Story About Family Quotes & Sayings

Breast cancer, whether I like it or not, is part of my family's story. That's why I am so passionate about raising awareness, because I have seen firsthand how it can impact others. — DeAngelo Williams

Aside from being a Latina, my family immigrated from Puerto Rico and Yugoslavia so I know all about that. I wouldn't be able to do what I do today if they didn't come to America. Everybody has an immigration story. — Naya Rivera

You wouldn't believe the things that go missing in these labs. Remind me to tell you the story about the radioactive spider sometime. — Deborah Blake

A lot of people feel like they're victims in life, and they'll often point to past events, perhaps growing up with an abusive parent or in a dysfunctional family. Most psychologists believe that about 85 percent of families are dysfunctional, so all of a sudden you're not so unique. My parents were alcoholics. My dad abused me. My mother divorced him when I was six ... I mean, that's almost everybody's story in some form or not. The real question is, what are you going to do now? What do you choose now? Because you can either keep focusing on that, or you can focus on what you want. And when people start focusing on what they want, what they don't want falls away, and what they want expands, and the other part disappears. (Jack Canfield) — Rhonda Byrne

Bob and Maria's kids, now grown and in high school and college, each have a quiet dignity and confidence. They also have an informal charm. [...] It is obvious they'd played the roles in the story their family was living, the roles of foreign dignitaries, traveling with their parents on the important assignment of asking world leaders what they hope in. Their STORY had given them their CHARACTER.

I only say this about the children because I used to believe charming people were charming because they were charming, or confident people were confident because they were confident. But all of this is, of course, circular. The truth is, we are all living out the character of the roles we have played in our stories. — Donald Miller

I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false. — Junot Diaz

And I saw just the other day, in Mentor, Ohio, where a father told the story of his 8-year-old daughter, whose long battle with leukemia nearly cost their family everything had it not been for the health care reform passing just a few months before the insurance company was about to stop paying for her care.
I had an opportunity to not just talk to the father, but meet this incredible daughter of his. And when he spoke to the crowd listening to that father's story, every parent in that room had tears in their eyes, because we knew that little girl could be our own. — Barack Obama

I will not live to see you grow to womanhood, so I have written my story for you, my beloved grandchild, so that you can know the truth of what happened here so many years ago. I'm sure that in the course of your life you have wonderd about whispered conversations that stop when you are near. Wondered too about the knowing looks cast at you and your family. I am equally sure that your father has never found it in his heart to tell you the truth you are about to read. I beg you not to be angry with hime for withholding the truth from you. He has suffered greatly for my sins. — Susan Boles

Another family story is forges, one that father and son will laugh about for decades. This is how a legacy is built. One memory at a time. — Mitch Albom

The historical truth is a fiction. OK, I did whatever I could to find out what happened from
surviving friends, family and media, but that is simply a skeleton upon which the story is draped.
This is the unmasking of the myth, and, as Jean Cocteau put it: "Man seeks to escape himself
in myth, and does so by any means at his disposal. Drugs, alcohol, or lies. Unable to withdraw
into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort."
I wanted to go beyond a recreation of the past to discover meaning in the degradation of my
addiction experience. The past is another country and not my prime interest. It's more what
the past can tell us about how we deal with the present moment.
- William Pryor — William Pryor

I can't tell a story about a working-class family on a premium channel that you have to pay to get. — Cristela Alonzo

Then again: from the critic's point of view, one of the truly wonderful things about the Star Wars universe is that the territory is so sprawling and borrows from so many sources that it's possible to find just about anything here, if you look hard enough. For example, the story of the original movie can also be summarized as, A restless young boy chafes at life on the dusty old family farm, until he meets a wizard and is swept away to a wondrous land where he meets some munchkins, a tin man, a cowardly lion and Harrison Ford as the scarecrow. — David Brin

That's the funny thing about writing your life story. You start out trying to remember dates and times and names. You think it's about facts, your life; that what you'll look back on and remember are the successes and failures, the time line of your youth and middle age, but that isn't it at all. Love. Family. Laughter. That's what I remember when it's all said and done. — Kristin Hannah

I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing-realizing that it's OK to just be myself and really tell my story. — Jamie Lynn Spears

'Love Story' is actually about a guy that I almost dated. But when I introduced him to my family and my friends, they all said they didn't like him. All of them! — Taylor Swift

I like the story about Henry David Thoreau, who, when he was on his death bed, his family sent for a minister. The minister said, 'Henry, have you made your peace with God?' Thoreau said, 'I didn't know we'd quarreled.' — Stewart Udall

She upset the kids. She told them a really awful story about a pet she had when she was little." "How bad could a pet story be?" "Well," Clea said, knowing this fell in the "only in our family" category, "it eviscerated her cats and could have killed my mother in her sleep. I'd say that's good for a few nightmares, wouldn't you? — Luanne Rice

