Quotes & Sayings About Story Might Is Right

Still, the logical part of her realized that the hazel-eyed, dark-scruff iteration of This Guy who sat
across from her right then hadn't actually done anything wrong to her. Because of that, she smiled in
an effort to be polite. "That's nice of you to ask. But, unfortunately, I'm going to have to say no."
"Great." He nodded, as if expecting this very answer. Then his brow furrowed, and he cocked his
head. "Wait - what?"
Sidney bit her lip to hold back a laugh. Ah ... when she told this story later to Trish, the perplexed
look on this guy's face would be the highlight. — Julie James

There is history the way Tolstoy imagined it, as a great, slow-moving weather system in which even tsars and generals are just leaves before the storm. And there is history the way Hollywood imagines it, as a single story line in which the right move by the tsar or the wrong move by the general changes everything. Most of us, deep down, are probably Hollywood people. We like to invent "what if" scenarios
what if x had never happened, what if y had happened instead?
because we like to believe that individual decisions make a difference: that, if not for x, or if only there had been y, history might have plunged forever down a completely different path. Since we are agents, we have an interest in the efficacy of agency. — Louis Menand

He described to her the house he had built for himself, in outside appearance a shack, but delightful inside, at least to him. A sleeping loft with a little round window. Everything he needed right where he could put his hand to it, out in the open, nothing in cupboards. A short walk from the house he had a bathtub sunk in the earth, in the middle of a bed of sweet herbs. He would carry hot water to it by the pailful and lounge there under the stars, even in the winter. He grew vegetables, and shared them with the deer.
(From the story "Powers") — Alice Munro

Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way. — Paul Feig

It didn't matter.
Carson wasn't the one for me. He wasn't even the one for right now. My life would hopefully have its great love story but this wasn't it. It would happen in D.C. in the next four years or it would happen in Africa, if I ever got there, or in Sienna or, for all I knew, Kentucky or Timbuktu.
Life was long.
And people only really had great love affairs in high school in the movies. And maybe during world wars. But this was not a movie and not a war, even if it sometimes felt that way. It was only high school and it was almost over with anyway. — Tara Altebrando

If, in each hour, a man could learn a single fragment of some branch of knowledge, a single rule of some mechanical art, a single pleasing story or proverb (the acquisition of which would require no effort), what a vast stock of learning he might lay by. Seneca is therefore right when he says: "Life is long, if we know how to use it." It is consequently of importance that we understand the art of making the very best use of our lives. — John Amos Comenius

Warning: Do not read this story right after eating. In fact, don't read it right before eating either. In fact, just to be safe, don't read this story if you're ever planning to eat again. — Louis Sachar

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

He's been looking at my file. So the question has to be right there on the tip of his tongue right about now, waiting to be spoken. But he keeps up the 'act professional' charade, makes it feel like he sees this kind of thing all the time, but in reality he's having a little fun with it. I'm the story he's going to tell at a bar after making my name anonymous. I'm the case study that's going to become dinner conversation when he takes some rich bitch out next week. He's going to do it to make himself look well-balanced, prove how normal he is in a world full of weirdoes. In short, he's going to look 'normal' at my expense. — Cyma Rizwaan Khan

I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world. — Tod Machover

When it came to time travel, science and science fiction and fantasy had flip-flopped. Nobody was going to create a machine that traveled to the future or the past. Time machines might be accepted in science fiction as an enabling device to get the story moving, but they're like faster-than-light space ships-- neither one is going to happen any time soon, not with any technology we know how to implement.
The guys who had it figured were the fantasists, Dennis. The Finneys and the Mathesons and the Ellisons and the Serlings. No machines and no advanced physics, at least not most of the time. Just an overpowering desire. Just need and longing and pain and regret and the right talisman or the right surroundings. Put the right person in the right place, and perhaps with the right objects, and the potential for time travel is there. — Tony Rabig

My girlfriend has the greatest story as to why she isn't religious anymore. When she was a kid, like 12 years old, her parents nailed a 25 pound crucifix to the wall right above her bed. About two weeks later, in the middle of the night, the crucifix falls off the wall and leaves a two inch gash in the back of her dad's head. — Anthony Jeselnik

