Story One Night Quotes & Sayings

Two-thousand-word scenes/chapters are potato chip length. That is, if you are about to go to bed and you're reading a terrific novel and the scenes/chapters come in around two-thousand-word bites, you'll tell yourself that you'll read just one more chapter. But if the narrative is really moving after you finish one of these bites, you won't be able to help yourself reading another. If the Story is extremely well told, you'll just keep eating the potato chip scenes all through the night. — Shawn Coyne

If I were to tell this story the way history is usually written or the way each of us recalls his own past, which means recording only the most glorious moments and inventing a new continuity for them, I should omit these little details and say that our eight stout hearts drummed from morning to night in time with a single all-encompassing desire - or some such lie. But the flame that kindles desire and illuminates thought never burned for more than a few seconds at a stretch. The rest of the time we tried to remember it.
Fortunately the demands of daily work, in which each of us had his vital role, reminded us that we had come aboard of our own free will, that we were indispensable to one another, and that we were on a ship - that is to say, in a temporary habitation, designed to transport us somewhere else. If anyone forgot it, someone else lost no time in reminding him. — Rene Daumal

This is shitty to say, but there's not much pathos involved in a case like that. Think about it: Little So-and-so the Fourth drowns himself Tuesday night after receiving his midterm grades in the school of civil engineering. The body goes back to Westchester, and a lounge in the library or a nature path gets named after him, and a bunch of blue-blood kids remember him fondly. Sorry. There's about one story a year like that. Poor Billy Fuckup, Jr., in his Gap khakis, the pressure of going to classes all day really got to him. If I were a better person, I would have felt badly having seen things like that. — Cara Hoffman

LIVIA DIDN'T IMMEDIATELY REMEMBER the details of the night before when she woke in her bed. Her blanket had been arranged around her. As she sat up, she noticed little paper-napkin roses tucked among her belongings. Blake.
He'd even given Teddy a spiffy bow tie. He must have taken a whole stack of napkins from The Launch Pad, and the sunlight trickling in her window explained his absence. His fancy clothes were folded neatly on the end of her bed. The prince was the one to run out of time in this Cinderella story. — Debra Anastasia

That night, she told me the old story again about the woman who had been left behind on a desert island by the man she loved. She waited for him to return for many years, surviving on seaweed and sand, until at last she grew so small she could fit herself inside a bottle and roll into the sea. Who found the bottle, I wondered, but my mother said no one knew what happened to it or where the woman had wanted to go. A fish could have swallowed the bottle, she said, or it could have been dashed against rocks. Other possibilities: sharks, mermaids, lonely sailors at sea. — Jenny Offill

The elk that you glimpse in the summer, those at the forest edge, are survivors of winter, only the strongest. You see one just before dusk that summer, standing at the perimeter of the meadow so it can step back to the forest and vanish. You can't help imagining the still, frozen nights behind it, so cold that the slightest motion is monumental. I have found their bodies, half drifted over in snow, no sign of animal attack or injury. Just toppled over one night with ice working into their lungs. You wouldn't want to stand outside for more than a few minutes in that kind of weather. If you lived through only one of those winters the way this elk has, you would write books about it. You would become a shaman. You would be forever changed. That elk from the winter stands there on the summer evening, watching from beside the forest. It keeps its story to itself. — Craig Childs

Her soul died that night under a radiant silver moon in the spring of 1918 on the side of a blood-spattered trench. Around her lay the mangled dead and the dying. Her body was untouched, her heart beat calmly, the blood coursed as ever through her veins. But looking deep into those emotionless eyes one wondered if they had suffered much before the soul had left them. Her face held an expression of resignation, as though she had ceased to hope that the end might come. — Helen Zenna Smith

By contrast, a schoolteacher in North Carolina recounted the story of a sick black woman preparing for death. She gave the teacher her will, plans for a funeral and a grave, and insurance policies, requesting that she look after them. When the teacher asked her if she wanted to see her husband, who had deserted her, she replied, "No, and if you ever hear from him, tell him I don't leave him even a good wish." She then displayed an envelope, containing what she called her most prized possession, and handed it to the teacher for safekeeping. "When I am gone, no one will care about this envelope. Will you promise to keep it, so I will know I am not all gone so soon?" The envelope contained college credits she had accumulated after attending night school while working all day. 2 — Leon F. Litwack

True story: Some homeowner's burning a yard pile just like this one. And he goes inside for lemonade and opens the cabinet under the sink to toss something in the trash, and this rat's down in the bottom, gnawing a chicken bone. The rat had been driving the guy crazy for months, living in the walls and scampering through the attic at night like it had combat boots. So the guy grabs a rolling pin and beats it to death. Then he takes it outside and throws it on the burning pile." "Good story," said Coleman. "What's the problem?" "The rat's not dead. The heat wakes him up. It jumps off the pile and makes a beeline for the house. Except now its fur's on fire. The homeowner tries to intercept, but it zips between his legs, runs back inside and gets in the walls. Ignited the insulation. Whole place burned down. — Tim Dorsey

