Story Level Quotes & Sayings

Everyone tells you to write what you know. It's the tried-and-true advice every writer hears at some point in her career. But to take my writing to a deeper level, I've found that a better practice is to simply write what frightens you, haunts you, even. I now keep a sign on the bulletin board in my office that reads: 'Write What Scares You.' I've learned that tapping into the hard stuff - whether it's the fear of loss or a boogeyman lurking in childhood memories - is what ultimately gives a story the power to leap off the page and grab you by the collar. — Sarah Jio

I'm supposed to share the Lord with people. All of us are disciples on some level. You don't have to be behind the podium to tell a story, connect with people and share the Gospel. — Trai Byers

As I mentioned briefly on the phone, the best thing about the Air Chrysalis is that it's not an imitation of anyone. It has absolutely none of the usual new writer's sense of 'I want to be another so-and-so'. the syle, for sure, is rough,and the writing is clumsy. She even gets the title wrong: she's confusing 'chrysalis' and 'cocoon'. You could pick it apart completely if you wanted to. But the story itself has real power: it draws you in. the overall plots is a fantasy, but the descriptive details is incredibly real.The balance between the two is excellent. I don't know if words like 'originality' or Inevitability' fit here, and I suppose I might agree if someone insisted it's not at that level, but finally, after you work your way through the thing, with all its faults, it leaves a real impression- it gets to you in some strange, inexplicable way that may be a little disturbing. — Haruki Murakami

For me to get the support and the love and response we did from critics, but to also be at Trader Joe's and have women come up to me and cry and hug me is on another level. That makes you take a step back because there are genuine emotions at stake. People were truly on a journey with her. This story opened up week by week like a flower. It was just a magical season, and I'm so happy I got to do it. — Monica Potter

If you ask me about my success story, the secret is I know when to pull myself back. I don't overexpose myself; I give proper gaps whenever I can. I do not over spend myself, I keep myself busy in lot of activities. I really work hard; I work harder than others, by focussing on my fitness level and studying music. — Sonu Nigam

I don't know how it would play out it the long run, if I were go to series with the story, I don't know. I just miss Peter so much on a personal level, that's about what I can say. He's my buddy and I wish he were around. — Andreas Katsulas

I don't want to write things that people don't want to read. I would have no pleasure in producing something that sold 600 copies but that was considered very wonderful. I would prefer to sell 20,000 copies because the readers loved it. When I write books I don't actually think about the market in that way. I just tell myself the story. I don't think I'm talking to a 10-year-old boy or a six-year-old girl. I just write on the level the story seems to call for. — Emily Rodda

With all of this new technology at our hand, there is much more opportunity to show and to allow the audience to take in bits of the story on a more subliminal level, as well as the more expository, simply because they are getting things from different ways. It is really interesting to see where that can go. — Rick Heinrichs

'Downton Abbey' didn't have the impact it had just because it was a good story about people. It was something about that period and that world that was fascinating to people on a level that wasn't just as an entertainment. — Noah Hawley

Fiction has subversive potential. People let it into their minds, like the Trojan Horse. They don't know what's inside. You hook them with the story, and God can work below the level of their consciousness. Fiction can be propaganda for evil or convey a theme that impacts people for good. — Randy Alcorn

Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for. — Lana Wachowski

...grit grows as we figure out our life philosophy, learn to dust ourselves off after rejection and disappointment, and learn to tell the difference between low-level goals that should be abandoned quickly and higher-level goals that demand more tenacity. The maturation story is that we develop the capacity for long-term passion and perseverance as we get older. — Angela Duckworth

You kind of hope that the events themselves are interesting. I think that's what you have to hope for, that on a broad level it's an interesting story. — Chester Brown

Oliver's boardroom was actually a library. A good library. A library where books looked worn-out and well read and loved on. The library was two stories tall with a balcony wrapped around the top level. The big window on the top floor was propped half open. A rebel beam of sunlight pushed through the clouds, shining through the rain beads stuck to the screen and glass. And then that strange, golden rain light shone warm and pretty over Oliver's books. I wondered if the sun had missed the books, had waited as long as it possibly cold to shine over those spines again. I knew how that felt, to love a story so much you didn't just want to read it, you wanted to feel it. — Natalie Lloyd