So wait a minute. I go looking for the story of the guy who wrote this awesome wind scale tha tblew my mind. I start reading about his life, and before he's sixteen years old I've already run across a family's flight from the poorhouse, an early balloon flight, an eccentric father, a young man at sea, Malay pirates, shipwreck, castaways, buried treasure, and Captain Bligh, fresh off the mutiny on the Bounty. Not a single word about the wind, but honestly, at this point, who cares? — Scott Huler

'The Lady' is an incredible love story about how a family was cut off from each other, about sacrifice, about the ability to put the needs of million of people before your own. — Michelle Yeoh

Being Southern isn't talking with an accent...or rocking on a porch while drinking sweet tea, or knowing how to tell a good story. It's how you're brought up -- with Southerners, family (blood kin or not) is sacred; you respect others and are polite nearly to a fault; you always know your place but are fierce about your beliefs. And food along with college football -- is darn near a religion. — Jan Norris

There is a story about the life of Buddha in which a mother carries her dead son to him draped in her arms. The woman has heard that he is a holy man who can restore life. Weeping, she appeals for mercy. Gently, Buddha tells her that he can help save her son's life, but that first she has to bring him a mustard seed secured from a family that has never experienced death. Desperately she searches home after home. Many want to help, but everyone has already experienced a loss--a sister, a husband, a child. Finally the woman returns to Buddha. "What have you found?" he asks. "Where is your mustard seed and where is your son? You are not carrying him."
"I buried him," she replies — Chanrithy Him

It's a success story," said Chanu, exercising his shoulders. "But behind every story of immigration success there lies a deeper tragedy."
Kindly explain this tragedy."
I'm talking about the clash between Western values and our own. I'm talking about the struggle to assimilate and the need to preserve one's identity and heritage. I'm talking about children who don't know what their identity is. I'm talking about the feelings of alienation engendered by a society where racism is prevalent. I'm talking about the terrific struggle to preserve one's own sanity while striving to achieve the best for one's family. I'm talking
" p. 88 — Monica Ali

Roebling rejoined the Army of the Potomac in February 1863 back at Fredericksburg, where he was quartered late one night in an old stone jail, from which he would emerge the following morning with a story that would be told in the family for years and years to come. The place had little or no light, it seems, and Roebling, all alone, groping his way about, discovered an old chest that aroused his curiosity. He lifted the lid and reaching inside, his hand touched a stone-cold face. The lid came back down with a bang. Deciding to investigate no further, he cleared a place on the floor, stretched out, and went to sleep. At daybreak he opened the chest to see what sort of corpse had been keeping him company through the night and found instead a stone statue of George Washington's mother that had been stored away for safekeeping. — David McCullough

Strictly speaking, there is no such thing as collective memory
part of the same family of spurious notions as collective guilt. But there is collective instruction ... What is called collective memory is not a remembering but a stipulating: that this is important, and this is the story about how it happened, with the pictures that lock the story in our minds. — Susan Sontag

She remembered the story from her childhood, about Adam and Eve in the garden, and the talking snake. Even as a little girl she had said - to the consternation of her family - What kind of idiot was Eve, to believe a snake? But now she understood, for she had heard the voice of the snake and had watched as a wise and powerful man had fallen under its spell.
Eat the fruit and you can have the desires of your heart. It's not evil, it's noble and good. You'll be praised for it.
And it's delicious. — Orson Scott Card

I weave the company into what we laughingly call 'Jack's novel.' I write this novel for them about who they are and what's going on in their world. When I had 90 people in 'Porgy and Bess,' each had a story, history and family relationship. — Jack O'Brien

It was a love story about a father and a son. The rest was window dressing. As a love story between a parent and a child, it was universal. Didn't matter that I was gay, that he was deaf, that we didn't fit in, that we were each outcasts in our own way — Nick Wilgus

Everything about Jocelyn had been ordinary. A Norman Rockwell painting of mom, dad, one boy, one girl. Scott was her wild storm, her great American novel, her epic story. Every extraordinary moment she experienced was because of him. — Jessica Shook

Books can make a difference in dispelling prejudice and building community: not with role models and recipes, not with noble messages about the human family, but with enthralling stories that make us imagine the lives of others. A good story lets you know people as individuals in all their particularity and conflict; and once you see someone as a person - flawed, complex, striving - you've reached beyond stereotype. — Hazel Rochman

'Farscape' is a story about family. It's a story about creating life in a harsh environment. That's what a lot of people relate to in the story. — Ben Browder

'Fall on Your Knees' is really a story about secrets and family, and the idea that there are some stories or truths that need to be expressed. — Ann-Marie MacDonald

'Run' is exciting, about family secrets, the mystery surrounding them and the outdoor sport of parkour. The story itself is full of intrigue and action, but the parkour takes the story to another level. It was an absolutely incredible experience, working with experts from all over the country. — Kelsey Chow

He does love prophesying a misfortune, does the average British ghost. Send him out to prognosticate trouble to somebody, and he is happy. Let him force his way into a peaceful home, and turn the whole house upside down by foretelling a funeral, or predicting a bankruptcy, or hinting at a coming disgrace, or some other terrible disaster, about which nobody in their senses would want to know sooner than they could possible help, and the prior knowledge of which can serve no useful purpose whatsoever, and he feels that he is combining duty with pleasure. He would never forgive himself if anybody in his family had a trouble and he had not been there for a couple of months beforehand, doing silly tricks on the lawn or balancing himself on somebody's bedrail.