It's quite a famous story that takes place on Christmas Eve, and the Germans, French, and Scottish are trying to make peace one night and they bury their dead and they play football. I play a German opera singer, in German, which I never have so I am really excited about that. — Diane Kruger

What's his story?' asked Yarvi.
'I don't know his name. Nothing, we all call him. When I was first brought to the South Wind he pulled an oar. One night, off the coast of Gettland, he tried to escape. Somehow he got free of his chain and stole a knife. He killed three guards and cut another's knee so he never walked again, and he gave our captain that scar before she and Trigg put a stop to him.'
Yarvi blinked at the shambling scrubber. 'All that with a knife?'
'And not a large one. — Joe Abercrombie

There is a holy story that tells of a man who was fulfilled by sowing his enemy's field one night. Bjartur's story is the story of a man who sowed his enemy's field all his life, day and night. Such is the story of the most independent man in the country. Moors; more moors. From the ravine there came an eerie echoing rumble as the headstone crashed its way down, and the bitch sprang to the brink, barking wildly. — Halldor Laxness

Sat in the Jacuzzi last night looking at the dark recesses of the nozzles. Remembering the story I wrote about spiders nesting there. Multifaceted eyes watching me watching them, almost like when you set two mirrors parallel to each other, accept this infinity ends up in some fuzzy creature's belly. I have a nice picture of a Hobo spider in my backyard, venom dripping off one of those nasty fangs of theirs. Son of a bitch is looking at me and his mouth is watering waiting for me to stick my hand under the rock he's nested in. I hate it when you spray a spider with insecticide and it curls up for a few minutes, then uncurls and staggers home. I'm like an arachnid cheap date that sucks!!
I just picture the spider staggering into the nest and the female spider asking, "Is that Raid I smell on you?"
The spider just smiles (interesting thing to picture) and passes out. — Neil Leckman

I've been thinking of a story from the Old Testament: Moses stood all day and all night with outstretched arms, praying to God for victory. And whenever he let down his arms, the enemy prevailed over the children of Israel. Are there still people today who never weary of directing all their thinking and all their energy, single-heartedly, to one cause? — Sophie Scholl

I learned by heart the lines of your face. I can draw them blindly on a water canvas.
Your face in the middle of an inflamed argument. Your face in the middle of a mild one-- when you're at fault.
Your face filled with rainbows of laughter. Your face filled with clouds of distress.
Your face, fluttering, when I open you the door. Your face, agonizing, every time I stand waiting, for the elevator.
Your face, eager, when you kiss me. Your face, surprised, when I lead you to bed.
Your face in the middle of pain. Your face on the outskirts of pleasure.
Your face, with a baffled look, when you wake up. Your face falling asleep, with total surrender.
Your face the first night we met. Your face the last night we parted.
I learned by heart the lines of your face. They all led me into hell.
They all led me into heaven. — Malak El Halabi

Let me tell you girls a story, short and sweet. In high school, I was a junior varsity cheerleader dating a senior who was up for football scholarships. I'd slept with him several times willingly. One night I wasn't in the mood, but he was. So he held me down and forced me. The few people I told about it - including my best friend - pointed out what would happen to him if I told. They stressed the fact that I hadn't been a virgin, that we were dating, that we'd had sex before. So I kept quiet. I never even told my mother. That boy put bruises on my body. I was crying and begging him to stop and he didn't. That's called rape, ladies. — Tammara Webber

Lady Sylvia McCordle: Mr Weissman
Tell us about the film you're going to make.
Morris Weissman: Oh, sure. It's called "Charlie Chan In London". It's a detective story.
Mabel Nesbitt: Set in London?
Morris Weissman: Well, not really. Most of it takes place at a shooting party in a country house. Sort of like this one, actually. Murder in the middle of the night, a lot of guests for the weekend, everyone's a suspect. You know, that sort of thing.
Constance: How horrid. And who turns out to have done it?
Morris Weissman: Oh, I couldn't tell you that. It would spoil it for you.
Constance: Oh, but none of us will see it. — Julian Fellowes

What say you, can you love the gentleman?
This night you shall behold him at our feast.
Read o'er the volume of young Paris' face,
And find delight writ there with beauty's pen;
Examine every married lineament,
And see how one another lends content;
And what obscured in this fair volume lies
Find written in the margent of his eyes.
This precious book of love, this unbound lover,
To beautify him only lacks a cover.
The fish lives in the sea, and 'tis much pride
For fair without the fair within to hide.
That book in many's eyes doth share the glory,
That in gold clasps locks in the golden story.
So shall you share all that he doth possess,
By having him, making yourself no less. — William Shakespeare

It was years ago now, on a warm summer night,
When the boy came out of the sea.
His skin was blue and his hair was white,
And he was in love with me.
He was wild and true, and right then I knew
That he was in love with me.

In our ship we sailed for years on the ocean,
Unfettered and totally free.
And he gave all his days to his endless devotion,
For he was in love with me.
I called it a phase and made endless delays,
Though he was in love with me.

