Story Not My Mouth Quotes & Sayings

What did you wrap my hand with?" he asked. "My thong." I looked up at him. "You were right ; it's totally uncomfortable. Awesome for first-aid though." The corners of T.J.'s mouth turned up slighty. He looked at me, his brown eyes showing a trance of the spark that had been missing the night before. "It'll make for a funny story someday," I said. "You know what, Anna? It's kinda funny now. — Tracey Garvis-Graves

My name, among our people, means 'slow arrow.' It comes from a story in which the god Fen'Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen'Harel how he would save them, and he said to them, 'When did I say that I would save you?' And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen'Harel had loosed fell from the sky into the great beast's mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen'Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed. — Patrick Weekes

I want to know your story. I want to know you. I want - oh, fuck it. Ren cupped my cheek, his hand gentle as he tilted my head back, and before my heart could take another beat, he kissed me. It was no slow or seductive kiss. He claimed my lips as if he were laying claim to my body, to my soul, and every part of me. His mouth was demanding as he tilted his head, his lips moving over mine, his tongue tracing the seam of my lips, willing them to part, and I ... I opened for him. My lips parted, and he made this sound, this deep animalistic groan that sent flames lapping over my skin. The kiss deepened, and his tongue slid over mine, along the roof of my mouth. He took me with his mouth, tasted me and claimed me. — Jennifer L. Armentrout

The place of horror turns out to be no more than a green scoop, sometimes shadowed, sometimes shining with the bilberries and grass within it, as if a mouth had opened from which streamed a beam of light. So my uncle Robert's death, which had looked from a distance to be an all-consuming tragedy was, close-up, the story of a man finding release from his pain and how his brother had showed such defiant love. The past was a grave, a trap - and yet, also neither of these. Just light, coming and going.
At the wolf pit you imagine you will stare into a hole littered with bones, but what draws you to that place is not what you take from it. The wolf pit seems a delicate illusion. You walk towards it; there is nothing, just a curve of the moor; then it is a soft green light, and then it is nothing again. — Will Cohu

She didn't say anything - at least, not with her mouth. Her eyes told me a different story. The only problem was that they each had a thousand tongues talking, each in a language I didn't speak. — J.X. Burros

He couldn't believe she was real. She was like some dream, some story old men told youngsters. She made a fool out of him with the slightest grin or pout. She slept in his bed, not beside him, but around him, her aromatic legs and arms wrapped around him, her mouth against his throat, her beautiful thundercloud hair over his face, his chest. He kissed her hair. Took it to his fist and kissed it, breathed it ... Oh my God, he thought. He didn't know what it was about her that made him more insane: her belly, or the pale friction of her thighs; the small of her back, or her armpits. — Luis Alberto Urrea

Actually, who hasn't been through the ghastly experience of sitting in front of a blank page, with its toothless mouth grinning at you: Go ahead, let's see you lay a finger on me? A blank page is actually a whitewashed wall with no door and no window. Beginning to tell a story is like making a pass at a total stranger in a restaurant. — Amos Oz

What prince wouldn't make a country girl a little restless? Those eyes, that mouth, the broad chest, were a royal combination unlike any other. He only held power over her if she let him, though. He brushed his teeth just like every other person. Put on his shoes one foot at a time.
Prince Theo was just extraordinarily normal.
And she could handle him and her story.
Probably. — Robin Bielman

There is a story of a woman running away from tigers. She runs and runs and the tigers are getting closer and closer. When she comes to the edge of a cliff, she sees some vines there, so she climbs down and holds on to the vines. Looking down, she sees that there are tigers below her as well. She then notices that a mouse is gnawing away at the vine to which she is clinging. She also sees a beautiful little bunch of strawberries close to her, growing out of a clump of grass. She looks up and she looks down. She looks at the mouse. Then she just takes a strawberry, puts it in her mouth, and enjoys it thoroughly. Tigers above, tigers below. This is actually the predicament that we are always in, in terms of our birth and death. Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we'll ever eat. We could get depressed about it, or we could finally appreciate it and delight in the preciousness of every single moment of our life. — Pema Chodron

Sat in the Jacuzzi last night looking at the dark recesses of the nozzles. Remembering the story I wrote about spiders nesting there. Multifaceted eyes watching me watching them, almost like when you set two mirrors parallel to each other, accept this infinity ends up in some fuzzy creature's belly. I have a nice picture of a Hobo spider in my backyard, venom dripping off one of those nasty fangs of theirs. Son of a bitch is looking at me and his mouth is watering waiting for me to stick my hand under the rock he's nested in. I hate it when you spray a spider with insecticide and it curls up for a few minutes, then uncurls and staggers home. I'm like an arachnid cheap date that sucks!!
I just picture the spider staggering into the nest and the female spider asking, "Is that Raid I smell on you?"
The spider just smiles (interesting thing to picture) and passes out. — Neil Leckman

