Story Narration Quotes & Sayings
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Top Story Narration Quotes

You should author the narration of your life and organization. If you don't, someone will, and you may not like it. — Assegid Habtewold

I wasn't aware I'd write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering. — Ben Lerner

The rules say that to tell a story you need first of all a measuring stick, a calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated. — Elena Ferrante

Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game. — Rob Manuel

We each have our own language.
Our own way of thinking, of talking to ourselves, of making sense of the world and putting it in order. A narration style that is ours and ours alone.
That's why some of us connect and some of us don't.
Because even though we can only live in our own heads, sometimes - every now and then - we meet a person we can talk to without speaking at all: whose story we can read, without even trying. — Holly Smale

In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer. — Stuart Dybek

The strange thing about Christianity was that it adopted an entirely different method. It transformed the lives of men not by appealing to the human will, but by telling a story; not by exhortation, but by the narration of an event. — J. Gresham Machen

This is the squalid, or moving, part of the story, and the scene changes. The people change, too. I'm still around, but from here on in, for reasons I'm not at liberty to disclose, I've disguised myself so cunningly that even the cleverest reader will fail to recognize me. — J.D. Salinger

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

Let the cut tell the story. Otherwise you have not got dramatic action, you've got narration. — David Mamet

THE HABIT OF NARRATION, of crafting something miraculous out of the commonplace, was hard to break. Narration came naturally after a time spent in the company of talking scarecrows or disappearing cats; it was, in its own way, a method of keeping oneself grounded, connected to the thin thread of continuity that ran through all lives, no matter how strange they might become. Narrate the impossible things, turn them into a story, and they could be controlled. — Seanan McGuire

A central principle underlying Mrs Quinty's Rules for Writing is that you have to have a Beginning Middle and End. If you don't have these your Reader is lost. But what if Lost is exactly where the writer is? I asked her. Ruth, the writer can't be lost, she said, and then knew she'd said it too quickly and bit her lip knowing I was going to say something about Dad. She pressed her knees together and diverted into a fit of dry coughing. This, Dear Reader, is a river narrative. My chosen style is The Meander. I know that in The Brothers Karamazov (Book 1,777, Penguin Classics, London) Ippolit Kirillovich chose the historical form of narration because Dostoevsky says it checked his own exuberant rhetoric. Beginnings middles and ends force you into that place where you have to Stick to the Story as Maeve Mulvey said the night the Junior Certs were supposed to be going to the cinema in Ennis but were buying cans in Dunnes and drinking — Niall Williams

A page of Addison or of Irving will teach more of style than a whole manual of rules, whilst a story of Poe's will impress upon the mind a more vivid notion of powerful and correct description and narration than will ten dry chapters of a bulky textbook. — H.P. Lovecraft

So it became in my mind a nine-carol service; an oratorio and orchestral concert all in one, but with narration. That's something I've learned about, because it's the story that keeps you in there. I wrote a libretto and I gave it to John [Du Prez, Idle's co-writer of many years]. We normally don't work in this fashion but I said off you go, and he went off for about three months. He brought me back this demo which blew my mind. — Eric Idle

For Lewis, the narration of his own story was about the identification of a pattern of meaning. This enabled him to grasp the "big picture" and discern the "grand story" of all things, so that the snapshots and stories of his own life could assume a deeper meaning. — Alister E. McGrath

It is, as I say, easy enough to describe Holden's style of narration; but more difficult to explain how it holds our attention and gives us pleasure for the length of a whole novel. For, make no mistake, it's the style that makes the book interesting. The story it tells is episodic, inconclusive and largely made up of trivial events. Yet the language is, by normal literary criteria, very impoverished. Salinger, the invisible ventriloquist who speaks to us through Holden, must say everything he has to say about life and death and ultimate values within the limitations of a seventeen-year-old New Yorker's argot, eschewing poetic metaphors, periodic cadences, fine writing of any kind. — David Lodge

If you find that a point cannot be made without narration, it is virtually certain that the point is unimportant to the story (which is to say, to the audience). — David Mamet

Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography. — Linda Grant

Storytelling entails weaving a narrative out of the disturbing, strange, inspirational, and unremarkable detritus of life. By picking among the litter of our personal experiences to select evocative anecdotes to weave into a narrative format, we reveal which of life's legendary offerings prove the most sublime to us. Acts of omission are momentous. Our narration of personal sketches divulge what factoids inspire us or do not stir us into action, or contain obdurate truths that prove virtually impossible to crack. — Kilroy J. Oldster

All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension. — Raina Telgemeier

There was still something unfinished around her eyes; she wasn't done yet. She was a story, not an epilogue. And if she chose to narrate her own life one word at a time as she descended the stairs to meet her newest arrival, that wasn't hurting anyone. Narration was a hard habit to break, after all.
Sometimes it was all a body had. — Seanan McGuire

People, they think that animation is a style. Animation is just a technique. It's like, people, they think that comics is a style, like comics is a superhero story. Comic is just a narration, and is a medium, you can say any kind of story in comics and you can say of any kind of story in animation. — Marjane Satrapi

The true historian, therefore, seeking to compose a true picture of the thing acted, must collect facts and combine facts. Methods will differ, styles will differ. Nobody ever does anything like anybody else; but the end in view is generally the same, and the historian's end is truthful narration. Maxims he will have, if he is wise, never a one; and as for a moral, if he tell his story well, it will need none; if he tell it ill, it will deserve none. — Augustine Birrell

To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat - some because they use visible and hence vital formulas, others because they live from human life itself.
This isn't the case with literature. Literature stimulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse. — Fernando Pessoa

I wrote the chorus specifically for 'Same Love' as a narration of my story. I decided to release 'She Keeps Me Warm' as an extension of the chorus because I felt like there was more that needed to be said. — Mary Lambert

Landscape, that vast still life, invites description, not narration. It is lyric. It has no story: it is the beloved, and asks only to be contemplated. — Patricia Hampl

There are, occasionally, writers who are able to combine both story and style. They are, of course, the best. You get a spectacular view and you also get to look at it from the backseat of a chauffeur-driven Cadillac. In the field of fantasy, those writers able to combine story-as-narration with story-as-style are even rarer. But there are a few ... the late Theodore Sturgeon, the early Ray Bradbury ... and Richard Christian Matheson. A brilliant chip off the old block. — Stephen King

Stories and novels consist of three parts: narration, which moves the story from point A to point B and finally to point Z; description, which creates a sensory reality for the reader; and dialogue, which brings characters to life through their speech. — Stephen King

If I so do my best, may this story be recorded and printed and zipped and zapped into hands and eyes and ears and minds and hearts everywhere, and may it no longer be my story but belong to each reader who drinks it in, to make them bigger or smaller as needed; to fill in those tiny holes and smooth over the rough places; to make them sigh and laugh and dream and wonder; to pass a lonely afternoon or enliven a dull evening; to in every regard do just what a story is supposed to do, which is become whatever each reader needs most at that moment. — Shannon Hale

He was ashamed of baiting the man, realizing that the absurdity of the story rested in the immaturity of the attitude combined with the sophisticated method of its narration. — F Scott Fitzgerald