Story In English Quotes & Sayings

I disliked singing in English and neither liked the story nor the character of Cressida. — Walter Legge

The forms of the short, written poem as they have been developed in English over the past few centuries can be usefully seen as compressed, truncated, or fragmented imitations of other verbal forms, especially the play, story, public oration, and personal essay. — Robert Scholes

There is a funny story I always tell my students...when I came for the first time to the US. I didn't speak English (Only Spanish) & I saw on every door the word "exit" which in Spanish means Success = Exito. And then I said :"No wonder Americans are winners ,every door they take leads to success" ~smile — Pablo

Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of 'somedays'. Plant your ass and scribble, type, keyboard. If you have any talent at all it will leak out despite your failure to pay attention in English.
[The Instrumentalities of the Night: An Interview with Glen Cook, The SF Site, September 2005] — Glen Cook

So why is Chinese social networking booming despite the censorship? Part of the reason is the Chinese language. Posts on Twitter and Twitter clones such as Weibo are limited to 140 characters. In English that comes to about 20 words or a sentence with a short link - in effect, a headline. But in Chinese you can write a whole paragraph or tell a whole story in 140 characters. One Chinese tweet is equal to 3.5 English tweets. In some ways, Weibo (which means "microblog" in Chinese) is more like Facebook than Twitter. As far as the Chinese are concerned, if something is not on Weibo, it does not exist. — Michael Anti

Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. — Jeffrey Eugenides

Mrs. B's story is well-known but worth telling again. She came to the United States 77 years ago, unable to speak English and devoid of formal schooling. In 1937, she founded the Nebraska Furniture Mart with $500. Last year the store had sales of $200 million, a larger amount by far than that recorded by any other home furnishings store in the United States. Our part in all of this began ten years ago when Mrs. B sold control of the business to Berkshire Hathaway, a deal we completed without obtaining audited financial statements, checking real estate records, or getting any warranties. In short, her word was good enough for us. Naturally, I was delighted to attend Mrs. B's birthday party. After all, she's promised to attend my 100th. — Warren Buffett

John Ronald Reuel Tolkien wrote his first story aged seven. It was about a "green great dragon." He showed it to his mother who told him that you absolutely couldn't have a green great dragon, and that it had to be a great green one instead. Tolkien was so disheartened that he never wrote another story for years.
The reason for Tolkien's mistake, since you ask, is that adjectives in English absolutely have to be in this order: opinion-size-age-shape-colour-origin-material-purpose Noun. So you can have a lovely little old rectangular green French silver whittling knife. But if you mess with that word order in the slightest you'll sound like a maniac. It's an odd thing that every English speaker uses that list, but almost none of us could write it out. And as size comes before colour, green great dragons can't exist. — Mark Forsyth

The first thing to realize is that it is is a country that is still being imagined. Here every patch of earth has a story, all your places have nuances; if you say Cornwall to an English person, they think of smugglers, and King Arthur and fish. But there are great parts of my country about which American's know nothing beyond an idea of unimaginable vastness. Of course the Indians that live there know the spirits of these places, but that is not the point. You can't imagine how blue the sky is out West, Charlotte. So much space. It's really wild, not like your Lake District with its little stone walls. In the West the landscape is unmarked by man. — Daisy Goodwin

To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I'd wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren't pretty. — Julie Schumacher

the book of genesis received its English name from the Greek translation of the Heb word toledot, which is used thirteen times in Genesis and is translated as "story" (2.4), "record" (5.1), or "line" (10.1). In Heb, it is known, like many books in the Tanakh, by its first word, bereshit, which means, "In the beginning. — Adele Berlin

He said you have to be on the side of the losers, the people with bad lungs. You have to be with those who are homesick and can't breathe very well in Ireland. He said it makes no sense to hold a stone in your hand. A lot more people would be homeless if you speak the killer language. He said Ireland has more than one story. We are the German-Irish story. We are the English-Irish story, too. My father has one soft foot and one hard foot, one good ear and one bad ear, and we have one Irish foot and one German foot and a right arm in English. We are the brack children. Brack, homemade Irish bread with German raisins. We are the brack people and we don't have just one language and one history. We sleep in German and we dream in Irish. We laugh in Irish and we cry in German. We are silent in German and we speak in English. We are the speckled people. — Hugo Hamilton

The one that sang, old Janine, was always whispering into the g***** microphone before she sang. She'd say, 'And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet.' Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy. — J.D. Salinger