Even if the abuse happened years ago, writing about it and telling someone about it can make all the difference to how you feel inside. I can assure you that telling will help you feel better. It is never to late to tell your story and begin to heal your wounds. Find the right person to trust and tell. — Patti Feuereisen

If I want to spend the rest of my life reading one day's output of information, which is about what it would take, OK fine. But I personally prefer calibration from an aggregator or newspaper, where the No. 1 story is one they consider important, [and] they're usually right. — Harold Evans

More than a building that houses books and data, the library has always been a window to a larger world
a place where we've always come to discover big ideas and profound concepts that help move the American story forward ...
Libraries remind us that truth isn't about who yells the loudest, but who has the right information. Because even as we're the most religious of people, America's innovative genius has always been preserved because we also have a deep faith in facts.
And so the moment we persuade a child, any child, to cross that threshold into a library, we've changed their lives forever, and for the better. This is an enormous force for good. — Barack Obama

No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn't yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words. — Roddy Doyle

The story of the past generation has been that the right has won politically and the left has won culturally. — Geoffrey Wheatcroft

I care about Cameron. I more than care. He's wonderful, and he should know it every day. He should know how kind he is, how good. How fantastic his story was, and how I can't wait to read more. And how I can't stop looking at him right now, because his face is so perfectly lovely that my eyes just have to make up for lost time. — Charlotte Stein

Katherine, how quickly you forget that I never give up when I want something. And right now, I've decided what I want is you. I want you next to me twenty-four-seven, at least until I've sated the desire you left me with. Then, I may actually let you sleep. -Joseph — Melody Anne

The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up. — Jack Dee

If you're gonna start a story, you start from the beginning, right? — Luke Evans

We decided to read our emails out loud to the group in order to share the warmth and optimism the messages contained. One of the most heartwarming was from the father of Petty Officer Rodney "RaRa" Young of Katy, Texas. His dad got right to the point: "You'd better come home because you promised to help me put up a fence, and I could really use that help." Everyone laughed because the words took us back to the normal world and out of the anxious monotony of our detention. — Shane Osborn

A story is a labyrinth, it looks as if there were several ways to go, but only one is right, and there's a nasty surprise ready to punish you for every false step. — Cornelia Funke

Once you're into a story everything seems to apply- what you overhear on a city bus is exactly what your character would say on the page you're writing. Wherever you go, you meet a part of your story. I guess you're tuned in for it, and the right things are sort of magnetized. — Eudora Welty

Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves. — Fede Alvarez

We have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me
just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable ... — Amal El-Mohtar

Margaret herself hadn't known her body was a parish bell tolling at every heartbreak she heard of, and that night with Pete calmly sitting on the edge of her favorite chair, invading her private room with words this room was sealed from, she felt it just as a bell would. It struck her right inside, until her bronze skin rang out the news. Not of Pete's story, which had not even made him cry, but some other story she'd been trying not to tell herself. So she sat stiffly there and wept, clanging and clanging like a thing that tested its own breaking. — Andrew Sean Greer

The deepwood is vanished in these islands
much, indeed, had vanished before history began
but we are still haunted by the idea of it. The deepwood flourishes in our architecture, art and above all in our literature. Unnumbered quests and voyages have taken place through and over the deepwood, and fairy tales and dream-plays have been staged in its glades and copses. Woods have been a place of inbetweenness, somewhere one might slip from one world to another, or one time to a former: in Kipling's story 'Puck of Pook's Hill,' it is by right of 'Oak and Ash and Thorn' that the children are granted their ability to voyage back into English history. — Robert Macfarlane

These are the moments. These are the moments where you realize love is everywhere if you look closely. When you realize happiness isn't next weekend, and it's not last week, it's right now. That was one of the best nights of my life. It felt good to know purpose. I lay in my bunk and I think of all the stories I'm in. I think about all the stories that are in my story. I think about all the stories that are left to be written. And it might be my favorite book yet. — Camila Cabello

You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell. — Orson Scott Card

We like things to manifest right away, and they may not. Many times, we're just planting a seed and we don't know exactly how it is going to come to fruition. It's hard for us to realize that what we see in front of us might not be the end of the story. — Sharon Salzberg