One day the waves swept him right off the ship
And dropped him into the blue.
As his skin turned to water, his hair into fish,
He asked if I loved him too.
Too late I called through the wind and the water,
'I was always in love with you.'
I was always in love with you. — Traci Chee

Well finish your story anyway."
Where was I?"
The bubonic plague. The bulldozer was stalled by corpses."
Oh, yes. Anyway, one sleepless night I stayed up with Father while he worked. It was all we could do to find a live patient to treat. In bed after bed after bed we found dead people.
And Father started giggling," Castle continued.
He couldn't stop. He walked out into the night with his flashlight. He was still giggling. He was making the flashlight beam dance over all the dead people stacked outside. He put his hand on my head and do you know what that marvelous man said to me?" asked Castle.
Nope."
'Son,' my father said to me, 'someday this will all be yours. — Kurt Vonnegut

Roebling rejoined the Army of the Potomac in February 1863 back at Fredericksburg, where he was quartered late one night in an old stone jail, from which he would emerge the following morning with a story that would be told in the family for years and years to come. The place had little or no light, it seems, and Roebling, all alone, groping his way about, discovered an old chest that aroused his curiosity. He lifted the lid and reaching inside, his hand touched a stone-cold face. The lid came back down with a bang. Deciding to investigate no further, he cleared a place on the floor, stretched out, and went to sleep. At daybreak he opened the chest to see what sort of corpse had been keeping him company through the night and found instead a stone statue of George Washington's mother that had been stored away for safekeeping. — David McCullough

And I feel like a real Dad when I read to her at night. She won't sleep without one story, at least. — Steven Herrick

A story is told of a Quaker man who knew how to live independently as the valued person God had created Him to be. One night as he was walking down the street with a friend he stopped at a newsstand to purchase an evening paper. The storekeeper was very sour, rude, and unfriendly. The Quaker man treated him with respect and was quite kind in his dealing with him. He paid for his paper, and he and his friend continued to walk down the street. The friend said to the Quaker, "How could you be so cordial to him with the terrible way he was treating you?" The Quaker man replied, "Oh, he is always that way; why should I let him determine how I am going to act? — Joyce Meyer

One day, I was running to the river. Along the way there was the most exquisite butterfly, a tiny little thing, on the pavement. I kind of jumped over it. And then two days later I woke up in the middle of the night with a character running, jumping over butterflies on the streets of Nairobi. After that, I followed the story. The story wrote itself. — Yvonne Adhiambo Owuor

Remember The Princess and the Pea? She could feel a single pea through dozens of mattresses, and that's how everyone knew she was of noble blood, even though she'd arrived looking bedraggled and scruffy.
It's supposed to be an example of the saying "breeding will out", meaning that you can always spot true royalty, even if that someone is dressed in rags. Am I the only one who thinks the moral of this story is all screwed up? You get caught in a storm and knock on a stranger's door in the middle of the night to ask for shelter... then when they ask how you slept, you COMPLAIN that you were uncomfortable?
Honey, that's not being a Princess. That's being a diva bitch. — Rosie Blythe

The magic of each day lives in the unknown. It's waking up as one person, and accepting that when night falls, we may be someone else entirely. So, when you ask what my story is, forgive me----I'm not quite sure yet. — J. Raymond

... there are simply no words that would be worthy of describing their encounter. And if any narrator ever tries to come up with some details, it would be only to arouse the readers' lust, and would not do justice to what happened that night between Nini and the young woman whose dream he invaded. It was just a glorious experience of two bodies melting in one, two souls uniting in one, two hearts beating with the same beat, and two spirits becoming one. Yes, it was a dream. — Stevan V. Nikolic

As sonner began as sooner finished... the guilt is after you. I feel it, I see it and I smell you have done something..., didn't you??
Something bad... isn't it??
Tell me... don't be afraid I won't do anything bad... (I will just cut your fingers one by one... on your hands... it will be one bloody night... Then I will start with your legs finger by finger with axe... then I will start removing little from you.... the flesh from you!) — Deyth Banger

In the story I eventually called 'Archangel' and published in 2008, Eudora MacEachern, working as an assistant to a surgeon at a hospital in Archangel, one night finds outside the gates an exhausted and frostbitten soldier crouched over the reins of a pony sleigh carrying the body of another soldier. — Andrea Barrett

We'll take care of the cooking, Gram, so you can relax." When he and Cat both looked at her, Emma blushed. "Okay, fine. Sean will take care of the grilling so you can relax."
"I was counting on it. And, Sean, why don't you sit down and help us settle on a wedding date."
"I told Emma to tell me when to be there and I'd be there."
"Nonsense. Sit down."
He'd rather be dipped in barbecue sauce and dropped in the desert, but he sat. One more week and it would be over.
Then he wouldn't have to think about Emma anymore. Not think about marrying her or having babies with her or holding her in his arms at night. He'd be gone and she'd be some funny story his brothers brought up sitting around the fire knocking back beer.
"Really, Sean, are you okay?" Cat asked him, putting her hand on his arm.
He realized he'd been rubbing his chest, and he forced himself to lean forward and prop his arms on the table so he wouldn't do it again. "I'm fine. Let's pick a date. — Shannon Stacey