The only job security, to the extent that it exists, will reside in your ability to be "high concept high touch": to come up with inspired and innovative ideas, gain creative insights, and connect with people on an emotional level through empathy, story or design. To do what computers can't, or that dude in China or India for only so many dollars an hour. To create experiences that people didn't know they wanted or needed but soon refuse to live without. — Srinivas Rao

Its complicated, on one level. On another, its the same old stupid story - we aren't enlightened. We disagree, fall in love, and hate eachother, the whole spectrum of human experience. We have differences of opinion, and sometimes, we can't resolve those differences peacefully. If a disagreement goes for long enough, and is important enough, people start to take sides. Once people start to take sides, conflict is inevitable. — Zachary Rawlins

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

A story then...is water trying to get back to sea level — Henry Kitchell Webster

I have a great relationship with animals, and with children. I get to their level. I try to see the way a child looks at the world, it's hugely different. — Story Musgrave

Those who are not true leaders or elders will just affirm people at their own immature level, and of course immature people will love them and elect them for being equally immature. You can fill in the names here with your own political disaster story. But just remember, there is a symbiosis between immature groups and immature leaders, I am afraid, which is why both Plato and Jefferson said democracy was not really the best form of government. It is the safest. A truly wise monarch would probably be the most effective at getting things done. — Richard Rohr

What you and I might rate as an absolute disaster, God may rate as a pimple-level problem that will pass. He views your life the way you view a movie after you've read the book. When something bad happens, you feel the air sucked out of the theater. Everyone else gasps at the crisis on the screen. Not you. Why? You've read the book. You know how the good guy gets out of the tight spot. God views your life with the same confidence. He's not only read your story ... he wrote it. — Max Lucado

I just want to make art that connects with people and moves them on an emotional level. Any time I can put out music and place a story behind it and have people watch it and go, 'Wow, I was affected by that,' to me, feels like I've done my job. — Hayley Kiyoko

Setting is the soul of your story...Improve upon it, and it will take your writing to the next level. — Ruth Ann Ridley

That is again the same story played on a more subtle level. That's what the religious people have been doing down the ages - pious egoists they have been. They have made their ego even more decorated; it has taken the color of religion and holiness. Your ego is better than the ego of a saint; your ego is better, far better - because your ego is very gross, and the gross ego can be understood and dropped more easily than the subtle. The subtle ego goes on playing such games that it is very difficult. One will need absolute awareness to watch it. — Rajneesh

True literature is more than just a story someone has told. It must provide the reader with the essence of the world on a moral, philosophical and emotional level. — Orhan Pamuk

It is incredibly daunting to take on a live-action story. I think that it adds a level of complexity to the responsibility that goes beyond what I've experienced on these two films (The Lorax and Horton Hears a Who). — Christopher Meledandri

In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls. — David Foster Wallace

Symbols are something [the writer] uses simply as a matter of course. You might say that theses are details that, while having their essential place in the literal level of the story, operate in depth as well as on the surface, increasing the story in every direction ... the truer the symbol, the deeper it leads you, the more meaning it opens up — Flannery O'Connor

This need to know things at the level of basic experience, and the reluctance to be fobbed off by the official story or the popular rumor, was a part of the "infinite capacity for taking pains" that Thomas Carlyle once described as the constituent of genius. — Christopher Hitchens

'Dragon Age' needs to have big story moments. It is a game about character first, and the party is an absolutely central part of that. I want to keep pursuing interactivity with the world: taking crowds to the next level or having things catch fire because you indiscriminately cast a fireball into a wheat field. — Marc Laidlaw

There are a lot of issues with the three-tens," I said. "First off, a lot of the time, the poor kids who wind up cast as 'princes' get thrown out of second-story windows and permanently maimed. There have been reports of Rapunzels who sunk so deep into their stories that they actually could cure blindness with their tears, but we haven't had one of those in years, and it's not company policy to let unmonitored memetic incursions progress to that level. — Seanan McGuire