But the loneliness was still on Danny and demanded an outlet.
'Here we sit,' he began at last.
' - broken-hearted,' Pilon added rhythmically.
'No, this is not a poem,' Danny said. 'Here we sit, homeless. We gave our lives for our country, and now we have no roof over our head.'
'We never did have,' Pilon added helpfully.
Danny drank dreamily until Pilon touched his elbow and took the bottle.
'That reminds me,' Danny said, 'of a story of a man who owned two whore-houses
' His mouth dropped open. 'Pilon! my little fat duck of a baby friend. I had forgotten! I am an heir! I own two houses.'
'Whore-houses?' Pilon asked hopefully. 'Thou art a drunken liar,' he continued.
'No, Pilon. I tell the truth. The viejo died. I am the heir. I, the favourite grandson.'
'Thou art the only grandson,' said the realist Pilon. — John Steinbeck

What are you typing?" Livia did not share Kyle's obsession with electronic contraptions. "Currently, I'm texting Debbi, Michelle, Karen, and Sam. This incident boosts my street cred." Kyle's text was in all caps. "Oh, pardon me. I didn't realize you were straight-up gangsta," Livia mocked. "Whatever. I had some bastard's finger in my mouth tonight. I'm milking this story for all it's worth." Kyle hit send. — Debra Anastasia

Although my speaking will reflect the grace and mercy I've been offered and humbly accepted, I don't have to say much because words only go so far. At the end of the day, it will not be the year of my birth or the year of my death that will matter; it will be that hyphen in the midst of it all that will display how I lived my life; will tell a full and complete story; will say more than my mouth could utter.

My actions, my trials, my triumphs, my defeats, my victories - my life will preach louder than an auditory testimony ever could.

I am working on the person I want to remember. — Elissa Gabrielle

Winnie did not believe in fairy tales. She had never longed for a magic wand, did not expect to marry a prince, and was scornful - most of the time - of her grandmother's elves. So now she sat, mouth open, wide-eyed, not knowing what to make of this extraordinary story. It couldn't - not a bit of it - be true. And yet: — Natalie Babbitt

She says I shall now have one mouth the more to fill and two feet the more to shoe, more disturbed nights, more laborious days, and less leisure or visiting, reading, music, and drawing.
Well! This is one side of the story, to be sure, but I look at the other. Here is a sweet, fragrant mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God; and the body in which it dwells is worth all it will cost, since it is the abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all, to whom, while I minister in Christ's name, I make a willing sacrifice of what little leisure for my own recreation my other darlings had left me. Yes, my precious baby, you are welcome to your mother's heart, welcome to her time, her strength, her health, her tenderest cares, to her lifelong prayers! Oh, how rich I am, how truly, how wondrously blest! — Elizabeth Payson Prentiss

Someone rightly said a closed mouth is a closed destiny! We must begin to speak out the word of God over our lives, family and circumstances. It is not enough to know the word, read it, and practice it. When it comes to praying God's word over our lives, we must open our mouth and SPEAK! Even God, our Maker, and the Creator of ALL things spoke things into existence. In Genesis 1, we see several accounts of God making declarations, commanding, speaking. "God said..." is a statement that is so common all through the bible; particularly in the story of creation. So, what do you desire to create — Rali Macaulay

Frightened, he runs off to the silent fields
and howls aloud, attempting speech in vain;
foam gathers at the corners of his mouth;
he turns his lust for slaughter on the flocks,
and mangles them, rejoicing still in blood.
His garments now become a shaggy pelt;
his arms turn into legs, and he, to wolf
while still retaining traces of the man:
greyness the same, the same cruel visage,
the same cold eyes and bestial appearance. ~ The story of King Lycaon from Ovid's Metamorphosis, Book I, ll. 321-331 tr. Charles Martin — Ovid

Baine was controlling her passion, curbing it from a destructive wild-natured thing, to something beautiful and wonderful. For the countless time since his arrival, Ivy found herself not caring about anything else. All she wanted was for the mouth dance to continue. Forever. — Shirley Bourget

