Story One Green Quotes & Sayings

If someone writes a great story, people praise the author, not the pen. People don't say, 'Oh what an incredible pen ... where can I get a pen like this so I can write great stories?' Well, I am just a pen in the hands of the Lord. He is the author. All praise should go to him. — Keith Green

The place of horror turns out to be no more than a green scoop, sometimes shadowed, sometimes shining with the bilberries and grass within it, as if a mouth had opened from which streamed a beam of light. So my uncle Robert's death, which had looked from a distance to be an all-consuming tragedy was, close-up, the story of a man finding release from his pain and how his brother had showed such defiant love. The past was a grave, a trap - and yet, also neither of these. Just light, coming and going.
At the wolf pit you imagine you will stare into a hole littered with bones, but what draws you to that place is not what you take from it. The wolf pit seems a delicate illusion. You walk towards it; there is nothing, just a curve of the moor; then it is a soft green light, and then it is nothing again. — Will Cohu

No, Rae, the clocks won't chime again, these clocks have marked my fall. - Fletcher Green — Kimball Lee

The fierce poet of the Middle Ages wrote, "Abandon hope, all ye who enter here," over the gates of the lower world. The emancipated poets of to-day have written it over the gates of this world. But if we are to understand the story which follows, we must erase that apocalyptic writing, if only for an hour. We must recreate the faith of our fathers, if only as an artistic atmosphere. If, then, you are a pessimist, in reading this story, forego for a little the pleasures of pessimism. Dream for one mad moment that the grass is green. Unlearn that sinister learning that you think is so clear, deny that deadly knowledge that you think you know. Surrender the very flower of your culture, give up the very jewel of your pride, abandon hopelessness, all ye who enter here. — G.K. Chesterton

She walks into my life legs first, a long drink of water in the desert of my thirties. Her shoes are red; her eyes are green. She's an Italian flag in occupied territory, and I fall for her like Paris. She mixes my metaphors like a martini and serves up my heart tartare. They all do. Every time. They have to. It's that kind of story. — Catherynne M Valente

Trust me, if I did something, you wouldn't be asking. You'd definitely be feeling it for days to come." His green gaze shimmers, challenging me. "I might be a jerk, but I'm the kind of jerk who always lets the woman come first. And not just once. — J.C. Reed

John Ronald Reuel Tolkien wrote his first story aged seven. It was about a "green great dragon." He showed it to his mother who told him that you absolutely couldn't have a green great dragon, and that it had to be a great green one instead. Tolkien was so disheartened that he never wrote another story for years.
The reason for Tolkien's mistake, since you ask, is that adjectives in English absolutely have to be in this order: opinion-size-age-shape-colour-origin-material-purpose Noun. So you can have a lovely little old rectangular green French silver whittling knife. But if you mess with that word order in the slightest you'll sound like a maniac. It's an odd thing that every English speaker uses that list, but almost none of us could write it out. And as size comes before colour, green great dragons can't exist. — Mark Forsyth

As a reader, I don't feel a story has an obligation to make me happy. I want stories to show me a bigger world than the one I know. — John Green

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

The Christmas story has such power and such appeal every year. There are other stories we get tired of. You think of your favorite movie; you don't want to watch it 15 times. — Frederica Mathewes-Green

I liked the way his story ended with someone else. — John Green

There was one knight," said Meera, "in the year of the false spring. The Knight of the Laughing Tree, they called him. He might have been a crannogman, that one." "Or not." Jojen's face was dappled with green shadows. "Prince Bran has heard that tale a hundred times, I'm sure." "No," said Bran. "I haven't. And if I have it doesn't matter. Sometimes Old Nan would tell the same story she'd told before, but we never minded, if it was a good story. Old stories are like old friends, she used to say. You have to — George R R Martin

I returned to the fields of glory, where the green grass an' flowers grow,
An' the wind softly sings the story of the braves lad of long ago.

In the great glen, they lie a-sleeping, where the cool waters gently flow,
An' the grey mist is sadly weeping for the brave lads of long ago.

See the tall grass is there a-waving as their flags were so long ago;
With their heads high, were forward braving, marching onwards to meet the foe.

