Story The Three Quotes & Sayings

I believe the first draft of a book - even a long one - should take no more than three months ... Any longer and - for me, at least - the story begins to take on an odd foreign feel, like a dispatch from the Romanian Department of Public Affairs, or something broadcast on high-band shortwave duiring a period of severe sunspot activity. — Stephen King

I didn't want to just write a series - I wanted to write an epic, on story that spans three books, where decisions made in the first impact the last. — Marcus Sakey

Normally my clients were my mother, my grandmother, and my dad, and I would sell them the issues with a great color cover. There was a story I remember called 'The Invader,' and it had an invisible dome covering a city, with a giant tentacled monster eating everybody in sight, and people trying to drill a hole in the dome. And I did these epic Prismacolor pencil illustrations and sold out the three issues to my captive audience. — Guillermo Del Toro

The perfect story is one you can retell in three minutes, and every single sentence is interesting. — Malik Bendjelloul

Once I have the idea for a story. I start collecting all kinds of helpful information and storing it in three-ring notebooks. For example, I may see a picture of a man in a magazine and say, 'That's exactly what the father in my book looks like!' ... I save everything that will help
maps, articles, hand-jotted notes, bits of dialogue from conversations that I overhear. — Phyllis Reynolds Naylor

The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4. — Rachel Joyce

It would be nice if the story ended differently - if he had burst into tears and professed his love for me; if he had said the same three words back and hugged me; if he had given it thought and then asked if we could try a relationship.

But you know what? I said those three words to a boy who didn't love me back, at least not in that way. He casually dropped a "love you" later on, and in a platonic 'you have impacted my life' way, he was telling the truth. But I knew. He had given it thought, and we were not on the same page. I built up all this courage to say "I love you" for the very first time, and I said those words to a person that couldn't reciprocate them.

But guess what?

I don't regret any of it. — Stephen Lovegrove

I love what I do and feel really lucky to still love what I do - I want to get out of bed and go to work at least three out of five days a week! My fear is it ends up any less than three days. But design-wise, I've still got an appetite, a lot more I want to say with my work - the story is not nearly complete! — Matthew Williamson

In the one-treatment-fits-all approach, clients sit in group meetings all day and all evening and listen to each other stories. At the end of the first week, everyone in the room knows everyone's story. That goes on for three more weeks, and then most people go home with the same problems they brought with them when they arrived. — Chris Prentiss

I've been doing morning pages: the first thing I do when I wake up is sit down and write three pages of whatever comes into my head. The more I do them, the more creative I get and the smaller my problems seem. I can turn something that I hated a few days ago into a short story or a song. — T. Mills

What NYU tried to teach had no relation whatsoever with the reality of what making a film is like. You cannot teach someone aesthetics. What you can do is say, "If you were in this situation and this is the kind of story you wanted to tell, here are a couple of ways you could try to make things work." But they didn't really do that. I did my three years there, and I have said at times that besides my childhood, going to NYU was the single most destructive experience of my life. It took me eight years to recover.
~Tom Dicillo — Nicholas Jarecki

I love the three-act theory. It works and works beautifully. But you don't necessarily have to structure a story that way: Cortazar and Borges wrote in different structural styles. — Alejandro Gonzalez Inarritu

If you're a fan of it, there's a lot of things that plays into what the fans of the series want. If you've never seen them before, a lot of people who have seen it tell me that it's the most accessible of the three. It's a solid story, by itself, and it's more of a sort of action film. When I was watching Twilight the other day, I realized that you do need to read the book to get it. — Robert Pattinson

THREE DAYS TO DEAD is one of the best books I've read. Ever. Evy Stone is a heroine's heroine, and I rooted for her from the moment I met her. Kelly Meding has written a phenomenal story, one that's fast-paced, gritty, and utterly addictive. Brava! More! More! More! — Jackie Morse Kessler

We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do. — Linda Lavin

The whole Christmas story was probably a later addition to the gospel narratives, presented only by the authors of Matthew and Luke. Mark and John seem never to have heard of the manger in Bethlehem, the Massacre of the Innocents, the hovering star, the three wise men, and so forth. — Jay Parini

