Story Houses Quotes & Sayings

The scratching came from the attic. At night, when Rory turned out the light I would lie awake and wait for it to skit, skit, skit lightly across the floorboards above our heads and down behind the water pipes. — Kate Chisman

The very first hit factory was T.B. Harms, a Tin Pan Alley publishing company overseen by Max Dreyfus. With staff writers like Jerome Kern, George and Ira Gershwin, Cole Porter, and Richard Rodgers, T.B. Harms was the dominant publisher of popular music in the early twentieth century. Dreyfus called his writers "the boys" and installed pianos for them to compose on around the office on West Twenty-Eighth, the street that gave Tin Pan Alley its name, allegedly for the tinny-sounding pianos passersby heard from the upper-story windows of the row houses. The sheet-music sellers also employed piano players in their street-level stores, who would perform the Top 40 of the 1920s for browsing customers. — John Seabrook

Here's a story, and you don't have to visit many
houses to find it. One person is talking,
the other one is not really listening.
Someone can look like they are but they're
actually thinking about something they
want to say, or their minds are just
wandering. Or they're looking at that
little box people hold in their hands these
days. And people get discouraged, so they
quit trying. And the very quiet people,
you may have noticed, are often the sad
people. — Mary Oliver

He said that for those who hadn't been to California, what it was most like was an enchanted island. The spitting image. Just like in the movies, but better. People live in houses, not apartment buildings, he said, and then he embarked on a comparison of houses (one-story, at most two-story), and four- or five-story buildings where the elevator is broken one day and out of order the next. The only way buildings compared favorably to houses was in terms of proximity. A neighborhood of buildings makes distances shorter, he said. Everything is closer. You can go walking to buy groceries or you can walk to your local tavern (here he winked at Reverend Foster), or the local church you belong to, or a museum. In other words, you don't need to drive. You don't even need a car. And here he recited a list of statistics on fatal car accidents in a county of Detroit and a county of Los Angeles. And that's even considering that cars are made in Detroit, he said, not Los Angeles. — Roberto Bolano

The big house ... reminded me of the types of structures you can still see in places like Center City: gingerbread houses, two-story affairs built back in the nineteenth century when people didn't have televisions and were forced to build interesting things out of wood. I have a theory that the outrageous fashions you see in pre-twentieth century culture came about as a result of the lack of television. I'm talking wild hats on women with lots of feathers, pelts, sequined dresses with long trains, as well as top hats on the men, with long-tailed coats. I figure that life in those days was s dull that people themselves became televisions. I'm still working on the theory. I include European royalty in this construct, but let's move on. — Gary Reilly

I drove out of Dartmouth and after a while Start Bay emerged out of the brightening gloom like the end of a set of parentheses in a book about the natural world. Inside the parentheses was a story about the sea. Outside them, the land: green, red and brown fields, and hills curling over the landscape. I saw small, delicate clumps of snowdrops, big rough patches of gorse, and along the thin road, houses with yellow roses and mimosa growing in their gardens. — Scarlett Thomas

The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too. — Ben Mendelsohn

More than a building that houses books and data, the library has always been a window to a larger world
a place where we've always come to discover big ideas and profound concepts that help move the American story forward ...
Libraries remind us that truth isn't about who yells the loudest, but who has the right information. Because even as we're the most religious of people, America's innovative genius has always been preserved because we also have a deep faith in facts.
And so the moment we persuade a child, any child, to cross that threshold into a library, we've changed their lives forever, and for the better. This is an enormous force for good. — Barack Obama

But the loneliness was still on Danny and demanded an outlet.
'Here we sit,' he began at last.
' - broken-hearted,' Pilon added rhythmically.
'No, this is not a poem,' Danny said. 'Here we sit, homeless. We gave our lives for our country, and now we have no roof over our head.'
'We never did have,' Pilon added helpfully.
Danny drank dreamily until Pilon touched his elbow and took the bottle.
'That reminds me,' Danny said, 'of a story of a man who owned two whore-houses
' His mouth dropped open. 'Pilon! my little fat duck of a baby friend. I had forgotten! I am an heir! I own two houses.'
'Whore-houses?' Pilon asked hopefully. 'Thou art a drunken liar,' he continued.
'No, Pilon. I tell the truth. The viejo died. I am the heir. I, the favourite grandson.'
'Thou art the only grandson,' said the realist Pilon. — John Steinbeck