Some upstarts always try to get closer to the source of creation by ascending to the source's level. The story of Icarus is of course a parable about the folly of such an effort. Get too close to the sun and your hubris will get you burned. Yet in the eyes of twenty-first-century capitalist culture, which worships at the twin altars of the individual and technology, Icarus had initiative. And his melted wings do not represent some deep character flaw; he just needed better beta testers. — Marcus Wohlsen

But what is happening in America today is, I think, unparalleled in history. We are rising to the top and falling to the bottom; we are becoming wealthier as individuals and baser as a society; we are more powerful than ever and less mindful; we share a level of prosperity that is so high that it is a new thing in history, unprecedented in the story of man, and yet this wonderful thing we share has not made us closer as a people. And this has implications. — Peggy Noonan

There's something special about working with picture and adding music to picture that really takes you to a whole new level. It's always the director's picture first, and I'm there to help tell the story. — Lior Ron

Whether you attribute it to some mysterious triple package or to your own Horatio Alger story, to succeed in America is, somehow, to be complicit with the idea of America - which means that at some level you've made peace with its rather ugly past. — Vijay Iyer

'Run' is exciting, about family secrets, the mystery surrounding them and the outdoor sport of parkour. The story itself is full of intrigue and action, but the parkour takes the story to another level. It was an absolutely incredible experience, working with experts from all over the country. — Kelsey Chow

I have a very strong color theory, for instance, where in Powers, green means powerless, and red means power.The story was all there, but I was desperate to make sure that extra level was the case. — Brian Michael Bendis

I think George R. R. Martin made fantasy grow up. He brought a level of reality into the storytelling where you realize the good guys don't always win and anyone can die, because that's how life works. Bringing that level of reality into the story I think forced the genre to mature in a lot of ways that it hadn't prior. — Peter V. Brett

If you can take it to the next level and really tell an interesting story in a unique and fresh way, then I feel like that's a great song. — Bonnie McKee

When relationships have outlived their shelf life, people often realize that at some level, they are sticking it our because they once thought in the light of their divine love that the other person would change. Sorry for breaking the poetic hope here, but that doesn't happen. People are like rubber bands. They may be able to stretch from time to time and do some amazing things, but in general they are who they are. If manipulation and machinations on your side get them to behave the way you want, I will set my clock on the fact that they will return to their previous way of behaving, or they will keep faking it. To be in a relationship with someone who is not really there doesn't make sense. People who aren't cooperating feel like a project to us, like something for us to rescue or fix. Rescuing is the province of firefighters and fairy tales, but it's not real life. The stance of sticking it out in hopes of redemption is an old story and one that has wasted many lives. — Ramani Durvasula

I think of myth and magic as the hieroglyphics of the human psyche. They are a special language that circumvents conscious thought and goes straight to the subconscious.
Non-fiction uses the medium of information. It tells us what we need to know.
Science fiction primarily uses the medium of physics and mathematics. It tells us how things work, or could work.
Horror taps into the darker imagery of the psychology, telling us what we should fear.
Fantasy, magic and myth, however, tap into the spiritual potential of the human life. Their medium is symbolism, truth made manifest in word pictures, and they tell us what things mean on a deep, internal level. I have always been a meaning-maker. I have always been someone who strives to make sense of everything and perhaps that is where my life as a storyteller first began. Life doesn't always make sense, but story must. And so I write stories, and the world comes right again. — Ripley Patton

Quantum fiction is any story that witnesses life and the human experience on a subatomic level. — Vanna Bonta

I am looking for a character that connects to me on some level. It has to be about something, it has to have depth to it and it has to be about something. The story of the character and their relationship with the people and places around them appeal to me and are what I look for. — Richard Hatch