It was altogether a different story now. Abhilasha started coming out of the cold aloofness which had become her second nature, while for Arvind, it was like 'fiddle found a melody'. He was in love with his life again. With their growing intimacy, came the desire to meet each other. And at last it materialised when they fixed a date for meeting. The long awaited day came. A sleepless night of nervous apprehension, culminated at dawn, as Abhilasha could no longer lie down. While there was much excitement at the prospect of meeting him but the possibility of a probable mismatch between the real Arvind and the virtual one, loomed large on her mind, making her feel nervous. — Chitralekha Paul

One night
it was on the twentieth of March, 1888
I was returning from a journey to a patient(for I had now returned to civil practice), when my way led me through Baker Street. As I passed the well-remembered door ... I was seized with a keen desire to see Holmes again, and to know how he was employing his extraordinary powers. His rooms were brilliantly lit, and, even as I looked up, I saw his tall, spare figure pass twice in a dark silhouette against the blind. He was pacing the room swiftly, eagerly, with his head sunk upon his chest and his hands clasped behind him. To me, who knew his every mood and habit, his attitude and manner told their own story. He was at work again. He had risen out of his drug-created dreams and was hot upon the scent of some new problems. — Arthur Conan Doyle

One day I'll give birth to a tiny baby girl
and when she's born she'll scream
and I'll tell her to never stop
I will kiss her before I lay her down at night
and will tell her a story so she knows
how it is and how it must be for her to survive
I'll tell her to set things on fire
and keep them burning
I'll teach her that fire will not consume her
that she must use it — Nicole Blackman

He would reach for me in the middle of the night, nearly every single night, wrapping one of those solid arms around my waist and pulling me in close. So. Close. — Chelsie Shakespeare

Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another. — Iain Banks

A poem (surely someone has said this before) is a one-night stand, a short story a love affair, and a novel a marriage. — Erica Jong

I'll tell you the story of the wave and the rock. It's an old story. Older than we are. Listen. Once upon a time there was a wave who loved a rock in the sea, let us say in the Bay of Capri. The wave foamed and swirled around the rock, she kissed him day and night, she embraced him with her white arms, she sighed and wept and besought him to come to her. She loved him and stormed about him and in that way slowly undermined him, and one day he yielded, completely undermined, and sank into her arms."
"And suddenly he was no longer a rock to be played with, to be loved, to be dreamed of. He was only a block of stone at the bottom of the sea, drowned in her. The wave felt disappointed and deceived and looked for another rock
"What does that mean? He should have remained a rock."
"The wave always says that. But things that move are stronger than immovable things. Water is stronger than rocks. — Erich Maria Remarque

Nanabozho also had the task to learn how to live from his elder brothers and sisters. When he needed food, he noticed what the animals were eating and copied them. Heron taught him to gather wild rice. One night by the creek, he saw a little ring-tailed animal carefully washing his food with delicate hands. He thought, "Ahh, I am supposed to put only clean food in my body."
Nanabozho was counseled by many plants too, who shared gifts, and learned to treat them always with the greatest respect. After all, plants were here first on the earth and have had a long time to figure things out. Together, all the beings, both plants and animals, taught him what he needed to know. The Creator had told him it would be this way. — Robin Wall Kimmerer

'Big Little Lies' is the story of a school trivia night that goes horrifically wrong, when one parent ends up dead, possibly murdered. I have never attended a school trivia night where a parent ended up dead. In fact, I've never been to a school trivia night at all. — Liane Moriarty

The other thing about the Nights is that it is quite racist. One parentheses is that I think this is one of the negative things that appeal to people, that The Arabian Nights could be used as a disguise for racism. It suited the West. You could smuggle racism into children's literature, you see. The African magician in the story of Aladdin, he's labeled explicitly as the "African Magician." He's not a character but a stereotype, and a lot of this got into nursery literature in this Oriental disguise. — Marina Warner

During that reading, the top part of my mind is concentrating on story and toolbox concerns: knocking out pronouns with unclear antecedents (I hate and mistrust pronouns, every one of them as slippery as a fly-by-night personal-injury lawyer), adding clarifying phrases where they seem necessary, and of course, deleting all the adverbs I can bear to part with (never all of them; never enough). Underneath, — Stephen King

Have you been listening to a word I've been saying? I don't do games. I don't do one-night stands. I don't do affairs. Usually, when I meet a woman and take interest in her, I will be loyal to her, and only her. I expect the same. I don't share well. I'm all for exclusiveness in everything I do, and own. I'm not afraid of commitment or hard work. You're right; I'm not new to this. I've been in many relationships. This is good news, Sophie. It means I won't waste your time. Rest assured, if I'm with you it's because that's exactly where I want to be. If ever I want out of a relationship, I leave. My commitment ends there. It's simple enough and this is the only thing that makes sense to me. — Elisa Marie Hopkins