To err is to wander and wandering is the way we discover the world and lost in thought it is the also the way we discover ourselves. Being right might be gratifying but in the end it is static a mere statement. Being wrong is hard and humbling and sometimes even dangerous but in the end it is a journey and a story. Who really wants to stay at home and be right when you can don your armor spring up on your steed and go forth to explore the world True you might get lost along get stranded in a swamp have a scare at the edge of a cliff thieves might steal your gold brigands might imprison you in a cave sorcerers might turn you into a toad but what of what To fuck up is to find adventure: it is in the spirit that this book is written. — Kathryn Schulz

We only have a few hours, so listen carefully.
If you're hearing this story, you're already in danger. Sadie and I might be your only chance.
Go to the school. Find the locker. I won't tell you which school or which locker, because if you're the right person, you'll find it. The combination is 13/32/33. By the time you finish listening, you'll know what those numbers mean. Just remember the story we're about to tell you isn't complete yet.
How it ends will depend on you.
The most important thing: when you open the package and find what's inside, don't keep it longer than a week. Sure, it'll be tempting. I mean, it will grant you almost unlimited power. But if you possess it too long, it will consume you. Learn its secrets quickly and pass it on. Hide it for the next person, the way Sadie and I did for you. Then be prepared for your life to get very interesting. — Rick Riordan

Adventure,' then, is what might otherwise be called hardship if it were attempted in a different spirit. Turning a difficult task or a perilous journey into an adventure is largely a matter of telling yourself the right story about it, which is one thing that Lewis's child characters have learned from reading, 'the right books. — Laura Miller

Because this story struck me as extraordinary, and it still does. Once upon a time there was a man in a spacesuit in a secret reconnaissance plane reading The Once and Future King, that great historical epic, that comic, tragic, romantic retelling of the Arthurian legend that tussles with questions of war and aggression, and might, and right, and the matter of what a nation is or might be. — Helen Macdonald

Can writing ever be taught? The best answer to that was given obliquely by the rock musician David Lee Roth. When asked if money could buy happiness he said, no, but with money you could buy the big boat and go right up to where the people were happy. With a teacher you can go right up to where the writing is done; the leap is made alone with vision, subject, passion, and instinct. So a writer comes to the page with vision in her heart and craft in her hands and a sense of what a story might be in her head. How do the three come together? My thesis is the old one: they merge in the physical writing - inside the act of writing, not from the outside. The process is the teacher. — Ron Carlson

I'll lay a bet," said Sancho, "that before long there won't be a tavern, roadside inn, hostelry, or barber's shop where the story of our doings won't be painted up; but I'd like it painted by the hand of a better painter than painted these." "Thou art right, Sancho," said Don Quixote, "for this painter is like Orbaneja, a painter there was at Ubeda, who when they asked him what he was painting, used to say, 'Whatever it may turn out'; and if he chanced to paint a cock he would write under it, 'This is a cock,' for fear they might think it was a fox." - Miguel de Cervantes, Don Quixote — Michael Gruber

I was in full digression! far from the subject! ... my colonel was losing track ... rapidly, of my story! my story! ... my own story! ... the gifts that I had personally received from Heaven! ... yet I had insisted, every time! truly extraordinary gifts! ... I'd made him repeat them a hundred times! ... enough so he'd remember! that I was the only true genius! the century's only writer! the proof: that no one ever spoke of me! ... everyone was jealous! Nobel! no Nobel! they had all joined forces to have me executed! ... they could just go fuck off! ... drop dead! since it was a question of death between me and them! I'll send their readers packing! all their readers! I'll make the public grow sick of their books! cabal! no cabal! since there was no room for two styles! ... it was mine or theirs! ... crawl or breastroke! ... you understand! ... the only inventor of the century! is me! me! me right here! the only genius, you might say! damned or not! ... — Louis-Ferdinand Celine

God will publish your love story in His perfect time and not your own "designated" time. The more you desperately search for it, the more elusive your prospective love would be.Simply let it find you. Let yourself grow first and be ready to get involved in a sincere and healthy relationship and not just because the "last train" might leave without you on board or that you are lonely and feeling pressured. True love comes when it is meant to be yours and if it is your right time." -Elizabeth's Quotes — Elizabeth E. Castillo