Some stories feel like they need more time or less time to tell. To not obsessively have to trim or add that final two or three minutes is very helpful, because you can just organically follow how the story feels. — Judd Apatow

column writing is an act of chemistry - precisely because you must conjure it up yourself. A column doesn't write itself the way a breaking news story does. A column has to be created. This act of chemistry usually involves mixing three basic ingredients: your own values, priorities, and aspirations; how you think the biggest forces, the world's biggest gears and pulleys, are shaping events; and what you've learned about people and culture - how they react or don't - when the big forces impact them. When — Thomas L. Friedman

Parents can do three things to make reading active. (1) Elaborate and explain the text to the child. This extends and deepens the experience of the story. (2) Relate the story to the child's own experiences. An interest in reading and understanding the meaning of the text occur if there is 'further information' to personalize the text. (3) Ask questions to ensure the child understands the story, thinks about the characters and plot, and extends their imagination. — Colin Baker

I know lots of people that take cocaine three nights a week and get up and go to work every day, no problem. But we never hear that side of the story. — Lily Allen

We were like the three Fates, weaving the story together, threads of gold, red, and midnight blue. — April Genevieve Tucholke

Listen," he said one afternoon in the library. "You have to read a book three times before you know it. The first time you read it for the story. The plot. The movement from scene to scene that gives the book its momentum, its rhythm. It's like riding a raft down a river. You're just paying attention to the currents. Do you understand that?"
"Not at all," I said.
"Yes, you do," he said.
"Okay, I do," I said. I really didn't, but Gordy believed in me. He wouldn't let me give up.
The second time you read a book, you read it for its history, its knowledge of history. — Sherman Alexie

The moral of this story is simple. Some moms are equipped by the hand of God to be "that mom." They have been formed with the three-C gene - Cooking, Crafting, and Cleaning come easily and naturally to them. Others of us have been delightfully chosen to provide the comic relief necessary to keep this world entertained. And to keep future therapists in business. — Lysa TerKeurst

Even as I took a long, hard look at some of the obvious downsides (Q: 'What are the three things keeping India down? A: Corruption, corruption and corruption.'
), I still felt the upsides (Q: 'What is so fantastic about the India story? A: People, people and people.') tilted the scales in our favor. — Shobhaa De

She could count three vessels - one small, one medium and one large as in the Goldilocks story - and — Neil D'Silva

My mother talked about the stories I used to spin as a child of three, before I started school. I would tell this story about what school I went to and what uniform I wore and who I talked to at lunchtime and what I ate, and my mother was like, 'This girl does not even go to school.' — Lupita Nyong'o

And now the old story has begun to write itself over there," said Carl softly. "Isn't it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes for thousands of years. — Willa Cather

All this to say: I am forty-three years old. I may yet live another forty. What do I do with those years? How do I fill them without Lexy? When I come to tell the story of my life, there will be a line, creased and blurred and soft with age, where she stops. If I win the lottery, if I father a child, if I lose the use of my legs, it will be after she has finished knowing me. "When I get to Heaven", my grandmother used to say, widowed at thirty-nine, "your grandfather won't even recognize me. — Carolyn Parkhurst

The United States came within a whisker of invading Utah in 1858 and starting a civil war three years before the Civil War. Because the conflict ended up fizzling out, it's not the most dramatic story about the West. — David Roberts

The three children had hear the story of the Duene lovers, but they interpreted it differently. And it does not matter, ultimately, what they heard or even what they knew. It is how they interpret the story that will make all the difference. — Tiphanie Yanique

I don't like to give the sob story: growing up in a single-parent home, never knew my father, my mother never worked, and when friends came over I'd hide the welfare cheese. Yo, I failed ninth grade three times, but I don't think it was necessarily 'cause I'm stupid. I didn't go to school. I couldn't deal. — Eminem

I love how my sport reaches out to people with the music and story lines, the glory of standing up for three or four minutes of tough, arduous, gravity-defying skating and all the stuff that goes with it. — Kurt Browning

Humanity is looking for a new story. The one it has embraced since the Renaissance is no longer viable. Despite all of its positive contributions to modern life, three hundred years of scientific-technological development has left our civilization in an untenable position-at odds with its natural environment and ultimately its own deeper, collective, soul. Only a global shift in fundamental perceptions, values, and corresponding actions will allow human-kind to resume an evolutionary pat in alignment with nature and the larger cosmos. — Edmund Bourne