March no more, my soldier laddie, there is peace where there once was war.
Sleep in peace, my soldier laddie. Sleep in peace now, the battle's o'er. — Unknown

The Vampires have a plan to take over the world? I asked. I felt a bit dumb, gasping in surprise at every twist to the story and incredulously repeating all the important of bits. But somehow Carter's version of things made sense. I felt like Dorothy at the end of The Wizard of Oz when the green curtain is pulled back to reveal the truth. — Emily McKay

I prefer to speak of 'interdimensionals' rather than 'extraterrestrials' because the latter has connotations of 'little green men' and all the other cliche responses. Nor does it tell the full story. — David Icke

What i realise now is that the story actually did have a happy ending: the children came back. In spite of everything the adults did to them, the children found their own way home, their pockets full of precious stones and pearls that gleamed and shone in the light. — Julia Green

[T]here is something to recommend a story that ends. — John Green

A girl about her own age reached out and took hold of her hand. The girl was tall and thin. She had long black hair streaked with red, and the whites of her green eyes stood out against the black coal dust that covered her face. Her blue and white dress hung in tatters, and was blackened by coal dust and smeared with blood. The girl smiled and Rosie could see that in her other hand she was holding her red umbrella. — Denny Taylor

Kissing Bennet is like stepping into the lake. At first shocking, then slowly I acclimate until I'm sinking into the luxury of it. His hand wraps around my ribs, right below the swell of my breast, and I'm in way over my head, drowning in the sensations that overrun my body. No one has ever kissed me like this. Not even Andrew in all my wildest fantasies. Andrew. Andrew! Oh my gosh, what am I doing? — A.S. Green

I spy with my little eye a great story. — John Green

I think the reason why we got into such idiocy in investment management is best illustrated by a story that I tell about the guy who sold fishing tackle. I asked him, "My God, they're purple and green. Do fish really take these lures?" And he said, "Mister, I don't sell to fish." Investment managers are in the position of that fishing tackle salesman. — Charlie Munger

I wanted to, you know, get my story out in the world, which, it turns out, is a very misguided notion. — John Green

I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I've always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? — John Green

Tex would introduce himself to every goo-green kid who joined the squad, every piece of farm-fresh. He'd put his arm around their shoulder, tell them his life story, his real name, ask them all about their hometowns, so that even those nearby had to learn shit we'd rather not. We'd get hit by these frag grenades of nicety. He took people in, Tex. Got close to them. Cried like a baby when the smoke cleared and the tags were tallied. And I thought he was fucking crazy, going about war like that. Not learning what the rest of us learned. — Hugh Howey

Islam and Christianity promise eternal paradise to the faithful. And that is a powerful opiate, certainly, the hope of a better life to come. But there's a Sufi story that challenges the notion that people believe only because they need an opiate. Rabe'a al-Adiwiyah, a great woman saint of Sufism, was seem running through the streets of her hometown, Basra, carrying a torch in one hand and a bucket of water in the other. When someone asked her what she was doing, she answered, 'I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven of fear of hell, but because He is God. — John Green

It's pretty easy to think of the idea of a story, and maybe even to write a scene or two, but understanding the ebb and flow of a narrative, where to leave the little clues your protagonist (and reader) need, while playing fair, takes a lot more skill and patience than you might think. — Dennis Green

If you were my girlfriend I would give you a hundred lightning bugs in a green glass jar, so you could always see your way. I would give you a meadow full of wildflowers, where no two blooms would ever be alike. I would give you my bicycle, with its golden eye to protect you. I would write a story for you, and make you a princess who lived in a white marble castle. If you would only like me, I would give you magic. If you would only like me. — Robert McCammon

I've always believed growing up that the story of the hero is the journey of weakness to strength. But writing about Gus taught me that the real hero's journey is the journey from strength to weakness, and that was a very helpful thing for me to realise in trying to tell his story, so I felt like that was kind of the gift that he gave me. — John Green

I remember nothing about it except a philological fact. My mother said nothing about the dragon, but pointed out that one could not say 'a green great dragon', but had to say 'a great green dragon'. I wondered why, and still do. The fact that I remember this is possibly significant, as I do not think I ever tried to write a story again for many years, and was taken up with language. — J.R.R. Tolkien