The way I see it, everyone's been telling the story wrong. I mean, take Cinderella, for example. She never asked for a Prince, let alone waited around for one. Hell, all she ever wanted was a night off from work and a fancy dress to twirl in for a few hours. It's never made sense to me that I'm supposed to sit around pining for some mythical Prince Charming to get off his ass and rescue me. If that's the grand game plan, I could end up waiting forever. Because, I mean, if he's anything like the rest of the male population, the prince is probably stuck in traffic somewhere, or got lost along the way and is too damn stubborn to ask for directions. — Julie Johnson

The embroidery came later, in the retelling, as the story was told again and again by the men, taking on its own character as it passed over camp.
The Prince had ridden out, with only one soldier. Deep in the mountains, he had chased down the rats responsible for these killings. Had ripped them out of their hiding holes and fought them, thirty to one, at least. Had brought them back thrashed, lashed and subdued. That was their Prince for you, a twisty, vicious fiend who you should never, ever cross, unless you wanted your gullet handed to you on a platter. Why, he once rode a horse to death just to beat Torveld of Patras to the mark.
In the men's eyes the feat was reflected as the wild, impossible thing it was
their Prince vanishing for two days, then appearing out of the night with a sackful of prisoners thrown over his shoulder, tossing them at the feet of his troop and saying: You wanted them? Here they are. — C.S. Pacat

Katie heard the story. 'It's come at last,' she thought, 'the time when you can no longer stand between your children and heartache. When there wasn't enough food in the house you pretended you weren't hungry so they could have more. In the cold of a winter's night you got up and put your blanket on their bed so they wouldn't be cold. You'd kill anyone who tried to harm them ... Then one sunny day, they walk out in all innocence and they walk right into the grief that you'd give your life to spare them. — Betty Smith

I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka." — Matthew Specktor

The incident with Dawn hadn't been one of my finer moments. I honestly hadn't expected to break any bones when I shoved her into a tree. Still, the incident had given me a dangerous reputation. The story had gained legendary status, and I liked to imagine that it was still being told around campfires late at night. Judging by the look on the girl's face, it was. — Richelle Mead

Not to me," I said.
Kafka wrote his first story in one night. Stendhal wrote The
Charterhouse of Parma in forty-nine days. Melville wrote Moby-
Dick in sixteen months. Flaubert spent five years on Madame
Bovary. Musil worked for eighteen years on The Man Without
Qualities and died before he could finish. Do we care about any
of that now? — Paul Auster

That night, they spoke in hushed voices around the fire, almost expecting to see or hear something jump from the shadows. Gonjo had been spotted dancing on the railway station on last two consecutive nights. Such an innocuous act as dancing could surely have been ignored but the gravity of the matter lay in the chilling fact that Gonjo had died a week back. Those hushed voices were only adding more fuel to the fire, not the one which kept them warm, but the wildfire of ghostly hauntings by the Begunkodor railway station. What happened at the station this particular night, however, would clearly disabuse any misgivings towards the ghost of the dancing woman - Excerpt from the story 'Begunkodor Ghost Station — Manish Mahajan

When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there's a clue? What if there's a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody's big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she's under there? What if she's crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there's nowhere to go from here. Home is home is home. — Carol Rifka Brunt

One night I saw Jerry Lee, Johnny Cash, Carl Perkins, and Elvis for a dollar, if you believe that, in an open-air concert. Presley, I got to meet and go into his house and so forth. My wife says I should quit tellin' that story, 'cause they'll know how old I am. — William Sanderson

free." On the edge of town, Fitzgerald saw a sight "that has never left my memory. It was a picture story of the death of one 82nd Airborne trooper. He had occupied a German foxhole and made it his personal Alamo. In a half circle around the hole lay the bodies of nine German soldiers. The body closest to the hole was only three feet away, a potato masher [grenade] in its fist.II The other distorted forms lay where they had fallen, testimony to the ferocity of the fight. His ammunition bandoliers were still on his shoulders, empty of M-1 clips. Cartridge cases littered the ground. His rifle stock was broken in two. He had fought alone and, like many others that night, he had died alone. "I looked at his dog tags. The name read Martin V. Hersh. I wrote the name down in a small prayer book I carried, hoping someday I would meet someone who knew him. I never did."34 — Stephen E. Ambrose

Within the mystery of life there is the infinite darkness of the night sky lit by distant orbs of fire, the cobbled skin of an orange that releases its fragrance to our touch, the unfathomable depths of the eyes of our lover. No creation story, no religious system can fully describe or explain this richness and depth. Mystery is so every-present that no one can know for certain what will happen one hour from now.
It does not matter whether you have religion or are an agnostic believe in nothing, You can only appreciate (without knowing or understanding) the mysteries of life. — Jack Kornfield

It began to occur to me that the whole story of love might be nothing more than a wicked lie; that simply sleeping beside another body night after night gives no express right of entry to the interior world of their thoughts or dreams;that we are separate in the end whatever contrary illusions we may cherish; and that this miserable truth might as well be faced, since it will be dinned into one, like it or not by the failings of those we hold dear. I wasn't so bitter now. I'd begun to emerge into a sense of satisfaction with my not, but it would be a long time before I trusted someone, for I'd seen how essentially unknowable even the best loved might prove to be. — Olivia Laing

My first kiss I regret. My first date I regret. But I do not regret the choice to say I love you for the first time. Even though that was the melodramatic story. Even though that one ended badly. I don't regret it.