The Treatise of the Three Impostors is a book that enjoyed centuries of notorious nonexistence until (as Voltaire would say) it became necessary to invent it. Georges Minois writes with empathy, erudition, and a novelist's sense of buildup and timing, weaving in the parallel story of Europe's courageous freethinkers. In the face of today's social and even legal pressures against criticizing religion, it is good to see an honorable French tradition asserting itself. — Joscelyn Godwin

I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it. — Morgan Freeman

Ken has three kids. I have three kids. The first movie was basically the story of our lives. Every man is kind of a villain until he then has kids. And then, they soften us up. — Cinco Paul

I'll never forget that Depression Easter Sunday. Our son was four years old. I bought ten or fifteen cents' worth of eggs. You didn't get too many eggs for that. But we were down. Margaret said, 'Why he'll find those in five minutes.' I had a couple in the piano and all around. Tommy got his little Easter basket, and as he would find the eggs, I'd steal 'em out of the basket and re-hide them. The kid had more fun that Easter than he ever had. He hunted Easter eggs for three hours and he never knew the difference. (Laughs.) "My son is now thirty-nine years old. And I bore him to death every Easter with the story. He never even noticed his bag full of Easter eggs never got any fuller. . . . — Studs Terkel

In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.' — Clint Eastwood

The swells were amazing! As big as three-story apartment buildings! — Abby Sunderland

Charity knew that she had to be up early in the morning. And she knew that a weepy, silly, ridiculously old-fashioned love story was not the thing to watch with a broken heart. Nevertheless, she watched. And wept. And was still smiling when she fell asleep at three o'clock in the morning, with the remote in her hand and the telly still going. — Elizabeth Jane Howard

There is a story concerning the Buddha, who is in the company of a fellow traveler who tests this great teacher with derogatory, insulting, disparaging, and bitter responses to anything the Buddha says. Every day, for three days when the Buddha spoke, the traveler responded by calling him a fool, and ridiculing the Buddha in some arrogant fashion. Finally, at the end of the third day, the traveler could stand it no more. He asked, "How is it that you are able to be so loving and kind when all I've done for the past three days is dishonor and offend you? Each time I am disobliging to you, you respond in a loving manner. How is this possible?" The Buddha responded with a question of his own for the traveler. "If someone offers you a gift, and you do not accept that gift, to whom does the gift belong? — Wayne W. Dyer

She is learning toward me, animatedly asking questions, and he is a half step back. It happens three more times that night and many times over the next years. Usually it's the women who identify with me and ask the questions. It isn't the details of my travels that intrigue them; it's the fact that I am living a rich, fulfilling life. And I'm doing it without a man. For many women, my story awakens buried dreams or stimulates new ones. — Rita Golden Gelman

Americans. They came right out with things. Hitchens family lore related the tale of how once, when I was but a toddler, my parents were passing with me through an airport and ran into some Yanks. 'Real cute kid,' said these big and brash people without troubling to make a formal introduction. They insisted on photographing me and, before breaking off to resume their American lives, pressed into my dimpled fist a signed dollar bill in token of my cuteness. This story was often told (I expect that Yvonne and the Commander had been to an airport together perhaps three times in their lives) and always with a note of condescension. That was Americans for you: wanting to be friendly all right, but so loud, and inclined to flash the cash. — Christopher Hitchens

Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them. — Roger Ebert

'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters. — Susan Minot

As I work, I see my writing - each scene, each chapter, each section, each book - in three-act structures and classic myths, and I analyze them through the handy filter of the detective story. — Nick Harkaway

That file full of letters meant I met with a Special Needs teacher in the hallway to get something called Individualized Attention, and let me tell you, working in the hallway with a teacher is like being the street person of a school. People pass you by, and they act like they don't see you, but three steps away they've got a whole story in their heads about why you're out there instead of in the nice cozy classroom where you belong, Stupid? Unlucky? Unloved? — Esme Raji Codell

Every novel has at least three stories. Of course, there's story in its pages. But then there's the story of its writing. And there's also the story of its reaching, or not reaching, the bigger world of its readers. — Ian R. MacLeod