If 'heartache' sounds exaggerated then surely you have never gone to your garden one rare morning in June to find that the frost, without any perceptible motive, any hope of personal gain, has quietly killed your strawberry blossoms, tomatoes, lima and green beans, corn, squash, cucumbers. A brilliant sun is now smiling at this disaster with an insenstive cheerfulness as out of place as a funny story would be if someone you loved had just died. — Ruth Stout

I am not going to tell you my name, not yet at any rate.' A queer half-knowing, half-humorous look came with a green flicker into his eyes. 'For one thing it would take a long while: my name is growing all the time, and I've lived a very long, long time; so my name is like a story. Real names tell you the story of things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time saying anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to. — J.R.R. Tolkien

in the middle of this God-forsaken desert, the government built an oasis. The designers included rolling hills, a small river, walking trails, two small lakes, and dozens of large one and two story buildings that seemed to be part of the environment. And there was grass, lots of bright green grass right there in the middle of the desert. It was synthetic but it looked real and made the place look like a picture on a travel brochure. — Clint Morey

Scones (flavoured with outrage, optional - see "My Story") Mix together: 2 cups flour 4 t. baking powder ¾ t. salt 2-4 T. sugar (depending on whether scones are to be sweet or savoury) Cut into the flour mixture: 1/3 cup butter When the mixture looks like coarse breadcrumbs, add any flavourings (handful of grated cheese with herbs, and green onions; lemon rind; dried cranberries, currents, or blueberries, etc). Beat together: ¾ cup milk or cream 1 egg Stir into the dry mixture. Turn out onto a floured surface and knead three or four times, then roll out to ¾ inch thick and cut into circles with cutter, or pat into one large circle and cut that into wedges. Bake at 400 degrees 15 minutes, or until golden. Can brush the top with egg and sprinkle with coarse sugar before baking, if desired. Some — Laurie R. King

You can make a Theorem that explains why you won or lost past poker hands, but you can never make one to predict future poker hands. The past, like Lindsey had told him, is a logical story. It's the sense of what happened. But since it is not yet remembered, the future need not make any fugging sense a all. — John Green

There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat. — Jeanette Winterson

I have a very strong color theory, for instance, where in Powers, green means powerless, and red means power.The story was all there, but I was desperate to make sure that extra level was the case. — Brian Michael Bendis

I really think that reading is just as important as writing when you're trying to be a writer because it's the only apprenticeship we have, it's the only way of learning how to write a story. — John Green

Dumpers are not inherently worse than Dumpees-breaking up isn't something that gets done to you; it's something that happens with you."
"And the other moral of the story is that you, Smartypants, just told an amazing story, proving that given enough time, and enough coaching, and enough hearing stories from current and former associates of Gutshot Textiles, anyone-anyone-can learn to tell a damned good story."
"Something about telling that story made my gut grow back together. — John Green

What if you were a teacher but had no voice to speak your knowledge? What if you had no language at all and yet there was something you needed to say? Wouldn't you dance it? Wouldn't you act it out? Wouldn't your every movement tell the story? In time you would be so eloquent that just to gaze upon you would reveal it all. And so it is with these silent green lives. — Robin Wall Kimmerer

Throughout the open space, and a two-story fireplace. The bedrooms all have mountain vistas, and the patio has a multimillion-dollar view of a great, green, tree-studded lawn. Edmund Washburn, a big teddy bear of a man, had fired up the — James Patterson

Best day of my life was January 9, 1997. I was eight years old and my mom and I went to the zoo on a class trip. I liked the bears. She liked the monkeys. Best day ever. End of story. — John Green

I can't talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There's .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A — John Green

To change our national economic story from one of financial speculation to one of future growth, we need a third industrial revolution: a green revolution. It will transform our economy as surely as the shift from iron to steel, from steam to oil. It will lead us toward a low-carbon future, with cleaner energy and greener growth. With an economy that is built to last - on more sustainable, more stable foundations — Chris Huhne

The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there. — Ruth E. Carter

Writing is something you do alone. Its a profession for introverts who want to tell you a story but don't want to make eye contact while doing it.
[Thoughts from Places: The Tour, Nerdfighteria Wiki, January 17, 2012] — John Green

