I am about to launch into a book. First, there has to be a dramatic arc to the story itself that will carry me, and the reader, from beginning to end. Second, the story has to weave through larger themes that can illuminate the world of the subject. — David Maraniss

It is a very beautiful story, 'The Crow.' It is a very tragic story with huge emotional themes. — Luke Evans

A few people had always made lousy choices. But how had a preexisting human propensity for self-destructive behavior exploded into a plague? As Mark's real, much more complete story - the one he didn't tell Berens - proved, it wasn't the increased availability of a drug like heroin, though that was gas on the flames. Lancaster's drug problem predated heroin, OxyContin, Percs. The problem wasn't caused by drugs at all, or government handouts, or single-parent families. While addiction could be as individual as people, common themes included alienation and disconnection. * — Brian Alexander

I try to tell a story that's good enough to win the right to integrate eternal themes into it. If it's poorly written or comes across as a sermon, then obviously you don't reach people, because they're aware that you're imposing something on a story that isn't innate to it. — Randy Alcorn

I wasn't into Tolkien at school really. But the story is timeless, the themes that it touches on are contained in cultures all around the world. The innocent on a quest, the pretender, an inanimate object that holds evil - it's really strange that these themes are there in so many different countries' folklore. — Billy Boyd

They listened to the last enchantments of the Middle Ages, heard the horns of Elfland, and made designs on the culture that our own age is only beginning fully to appreciate. They were philologists and philomyths: lovers of logos (the ordering power of words) and mythos (the regenerative power of story), with a nostalgia for things medieval and archaic and a distrust of technological innovation that never decayed into the merely antiquarian. Out of the texts they studied and the tales they read, they forged new ways to convey old themes - sin and salvation, despair and hope, friendship and loss, fate and free will - in a time of war, environmental degradation, and social change. — Philip Zaleski

The themes, ideas and the characters from 'Skyfall' can obviously continue on, because it is a franchise, and it is an ongoing story. — John Logan

One's story isn't a skin to be shed - it's inescapable, one's body and blood. You go on pumping it out till you die, the story veined with the themes of your life, the ever-recurring story that's at once your invention and the invention of you. — Philip Roth

I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in. — Porochista Khakpour

A great editor sees the Story globally and microscopically at the same time. He has x-ray vision. He looks down from thirty thousand feet. A great editor can break down a narrative into themes, concepts, acts, sequences, scenes, lines, beats. A great editor has studied narrative from Homer to Shakespeare to Quentin Tarantino. He can tell you what needs fixing, and he can tell you how to fix it. — Shawn Coyne

Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in. — J.J. Abrams

Some novels present a story form many points of view. Most movies tell only one person's side of the story. Sometime it's easy to use the strongest point of view, or find the character with the most dramatic experience. It depends on which themes the scriptwriter wants to explore. — Seth Grahame-Smith

The themes of Jesus' teaching are important, but of course he was more than a teacher. All the Gospels put the end of his life at the dramatic center of his story. Here all the hopes of Israel come together - he is the king of the Jews, the greatest of all the suffering prophets. Yet Jesus transformed those expectations. He did not lead Israel to victory over Rome. Indeed, one of the remarkable features of the narratives of his last days is that his increasing isolation makes it impossible to identify him with any one 'side' or cause. The Roman governor sentenced him as a Jewish rebel, but the leaders of Judaism also turned against him. He attacked the powerful on behalf of the poor, but in the end the mob too called for his blood. His own disciples ran away; Peter denied him. He did not go to his death agony as a representative of Jews, or of the poor, or of Christians, but alone, and thus, according to Christian faith, as a representative of all. — William C. Placher

Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story. — Chinua Achebe

While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes. — Stephen Schwartz

A book isn't a single, static thing with one unarguable meaning. Each reader who comes to it brings his own special knowledge, habits and attitudes. Each reader reads a different book. Each reader imagines a different story.
A few years ago, for instance, a friend of my mother's sent me a copy of a test on Rite of Passage that she had given her students. The first question read: "True or False? The theme of Rite of Passage is ... " I can't tell you what the presumed themed was, but I can tell you that I didn't recognize it. Beads of sweat leaped out of my forehead. After two more questions, I had to put the test aside. I didn't know the "right" answers. — Alexei Panshin

We learnt a lot because we got in with real choreographers who tell you what they need from a song, because a song has to advance the story. Then real directors like Mike Nichols tell you where you can have 'B themes' and 'C themes', and we go oh yes, B themes and C themes! So we were taught in the finest school amongst the finest people. And also by the school of experience. — Eric Idle

It's funny,' I noted in the diary, 'how often I seem to build a story around one sentence, nearly always the last one, too. The themes are a bit depressing but I just can't get rid of that. — Daphne Du Maurier

Art is built on the deepest themes of human meaning: good and evil, beauty and ugliness, life and death, love and hate. No other story has incarnated those themes more than the story of Jesus. — John Ortberg

Let us remember that humanity's story has only two perennially recurring themes: struggle and progress. — Brendon Burchard

When I first took time off from my profession to write the Bound to Eve story, some people wondered if I had lost my mind. At the very least, they thought I was being irresponsible for my age. But I was in love with the story and in love with the characters. And as we all know, love makes you do the damnedest things. That's ironic, now that I think about it, because that's one of the themes of the story. — John Arthur Lee

In The Hunger Games, there's something for everyone.
A gripping adventure.
A political commentary.
A love story.
A cautionary tale.
Some call it science fiction, some call it potential reality.
Some say it's for teenagers, some say it's for adults.
The book--and now the film--captures themes and concerns that seem timely.
But its real strength, in the end, is that it's timeless. It speaks to us today, and it will speak--even more powerfully--tomorrow. — Kate Egan

I always tell my students, about the biggest baddest things in life you must try to write small and light, save the big writing for the unexpected tiny thing that always makes or breaks a story. — Pam Houston

I write first drafts feverishly fast, and then I spend years editing. It's not that sentence-by-sentence perfectionist technique some writers I admire use. I need to see the thing, in some form, and then work with it over and over and over until it makes sense to me - until its concerns approach me, until its themes come to my attention. At that editing stage, the story picks itself and it's just up to me to see it, to find it. If I've done a good job, what it all means will force me to confront it in further edits. — Porochista Khakpour

Never try to change the narrative structure of someone else's story, though you will certainly be tempted to, as you watch those poor souls in school, in life, heading unwittingly down dangerous tangents, fatal digressions from which they will unlikely be able to emerge. Resist the temptation. Spend your energies on your story. Reworking it. Making it better. Increasing the scale, the depth of content, the universal themes. And I don't care what those themes are- they're yours to uncover and stand behind-so long as, at the very least, there is courage. — Marisha Pessl

In The Second Fontana Book of Great Ghost Stories, Aickman elaborates further his ideas: The good ghost story gives form and symbol to themes from the enormous areas of our own minds which we cannot directly discern, but which totally govern us; and also to the parallel forces of the external universe, about which we know so little, much less than people tell us [8]. He sees that modern man has spent his time avoiding his true nature, the mystery within himself and in the universe that makes him human. — Gary William Crawford

There is no one story that will replace the American dream, but stories
like this one - and there are thousands - can inform the myth or myths
we create for building and preserving the next culture. In order to do so,
however, we must recognize that we cannot live without myth, for it is an
essential part of our humanity. If we attempt to do so - given the fact that
something in us needs myth - we
will only create more myths that echo
the American dream - with themes of heroism, greed, entitlement, narcissism,
exploitation, exceptionalism, and myriad abuses of power. How we prepare for and navigate collapse will provide the raw materials for the myths we make and will live by in a postindustrial world. — Carolyn Baker