A simple love-story,' said David piously, 'about a girl that loves a man frightfully and he is married, so she goes and lives with him, and then his wife is very ill and going to die, so the girl and the man both offer themselves for blood transfusion in a very noble way without each other knowing. But only one of them has the right kind of blood and I can't decide which. Do you think it would be more pathetic if the girl gave her blood and died, and then the man went off into the desert to be a monk, or if the man died and the wife and the girl made friends over his corpse and both became nuns? One might do good business with that, because in films no one much cares if the hero lives or dies so long as there are plenty of lovely heroines.' 'How — Angela Thirkell

It might have been brief, but so much of a kiss - a first kiss especially - is the moment before your lips touch, and before your eyes close, when you're filled with the sight of each other, and with the compulsion, the pull, and it's like...it's like...finding a book inside another book. A small treasure of a book hidden inside a big common one - like...spells printed on dragonfly wings, discovered tucked inside a cookery book, right between the recipes for cabbages and corn. That's what a kiss is like, he thought, no matter how brief: It's a tiny, magical story, and a miraculous interruption of the mundane. — Laini Taylor

You can't change the tale so that you turned left one day instead of right, or didn't make the mistake that might have saved your life a day later. We don't get those choices. The story is what got you here, and embracing its truth is what makes the outcome bearable. — Gail Caldwell

From the vantage of a mid-1970's consensus that regarded the United States as having entered a post-Protestant era, the rise of a Religious Right dominated not only by Protestants but by fundamentalists was not the way the story was supposed to go. People like Jerry Falwell looked like party crashers who, rather than slikinking from bar to buffet in hopes of going unnoticed, demanded that the vegetarian, alcohol-imbibing hosts serve meat and tell the bartender to go home. — D.G. Hart

My father's death when I was eighteen and his struggles as a Jewish immigrant provided me with the raw material, but for a long time I went from painting to fiction and then finally to poetry before I could find the right way of telling this story. — Philip Schultz

The Republicans finally got some good news over the weekend. The North Koreans set off a nuclear bomb. Thank God. It was so powerful it knocked the Mark Foley story right off the front page. And knocked him off the page he was on, too. — Jay Leno

Blink and you miss a sprint. The 10,000 meters is lap after lap of waiting. Theatrically, the mile is just the right length: beginning, middle, end, a story unfolding. — Sebastian Coe

Tell any grizzled old cutthroat a sob story about a double-cross and a broken heart and he'll eat right out of your hand. — Cassandra Rose Clarke

So I need the story, Jenna. I need the truth.
Right, like the two are the same thing. — Ilsa J. Bick

Oftentimes
when I read a book,
I want to savor
each word,
each phrase,
each page,
loving the prose
so much,
I don't want it
to end.

Other times
the story pulls me in,
and I can hardly
read fast enough,
the details flying by,
some of them lost
because all that matters
is making sure
the character
is all right
when it's over. — Lisa Schroeder

And what a story. The first thing that drew me in was disbelief. What? Humanity sins but it's God's Son who pays the price? I tried to imagine Father saying to me, 'Piscine, a lion slipped into the llama pen today and killed two llamas. Yesterday another one killed a black buck. Last week two of them ate a camel. The situation has become intolerable. Something must be done. I have decided that the only way the lions can atone for their sins is if I feed them you.' ... 'Yes, Father, that would be the right and logical thing to do. Give me a moment to wash up'. What a downright weird story. What a peculiar psychology. — Yann Martel

You come and go, vanish and appear. You miss years that go by for us, and we miss years that go by for you. We never know when we will find you again, or if we will. You meet us out of order, and sometimes I'll be older and sometimes you will be because that's the kind of story we're in. It's all jumbled up on the outside, but it all makes sense in your head. It all flows the right way in your heart. — Catherynne M Valente

The mistake people that want to be actors make is to move to New York or L.A. right away. But it's like ... go act somewhere first. Be an actor. A story is a story, and an audience is an audience, no matter where you're doing it. — Conrad Ricamora

With God's help, I've not had a drink in nine and a half years. That's my whole story right there. And because of that, I'm doing this. I'm making records, I'm touring. I was so involved in just getting brain damaged, I wasn't doing anything. I had great ideas, many notebooks filled with notes, some of them I can read and some of them I just can't read, but I really didn't do anything constructive, it was all just good ideas. Now I'm trying to lead a constructive life a day at a time. — Ringo Starr