My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won't be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because - like all real love stories - it will die with us, as it should. I'd hoped that he'd be eulogizing me, because there's no one I'd rather have ... " I started crying. "Okay, how not to cry. How am I - okay. Okay. — John Green

The following is a fictionalized and utterly false account of the events that most definitely did not happen on June 9-10, 1967. And yet, while all the characters in this story are little green men and women running around inside my head, the events that served as inspiration, the historical facts, as it were, must be considered no less than a sibling of the tale contained in these pages: the story I didn't write, but could have written--the book this could have been, but isn't. — Montague Kobbe

'Close Encounters of the Third Kind' is the best movie for a guy like me. A cerebral adventure. A moving story. A bunch of little green men. — Tom DeLonge

A sequel that will exist just for us — John Green

We are all inclined to accept conventional forms or colours as the only correct ones. Children sometimes think that stars must be star-shaped, though naturally they are not. The people who insist that in a picture the sky must be blue, and the grass green, are not very different from these children. They get indignant if they see other colours in a picture, but if we try to forget all we have heard about green grass and blue skies, and look at the world as if we had just arrived from another planet on a voyage of discovery and were seeing it for the first time, we may find that things are apt to have the most surprising colours. — E.H. Gombrich

I like knowing one story and having everyone else know another. — John Green

The Redwood Tree

My father once told me a story about an old redwood tree - how she stood tall and proud - her sprawling limbs clothed in emerald green. With a smile, he described her as a mere sapling, sheltered by her elders and basking in the safety of the warm, dappled light. But as this tree grew taller, she found herself at the mercy of the cruel wind and the vicious rain. Together, they tore relentlessly at her pretty boughs, until she felt as though her heart would split in two.

After a long, thoughtful pause, my father turned to me and said, "My daughter, one day the same thing will happen to you. And when that time comes, remember the redwood tree. Do not worry about the cruel wind or the vicious rain - but do as that tree did and just keep growing. — Lang Leav

The little one-story house was as neat as a fresh pinafore. The front lawn was cut lovingly and very green. The smooth composition driveway was free of grease spots from standing cars, and the hedge that bordered it looked as though the barber came every day.
The white door had a knocker with a tiger's head, a go-to-hell window and a dingus that let someone inside talk to someone outside without even opening the little window.
I'd have given a mortgage on my left leg to live in a house like that. I didn't think I ever would.
(The Pencil) — Raymond Chandler

When I did A Soldier's Story, I was very young and green and thought I knew everything-now I know I know everything! — Denzel Washington

It is better to take the other road, even if it's longer. Get a car, maybe" Green Eyes — A.G. Billig

But then again, if you don't imagine, nothing ever happens at all. Imagining isn't perfect. You can't get all the way inside someone else. I could never have imagined Margo's anger at being found, or the story she was writing over. But imagining being someone else, or the world being something else, is the only way in. — John Green

Books are a weird collaboration between author and reader: You trust me to tell a good story, and I trust you to bring it to good life in your mind. — John Green

Sneetches was what we called the in-crowd at school, the haves as opposed to the have-nots. We named them from a Dr. Suess story in which the Star-Belly Sneetches, who were born with a green star on their bellies, thought they were better than all those who had no green star- or in this case green money. — Gwen Hayes

As long as we don't die, this is gonna be one hell of a story. — John Green

Remember that nutty little story I told you about the first time I ever went overseas for my junior year abroad at Green Bay, and I stepped onto the airstrip in Madrid to be obscurely disheartened that Spain, too, had trees. Of course Spain has trees! you jeers. I was embarrassed; of course I knew, in a way, it had trees, but with the sky and the ground and the people walking around
well, it just didn't seem that different. — Lionel Shriver

We're weird roman candles burning bright at both ends. At the end of the road's where this story begins. Where the green of the gulf meets the blue of the sea. What makes it all happen is still a mystery to me. But those crazy days and those crazy ways, we never want to undo. We'll be together, now and forever. — Jimmy Buffett

Breaking down that wall is the kind of story that might have a happy middle - oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look at me like a boy, and we're going to play a fun game called Can I Put My Hand There What About There What About There. — John Green