The dangerously high level of stupidity surplus was once again the lead story in The Owl that morning. The reason for the crisis was clear: Prime Minister Redmond van de Poste and his ruling Commonsense Party had been discharging their duties with a reckless degree of responsibility that bordered on inspired sagacity. Instead of drifting from one crisis to the next and appeasing the nation with a steady stream of knee-jerk legislation and headline-grabbing but arguably pointless initiatives, they had been resolutely building a raft of considered long-term plans that concentrated on unity, fairness and tolerance. It was a state of affairs deplored by Mr. Alfredo Traficcone, leader of the opposition Prevailing Wind Party, who wanted to lead the nation back to the safer ground of uniformed stupidity. — Jasper Fforde

A man described by authorities as one evolutionary step above a banana slug has recently admitted to having been locked in the Sacajawea Junior High biology lab over a long weekend nearly sixteen years ago when he fell asleep and was mistaken as a cadaver. Though the man is incapable of human speech, he was able, over a period of weeks, to chisel out his story in hieroglyphics on the bathroom wall of the insane asylum where he now resides. He claims that toward the end of the second day of his accidental captivity, he got downright lonely and sought companionship at his own intellectual level. He found that companionship in a petri dish. — Chris Crutcher

Children may not understand all that's happening below the surface of a story. It doesn't matter. Because even though they may not be able to define or verbalize it, they sense there's something more than meets the eye; on an almost subliminal level, they're aware of a richness of texture, or meaning and emotion
a richness that, in a great book, is inexhaustible. And the child may well come back to it again and again, perhaps long after he's stopped being a child. — Lloyd Alexander

You cannot help another who will not help him or herself. In the end, all souls must walk their path - and the reason they are walking a particular path may not be clear to us ... or even to them at the level of ordinary human consciousness. Do what you can to help others, of course. Show love and caring whenever and wherever you can. But do not get caught up in someone else's "story" to the point where you start writing it. — Neale Donald Walsch

True adulthood would mean no longer denying the truth. It would mean feeling the repressed suffering, consciously acknowledging the story remembered by the body at an emotional level, and integrating that story instead of repressing it. Whether contact with the parents can then in fact be maintained will depend on the given circumstances in each individual case. What is absolutely imperative is the termination of the harmful attachment to the internalized parents of childhood, an attachment that, though we call it love, certainly does not deserve the name. It is made up of different ingredients, such as gratitude, compassion, expectations, denial, illusions, obedience, fear, and the anticipation of punishment. Time — Alice Miller

Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story. — Bret Easton Ellis

The investor is neither smart not richer when he buys in an advancing market and the market continues to rise. That is true even when he cashes in a goodly profit, unless either (a) he is definitely through with buying stocks an unlikely story or (b) he is determined to reinvest only at considerably lower levels. In a continuous program no market profit is fully realized until the later reinvestment has actually taken place, and the true measure of the trading profit is the difference between the previous selling level and the new buying level. — Benjamin Graham

Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.
We are one long frightening climax. — Gillian Flynn

In Tharoor's hands [the story of modern India] is transformed into Mahabharata magic ... Endlessly inventive, irreverent, wise, ingenious, ... it takes on at one level or another the entire panorama of modern India ... Energetic and eventful. — M.G. Vassanji

The idea was always going to be that each year is a stand-alone story, which did make it easier on some level. It also requires the network to have the creative imagination to say, 'This is also 'Fargo,' you know what I mean? — Noah Hawley

The word parable comes from a Greek word meaning "comparison or analogy" and is essentially a very brief story that conveys a spiritual truth. A parable is a bit like a riddle: it has a meaning you can't completely understand with the logical, conditioned mind. A parable is meant to present your mind with something that pushes you to go beyond your current level of understanding in order to comprehend it. — Adyashanti

Our lives are a novel being written. We are its author. Every action we encounter and every person we meet has a role and a place in our ultimate story. It is in our control to decide the level of how, who and what impacts us and how large a role we decide to assign each. — Mark W. Boyer

The story of Eve and the serpent, and of Noah and his ark, drops to a level with the Arabian Tales, without the merit of being entertaining, and the account of men living to eight and nine hundred years becomes as fabulous as the immortality of the giants of the Mythology. — Thomas Paine

