Story And Characters Quotes & Sayings

You ask me what you will be there. But what are you here? What are you creatures of Fantastica? Dreams, poetic inventions, characters in a neverending story. Do you think you're real? Well yes, here in your world you are. But when you been through the Nothing, you won't be real anymore. You'll be unrecognizable. And you will be in another world. In that world, you Fantasticans won't be anything like yourselves. You will bring delusion and madness into the human world. — Michael Ende

When I began writing, I did not realize that the Holocaust would become a critical part of the story. During and after WWII, neither the survivors of the Holocaust nor the combat solders were diagnosed or treated for what is now known as PTSD (Post-traumatic Stress Disorder). Many of the characters in this book were victims of this now well-known disorder. — Helene Uhlfelder

Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time. — J.J. Abrams

A two-hour movie tends to be a plot-delivery device; you tend to have to introduce all the characters, say what the goal is, and then get there with a setback, but that's not really how life is or what a story necessarily wants to be. — Noah Hawley

Once upon a time she had felt trapped inside her story with its familiar characters and predictable plot. Now she felt locked out of it. — Roderick Townley

I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids. — Angelina Jolie

If the book is finished - published and on the shelf - I do not think of revising it. But if I'm not finished psychologically with characters, they will recur, either as themselves or as new, slightly altered manifestations, and their same issues will reappear. It's a matter of the subject and emotional investment and my own obsessive thinking about various issues It's an unconscious process. To say that a single story is not done isn't quite true. A story can be finished and judged successful or not by somebody else, but if the issue is not done for me, I can count on its reappearance. — Antonya Nelson

The story line, the comparisons to this show and the Bible Ends after the names of the characters. — George Jackson

I have an idea for a story, and if the idea is going to work, then one of the characters steps forward, and I hear her voice telling the story. This is what has happened with all the books I've written in the first person. — Laurie Graham

And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters. — Norton Juster

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

Sometimes I write from the point of view of characters whom I would dislike as people, not as a perverse exercise, but because this cracks the story open and makes me see it in a way I would not see it naturally. — Mary Gaitskill

When I made 'Real Steel,' the director actually had the robots in the monitor, so he knew where everything was. So technically, there's been advancements. But at the end of the day, movies are about story and characters, so all the other stuff is great, but unless you have those two elements, then you've got nothing. — Hugh Jackman

I won't do this movie because I don't believe the love story," she told Selznick. "The heroine is an intellectual woman, and an intellectual woman simply can't fall in love so deeply. — Ingrid Bergman

And the only sign of life is the ticking of the pen, introducing characters to memory like old friends. — Fish

I don't know what I was looking for . . . I felt empty. I guess. Not hearing from you made it all seem surreal, like you were never there, a dream, a figment of my imagination.

I went to your site that day to . . . I guess, double-check.

I thought. . . maybe you wrote something, a new story . . . a message . . . anything.

I did find a new story . . .

It wasn't about us . . .

And I ended up feeling even emptier. — Stjepan Sejic

In the Open Circuit, characters are supposed to have 'arcs,' where they grow and evolve over the course of the story.
But Mom always thought that was nonsense. — Brian K. Vaughan

The only difference is that religion is much better organised and has been around much longer, but it's the same story with different characters and different costumes. — James Randi

Parents can do three things to make reading active. (1) Elaborate and explain the text to the child. This extends and deepens the experience of the story. (2) Relate the story to the child's own experiences. An interest in reading and understanding the meaning of the text occur if there is 'further information' to personalize the text. (3) Ask questions to ensure the child understands the story, thinks about the characters and plot, and extends their imagination. — Colin Baker

When you use single character viewpoint, you tell the main character's story - and only his or her story. Every single thing in the plot - whether it's an event, problem, emotion, or consequence - should be revealed through that main character's eyes. Your main character needs to be on center stage throughout the entire story, acting and reacting to what is happening in the plot. To do that effectively, reveal only your main character's emotions and thoughts. Tell your reader only what your main character is feeling, not the feelings of other characters. — Tracey E. Dils