But that mimosa grove - the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since."
"this then is my story. i have reread it. it has bits of marrow sticking to it, and blood, and beautiful bright-green flies. at this or that twist of it i feel my slippery self eluding me, gliding into deeper and darker waters than i care to probe. — Vladimir Nabokov

Great-Uncle Merry stopped reading; but the children sat as still and speechless as if his voice still rang on. The story seemed to fit so perfectly into the green land rolling below them that it was as if they sat in the middle of the past. — Susan Cooper

Is this true on smaller scales too? Apart from a visible fragment is everybody largely invisible - invisible like the magic part of magic mushrooms and the song part of songbirds? Maybe the balance between one's visibility and invisibility is like the balance between the salt and the water in the blood, delicate and critical, as becomes obvious when the balance deteriorates: people with an invisibility deficiency seem like paper dolls, subject to crumple. Other people have the opposite problem: they cannot be seen building a bicycle, nor making lentil soup, nor knitting a green wool sweater by candlelight; neither can you look down from your second-story window in the morning and see them tromping off through the snow — Amy Leach

I stood transfixed, the silence ringing in my ears. From the field of wild grasses; cocksfoot, tufted hair, wild oat, tall fescue, reed canary and perennial rye, their subtle shades of green, ochre and pink softly patching and blending in rustling movement, suddenly rose a small flock of starlings that had been feeding quietly unseen among the tall waving stems, the swish of their glossy wings startlingly loud in the stillness of midday. Heat held me captive. — Nell Grey

We've been rehearsing a classic from antiquity, Green Eggs and Hamlet, the story of a young prince of Denmark who goes mad, drowns his girlfriend, and in his remorse, forces spoiled breakfast on all whom he meets. — Christopher Moore

Yessir, they's big money involved in this park fight, that's the story. Dyer's the mouthpiece for them east coast developers that has fought that park idea for years; them boys are workin day and night to grab that real estate before all them nature-lovers and such get the Glades nailed down by the federl gov'mint. You ain't seen all that stuff in the papers? Gettin the public fired up against the feds for wastin half of Florida on this big green nothin? Stead of sellin off that land and cuttin taxes? — Peter Matthiessen

I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale. — Kurt Busiek

There is no necessity for going to the church and hearing the same story forever. Let the minister write what he wishes to say. Let him publish it. If it is worth buying, people will read it. It is hardly fair to get them in a church in the name of duty and there inflict upon them a sermon that under no circumstances they would read ... the idea of going fifty-two days in a year to hear anybody on the same subject is absurd. — Robert Green Ingersoll

We want our children to know and believe the one good story. Every other story is a copy or shadow of this one. Some copies of it are quite good and shout the Truth. Others see only the faintest whisper of it, or, in its absence remind us of the Truth. We want our kids to know the one good story so well that when they see Luke Skywalker, Harry Potter, Frodo, Anne of Green Gables, Arielle, or Sleeping Beauty, they can recognize the strands of Truth and deception in them. Saturating our children in the one good story will enable them to discern Truth and error as it comes to them from the world. — Elyse M. Fitzpatrick

Many Detroiters, for example, are beginning to see urban agriculture as a real part of the solution; to grow things right where people live, where they work, and definitely need healthier food on the table. Green city gardens are scattered throughout Detroit now, from the schoolyard at Catherine Ferguson Academy for pregnant teens and teen moms, to reclaimed land owned by a local order of Catholic friars (Earthworks), to a seven-acre organic farm in Rouge Park. Together, city gardeners, nonprofit organizations, and the Greening of Detroit resource agency are writing a new local-food story of urban Michigan. — Jaye Beeler

Something about telling that story made my gut grow back together."
What?"
Oh, nothing. Just thinking out loud."
That's who you really like. The people you can think out loud in front of."
The people who've been in your secret hiding places."
The people you bite your thumb in front of."
Hi."
Hi."
... "
... "
Wow. My first Lindsey."
My second Colin."
That was fun. Let's try it again."
Sold."
... "
... "
... "
... — John Green

Green Eggs and Ham was the story of my life. I wouldn't eat a thing when I was a kid, but Dr. Seuss inspired me to try cauliflower! — Jim Carrey