Any man will go considerably out of his way to pick up a silver dollar; but here are golden words, which the wisest men of antiquity have uttered, and whose worth the wise of every succeeding age have assured us of; and yet we learn to read only as far as Easy Reading, the primers and classbooks, and when we leave school, the Little Reading, and story books, which are for boys and beginners; and our reading, our conversation and thinking, are all on a very low level, worthy only of pygmies and manikins. — Henry David Thoreau

None of my clients are criminals, but to a much lighter degree that's what goes on. I hear the story, and I hear it with the level of detail that breeds empathy. — Hilary Liftin

So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story. — Molly Antopol

I was always enjoying the moment. Acting, writing, looking for roles and getting involved with people and trying to create something that would be entertaining to people. With 'E.R.,' we were all very lucky to get this combination of people together in the right story in the right way to take it to the level it has reached. — Anthony Edwards

Nicole Baart has written a novel that satisfies on every level. Sleeping In Eden is a compelling mystery, a tragic love story, a perceptive consideration of the callous whim of circumstance and, perhaps most important, a beautiful piece of prose. I guarantee this is a book that will haunt you long after you've turned the last page. — William Kent Krueger

A myth is a story that is "more than true." Many stories are true because one person, somewhere, at some time, lived it. It is based on fact. But a myth is more than true because it is lived by all of us, at some level. It's a story that connects and speaks to us all. — Linda Seger

What The Story Grid offers is a way for you, the writer, to evaluate whether or not your Story is working at the level of a publishable professional. If it is, The Story Grid will make it even better. If it isn't, The Story Grid will show you where and why it isn't working - and how to fix what's broken. — Shawn Coyne

If you start to see more successful businesses that are playing on a global level, the story of Africa will begin to change — Tara Fela-Durotoye

One of the hardest things I've had to learn as a writer is that while virtually any story can be a good book if done correctly, not every story should. It's possible to have an amazing idea and still lack the interest necessary to polish it to publication level shine. I can not tell you the number of books I've plotted, written 30k words in, and then abandoned because I simply could not stand to look at them another second. Every single one of these ideas looked great on paper, and maybe in another author's hands they could have been golden, but in the end I just didn't care enough to push through. — Rachel Aaron

Writing a funny story is one thing. But writing a funny story that inspires others to venture beyond their level of comfort in pursuit of their greater good is what makes me come alive. — Romany Malco

I think 'Overlord' has definitely benefited because I work with every single level designer, and working where we have space to tell the story. That's what it's all about - getting writers and storytellers involved in the team and being a back and forth process. — Rhianna Pratchett

Our mission is to report these horrors of war with accuracy and without prejudice. We always have to ask ourselves whether the level of risk is worth the story. What is bravery, and what is bravado? Journalists covering combat shoulder great responsibilities and face difficult choices. Sometimes they pay the ultimate price. — Marie Colvin

On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway. — George Saunders

You wanna be the next Tolkien? Don't read big, tolkien-esque fantasies. TOLKIEN didn't read big, tolkien-esque fantasies. He read books on finnish philology. You go and read outside your comfort zone, go and learn stuff. And then the most important thing, once you get any level of quality
get to the point where you wanna write, and you can write
is tell YOUR story. Don't tell a story anyone else can tell. Because you always start out with other people's voices ... There will always be people who are better or smarter than you. There are people who are better writers than me, who plot better than I do, but there is no one who can tell a Neil Gaiman story like I can. — Neil Gaiman

marketing tells one story about the company, usually connected to corporate strategy at the senior level, while the products tell several stories, depending on a product manager's vision of his or her own strategy. — Alex Bogusky

Frank Halford was a master at the school and remembers Adams as "very tall even then, and popular. He wrote an end-of-term play when Doctor Who had just started on television. He called it 'Doctor Which.' " Many years later, Adams did write scripts for Doctor Who. He describes Halford as an inspirational teacher who is still a support. "He once gave me ten out of ten for a story, which was the only time he did throughout his long school career. And even now, when I have a dark night of the soul as a writer and think that I can't do this anymore, the thing that I reach for is not the fact that I have had best-sellers or huge advances. It is the fact that Frank Halford once gave me ten out of ten, and at some fundamental level I must be able to do it. — Douglas Adams