It may amuse you to hear a Story. A few days ago, in Company with Dr Zubly, somebody said, there was nobody on our side but the Almighty. The Dr. who is a Native of Switzerland, and speaks but broken English, quickly replied 'Dat is enough. — John Adams

I remember when your name was just another name that rolled without thought off my tongue.
Now, I can't look at your name without an abundance of sentiment attached to each lettter.
Your name, which I played with so carelessly, so easily, has somehow become sacred to my lips.
A name I won't throw around lightheartedly or repeat without deep thought.
And if ever I speak of you, I use the English language to describe who you were to me. You are nameless, because those letters grouped together in that familiar form ... .. carries too much meaning for my capricious heart. — Coco J. Ginger

Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life. — Salman Rushdie

When an international news organization covers a story in Somalia, Yemen, Sudan or wherever, they will fly a crew to go there, spend a few days, interact with some officials and analysts, most of the time English-speaking elite, and file the story and go home. — Wadah Khanfar

Great Britain, for instance, is too big and too diverse to be home to a small-island civilization, but in modern times the English - though not, I think, other peoples of the island - have cultivated what might be called a small-island mentality: all their most tiresome history books stress, sometimes in their opening words, that their history is a function of their insularity. They still write and read histories with such titles as Our Island Story and The Offshore Islanders.4The conviction that their island "arose from the azure main" and is like a gem "set in the silver sea" resounds in national songs and scraps of verse which they hear repeatedly. In the eighteenth and nineteenth centuries, the English invested heavily in naval security. They created the cult of the "English eccentric" - which is a way of idealizing the outcome of isolation. They have projected an image as "a singular race, one which prides itself on being a little mad. — Felipe Fernandez-Armesto

Had there been no Renaissance and no Italian influence to bring in the stories of other lands English history would, it may be, have become as important to the English imagination as the Greek Myths to the Greek imagination; and many plays by many poets would have woven it into a single story whose contours, vast as those of Greek myth, would have made living men and women seem like swallows building their nests under the architrave of some Temple of the Giants. — William Butler Yeats

The deepwood is vanished in these islands
much, indeed, had vanished before history began
but we are still haunted by the idea of it. The deepwood flourishes in our architecture, art and above all in our literature. Unnumbered quests and voyages have taken place through and over the deepwood, and fairy tales and dream-plays have been staged in its glades and copses. Woods have been a place of inbetweenness, somewhere one might slip from one world to another, or one time to a former: in Kipling's story 'Puck of Pook's Hill,' it is by right of 'Oak and Ash and Thorn' that the children are granted their ability to voyage back into English history. — Robert Macfarlane

In reprinting this story for a new edition I am reminded that it was in the chapters of "Far from the Madding Crowd," as they appeared month by month in a popular magazine, that I first ventured to adopt the word "Wessex" from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. — Thomas Hardy

I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career. — Kurt Vonnegut

I went to University College London and read English literature, then realised if you were interested in story and narrative, film was the way to go. — Alison Owen

In the States, the Abdication story, for example, is portrayed as The World Well Lost For Love while the English, of a certain type anyway, see it only as childish, irresponsible and absurd. — Julian Fellowes

It's a complicated process being so bilingual. Sometimes it's a mere word or sentence that comes to me, if I'm writing the book in English, in French. It's not always easy to deal with. Sometimes even during an interview somebody can ask me a question in English that I want to answer in French and vice versa - that's the story of my life! — Tatiana De Rosnay

He stood just near the club's steps, his back to me along the foggy English night, and it was not until I'd passed him and began my ascent of the many steps that I'd heard his voice. The voice I knew, in all my years of living upon the Earth, that I would never forget. Even then I had known this. It was the slippery way of his tongue, or perhaps it was the coolness of which his words passed across the air and slid its way into my ears as though they were only meant for me. — S.C. Parris

If you could drink dreams like the Irish streams
Then the world would be high as the mountain of morn
In the Pool they told us the story
How the English divided the land ... — John Lennon

Over the years, I would go to my agents, my manager, and I would say, 'Hey, there's this amazing true story about this gay English mathematician who committed suicide in the 1950s.' And they would be like, 'Please don't ever write that script. That is an unmakeable film.' — Graham Moore