You are the witness of the three bodies: the gross, the subtle, and the causal, and of the three times: past, present and future, and also this void. In the story of the tenth man, when each of them counted and thought they were only nine, each one forgetting to count himself, there is a stage when they think one is missing and do not know who it is; and that corresponds to the void. We are so accustomed to the notion that all that we see around us is permanent and that we are this body, that when all this ceases to exist we imagine and fear that we also have ceased to exist. — Ramana Maharshi

Lawrence Hill, a cultural and spiritual descendant of West African griots, has used his vast storytelling talents to create an epic story that spans three continents. The Book of Negroes recites the pain, misery and liberation of one African woman, Aminata Diallo, who was stolen from her homeland and sold into American slavery. Through Aminata, Hill narrates the terrifying story of slavery and puts at the centre a female experience of the African Diaspora. I wept upon reading this story. The Book of Negroes is courageous, breathtaking, simply brilliant. — Afua Cooper

If my mother was odd enough to crave a bubble bath at three in the morning, Dorothy was inventive enough to suggest adding broken glass to the tub. If my mother insisted on listening to West Side Story repeatedly, it was Dorothy who said, 'Let's listen to it on forty-five!' And when my mother announced that she wanted a fur wrap like Auntie Mame, Dorothy bought her an unstable Norwegian elkhound from a puppy mill. — Augusten Burroughs

The story of a man who saw three fellows laying bricks at a new building:
He approached the first and asked, What are you doing?
Clearly irritated, the first man responded, What the heck do you think I'm doing? I'm laying these darn bricks!
He then walked over to the second bricklayer and asked the same question.
The second fellow responded, Oh, I'm making a living.
He approached the third bricklayer with the same question, What are you doing?
The third looked up, smiled and said, I'm building a cathedral.
At the end of the day, who feels better about how he's spent his last eight hours? — Bill Vaughan

There's three sides to every story."
"What do you mean?"
"There's your version, the other person's, and then there's the truth, which is somewhere in the middle of the two. — Helena Hunting

Armenian folklore has it that three apples fell from Heaven: one for the teller of a story, one for the listener, and the third for the one who 'took it to heart.' What a pity Heaven awarded no apple to the one who wrote the story down. — Nancy Willard

The apple ... came before Adam and Eve in the story of creation. It had to have been there at least three years because that's how long it takes for a new tree to bear fruit. — Jodi Picoult

A story is told of Alfred Adler, one of Freud's early followers, who once interviewed a prospective patient at great length, taking a detailed family history, and getting as elaborate an account as possible of what the man was suffering from. At the end of this three-hour consultation Adler apparently said to the man, 'What would you do if you were cured?' The man answered him, and Adler said, 'Well, go and do it then.' That was the treatment. — Adam Phillips

The story of Janie's progress through three marriages confronts the reader with the significant idea that the choice one makes between partners, between one man and another (or one woman and another) stretches beyond romance. It is, in the end, the choice between values, possibilities, futures, hopes, arguments (shared concepts that fit the world as you experience it), languages (shared words that fit the world as you believe it to be) and lives. — Zadie Smith

There are three big things going for The Scorpio Races: first, it is set on a beautiful but wild island in the middle of the cold Atlantic Ocean. That would've seduced me as a teen reader. Second, It is full of beautiful but killer horses being trained for a dangerous race. Actually, that would've seduced me as a teen reader as well. At third it involves a very repressed love story with a very Mr. Darcy-like love interest. — Maggie Stiefvater

Plot is certainly a part of constructing a story. It's a factor in outlining. But believe it or not, it's the least important factor. If you focus your efforts on the Three Legs - character arc, pacing, and theme - you can change the specifics of the plot a hundred different times, and you'll still have essentially the same story. — Libbie Hawker

I Need a Good Book

I need a good story.
I need a good book.
The kind that explodes
Off the shelf.
I need some good writing,
Alive and exciting,
To contemplate all by myself.

I need a good novel,
I need a good read.
I probably need
Two or three.
I need a good tale
Of love and betrayal
Or perhaps an adventure at sea.

I need a good saga.
I need a good yarn.
A momentous and mightily
Or slight one.
But with thousands and thousands
And thousands of books,
I need someone to tell me
The right one.