My primary goal is always to tell a story that will resonate with people on a deeply emotional level. — Chris Milk

Also, worldbuilding touches all aspects of your story. It touches plot and character as well. If you don't know the culture your character comes from, how can you know what he's really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world. — Patrick Rothfuss

I feel that for the story of 'Romeo and Juliet' to be impactful, it has to be believable, and there has to be a certain level of chemistry between the two characters. — Hailee Steinfeld

I assemble stories-me and a hundred million other people-at the sentence level. Not by coming up with a sweeping story line. — Amy Hempel

A level of a house, his father has told him, is called a story.
Nathaniel likes that. It makes him feel like may be he is living between the covers of a book himself. Like may be everyone in every home is sure to get a happy ending. — Jodi Picoult

If you just go get one of these little fine arts degrees or writing program degrees, it never forces you to confront your responsibility as narrator, whereas any of the social sciences make you at look the interaction between the storyteller and story. Hurston understood that. But then she and I write out of despised cultures that on some level we feel we're defending. — Dorothy Allison

Aesthetic enthusiasm. Perception of beauty in the external world, or, on the other hand, in words and their right arrangement. Pleasure in the impact of one sound on another, in the firmness of good prose or the rhythm of a good story. Desire to share an experience which one feels is valuable and ought not to be missed. The aesthetic motive is very feeble in a lot of writers, but even a pamphleteer or writer of textbooks will have pet words and phrases which appeal to him for non-utilitarian reasons; or he may feel strongly about typography, width of margins, etc. Above the level of a railway guide, no book is quite free from aesthetic considerations. — George Orwell

The writing of a novel or short story or poem or whatever should elevate the audience, not drag the writer down to some level beneath herself. And she - the author - should fight always to prevent that dragging down, especially when the only possible benefit of allowing it to happen is monetary. — Caitlin R. Kiernan

Sometimes it seems that half of the fairy tales of the world are some form of Cinderella, ugly duckling, or poor boy story, telling of the little person who has no power or possessions who ends up being king or queen, prince or princess. We write it off as wishful dreaming, when it is actually the foundational pattern of disguise or amnesia, loss, and recovery. Every Beauty is sleeping, it seems, before it can meet its Prince. The duckling must be "ugly," or there will be no story. The knight errant must be wounded, or he will never even know what the Holy Grail is, much less find it. Jesus must be crucified, or there can be no resurrection. It is written in our hardwiring, but can only be heard at the soul level. It will usually be resisted and opposed at the ego level. — Richard Rohr

Feel compassion for your own heart that was broken open by grief or confusion.

Then tune in to the other level of that experience. Some part of you was heroic inside that moment of your life.

Some part of you was looking out for you, wanting you to make it through, encouraging you to love and heal and be larger than the message you were getting. Access the hero inside your own story.... — Laurie Perez

There is so much information in one Hebrew word that translators are hard pressed to decide how much information should be cut. Since the first official translation (the Septuagint), Jewish translators advocated translating Hebrew (for outsiders) at the 'story' level.
pg viii — Michael Ben Zehabe

We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both. — Julian Barnes

As a sensitive filmmaker, I think you have to really be careful in how you explore it. Not that you can't tell any story you want - I'm not calling for censorship or anything. But if you're going to have violence, I think it's important to deal with the consequences of that on a human level, not just to make people laugh. — Alejandro Gonzalez Inarritu

The boy reported - after the Sergeant had slept for a few hours, which was not nearly enough - that YouTube had actually gone down for ten minutes under the weight of traffic. The story was truly global, truly immense: not Obama, not Justin Bieber, not Psy and not Bin Laden had ever touched this, he said. Not Khaled Saeed and not Mohamed Bouazizi, either. If Pippa Middleton and Megan Fox had announced their intention to marry during a live theatrical production of 50 Shades of Grey starring Benedict Cumberbatch, and then taken off their clothes to reveal their bodies tattooed with the text of the eighth Harry Potter novel, they might have approached this level of frenzy. But probably not, the boy said, because not everyone liked Benedict Cumberbatch. — Nick Harkaway