So she told me a story. A story about a boy who was born with very green eyes, and the man who was so captivated by their color that he searched the world for a stone in exactly the same shade." His voice is fading now, falling into whispers so quiet I can hardly hear him. "She said the boy was me. That this ring was made from that very same stone, and that the man had given it to her, hoping one day she'd be able to give it to me. It was his gift, she said, for my birthday." He stops. Breathes. "And then she took it off, slipped it on my index finger, and said, 'If you hide your heart, he will never be able to take it from you'. — Tahereh Mafi

The challenge is the same whether or not I'm collaborating: to empathize with your reader and to tell a story that will matter to him or her. But the mechanics of going about that challenge change when you're collaborating, because you have someone to help refine your thinking and expand your vision of what might happen. — John Green

In between bites of banana, Mr. Remora would tell stories, and the children would write the stories down in notebooks, and every so often there would be a test. The stories were very short, and there were a whole lot of them on every conceivable subject. "One day I went to the store to purchase a carton of milk," Mr. Remora would say, chewing on a banana. "When I got home, I poured the milk into a glass and drank it. Then I watched television. The end." Or: "One afternoon a man named Edward got into a green truck and drove to a farm. The farm had geese and cows. The end." Mr. Ramora would tell story after story, and eat banana after banana, and it would get more and more difficult for Violet to pay attention. — Lemony Snicket

A story told me by Michael Barrie: Jesus and the Blessed Virgin go out to play golf. The Blessed Virgin is at the top of her form, drives and lands on the green. Jesus slices and lands in the bushes. A squirrel picks up the ball and runs off with it. A dog grab the squirrel, which still holds the ball in its mouth. An eagle swoops down, picks up the dog, squirrel and ball, and soars into the air. Out of a clear sky, lightning strikes the eagle, which drops the dog which drops the squirrel which drops the ball, right into the hole. The Blessed Virgin throws down her driver and exclaims indignantly, 'Look, are you going to play golf or just fuck around? — Christopher Isherwood

I know that books seem like the ultimate thing that's made by one person, but that's not true. Every reading of a book is a collaboration between the reader and the writer who are making the story up together. — John Green

It's not like we stop needing the comfort and help that a good story can bring when we graduate from high school. I am still looking for answers to questions about the meaning of life. I am still trying to fathom the wondrous strangeness of love. I am still trying to make my way through life despite heartache and loss. — John Green

If Shirley were not an indolent, a reckless, an ignorant being, she would take a pen at such moments, or at least while the recollection of such moments was yet fresh on her spirit. She would seize, she would fix the apparition, tell the vision revealed. Had she a little more of the organ of acquisitiveness in her head, a little more of the love of property in her nature, she would take a good-sized sheet of paper and write plainly out, in her own queer but clear and legible hand, the story that has been narrated, the song that has been sung to her, and thus possess what she was enabled to create. But indolent she is, reckless she is, and most ignorant; for she does not know her dreams are rare, her feelings peculiar. She does not know, has never known, and will die without knowing, the full value of that spring whose bright fresh bubbling in her heart keeps it green. — Charlotte Bronte

(from the author Q&A)
Q. After you wrote the book, however much time has passed, do you think back and wish you could write more, or that you could somehow create more of their world?
A. I never wish I could go back and write more, no. I spent a long, long time trying to write the book that became The Fault in Our Stars and to be completely honest with you, I am entirely happy that the story is no longer my problem and is now your problem. — John Green

Gosh, it's easy!' he marveled, open-mouthed. 'I never knew before how easy it is to kill anyone! Twenty years to grow 'em, and all it takes is one little push!'
He was suddenly drunk with some new kind of power, undiscovered until this minute. The power of life and death over his fellowmen! Everyone had it, everyone strong enough to raise a violent arm, but they were afraid to use it. Well, he wasn't! And here he'd been going around for weeks living from hand to mouth, without any money, without enough food, when everything he wanted lay within his reach all the while! He had been green all right, and no mistake about it!
Death had become familiar. At seven it had been the most mysterious thing in the world to him, by midnight it was already an old story. ("Dusk To Dawn") — Cornell Woolrich

I learned that myth doesn't mean a lie; it means a traditional story that tells you something about people and their worldview and what they hold sacred. Interesting. — John Green