I think all the characters in 'American Horror Story,' which is why I love it, are looking for some sense of meaning, and also it's their form of happiness. — Denis O'Hare

Plot is, I think, the good writer's last resort and the dullard's first choice. The story which results from it is apt to feel artificial and labored. I lean more heavily on intuition, and have been able to do that because my books tend to be based on situation rather than story. Some of the ideas which have produced those books are more complex than others, but the majority start out with the stark simplicity of a department store window display or a waxwork tableau. I want to put a group of characters (perhaps a pair; perhaps even just one) in some sort of predicament and then watch them try to work themselves free. My job isn't to help them work their way free, or manipulate them to safety - those are jobs which require the noisy jackhammer of plot - but to watch what happens and then write it down. — Stephen King

If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story. — Terry Pratchett

When you are producing for ABC, you are producing for a big tent network. So when you are thinking about your story lines and characters, you are thinking about broad appeal. When you are producing for a niche interest, you are producing for a different audience. — Anne Sweeney

If I get blocked, it is generally because I don't know enough about some aspect of the story or the characters. The answer for this is generally more research, or making more background notes, so the place and person can be more fully realized inside my own mind. — Sarah Zettel

Sometimes we mask ourselves to further reveal ourselves, and it's always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity. — Edwidge Danticat

The life story of the five main characters and the secondary characters around them allows Jonathan Franzen to present the full impetus and extent of the world picture of the West at the end of the 20th century. — Batya Gur

The characters I've played as an actress have been really challenging and emotionally rewarding, but there was just something missing. I was finding over and over again that directors were looking to me to help with troubles on set as far as characters' relationships, special effects and story points were concerned. — Danielle Harris

The way my books are structured, everyone was together, then they all went their separate ways and the story deltas out like that, and now it's getting to the point where the story is beginning to delta back in, and the viewpoint characters are occasionally meeting up with each other now and being in the same point at the same time, which gives me a lot more flexibility for killing people. — George R R Martin

A compelling and important story of First Word War Scotland, a time when women redefined the word hope as the world was losing its innocence. Andrea MacPherson writes beautifully, balancing the lives of her characters between history and the poetry of gesture, secrets and love. — Ami McKay

When I start, I have a feeling for the characters, and maybe the shape of the story. Sometimes I might even have the last sentence in mind. But, no book I've ever written has ever ended the way I thought it would. Characters disappear, others come forward. Once you start writing, everything changes. — Paul Auster

Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development. — John Lasseter

'A Tree Grows in Brooklyn' by Betty Smith is one of my favorites. Even though it doesn't have any monsters or crazy fantasy in it, it's such a raw story, and I can really relate to the characters. I think it's a beautiful story. — Amandla Stenberg

Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables. — C.S. Lewis

...one could argue that it is reasonable to suppose that cultures that have provided the horizon of meaning for large numbers of human beings, of diverse characters and temperaments, over a long period of time - that have, in other words, articulated their sense of the good, the holy, the admirable - are almost certain to have something that deserves our admiration and respect, even if it is accompanied by much that we have to abhor and reject... We need only a sense of our own limited part in the whole human story to accept [this] presumption. It is only arrogance, or some analogous moral failing, that can deprive us of this. — Charles Taylor

The hours go by without my knowing it. Sitting there I'm wandering in countries I can see every detail of
I'm playing a role in the story I'm reading. I actually feel I'm the characters
I live and breathe them. — Gustave Flaubert

I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story. — Stephen King

I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story. — Molly Antopol

I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me. — Matt Bomer

If you can relate to what the character's going through, the story can be as ridiculous as possible, and people will relate to it. You can be fearless in your storytelling if you're vigilant about protecting your characters. — Drew Goddard

All the writing elements are the same. You need to tell a good story ... You've got good characters ... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't. — Suzanne Collins

My work is to know the characters intimately and to tell their story. — Julianna Baggott

Changes have taken place since year one. When Caruso left, that was a big change. We've been able to adapt nicely. It's given us new opportunities for different characters and story lines. — Dennis Franz