Both 'Where'd You Go, Bernadette' and my first novel, 'This One is Mine,' are pretty complex on a story level, and fun reads as a result. — Maria Semple

The grand scale and immersive nature of The IMAX Experience gives 'Spiderwick' a brand new level of excitement. In IMAX theatres, fans will be drawn into the movie even further and feel as if they are actually part of the story. — Mark Canton

Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level. — Elizabeth Reaser

If you think of the typical Herbalife distributor and their level of sophistication, to this day I still don't understand the marketing plan - true story. — Bill Ackman

Homeland Security Chief Tom Ridge made that critical leap from 'be afraid' to 'be very afraid,' raising the terrorist threat level to orange for financial sectors in New York, Washington, D.C., and northern New Jersey ... Ridge's announcement comes amidst reports he will step down as head of homeland security after the election. Ridge himself has refused to comment on the story, though colleagues say he has often expressed a desire to spend more time at home, scaring his family. — Jon Stewart

You are my favorite book. I immerse myself in your story and fall in love with each page. I will never be able to truly express to you how much I admire and cherish who you are. Nor will I be able to articulate the level of honor I feel to find myself included amongst the pages being written with each passing day. I love you. Thank you. — Steve Maraboli

I try to tell my story as simply as possible, with the camera at eye level. — Howard Hawks

I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf. — Zach Johnson

One thing that gets lost in all the aggregation throughout this book: on an individual level, the personal affects of these broad social forces are often very subtle... when you go person by person, any individual's experience is too small and too varied to conclusively say anything racial has happened. It could be your skin or it could be just you. On the other side of it, it's laughable to think of one red-faced guy searching for n****r jokes because Barak Obama got elected, but it's a lot less funny when you can see that he's one of thousands and thousands making the same search. And it's less funny still when you see the large affects these private attitudes can still have, even in public life. Thus the story of just one of us versus the story of us all. That's why data like this is necessary; it ends arguments that anecdotes could never win. It provides facts that need facing. — Christian Rudder

I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story - the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths - which I could dedicate simply to: to England; to my country ... I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. — J.R.R. Tolkien

At one level the story of the second fall of Zimbabwe can be read as tragic yet a courageous one: a simple but soaring binary about unfounded courage in the face of immeasurable oppression. But at another level, it is a window into a much more complex, perhaps even darker and sadder, narrative about contemporary slaveship and the terrible collision of aspiration and frustration and the need to survive that has been unleashed upon the people of Zimbabwe. Exploitation and oppression are not matters of race. — Thabo Katlholo

Writing about real stuff that really concerned me brought out my craft. If you're writing a story about, 'Is Lois Lane gonna figure out that Superman is Clark Kent?' - it's really hard to get involved in that on anything other than a craft level. And I'm not gonna put down craftsmanship; it is a noble enough thing to have made a table that you can pound on and it doesn't fall down. But occasionally, we might have an assignment that engages some other parts of ourselves, and those tend to be the good stories. — Dennis O'Neil

How much more so when it comes to the deep truths of the Christian faith. God loves you; you matter to him. That is a fact, stated as a proposition. I imagine most of you have heard it any number of times. Why, then, aren't we the happiest people on earth? It hasn't reached our hearts. Facts stay lodged in the mind, for the most part. They don't speak at the level we need to hear. Proposition speaks to the mind, but when you tell a story, you speak to the heart. We've been telling each other stories since the beginning of time. It is our way of communicating the timeless truths, passing them down. And that's why when Jesus comes to town, he speaks in a way that will get past all our intellectual defenses and disarm our hearts. He tells a certain kind of story. — John Eldredge

My dear husband, Richard, has been the driving force behind my success and rise to whatever level I am now. My story and legacy is incomplete without his mention. — Joyce Banda