Because that time ... that night, I was myself. I found my feelings and honored them. I loved myself enough to trust what I felt and say what I needed to say. And I chose to be myself. I was present as I delivered my awkward speech and felt each pound of my beating heart. I had never been more of myself than in that moment. — Stephen Lovegrove

There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat. — Jeanette Winterson

One night, I was lying in bed, and I was channel surfing between reality TV programs and actual war coverage. On one channel, there's a group of young people competing for I don't even know; and on the next, there's a group of young people fighting in an actual war. I was really tired, and the lines between these stories started to blur in a very unsettling way. That's the moment when Katniss's story came to me. — Suzanne Collins

When I saw a story about a stolen painting on the front page of the newaspaper, I told my mother that Charlotte Holmes and I were going to solve the case. My mother cut me off saying, "Jamie, if you try to do anything like that before you turn eighteen, I will sell every last one of your books in the night, starting with your autographed Neil Gaiman. — Brittany Cavallaro

Let me tell you a little story. You may have heard it before.
It's a story about a butcher named Barry.
Once upon a time, in central city, there was a butcher named Barry. Barry loved to chop up meat more than anything in the world. But one day, when Barry got tired of just chopping up cows and pigs ...
... He found something NEW to chop up
PEOPLE. And so, he went out night after night in search of fresh meat.
Eventually, Barry was caught, but not before he had slaughtered 23 victims!!! For terrorizing the poor people of central city, Barry was sent straight to the gallows ... And everyone else lived happily ever after! — Hiromu Arakawa

We'd walk home together in the foggy summer night and I'd tell her about sex; the good stuff, like how it could be warm and exciting
it took you away
and the not-so-good things, like how once you showed someone that part of yourself, you had to trust them one thousand percent and anything could happen. Someone you thought you knew could change and suddenly not want you, suddenly decide you made a better story than a girlfriend. Or how sometimes you might think you wanted to do it and then halfway through or afterward realize no, you just wanted the company, really; you wanted someone to choose you, and the sex part itself was like a trade-off, something you felt like you had to give to get the other part. I'd tell her that and help her decide. I'd be a friend. — Sara Zarr

If you stand right at the edge of the night sky, some place where one o'clock leaves to meet two, the breeze will carry your words up to the stars. And they'll swallow your secrets until its time to hand them over to the truths in the sky- the ones that draw maps in the black.

They carve their answers into the backs of my hands, the grooves of the words running deep in my palms. — Marlen Komar

In August of 1998, I completed Seize the Night, the sequel to my novel Fear Nothing, one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said I had an uncanny knack for writing convincingly about dogs and even for writing from a dog's point of view. When a story contained a canine character, I always felt especially inspired, as if some angel watching over me was trying to tell me that dogs were a fundamental part of my destiny if only I would listen. — Dean Koontz

There just isn't a weak season of 'Breaking Bad.' There's just superior work, a sprint toward evil that turned into a marathon. But like all big-talker shows that bring their heavy cargo in for a rough and breathlessly observed landing, 'Breaking Bad' didn't quite leave itself enough runway to satisfactorily end some of its better story lines, especially once the chronology gap closed up between the flash-forwards from last year's episodes and Sunday night's conclusion. One could easily argue that there was just too much left to do in this one episode. — Hank Stuever

But we should not cling! A plague upon fundamentalists and literalists! I am reminded of a story of Lord Krishna when he was a cowherd. Every night he invites the milkmaids to dance with him in the forest. They come and they dance. The night is dark, the fire in their midst roars and crackles, the beat of the music gets ever faster - the girls dance and dance and dance with their sweet lord, who has made himself so abundant as to be in the arms of each and every girl. But the moment the girls become possessive, the moment each one imagines that Krishna is her partner alone, he vanishes. So it is that we should not be jealous with God. — Yann Martel

With our collective shock, what we saw seemed to be frozen into a state of suspended animation. Indelibly etched into our memories in terror, forever! My life was in slow motion, it was as if I was no longer in my body and this was a rather bad dream! It is almost impossible to describe with words what I saw, but I will try. This very experience is the one that has continued to shake me awake during the dense night of my lifetime. — Alfred Nestor

I have never talked to anone about that night. Ever..' she said. 'And now when I listen to my own words, I realise that they tell a different story from the one I have carried all these years.' The old woman closed her eyes. 'I think that if we can find the words, and if we can find someone to tell them to, then perhaps we can see things differently. But I had no words, and I had nobody. — Linda Olsson

Lying in his parents' house, in the middle of the night, she told him the whole story, about meeting Dimitri on a bus, finding his resume in the bin. She confessed that Dimitri had gone with her to Palm Beach. One by one he stored the pieces of information in his mind, unwelcome, unforgivable. And for the first time in his life, another man's name upset Gogol more than his own. — Jhumpa Lahiri