-John Lithgow — John Lithgow

Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito
out! Every simile that would have made sub-moron's mouth twitch
gone! Any aside that explained the two-bit philosophy of a first-rate writer
lost!
Every story slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read Shakespeare read like Dostoevsky read like
in the finale
Edgar Guest. Every word of more than three syllables had been razored. Every image that demanded so much as one instant's attention
shot dead. — Ray Bradbury

First, I spit out a mouthful of dirt. Then, I screamed at the sky. "That's it! I've had it! Everything is trying to kill me! All I did was make one stupid wish. Aladdin made three. I'm the hero of this story, so where's my happy ending, already? It's not fair."

Rexi bent over, trying to catch her breath. "You know what's not fair? Spending Muse Day as a toad just because the kitchen ran out of frog legs. Or being volunteered for this little journey. So build a bridge, then make like a billy goat and get over it already because no one is listening. — Betsy Schow

One way and another, all three synoptic gospels are clear: in telling the story of Jesus they are consciously telling the story of how Israel's God came back to his people, in judgment and mercy. — N. T. Wright

The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story. — Adam Christopher

There are three necessary elements in a story - exposition, development, and drama. Exposition we may illustrate as "John Fortescue was a solicitor in the little town of X"; development as "One day Mrs Fortescue told him she was about to leave him for another man"; and drama as "You will do nothing of the kind," he said. — Frank O'Connor

Tom Kizzia hasn't just observed and written about Alaska for three-plus decades, he's lived it. 'Pilgrim's Wilderness' is a story that needed to be told by the only man who could tell it. — Tom Bodett

The reader has certain rights. He bought your story. Think of this as an implicit contract. He's entitled to be entertained, instructed, amused; maybe all three. If he quits in the middle, or puts the book down feeling his time has been wasted, you're in violation. — Larry Niven

I once made the mistake of writing a story with David Corbett. The man smoked me. He can delineate the character and personality of an accordion in three strokes. I didn't even know accordions had character. This act of generosity and wisdom from a very good writer will help anyone who is staring at a blank page, any day, any time. Highly recommended. — Luis Alberto Urrea

There are stories told to him only at this time of year. Fantastic, magical stories, the old Hollier in the woods finding only three red berries, which peel back in the night to reveal gifts of frankincense, gold and myrrh, Christmas in hot deserts, dust-blown countries, the necklace of tears, and the story of the robin. — Sarah Hall

Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made. — Camilla Gibb

I'm very opinionated about movie musicals when they're adapted from live shows. You'll sit still for a three-minute song in a theater. But in movies, a glance from someone's eyes will tell you the whole story in a few seconds. — Stephen Sondheim

My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of 'Gone With the Wind', and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It's actually one of the things that you live and die for. — Neil Gaiman

'21 Grams' is only one story told by three different points of view, but they are really physically connected - literally, with the heart. — Alejandro Gonzalez Inarritu

ANTHONY DOERR is the author of the story collections Memory Wall and The Shell Collector, the novel About Grace, and the memoir Four Seasons in Rome. He has won numerous prizes both in the United States and overseas, including four O. Henry Prizes, three Pushcart Prizes, the Rome Prize, the New York Public Library's Young Lions Fiction Award, the National Magazine Award for fiction, a Guggenheim Fellowship, and the Story Prize. Raised in Cleveland, Doerr lives in Boise, Idaho, with his wife and two sons. — Anthony Doerr

Towns like Launceston, Longford, Evandale and other current-day hubs of poppy production in north and central Tasmania had been settled by tens of thousands of British and Irish convicts transported here in the early 19th century as a cheap alternative to prisons in the British Isles. They were followed by thousands of so-called free settlers, who built communities with main streets still lined by two- and three-story pink sandstone buildings. — Anonymous

We have been told we cannot do this by a coarse of sentence: it will only grow louder and more dissident. we have been asked to pause for a reality check, we have been warned about offering this nation false hope, but in the unlikely story that is america there has never been anything false about hope.
nothing can stand in the way of millions of voices calling for change
the hopes of little girl who goes to a public school in Dillon are the same as the dreams of a little boy who learns on the streets of L.A. We will remember that there is something happening in America, that we are not as devided as our politics suggest, that we are one people, we are one nation and together we will begin the next great chapter in the American story with three words that will ring from coast to coast, from sea to shining sea: YES WE CAN!
yes we can to justice and equality
yes we can to oppurtunity and prosperity — Barack Obama