The Adventures of Pinocchio' and would like to have further knowledge to the origins of this puppet. Can you enlighten us)?" Albrecht smiled and replied in English, "My English is not good, but I will do my best to tell the story of a little boy who told lies. Since our friends (indicating to the rest of us) don't speak German, I will tell the story in English." As Mr. Roser related the story of Pinocchio, my guilty conscious began festering, much like Pinocchio's nose and ears growing longer and longer with each lie. As — Young

The story of Issa, the eighteenth-century Haiku poet from Japan. Through a succession of sad events, his wife and all his five children died. Grieving each time, he went to the Zen Master and received the same consolation: "Remember the world is dew." Dew is transient and ephemeral. The sun rises and the dew is gone. So too is suffering and death in this world of illusion, so the mistake is to become too engaged. Remember the world is dew. Be more detached, and transcend the engagement of mourning that prolongs the grief. After one of his children died, Issa went home unconsoled, and wrote one of his most famous poems. Translated into English it reads, The world is dew. The world is dew. And yet. And yet. — Os Guinness

For me, therapy is partly translation therapy, the talking cure a second-language cure. My going to a shrink is, among other things, a rite of initiation: initiation into the language of the subculture within which I happen to live, into a way of explaining myself to myself. But gradually, it becomes a project of translating backward.
The way to jump over my Great Divine is to crawl backward over it in English. It's only when I retell my whole story, back to the beginning, and from the beginning onward, in one language, that I can reconcile the voices within me with each other; it is only then that the person who judges the voices and tells the stories begins to emerge. — Eva Hoffman

There is a story I always tell my students ... when I came for the 1st time to the US. I didn't speak English (Only Spanish) & I saw on every door the word "exit" which in Spanish means Success = Exito. And then I said :"No wonder Americans are winners ,every door they open leads to success — Pablo

Famous in our circles is the story of the visiting English banker who in 1948 upon seeing our model 95 camera commented, 'Very interesting, but why would one want a picture in a minute?' — Edwin Land

He would not mind hearing Petrus's story one day. But preferably not reduced to English. More and more he is convinced that English is an unfit medium for the truth of South Africa. Stretches of English code whole sentences long have thickened, lost their articulations, their articulateness, their articulatedness. Like a dinosaur expiring and settling in the mud, the language has stiffened. Pressed into the mold of English, Petrus's story would come out arthritic, bygone(117). — J.M. Coetzee

The stamps on the envelope were English. One was the head of a statesman engraved in purple and the others were motorcars engraved in blue. It seemed like every country in the world had stamps of statesmen and motorcars. Where were the stamps of the elevator boys and hapless housewives? Of the six-story walk-ups and soured wine? — Amor Towles

Viola had a harrowing story about riding a bicycle west out of the burnt-out ruins of a Connecticut suburb, aged fifteen, harboring vague notions of California but set upon by passersby long before she got there, grievously harmed, joining up with other half feral teenagers in a marauding gang and then slipping away from them, walking alone for a hundred miles, whispering French to herself because all the horror in her life had transpired in English and she thought switching languages might save her, wandering into a town through which the Symphony passed five years later. — Emily St. John Mandel

The most powerful words in English are, Tell me a story. — Pat Conroy

Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly Grand Street in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of A la recherche du temps perdu was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce. — Christopher Hitchens

Yes, it would nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. — Andrew Barger

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.' — Tom Hooper

Lately I have been feeling hulihudu. And everything around me seemed to be heimongmong. These were words I had never thought about in English terms. I suppose the closest in meaning would be "confused" and "dark fog."
But really, the words mean much more than that. Maybe they can't be easily translated because they refer to a sensation that only Chinese people have, as if you were falling headfirst through Old Mr. Chou's [Mr. Sandman's] door, then trying to find your way back. But you're so scared you can't open your eyes, so you get on your hands and knees and grope in the dark, listening for voices to tell you which way to go.
I had been talking to too may people ... to each person I told a different story. Yet each version was true, I was certain of it, at least at the moment I told it. — Amy Tan

She'd always been comforted by how many words there were in the English language -- more than a million. With so many words surely anything could be said, everything could be understood.
But what did the volume of words matter in any language when she couldn't even manage to ask the simplest questions? Will you tell me your story? Will you let me in to my own family? Isn't it my story, too? — Fiona Wood

My high school English teacher in junior year, Dr. Robert Parsons, assigned us some Poe stories, including 'The Black Cat' and 'The Purloined Letter.' Being an animal person, I had trouble with 'The Black Cat!' I got hooked instead by 'The Purloined Letter,' a Poe story with detective C. Auguste Dupin. — Matthew Pearl