While Leo fussed over his helm controls, Hazel and Frank relayed the story of the fish-centaurs and their training camp.
'Incredible,' Jason said. 'These are really good brownies.'
'That's your only comment?' Piper demanded.
He looked surprised. 'What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies
'
'I know,' Frank said, his mouth full. 'Try them with Ester's peach preserves.'
'That,' Hazel said, 'is incredibly disgusting.'
'Pass me the jar, man,' Jason said.
Hazel and Piper exchanged a look of total exasperation. Boys. — Rick Riordan

He made a story for all of them, a story to give them strength. The words of the story poured out of his mouth as if they had substance, pebbles and stone extending to hold the corporal up ... knees from buckling ... hands from letting go of the blanket. — Leslie Marmon Silko

This is what it means to be very slow: every story you would like to tell has already ended before you can open your mouth. — Barbara Kingsolver

Tarver," she whispers, her eyes on my face. "There'll be cameras all the time. More questions. Everyone will want to hear your story. Your life will be different, no matter how far from Corinth we go." A flashlight flickers through the trees, broken and jagged as it shines past the trunks. The light glances off her face, illuminating her eyes for a brief, brilliant moment. I step closer.
"I don't care."
"My father will try to - " She swallows, then lifts her chin, mouth firming to a straight, determined line. "No. I'll figure out a way to handle him." I can't help but grin down at her, this steely assurance, my Lilac through and through.
"I'd pay to see that showdown. — Amie Kaufman

A smile curled the corner of Xavier's mouth. "You didn't think I would let her walk out of my arms without knowing I would see her again soon, did you?"
Bryant shrugged. "Well, no. I guess not. What are you going to do now?"
The lid of the case slammed shut, and Xavier jerked his vibrating phone back out of his pocket. "Well, as soon as I get these fires extinguished, I'm going to go start one with her."
Bryant laughed. "After this long, that'll be one hell of a raging inferno."
"I hope so. — Justine Dell

She wrapped her arms around his neck and gazed into the face of the man she was going to spend the rest of her life with. "Just promise to love me forever."
"This is one story that's going to have a happy ending," he told her, and he lowered his mouth to hers. — Shannon Stacey

Just about any story we think about doing, whether we've read it in a newspaper, heard it on the radio or come upon it through word of mouth - by the time you get there, every other network, cable station and talk show is already racing to the scene. — Connie Chung

How can it be described? How can any of it be described? The trip and the story of the trip are two different things. The narrator is the one who has stayed home, but then, afterward, presses her mouth upon the traveler's mouth, in order to make the mouth work, to make the mouth say, say, say. One cannot go to a place and speak of it; one cannot both see and say, not really. One can go, and upon returning make a lot of hand motions and indications with the arms. The mouth itself, working at the speed of light, at the eye's instructions, is necessarily struck still; so fast, so much to report, it hangs open and dumb as a gutted bell. All that unsayable life! That's where the narrator comes in. The narrator comes with her kisses and mimicry and tidying up. The narrator comes and makes a slow, fake song of the mouth's eager devastation. — Lorrie Moore

You are the untold story. You are the impassioned truth wanting to scream its existence, to be forever trapped by a strong hand clapped firmly over the mouth of my soul. — Henry Rollins

Folks will take hold of whatever story suits em best and nothing you can do. Don't matter if it is your story, once they start in on it, you can't never get it out of their mouth. No matter how hard you try. All you can do is find a way to hang on to knowing you know better. — Margaret Wrinkle

How anybody can compose a story by word of mouth face to face with a bored-looking secretary with a notebook is more than I can imagine. Yet many authors think nothing of saying, 'Ready, Miss Spelvin? Take dictation. Quote no comma Sir Jasper Murgatroyd comma close quotes comma said no better make it hissed Evangeline comma quote I would not marry you if you were the last person on earth period close quotes Quote well comma I'm not so the point does not arise comma close quotes replied Sir Jasper twirling his moustache cynically period And so the long day wore on period End of chapter.'
If I had to do that sort of thing I should be feeling all the time that the girl was saying to herself as she took it down, 'Well comma this beats me period How comma with homes for the feebleminded touting for custom on every side comma has a man like this succeeded in remaining at large mark of interrogation. — P.G. Wodehouse

So what do your parents do?"
"Think up creative ways to kill each other." Vane cringed as that flew out of his mouth. He was so used to saying it that he didn't think about it until he'd heard himself say it.
"No, really."
Vane looked away uncomfortably. Bride's jaw went slack as she realized he wasn't kidding. "Why would they do that?"
Vane actually squirmed a bit before he answered. "It's a long story. My mother ran off not long after I was born and my father wants me dead, so here I am with you."
She didn't know what to think of that. "This um this family insanity, it's not hereditary, is it?"
"It doesn't appear to be," he said seriously. "But if it creeps up on me, feel free to shoot me. — Sherrilyn Kenyon