Any fiction should be a story. In any story there are three elements: persons, a situation, and the fact that in the end something has changed. If nothing has changed, it isn't a story. — Malcolm Cowley

I tend to gravitate toward the "act two," or "act three," or "act four" stories - either things that are underreported, where we think we already know the common narrative, or things that are at the margins of an over-reported story, where we're all so focused in one direction that we're missing something crucial that's unfolding off to the side. — Sarah Stillman

Do you know who Samuel Langhorne Clemens is, Antonio?" Bessie asked.
"No, chood I?" he said.
"He is best known as Mark Twain, the author of The Adventures of Tom Sawyer," she said.
"I have herd of the story, but I hav not red the booc," he said.
"Well, you should read it," she said. "It is excellent reading. An American classic. Mark Twain worked in Schoharie for a while," she said.
"Is that so?" he said.
"Yes, he worked as a brakeman on the Schoharie railroad station on Depot Street the winter of 1879, three years after he wrote his famous book," Bessie said.
"Why would he do that, a famos author?" Antonio asked.
"A self-published author, I should add. — Yasmin Tirado-Chiodini

I remember him. Jaxton only knew I existed long enough to take the piss out of me. He certainly never liked me." Roman sighed, giving his side of the story, though it was a slanted
one. Only three people knew the real story; him, Jaxton and Ben, and it was far from the tale of bully and victim that Jaxton kept telling people.
"Yeah, that's what he said," Thayer agreed, with a laugh.
Roman wasn't even surprised. Disappointed, but never surprised. — Elaine White

Group, was only 29 when his father died suddenly in New York. His elder brother took the reins, but died of cancer just five years later, leaving behind a young widow and three children. Prior to that, another brother had decided to quit the family business. In parallel, a one year long textile strike spearheaded by Datta Samant had brought the textile industry to ruin; Morarjee Mills, the family's mainstay, was incurring massive losses. Piramal recounts that he survived those troubled times by reminding himself of one particular story: — Ashwin Sanghi

I love how you can shoot a movie in a month or two or three of four, and it's this encapsulated story that you box up and ship out into the world, and what it is, is what it is. — Steven Strait

In the three boats story, a man is floating alone in an ocean without a life jacket when a boat passes by. "Get in. I'll save you," the boatman says. "Oh, no, it's fine," the floating man answers, "I'm putting my faith in the Lord." In time, two more boats come along, and to each rescuer the man - usually me, in Wade's telling - says, "No, no, I'm putting my faith in the Lord." Eventually, and it isn't very long in coming, the man drowns. Yet when he stands up to meet his Maker at the fated spot where some rejoice but many more cower, his Maker looks sternly down and says, "You're a fool. You're assigned to hell forever. Go there now." To which the drowned man says, "But your honor, I put my faith in you. You promised to save me." "Save you!?" fearsome God shouts from misty marmoreal heights. "Save you? Save you?" God thunders. "I sent you three boats! — Richard Ford

At its very core the story of Easter has nothing to do with angelic announcements or empty tombs. It has nothing to do with time periods, whether three days, forty days, or fifty days. It has nothing to do with resuscitated bodies that appear and disappear or that finally exit this world in a heavenly ascension. — John Shelby Spong

The three-story derelict is home to Smitty, Gale, and Gale's baby - a nuclear family nested on the corner - and Ella is accustomed to seeing them on the front steps, waiting for redemption or a cool breeze from the harbor, neither of which seems particularly likely. — David Simon

Whenever people ask me what the story is for my next film, I won't tell and people feel it's because I'm being secretive or something, but it's actually because I'm ashamed to sum up a film in three sentences. — Abbas Kiarostami

I don't just want a gripping story line. I shoot for the three dimensional literary Braille to a silent Scorsese movie — Carl Henegan