The detective story, as created by Poe, is something as specialised and as intellectual as a chess problem, whereas the best English detective fiction has relied less on the beauty of the mathematical problem and much more on the intangible human element. [ ... ] In The Moonstone the mystery is finally solved, not altogether by human ingenuity, but largely by accident. Since Collins, the best heroes of English detective fiction have been, like Sergeant Cuff, fallible. — T. S. Eliot

This is surely the most significant of the elements that Tolkien brought to fantasy ... his arranged marriage between the Elder Edda and "The Wind in the Willows"
big Icelandic romance and small-scale, cozy English children's book. The story told by "The Lord of the Rings" is essentially what would happen if Mole and Ratty got drafted into the Nibelungenlied. — Adam Gopnik

I read on the back cover that the author was born in Russia and came to America when she was young. She barely spoke English, but she wanted to be a great writer. I thought that was very admirable, so I sat down and tried to write a story.
"Ian MacArthur is a wonderful sweet fellow who wears glasses and peers out of them with delight."
That was the first sentence. The problem was that I just couldn't think of the next one. — Stephen Chbosky

For in Calormen, story-telling (whether the stories are true or made up) is a thing you're taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays. — C.S. Lewis

In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell. — Donald E. Westlake

Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words
"friend" and "real" and "story" and "change"
words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way? — Jennifer Egan

Composition is interesting because, in a sense, you always have to let it go. Unless you're a true composer/performer, you're always sending a PDF and then someone else makes it. It's like instructions for a short story, faxed to every English student who's studying it. — Nico Muhly

This is the first time I will tell my story in English, a language still new to me. The journey to this moment has been a long one. — Hyeonseo Lee

Be that as it may, we do need you in particular to complete this assignment. (Syd)
What is it with you government assholes that you just can't say anything in plain English? You always have to beat around the bush and use euphemisms or fucked-up acronyms for everything. (Steele)
Fine. We need you to kill an assassin before he executes his target. Either you eat the bear, or the bear eats you, Mr. Steele. Or, to humor you, in plain English- you find and kill the assassin, or we kill you. End of story. (Syd) — Sherrilyn Kenyon

... so many ticks steadily around the clock. My heart beats ferociously, as if to say it will not digest this leaving. But you are gone. I could never look into your tormenting eyes again. You mock me with each word you choose ... . of the millions of words in the English tongue you could have chosen ... you select the one's that break me down. — Coco J. Ginger

We are men without ambition, and all we want is to be left alone, in peace so that we can try and be happy. So few people will understand this simplicity. — Upamanyu Chatterjee

So you want another story?"
Uhh ... no. We would like to know what really happened."
Doesn't the telling of something always become a story?"
Uhh ... perhaps in English. In Japanese a story would have an element of invention in it. We don't want any invention. We want the 'straight facts,' as you say in English."
Isn't telling about something
using words, English or Japanese
already something of an invention? Isn't just looking upon this world already something of an invention? — Yann Martel

Tell me a story, Wilson. It can even be a long, boring, dusty English tome."
"Wow! Tome. Learn a new word, Echohawk?" Wilson wrapped his arms around me as I sagged against him.
"I think you taught me that one, Mr. Dictionary." I tried not to whimper as the pain swept through me.
"How about Lord of the Flies?"
"How about you just kill me now?" I ground out, my teeth gritted against the onslaught, appreciative of Wilson's diversionary tactics if not his choice in stories.
Wilson's laughter made his chest rumble against my cheek. "Hmm. Too realistic and depressing, right? Let's see . . . dusty tomes . . . how about Ivanhoe?"
"Ivan's Ho'? Sounds like Russian p**n ," I quipped tiredly. Wilson laughed again, a sputtering groan. He was practically carrying me at this point and looked almost as exhausted as I felt.
"How about I tell you one — Amy Harmon

I wasn't going to be a college kid. The only subject I was interested in was English. I think I had a subconscious interest in analyzing story. — Eric Bana

We have already shown by references to the contemporary drama that the plea of custom is not sufficient to explain Shakespeare's attitude to the lower classes, but if we widen our survey to the entire field of English letters in his day, we shall see that he was running counter to all the best traditions of our literature. From the time of Piers Plowman down, the peasant had stood high with the great writers of poetry and prose alike. Chaucer's famous circle of story-tellers at the Tabard Inn in Southwark was eminently democratic. — William Shakespeare