Life is a story. Why do we die? Because we live. Why do we live? Because our Maker opened His mouth and began to tell a story. — N.D. Wilson

Are you scared?" He taunted, an amused smirk lifting the corner of his mouth.
I raised my chin a fraction. "No. I ... just ... I haven't ridden a horse before."
He leaned forward and patted the horse's neck. "Prism is gentle. You have my word."
I wasn't worried about the horse. "And you?"
Ry shrugged, his facial expression remained shuttered. "I'd never make that a personal promise, but I will get you to a phone. — Beth Mikell

Amedeo loved thick tomes, and in tackling them he felt the physical pleasure of undertaking a great task. Weighing them in his hand, thick, closely printed, squat, he would consider with some apprehension the number of pages, the length of the chapters, then venture into them, a bit reluctant at the beginning, without any desire to perform the initial chore of remembering the names, catching the drift of the story; then he would entrust himself to it, running along the lines, crossing the grid of the uniform page, and beyond the leaden print the flame and fire of battle appeared, the cannonball that, whistling through the sky, fell at the feet of Prince Andrei, and the shop filled with engravings and statues where Frederic Moreau, his heart in his mouth, was to meet the Arnoux family. Beyond the surface of the page you entered a world where life was more alive than here on this side ... — Italo Calvino

Here, in this painting, in these (hopefully) creative meditations, you will see teh same sky and the same sun, the same story of struggle, of fall and grace, of descent and ascent, of death and resurrection. The same God. The same gifts. If He's not tired of it, why should I be? If His brush is still in His hand, if His words still roll, what can I do but stick my tongue out the cornder of my mouth and diligently (but pitifully) rip Him off? What can I do but meditate on His meditations? (xii) — N.D. Wilson

Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it. — Al Jaffee

The 'Tickle Monster' story literally flew out of my mouth. — Josie Bissett

The smile he gave her was wistful, just a little lift to his mouth. "You are a fighter."
""Yes. Always. And sometimes I'm a whole army. — J.R. Ward

Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito
out! Every simile that would have made sub-moron's mouth twitch
gone! Any aside that explained the two-bit philosophy of a first-rate writer
lost!
Every story slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read Shakespeare read like Dostoevsky read like
in the finale
Edgar Guest. Every word of more than three syllables had been razored. Every image that demanded so much as one instant's attention
shot dead. — Ray Bradbury

If somebody has a chance to put my food in their mouth, that tells the story. — Emeril Lagasse

CHAPTER TWENTY-ONE DAN KIRKSEN OPENED THE WASHINGTON POST AND started to take a sip of his orange juice. It never reached his mouth. Gavin had managed to file a story on the Sullivan case consisting chiefly of the information that Jack Graham, newly ordained partner at Patton, — David Baldacci

The truth is, if you're around long enough, you have a story about everyone. But it's best to keep your mouth shut sometimes. — Willem Dafoe

He was talking. I tried not to think of how he looked and instead of what he was telling me. Once I accomplished that, my brain couldn't get past the 'running' part.
"I don't run." I walked the mile run at school. True story.
I abhorred any kind of physical exercise. I wasn't good at it. I was skinny, but I was soft; had absolutely no muscle mass at all. That's the way I liked it. Who was he to try to change that, change me? I wouldn't let him. No way, no how.
One half of his mouth lifted. He seemed to be enjoying this a little too much. "You do now. You have to be fit, you have to be strong, Taryn, if you're to stand any chance of surviving this. Come on, we'll start with stretching."
He forced me to twist my body into unimaginable positions. I even had to touch my toes. The agony. Luke took pleasure from my pain; even laughing as I moaned and groaned through it all.
Then, the worst came about. He. Made. Me. Run. — Lindy Zart

I make the surprised O with my mouth, although I am not really that surprised. It was the kind of story that grownups tell children to complicate a thing when they could just tell you the thing itself, much faster. — Claire King

A story told me by Michael Barrie: Jesus and the Blessed Virgin go out to play golf. The Blessed Virgin is at the top of her form, drives and lands on the green. Jesus slices and lands in the bushes. A squirrel picks up the ball and runs off with it. A dog grab the squirrel, which still holds the ball in its mouth. An eagle swoops down, picks up the dog, squirrel and ball, and soars into the air. Out of a clear sky, lightning strikes the eagle, which drops the dog which drops the squirrel which drops the ball, right into the hole. The Blessed Virgin throws down her driver and exclaims indignantly, 'Look, are you going to play golf or just fuck around? — Christopher Isherwood