Landowner of those parts. An archway to one side leads to a church, the Madonna del Carmine - Our Lady of Mount Carmine. Narrow stone steps run up the hillside, flanked by closely clustered two-story stone houses with red-tile roofs. For centuries, the paesani of Roseto — Malcolm Gladwell

In the Ottoman times, there were itinerant storytellers called "meddah. " They would go to coffee houses, where they would tell a story in front of an audience, often improvising. With each new person in the story, the meddah would change his voice, impersonating that character. Everybody could go and listen, you know ordinary people, even the sultan, Muslims and non-Muslims. Stories cut across all boundaries. Like "The Tales of Nasreddin Hodja," which were very popular throughout the Middle East, North Africa, the Balkans and Asia. Today, stories continue to transcend borders — Elif Shafak

As a matter of fact, that's the reason why I've learned to speak this language, and to write it too: so I can speak in the place of a dead man, so I can finish his sentences for him. The murderer got famous, and his story's too well written for me to get any ideas about imitating him. He wrote in his own language. Therefore I'm going to do what was done in this country after Independence: I'm going to take the stones from the old houses the colonists left behind, remove them one by one, and build my own house, my own language. The murderer's words and expressions are my unclaimed goods. Besides, the country's littered with words that don't belong to anyone anymore. — Kamel Daoud

Hardcore wrestling like CZW is just nonsense. There's no story there. You've got guys jumping off of houses onto barb wired tables, and that's it. They don't know how to work. CZW is trash. — Triple H

Jesus is calling the bluff of the religious. He says, why play this game? Why call me Lord as if you care who I am or what I want when you don't bother really knowing me or doing what I say? And then Jesus tells the story about the builders and their two houses. The homes they build represent their lives
their beliefs, convictions, aspirations, and choices.
Jesus is telling us that there are stable and unstable foundations on which to construct our lives. Regardless of our intentions, it's possible to base our confidence and trust
the very footing of our lives
on what is insecure and faulty. On shifting sand. — Joshua Harris

The house in the story is based on my friend Tori's house in Kinsale, Ireland, which is obviously not actually haunted, and the sound of people upstairs moving wardrobes around when you are downstairs there and alone is probably just something that old houses do when they think they are unobserved. — Neil Gaiman

It is when darkness prevails that I sit by the window to look past all those electricity-free houses, smell the sweet scent of a calm Gazan night, feel the fresh air going straight to my heart, and think of you, of me, of Palestine, of the crack, of the blank wall, of you, of Mama, of you, of my history class, of you, of God, of Palestine - of our incomplete story. — Refaat Alareer

The two- or three-story houses have ground-floor walls made out of whitewashed stone or mud, and upper levels of mud and wood. The narrow windows with their scalloped tops have sliding wooden slats to let in light and shut out the rain or the cold. The exterior walls are decorated with elaborate paintings, in faded blues and reds, of lotus flowers, deer, birds, and giant stylized phalluses ("to ward off evil spirits," Rita says). Ladder steps lead to heavy wooden doors with irregular latches and locks. The roofs are covered with stone slates, or wooden shingles held down by large stones. — Jamie Zeppa

One of the first houses we lived in was like out of a fairy story. We had a stream that ran through our garden, and we played with the ducks - we locked them in my mum's office, and they pooed everywhere. It was crazy, picking blackberries and mushrooms, rabbits running through your legs. — Emilia Clarke

She read all sorts of things: travels, and sermons, and old magazines. Nothing was so dull that she couldn't get through with it. Anything really interesting absorbed her so that she never knew what was going on about her. The little girls to whose houses she went visiting had found this out, and always hid away their story-books when she was expected to tea. If they didn't do this, she was sure to pick one up and plunge in, and then it was no use to call her, or tug at her dress, for she neither saw nor heard anything more, till it was time to go home. — Susan Coolidge

The silhouettes of houses slipped past before I could catch them and remember the people we were leaving behind. In a couple of hours they would wake and find us gone, far away, so as not to remind them of their pain and what our family now meant to this town.
My name is Tom Brennan and this is my story. — J.C. Burke

The world isn't always what's right in front of you, you know? It's below, it's above, it's out there somewhere. Every burn of every light inside every house I see when I look down from the rooftop has a story. Sometimes we just need to change our perspective.
And when I look down at everything, I remember that there's more out there than just what's going on in my house - the bullshit with my dad, school, my future. I look at all those full houses, and I remember, I'm just one of many. It's not to say we're not special or important, but it's comforting, I guess. You don't feel so alone. — Penelope Douglas