I think what drove me away from being a reporter was an inability to accept that the world came in neat stories. Every story you have to report is just part of something bigger. The news isn't what happened last night - it's some cumulative thing that's happened over centuries. I found it hard to think of one event and drag it out of a bubbling pot and present it as the story that explains it all. — Terry Pratchett

Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. "Do you pity me, Story?" For the second time that night, she surprised him. "No. I pity the sixteen-year-old boy. Of course I do. How could I not?" Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. "But I don't pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent. — Tessa Bailey

One of the things in the Mary Shelley [Frankenstein] is that the creature tells his story, so this begins with the creature's point of view. So, it literally starts with the creature opening his eyes and is born - but is obviously in his 30s. But because they're the creator and the created we thought it would be really interesting if they could look at each other every other night and play each other's roles. — Danny Boyle

Theater is just so much more satisfying than film or television just because you deliver the whole thing from start to finish in one evening, and you can tell if people have enjoyed it or not. That's great to do every night to go in front of a full room of people and tell the story. There's nothing like that really. — Jonny Lee Miller

We talked
recent history only
and Lucas relayed the story of how Francis came to be his roommate. He showed up at the door one night, demanding to be let in. Napped on the sofa for an hour, then demanded to be let out. It turned into a nightly ritual, with him staying longer and longer, until at some point I realized he'd moved in. He's basically the most brazen squatter ever. — Tammara Webber

The vibrations he felt in his sleep had nothing to do with his soul easing out of his body as he dreamily thought; they came solely from the weight and motion of the freight train rolling north to deliver fuel, furniture and other items having no relevance to Elijah's life or his dreaming. On the metal rail his arm itched like a nose with a feeling that something bad was about to happen. In another life the sound of the train would have been reminiscent of certain songs by Muddy Waters or even Bruce Springsteen but not in this one. In this life the sound stabbed viciously against the night exactly like a human being demonstrating flawless disrespect for the life of another human being.
from short story ELIJAH'S SKIN — Aberjhani

Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices. — Amos Oz

Some stories are easy to follow, and easy to tell. There is an introduction, a twist, and a happily-ever-after. And when telling the story, everyone forgets those small details, like that one quiet morning when the two of you woke wake up with the sunrise and talked about cookies. Or that night when she had her period, and the cramps were killing her, and she just needed your hug and something warm. — Andrea Tomic

If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life. — Melina Marchetta

My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of 'Gone With the Wind', and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It's actually one of the things that you live and die for. — Neil Gaiman

Another story was that a certain dissipated youth of the community, going home one Saturday night, or rather Sunday morning, from some unhallowed orgy, was pursued by a lamb of fire, with its head cut off and hanging by a strip of skin or flame. — L.M. Montgomery

I said on the phone to my mother, "I think I'm going to write the story of the Burgess kids." "It's a good one," she agreed. "People will say it's not nice to write about people I know." My mother was tired that night. She yawned. "Well, you don't know them," she said. "Nobody ever knows anyone. — Elizabeth Strout

I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway! — M. Night Shyamalan

Reading is almost always subversive. From the time you read the next night's fairy tale under the covers by flashlight when you have already had your bedtime story from Daddy and are supposed to be asleep to the time you are an adult reading junk, hoping no one catches you at it, reading is private; that's the most seductive thing about it. It's you and the book. — Phyllis Rose

I think the actor has a tribal role as the archetypal story teller. I think there was a time when the storyteller, the priest, the healer, were all one person in one body. That person used to weave stories at night around a small fire to keep the tribe from being terrified that sun had gone down. — Ben Kingsley

Have you ever seen Russian nesting dolls?"
Thrown by the questions, she opened her eyes. Why would he suddenly speak about a child's toy? "I own a few of them."
"Then you must understand that undressing you is like playing with one of those dolls. I open one to find another beneath it. I took away your gown to find you are still as clothed as you were a moment ago and I wonder how many more layers I will have to work through to get down to you - the doll I'm searching for. — Dominique Eastwick

One day Turtle had savaged an innocent bowl of batter into something that almost (but not quite) resembled muffins. Her mother, who had a great deal to bear on other fronts which do not enter the scope of this story, except to say that Turtle had three older brothers, each more reprehensible than the last, opened the back door and told Turtle to take herself and her regrettable muffins to her grandmother, and if she had to stay the night, so much the better, as there was going to be a great deal of screaming presently, and Turtle was a bit young to be hearing all the words that Turtle's mother planned to be using. — T. Kingfisher

I recollected one story there was in the village, how that on a certain night in the year (it might be that very night for anything I knew), all the dead people came out of the ground and sat at the heads of their own graves till morning. — Charles Dickens

As far as I can figure, the way that it works is this: everyone has something that happened to them. The thing that we each carry. And you can see it in people, if you look. See it in the way someone walks, in the way someone takes a compliment, sometimes you can just see it in someone's eyes. In one moment of desperation, of fear, in one quick moment you can see that thing that happened. Everyone has it. The thing that keeps you up at night, or makes you not trust people, or stops love. The thing that hurts. And to stop it, to stop the hurt, you have to turn it into a story. And not just a story you play over and over for yourself, but a story that you tell. A story's not a story unless you tell it. And once you tell it, it's not yours anymore. You give it away. And once you give it away, it's not something that hurts you anymore, it's something that helps everyone who hears it. It's the kind of thing that's hard to explain. It's probably best if we just show you how it works. — Daniel MacIvor

Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don't ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl's pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn't that a heartwarming story? Restores my faith in just about everything. — Don DeLillo

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

Because here's the thing. We can do a lot in thirty-five days." He sat on the bed and pulled her down next to him. "I mean, think about books and movies. You can watch a great love story in two hours, right? Or read one in maybe two days? So imagine what we can do with thirty-five. We can celebrate a whole year of holidays. We can lock the door at night and turn the music up and memorize each other. We can taste and smell and touch every single thing we love about this whole town, so we never forget, no matter who we turn into out there." He hugged her hands tightly with his. "And then when it's time to leave each other, we'll go off smiling into the future, and we won't be distracted by all that 'when will I find true love' stuff people always worry about because they don't know how it feels. Because we'll already know how it feels. And if neither one of us ever gets another great love story, this one will be enough to last our whole entire lives. — J.C. Lillis

It was relatively easy to write 'The Cave of Lost Souls', though, because it came to me one night in a dream. I remember waking up and having this idea for a complete story - from start to finish - in my head, so I jotted it down, then later began writing the thing. — Paul Kane

Until the August 1 story about the Dahlberg check, the working relationship between Bernstein and Woodward was more competitive than anything else. Each had worried that the other might walk off with the remainder of the story by himself. If one had gone chasing after a lead at night or on a weekend, the other felt compelled to do the same.
Carl Bernstein, Bob Woodward — Carl Bernstein

On a blustery October night in a church outside Minneapolis, several hundred believers had gathered for a three-day seminar. I began with a one-hour presentation on the gospel of grace and the reality of Salvation. Using Scripture, story, symbolism, and personal experience, I focused on the total sufficiency of the redeeming work of Jesus Christ on Calvary. The service ended with a song and a prayer.
Leaving the church by a side door, the pastor turned to his associate and fumed, 'Humph, that airhead didn't say one thing about what we have to do to earn our salvation!'
Something is radically wrong. — Brennan Manning

There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in. — Stephen King

The most terrifying thing I can think of is being alone - and I mean utterly alone, like no one else in the world alone - at night. That's the nucleus of the first story in my collection and it's also where the title came from for the book. — Paul Kane

I read from the Gospels, about the disciples. They reminded me of us. They had Jesus right there, like we have His words, and they still said and did stupid things. But Jesus loved them. After he was raised from the dead, one morning he made them breakfast, because they'd been out all night fishing. That story amazed me. You'd think dying on a Roman cross was enough, — Jill Penrod

This world is beautiful but badly broken. St. Paul said that it groans, but I love it even in its groaning. I love this round stage where we act out the tragedies and the comedies of history. I love it with all of its villains and petty liars and self-righteous pompers. I love the ants and the laughter of wide-eyed children encountering their first butterfly. I love it as it is, because it is a story, and it isn't stuck in one place. It is full of conflict and darkness like every good story. And like every good story, there will be an ending. I love the world as it is, because I love what it will be. I love it because it spins and tilts, because it's dizzying, because of the night sky and the swirling lights. But I have run too far ahead. We should be more ... philosophical. — N.D. Wilson

She had also heard other things, scary things, things that made no sense to her. Some said her father had murdered King Robert and been slain in turn by Lord Renly. Others insisted that Renly had killed the king in a drunken quarrel between brothers. Why else should he have fled in the night like a common thief? One story said the king had been killed by a boar while hunting, another that he'd died eating a boar, stuffing himself so full that he'd ruptured at the table. No, the king had died at table, others said, but only because Varys the Spider poisoned him. No, it had been the queen who poisoned him. No, he had died of a pox. No, he had choked on a fish bone. — George R R Martin

Max was fascinated by the woman and more than a little curious about what she might be up to. Sarah Johnson had come from a two-parent, affluent home with a squeaky-clean past. She'd been the golden girl, high school cheerleader, valedictorian and had apparently glided through college without making a ripple, coming out with a bachelor of arts degree in literature. She'd married well, had six children and then one winter night, for some unknown reason, she'd driven her car into the Yellowstone River. Her body was never found. Because there were no skid marks on the highway, it had looked like a suicide. Foul play had never been suspected.
That was twenty-two years ago. Now she was back - with no memory of those years or why she'd apparently tried to take her own life.
Max wanted this story more than he wanted a hot cup of coffee this morning. — B. J. Daniels

'A Midsummer Night's Dream' is one of George Balanchine's greatest creations - and one of the greatest of all story ballets. — Robert Gottlieb

Some readers may realize that this story, first published in 1956, has been overtaken by events. In 1965, astronomers discovered that Mercury does not keep one side always to the Sun, but has a period of rotation of about fifty-four days, so that all parts of it are exposed to the sunlight at one time or another.
Well, what can I do except say that I wish astronomers would get things right to begin with?
And I certainly refuse to change the story to suit their whims. — Isaac Asimov