This house had a small front garden, black railings and a lawn in need of mowing. Two white front doors had been crammed together side by side, showing that the three-story building had been converted into upper and lower flats. A girl called Robin Ellacott lived on the ground floor. Though he had made it his business to find out her real name, inside his own head he called her The Secretary. He had just seen her pass in front of the bow window, easily recognizable because of her bright hair. — Robert Galbraith

The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography. — Rashid Johnson

And who wouldn't wish that? Certainly everyone here- dressed up as aliens, and wizards, and zombies, and superheroes- wants desperately to be inside a story, to be part of something more logical and meaningful than real life seems to be. Because even worlds with dragons and time machines seem to be more ordered than our own. When you live for stories, when you spend so much of your time immersed in careful constructs of three and five acts, it sometimes feels like you're just stumbling through the rest of life, trying to divine meaningful narrative threads from the chaos. Which, as I learned the hard way this weekend, can be painfully fruitless. Fiction is there when real life fails you. But it's not a substitute. — Sarvenaz Tash

That I learned even as a three year-old that I see this world that is really a mess and I learned to say, this is not me. I am not the one that is messed up. It is out there. — Story Musgrave

It's quite difficult to know who owns a story. Is it the writer, who crafted it? The characters, who carry the plot forward? Or you, the reader, who breathes life into them? Or perhaps none of the three can exist without the other. Perhaps without this magical combination, a story would be nothing more than words on a page. — Jodi Picoult

He yelled at the kid: "Stay here, don't go anywhere." He came out, said everything was okay, called over the squad commander from the checkpoint, stood facing the kid and told the squad commander, "That's how you deal with them." Then he gave the kid another two slaps and let him go. It's a crazy story, I remember sitting in the vehicle, looking on, and telling myself: I've been waiting for a situation like this for three years. From the minute I enlisted, I wanted to stop things like this, and here I am doing nothing, choosing to do nothing, is that okay? I remember answering myself: Yes, it's okay. He's hitting an Arab, and I'm doing nothing. I was really aware of doing nothing because I was scared of the company commander, and what could I do? Jump off the jeep and tell him to stop, because it's stupid, what he's doing? — Breaking The Silence

There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it. — Tim DeKay

All of our faith and practice arise out of the drama of Scripture, the "big story" that traces the plot of history from creation to consummation, with Christ as its Alpha and Omega, beginning and end. And out of the throbbing verbs of this unfolding drama God reveals stable nouns - doctrines. From what God does in history we are taught certain things about who he is and what it means to be created in his image, fallen, and redeemed, renewed, and glorified in union with Christ. As the Father creates his church, in his Son and by his Spirit, we come to realize what this covenant community is and what it means to belong to it; what kind of future is promised to us in Christ, and how we are to live here and now in the light of it all. The drama and the doctrine provoke us to praise and worship - doxology - and together these three coordinates give us a new way of living in the world as disciples. — Michael S. Horton

The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me. — PJ Harvey

Everybody thought that Titanic was the most romantic movie ever. A story about two teenagers who knew each other for three days. Try to make that movie with a couple that's been together for a few years. 'Get in the goddamn boat, Rose!' 'I don't wanna get in the boat!' 'Get in, come on, I'm freezing my ass off out here! I wanted to go to Jamaica, but no, we had to go on a cruise in the middle of the winter!' 'You never draw me naked anymore' — Greg Giraldo

She used her master to gain access to the dumpy three-story walk-up, ignored the rickety elevator, and took the stairs to the top floor. — J.D. Robb

But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of "The Three Bears," for instance, is "Never break into someone else's house." The moral of "Snow White" is "Never eat apples." The moral of World War One is "Never assassinate Archduke Ferdinand." [ ... ] and as the Baudelaire orphans sat and watched the dock fill with people as the business of the day began, they figured out something that was very important to them. It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative. — Lemony Snicket

All of us have a responsibility to work for the day when the mothers of Israelis and Palestinians can see their children grow up without fear; when the Holy Land of the three great faiths is the place of peace that God intended it to be; when Jerusalem is a secure and lasting home for Jews and Christians and Muslims, and a place for all of the children of Abraham to mingle peacefully together as in the story of Isra - (applause) - as in the story of Isra, when Moses, Jesus, and Mohammed, peace be upon them, joined in prayer. (Applause.) — Barack Obama