I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them. — P.G. Wodehouse

PERCIVAL: Now, who is telling the story?
SEVERIN: The camera is telling the story. It's watching everything, and you can't lie to it, or it will know.
PERCIVAL: My girl is so clever! No, the camera witnesses the story and records it, but it is outside the story. Like a very tiny god with one big, dark eye ... Which of [the characters] is the authority? Who controls how the story is told? And who is the audience, for whom all these wonderful things are meant?
SEVERIN: They are all telling the story to me. — Catherynne M Valente

It's really important to visit a site you are writing about. Even if you know it well, even if you have lived there, it's important to take a fresh look in terms of your characters and your story. — Marge Piercy

Gray space is fertile ground for fiction. When I can see both sides of an argument and feel strongly in both directions, then there's a story there, then I can write real characters that I care about and believe in and champion on both sides. — Kelly Sue DeConnick

Human beings are complicated and flawed and unique, but we all have a story to tell. Gone are the days where our lead characters can only look like somebody else. Heroes look like all of us. We see ourselves in each others' stories. We see who we are. We see who we want to be. Sometimes we see who we don't want to be. And through that we have a greater understanding of ourselves and acceptance of each other. — Kerry Washington

I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time. — Molly Antopol

You cannot base a whole movie on just the imagery alone. It has to be the story and the characters. — John Lasseter

The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories." — Steven Pressfield

My favorite novels allow me to imagine the characters afterward and what happened, and that I've witnessed a really great story, where the world goes on. — J.H. Wyman

I don't see a difference between playing a performance capture role and a live action role, they're just characters to me at the end of the day and I'm an actor who wants to explore those characters in fantastically written scripts. The only caveat is a good story is a good character. — Andy Serkis

A lot of banging in the head has built up over the decades, and for my own sanity, I needed to write. I wanted to see if I could tell an honest, organic story about characters that interest me. — Martin Donovan

It's just so much fun to make up characters, situations, and everything else about a story. I have so much freedom and flexibility to do whatever I want. — Margaret Haddix

Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you've ever thought that books are boring, it's because you don't know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries. — Brandon Sanderson

Who Moved My Cheese?: The Story ONCE, long ago in a land far away, there lived four little characters who ran through a Maze looking for cheese to nourish them and make them happy. Two were mice, named "Sniff" and "Scurry" and two were Littlepeople - beings who were as small as mice but who looked and acted a lot like people today. Their names were "Hem" and "Haw." Due to their small size, it would be easy not to notice what the four of them were doing. But if you looked closely enough, you could discover the most amazing things! Every day the mice and the Littlepeople spent time in the Maze looking for their own special cheese. The mice, Sniff and Scurry, possessing simple brains and good instincts, searched for the hard — Spencer Johnson

I'm first and foremost interested in the story, the characters. — David Lean

It's always a challenge bringing a great story classic to the screen. Giving visual form to the characters and places that have only existed in the imagination. But it's the kind of challenge we enjoy. — Walt Disney

For me as a storyteller, I want to follow the characters and the story through what they organically demand. — Nic Pizzolatto

For people who are invested in these characters and the back-story of the
universe and everything, all of these things come to a resolution in
Mass Effect 3. And they are resolved in a way that's very different
based on what you would do in those situations. — Casey Hudson

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

Two kinds of reading can be distinguished. I call them reading like a reader and reading like a writer ... when you read like a reader, you identify with the characters in the story. The story is what you learn about. When you read like a writer, you identify with the author and learn about writing. — Frank Smith

I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not? — T.C. Boyle

Also, worldbuilding touches all aspects of your story. It touches plot and character as well. If you don't know the culture your character comes from, how can you know what he's really like? You must know your characters on a much deeper level than you would if you just shrugged your way into a cookie cutter fantasy world. — Patrick Rothfuss

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back") — Garry Douglas Kilworth

Whether your characters journey daily to a distant moon or just down the street to the corner bar, what matters to the reader is the singular event that distinguishes one such voyage from all the others and makes for a story worth telling. — Peter Selgin