It is not the task of a writer to 'tell all,' or even to decide what to leave in, but to decide what to leave out. Whatever remains, that meager sum of this profane division, that's the bastard chimera we call a 'story.' I am not building, but cutting away. And all stories, whether advertised as truth or admitted falsehoods, are fictions, cleft from the objective facts by the aforementioned action of cutting away. A pound of flesh. A pile of sawdust. Discarded chips of Carrara marble. And what's left over.
Houses Under The Sea — Caitlin R. Kiernan

Houses are like books: so many of them around you, yet you only look at a few and visit or reside in fewer still. — Milorad Pavic

Delilah's mother cleans other people's houses, and she reminds me a bit of another story from Rapscullio's shelves, about a young scullery maid who possesses both glass footwear and inner beauty, which makes a prince fall head over heels for her. — Jodi Picoult

A seventeenth-century house can be recognized by its steep roof, massive central chimney and utter porchlessness. Some of those houses have a second-story overhang, emphasizing their medieval look. — John Updike

Several Mohammedan countries in North Africa and the Middle East are precisely in a period of fourteenth-century development and can show us, in a number of respects, a reflection of what the European medieval world was like. Similar towns, their houses piled one upon another, narrow swarming streets, enclosing a few sumptuous palaces; the same extremes of appalling misery among the poor and of opulence among great lords; the same story-tellers at the corners of the streets, propagating both myths and news; the same population, nine-tenths illiterate, submitting through long years to oppression and then suddenly rebelling violently in murderous panic; the same influence of religious conscience upon public affairs; the same fanaticism; the same intrigues among the powerful; the same hate among rival factions; the same plots so curiously ravelled that their solution lies only in the spilling of blood! — Maurice Druon

We all know, of course, what to make of our newspapers. The deaf man writes down what the blind man has told him, the village idiot edits it, and their colleagues in the other press houses copy it. Each story is doused afresh with the same stagnant infusion of lies, so that the "splendid" brew can then be served up to a clueless Volk. — Timur Vermes

Many men want wealth,
not a competence alone, but a live-story competence. Everything subserves this; and religion they would like as a sort of lightning-rod to their houses, to ward off by and by the bolts of Divine wrath. — Henry Ward Beecher

Pittsburg is like Birmingham in England; at least its townspeople say so. Setting aside the streets, the shops, the houses, waggons, factories, public buildings, and population, perhaps it may be. It certainly has a great quantity of smoke hanging about it, and is famous for its iron-works. Besides the prison to which I have already referred, this town contains a pretty arsenal and other institutions. It is very beautifully situated on the Alleghany River, over which there are two bridges; and the villas of the wealthier citizens sprinkled about the high grounds in the neighbourhood, are pretty enough. We lodged at a most excellent hotel, and were admirably served. As usual it was full of boarders, was very large, and had a broad colonnade to every story of the house. — Charles Dickens

Beach houses along short sandy streets. He can feel her bare forarm brushing his, and it's strange she's being so quiet. He glances down at her and she smiles up at him as if, in his silence, he's been telling a long story and she is simply listening to it. — Andre Dubus III

By the year 1670, wooden chimneys and log houses of the Plymouth and Bay colonies were replaced by more sightly houses of two stories, which were frequently built with the second story jutting out a foot or two over the first, and sometimes with the attic story still further extending over the second story. — Alice Morse Earle

As the thing came closer, what was left of Nick's body became revealed and I could see how the dead boy's eyes had bled from the trauma inflicted upon him; they dripped with steady succession onto the floor between his splayed legs. He looked like a rejected marionette tossed haphazardly in the corner by a frustrated puppeteer, his head drooping so low that his chin rested against his chest. His motionless arms lay at his sides, both of them squeezed into tight fists, as if he'd died futilely trying to defend himself. — J. Tonzelli

That can be the cruelest part of happiness--its tendency to disguise itself in boredom."
- Marie-Helene Bertino, Safe as Houses, title story — Marie-Helene Bertino

Her house being small. They ain't rich folk, that I know. Rich folk don't try so hard. I'm used to working for young couples, but I spec this is the smallest house I ever worked in. It's just the one story. Her and Mister Leefolt's room in the back be a fair size, but Baby Girl's room be tiny. The dining room and the regular living room kind a join up. Only two bathrooms, which is a relief cause I worked in houses where they was five or — Kathryn Stockett

You come to this place, mid-life. You don't know how you got here, but suddenly you're staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn't. When the midwife says, 'It's a boy,' where does the girl go? When you think you're pregnant, and you're not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. — Hilary Mantel