I shouldn't have said it, but the word slipped out of my mouth as easy as air. it wasn't exactly the kind of work any well-behaved student would use, which sort of explained why I had just used it. And it certainly isn't the most elegant way to start off a story, but it honestly represents what I was feeling. Besides, I could have said something a lot stronger. But not everybody wants to read a story with those kinds of words and thoughts being expressed in the very first sentence.
"Stop swearing," Jason screamed. — Obert Skye

She started to turn around, but I tugged her hand just enough for me to see her profile as she closed her eyes. She felt it as just like I did. There was an undeniable connection between us. I pulled her into my arms and with one hand moved the stray strands of her caramel hair away from her soft skin. I saw her mouth was slightly agape, and I pulled her face towards mine. I was mere centimeters from her lips, the warmth of her breath sliding against my own.
"You should go Mylie or you might regret staying," I said softly.
"I don't want to go," she said anxiously.
Damn. — H.P. Landry

Thomas Builds-the-Fire's stories climbed into your clothes like sad, gave you itches that could not be scratched. If you repeated eve a sentence from one of those stories, your throat was never the same again. Those stories hung in your clothes and hair like smoke, and no amount of laundry soap or shampoo washed them out. Victor and Junior often tried to beat those stories out of Thomas, tied him down and taped his mouth shut. They pretended to be friendly and tried to sweet talk Thomas into temporary silences, made promises about beautiful Indian women and cases of Diet Pepsi. But none of that stopped Thomas, who talked and talked. — Sherman Alexie

Gosh, it's easy!' he marveled, open-mouthed. 'I never knew before how easy it is to kill anyone! Twenty years to grow 'em, and all it takes is one little push!'
He was suddenly drunk with some new kind of power, undiscovered until this minute. The power of life and death over his fellowmen! Everyone had it, everyone strong enough to raise a violent arm, but they were afraid to use it. Well, he wasn't! And here he'd been going around for weeks living from hand to mouth, without any money, without enough food, when everything he wanted lay within his reach all the while! He had been green all right, and no mistake about it!
Death had become familiar. At seven it had been the most mysterious thing in the world to him, by midnight it was already an old story. ("Dusk To Dawn") — Cornell Woolrich

Dress for the story that you'd like to have people know about you before you even open your mouth. — Rachel Roy

Lucy gripped her chilled glass of orange and raspberry juice. When Rebecca talked about Austen, she'd mostly mentioned Mr. Darcy or Mr. Knightley. She hadn't really thought of the doe-eyed, pale-skinned heroines.
On the screen, Anne Elliot walked down a long hallway, glancing just once at covered paintings, her mouth a grim line. Lucy thought Jane Austen would start the story with the romance, or the loss of it, but instead the tale seemed to begin with Anne's home, and having to make difficult decisions. Maybe this writer from over two hundred years ago knew how everything important met at the intersection of family, home, love, and loss. This was something Lucy understood with every fiber of her being. — Mary Jane Hathaway

I knew nothing about love. But it took six kisses to get from his mouth to his ear. Nine, ear to collarbone. Sixteen, collarbone to hipbone. And sometimes, when he was tired, he was ticklish right there in that hollow. No, I knew nothing about love. But I swear all I wanted to do for the rest of my life was lie on his chest, stealing his warmth, feeling him trace shapes into my hip. I wanted to slip my fingers in between his. There were seventeen scars on his hands. I wanted to know the story of every last one. — Jessica Gadziala

When you write a story, don't just write it - live it;
When putting words into the mouth of a protagonist (or any character) imagine yourself saying them and while writing about the reaction of the listener, write it the way you would react.
Let the conversations not be meant merely to be read but felt as well.
If you do not feel what you write; how can you expect the readers to feel it? — Arti Honrao

In my world," said Posy, "authors write stories, and the characters do whatever the author tells them. It's not like this--the characters don't have minds and lives of their own."
"How do you know this?" was Caris' surprising reply. The corner of her mouth turned up in a playful smile. "You do not see the characters when the pages of the book are shut. Is there never a time when you read a book for the second time and you notice something that you didn't remember from the first time? Or hear a story told, and every time it is told it grows and changes in the telling? Change is the nature of everything. — Ashlee Willis

And I mouth into the phone, I love you, in case some of her cells pick up on the vibrations and it serves me well in the next life. If there is one. If there is a next life, I hope it's in the past; I don't think the future will be any more handleable. — Ned Vizzini