The pleasures of being a novelist are many. But the greatest by far is the manner in which I live through my characters; experiencing every detail of their story as it unfolds gradually and personally within my own creative psyche. I'm like a cat with untold lives, because each new book is my rebirth. — Richelle E. Goodrich

When I first started you would pitch a story because without a good story, you didn't really have a film. Later, once sequels started to take off, you pitched a character because a good character could support multiple stories. and now, you pitch a world because a world can support multiple characters and multiple stories across multiple media. — Henry Jenkins

Before I start, I trick myself into thinking I know what's going to happen in the story, but the characters have ideas of their own, and I always go with the character's choices. Most of the time I discover plot twists and directions that are better than what I originally had planned. — Neal Shusterman

But, while Starkfield is modeled on a fairly specific place (New England), we can also think of it as any place that a person gets stuck in, any place where it seems impossible to stay, and impossible to leave. This can be a geographical location, a state of mind, a building or a city, or tiny kitchen on a broken down farm.

When we notice that there is also a "Springfield" in the story, we realize that Starkfield (stark meaning, hard, bare, difficult) really is supposed to be the place of eternal hardship. Springfield is the place Zeena goes to visit doctors and get medicine. This is perhaps to emphasize that Starkfield has the absolute worst kind of winters you can imagine. This also emphasizes that spring (and health) is always a false promise for the characters — Unknown

There are no composite characters or events in this book. I occasionally omitted people and events, but only when that omission had no impact on either the veracity or the substance of the story. — Cheryl Strayed

It's difficult from one story to jump in another story, 2 stories are okay for one hour. But more and more characters you start losing the link. (Thriller 2) — Deyth Banger

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches. — Tatiana Maslany

I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time. — Patrick Rothfuss

When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting. — Vicky McClure

Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing. — Alan Lightman

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

I have always said the success of the show has stemmed from our audience being able to relate to the characters on different levels - being based on the universally loved Arthurian legend is only a tiny part of its success - it's a story about acceptance and growing up. The breathtaking finale of this series leaves you with no doubt that characters have been on their journeys and had their stories told - it's completely the right time to draw our telling of the story to a close. — Katie McGrath

In The Story you will see that the two mice do better when they are faced with change because they keep things simple, while the two Littlepeople's complex brains and human emotions complicate things. It is not that mice are smarter. We all know people are more intelligent than mice. However, as you watch what the four characters do, and realize both the mice and the Littlepeople represent parts of ourselves-the simple and the complex - you can see it would be to our advantage to do the simple things that work when things change. In — Spencer Johnson

Steven Erikson is an extraordinary writer. I read Gardens of the Moon with great pleasure. And now that I have read it, I would be hard pressed to decide what I enjoyed more: the richly and ominously magical world of Malaz and Genabackis; the large cast of sympathetically-rendered characters; or the way the story accumulates to a climax that hits like machinegun fire. My advice to anyone who might listen to me is, Treat yourself to Gardens of the Moon. And my entirely selfish advice to Steven Erikson is, write faster. — Stephen R. Donaldson

An elegantly crafted novel, "The Reluctant First Lady" clearly documents author Venita Ellick as an exceptionally accomplished writer able to skillfully weave memorable characters into a riveting story line from beginning to end. As engaging as it is entertaining, "The Reluctant First Lady" is highly recommended for both personal reading lists and community library contemporary fiction collections. — Midwest Book Review August 2013

Everyone who sits on a sofa watching 'Match of the Day' is a top soccer expert, as you know. So if you start to worry about such people reading your story and saying, 'That'd never happen' you're going to freeze up. You're writing fiction, and your characters can do whatever you need them to do. — Mal Peet

I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around. — Ann Beattie

Writers are like actors too. For every story we create, we must get under the skin of the characters and role play with our writing. — Jyoti Arora

I am of the generation of writers who can get instant feedback from readers within hours of publication. The fan forum is extraordinary - readers from all over the world coming together to discuss, argue and debate scenes and characters from a novel. They add a layer to the story that I cannot write and yes, I will participate in that conversation and answer questions. After all, they are the people I'm writing for and their enthusiasm and questions really pushes me to raise the bar. — Michael Scott