Drunk were left alone in the graveyard. The priest looked down at the drunk disdainfully, and backed through the open door, which closed behind him, leaving the drunk on his own. The clockwork story was deeply unsettling. Much more unsettling, thought Shadow, than clockwork has any right to be. You know why I show that to you? — Neil Gaiman

When you came right down to it, how did anyone know they weren't a character in some writer's story, or a transient thought in some bus-riding schmoe's head, or a momentary mote in God's eye? — Stephen King

Story ... if you could finish it ... you could rest ... you could sleep ... not before ... oh I know ... the ones I've finished ... thousands and one ... all I ever did ... in my life ... with my life ... saying to myself ... finish this one ... it's the right one ... then rest ... — Samuel Beckett

This is a classic story of the friendship between humans and cats. Yes. I got in a lie right from the start! — Hiro Mashima

All of us, each and every one, lives a life that is, in its own right, an epic. — Richard Hammond

I don't think anybody submits their first story and sells right away. — Ann Leckie

If I do tell you the story, the two of us will always share it. And I don't know if that's the right thing to do. if I lift open the lid now, you'll be implicated. Is that what you want? You really want to know something I've sacrificed so much trying to forget? — Haruki Murakami

In fact, the fairies had turned him into a water-baby.
A water-baby? You never heard of a water-baby. Perhaps not. That is the very reason why this story was written.
( ... )
"But there are no such things as water-babies."
How do you know that? Have you been there to see? And if you had been there to see, and had seen none, that would not prove that there were none. If Mr. Garth does not find a fox in Eversley Wood - as folks sometimes fear he never will - that does not prove that there are no such things as foxes. And as is Eversley Wood to all the woods in England, so are the waters we know to all the waters in the world. And no one has a right to say that no water-babies exist, till they have seen no water-babies existing; which is quite a different thing, mind, from not seeing water-babies; and a thing which nobody ever did, or perhaps ever will do. — Charles Kingsley

Grandpa Eli had often told me that the real truth was seldom what we thought it was. "Most of the time," he said,"people choose to believe a story because it fills their need. At other times, they're afrad not to believe it. Then right or wrong, that belief becomes their truty. — Deborah Epperson

The conventional wisdom is - people say this all the time - you should only write something when you're far enough away from it that you can have a perspective. But that's not true. That's a story that you're telling. The truth of it is here, right now. It's the only truth that we ever know. And I'm interested in that truth and the confusion being part of the experience and sorting it your way through and figuring it out. — Charlie Kaufman

In the early years of the Roaring Twenties, American women not only won the right to vote but they also earned headlines along side their male counterparts during the Golden Age of American sports. Michael Bohn shares an engaging story of how two sports heroines, tennis player Helen Wills and swimmer Gertrude Ederle, helped embolden women to seek self-fulfillment by challenging the status quo. — Donna De Varona

We have to be really sensitive to making sure were not creating any stories that don't feel like they're ready to be told ... We have to make sure we're getting the right story and the right content from the talent we work with. — Diane Nelson

My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours ... it is precisely through these stories in all their particularity, as I have long believed and often said, that God makes himself known to each of us more powerfully and personally. If this is true, it means that to lose track of our stories is to be profoundly impoverished not only humanly but also spiritually. — Frederick Buechner

I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica."
Dame Eyola gave him a long look.
No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there."
After a short silence she added: "But every way that leads there is the right one. — Michael Ende

You know that man's story already. He's just starting to believe what Day's been saying to him for years, but he's scared as fuck. If you hurt him in any way, Day will hurt you." Johnson stopped grinning and looked back at God. "I thought Day hated him?" "Day is complex, Johnson. He's crazy about Ronowski, that's why he rides the man so hard." "I get that," Johnson responded. "All right. I don't mind doing the slow thing. We'll start with wings and a game tonight." Johnson shrugged and started inching toward his car. "Next week, maybe dinner and a movie." "Sounds good, bro." God waved and climbed in his truck. Now that he was done playing Chuck Woolery and there were no more love connections to be made. He was going home to his sweetheart. — A.E. Via

A lot of the time in animation is spent getting the story right - that's something you can't rush. — Jennifer Yuh Nelson

I think a true writer takes whatever time he or she needs to get a poem or story or book right. If you want to be a storyteller, take the time to get it right. — DeWanna Pace