If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story. — Seth Grahame-Smith

Little story that changed everything." "How so?" Nathan asked. "Well, the story changed the way I looked at change - from losing something to gaining something - and it showed me how to do it. After that, things quickly improved-at work and in my life. "At first I was annoyed with the obvious simplicity of the story because it sounded like something we might have been told in school. "Then I realized I was really annoyed with myself for not seeing the obvious and doing what works when things change. "When I realized the four characters in the story represented the various parts of myself, I decided who I wanted to act like and I changed. "Later, I passed the story on to some people in our company and they passed it on to others, and soon our business did much better, because most of us adapted to change better. And like me, many people said it helped them in their personal lives. "However there were a few people who said they — Spencer Johnson

If the characters are not wicked, the book is. We must tell stories the way God does, stories in which a sister must float her little brother on a river with nothing but a basket between him and the crocodiles. Stories in which a king is a coward, and a shepherd boy steps forward to face the giant. Stories with fiery serpents and leviathans and sermons in whirlwinds. Stories in which murderers are blinded on donkeys and become heroes. Stories with dens of lions and fiery furnaces and lone prophets laughing at kings and priests and demons. Stories with heads on platters. Stories with courage and crosses and redemption. Stories with resurrections. — G.K. Chesterton

'The Hunger Games' for me is I love the books so much and the character and the story were incredible. That's kind of the game plan is just do really interesting stories with interesting characters. — Josh Hutcherson

In short, when we read a story, we really do slip into the protagonist's skin, feeling what she feels, experiencing what she experiences. And what we feel is based, 100 percent, on one thing: her goal, which then defines how she evaluates everything the other characters do. If we don't know what she wants, we have no idea how, or why, what she does helps her achieve it. As Pinker is quick to point out, without a goal, everything is meaningless.6 It — Lisa Cron

In any case, the time has come when I must start a new book. This is not a trivial matter. Characters parade before me; some I like and admire, others I find not useful. The ones I use become very real, and many stay with me always: Cugel, Madouc, Navarth the Mad Poet, Howard Alan Treesong and Wayness Tamm, for instance. Beside characters to be interviewed, there are a dozen concepts to be pieced together, a locale selected, perhaps a whole new way of life to be studied and evaluated; and every story has, or should have, a mood: the connective tissue which holds the story together. In this regard some writers are adroit, others don't have a clue. — Jack Vance

The true marriage movie involving in-laws and children is a story about how marriage is directly affected by external characters who impact the central relationship in various ways. — Jeanine Basinger

I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting ... I quite like to be in that maze. — Christopher Nolan

It wasn't just movies that couldn't contain the full cast of characters - it was us. We had to winnow life down so we knew where to put our tenderness and attention; and that was a good, sweet thing. But together or alone, we were still embedded in a kaleidoscope, ruthlessly varied and continuous, until the end of the end. I knew I would forget this within the hour, and then remember, and forget, and remember. Each time I remembered it would be a tiny miracle, and forgetting was just as important - I had to believe in my own story. — Miranda July

Each story presents a mystery that has to be solved in the process of writing. When I'm at work on a story, I'm completely immersed in that world and in the lives of those characters; they're utterly real to me. Then, when I've completed the story, it all just falls away. The whole compulsion to understand is over. — Carol Windley

You want to tell a great story. You want these characters to become part of people's lives. And then, hopefully, that generates discussion. — Todd Lieberman

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

In real life, people are constantly saying one thing and doing another, but if you write your characters that way, the story becomes too hard to follow. — Jessica Cutler

Peasants and princes, bailiffs and bakers' boys, merchants and mermaids, the figures were all immediately familiar. I had read these stories a hundred, a thousand, times before. They were stories everyone knew. But gradually, as I read, their familiarity fell away from them. They became strange. They became new. These characters were not the colored manikins I remembered from my childhood picture books, mechanically acting out the story one more time. They were people ... The stories were shot through with an unfamiliar mood. Everyone achieved their heart's desire ... but only when it was too late did they realize the price they must pay for escaping their destiny. Every Happy Ever After was tainted. — Diane Setterfield