("Introduction" to TOLD AFTER SUPPER) — Jerome K. Jerome

Action films are great, but an action film that has characters that are compelling and a story that people can care about is something even better. We love to see action heroes that are vulnerable, that are sensitive, that are family people, that are accessible. — Steven Seagal

On Christmas morning when the beach is calling and the family's gathering and the presents are a mystery (or definitely feels book-shaped anyway), and after the splendour and celebration of Christmas Eve, we don't want Christmas Day to be an anticlimax. We've gifted our Oxfam goats or geese and bought our CWS calendars, and what we'd like, on Christmas Day, what we really want, is for things to be - perfect. Just like the old days. Something new, but also something familiar.
And that's what's so wonderful about the Christmas story, and why preachers penning their reflections approach with trepidation but also with joy: at Christmas, the news is all good. — Bronwyn Angela White

Jade: The Devil goes to God and says, "you think Job is your faithful servant, but if you took away all the gifts you've given him, he'll abandon you."

So God does it... He takes away all of Job's blessings. His family dies, he gets sick, everything just starts to suck for him... but he never turns his back on God.

Ike: Everyone knows this story. But I've always had a problem with it, myself.

Jade: You mean like, why does God let him suffer?

Ike: No, I assume God couldn't care less about the poor fuck. No, what I wonder is... what is God doing entertaining an audience with the Devil? — Nick Spencer

What was the difference between Anne Frank and any other 15 year old girl living the same nightmare? Nothing! Aside from the fact that Anne spoke through her writings while others kept silent. Someone very special to me recently asked how can I write such personal things as child abuse, relationship problems, sexual addiction, and not fear how the family will feel about these revealings. I have the audacity to write such things because it's MY story. Not my parents, not my brothers, not my aunts, uncles, cousins, grandparents... MINE. Note to those contemplating writing nonfiction. Write the story. It's yours to tell. Nevermind how your family will feel. Those that love you will not judge you. I promise. Do not let your testimony be in vain. — Katandra Jackson Nunnally

I never talked about homosexuality with my family. After I was 18, they know everything, but I never talk; it was like an information but in silence. I start to talk when I was 32, it was good for me - it was like a liberation. I'm talking about a love story. I'm not talking about sex because love is love. — Stefano Gabbana

And now at the airport, after shaking hands with everybody, waving good-bye, I think about all the different ways we leave people in this world. Cheerily waving good-bye to some at airports, knowing we'll never see each other again. Leaving others on the side of the road, hoping that we will. Finding my mother in my father's story and saying good-bye before before I have a chance to know her better. — Amy Tan

The sickest part of this whole story is that I tried really hard to make up for what I thought I did to her, after she started talking to me again. I loaned her money whenever she needed it, I gave her rides whenever she called and needed to get somewhere, I did my best to pretend like David wasn't in the room with us when I was at her house, I did whatever I could that I thought might show her that I loved her and cared about her, and I never meant to hurt her. It took a while before I realized that would never happen. She'd never love me like a mom is supposed to. She would never be there for me like I tried to be for her. She would never apologize for anything or admit that she was wrong. — Ashly Lorenzana

This is a story about a family and, as there is a ghost involved, you might cal it a ghost story. But every family is a ghost story. The dead sit at out tables long after they have gone. — Mitch Albom

The Bible looks the way it does because "God lets his children tell the story," so to speak. Children see the world from their limited gaze. A second grader might give a class presentation on what mom does all day. She will talk about her mom from her point of view, rooted in love and devotion. She'll filter - unconsciously and in an age-appropriate manner - her mother's day through how she perceives her family and her role in the family. She'll get some things more or less correct, but she will also misunderstand other things, and get still other things plain wrong. — Peter Enns

There's no quit in our family. Our dad was the chief proponent of that. [On the set] we were constantly telling each other, Stay true to the story, we know that we love each other, keep communication open. We knew how unique this was-you're doing a movie that really could be put out there all over the world, and you're telling this personal story about your family. — Andrew Shue

All our lives my brother and I were caught by the fictions my parents told us - fictions about themselves as well as others. Each wanted us to judge the other in his or her favor. Sometimes I felt cheated, as if they never allowed us to have a story of our own. It is only now that I understand how much their story was also mine. — Azar Nafisi

He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence. — Donald Miller

A story about family, first loves, second chances, and the moments in life that leads you back home — Nicholas Sparks

If this were a fairy tale, this would be the part where the fishboy appears and Diana shoots him through the heart. Because he is a tragic hero, he's our fucking Gatsby, and he lived for his fish and he has to die for his fish. He would never let my fake authority, condoning his abandonment, making up rules about what's okay just to save his life, convince him to give up his family. He would never leave.
He would know that without him, none of us will be as good. Me, without a friend; and the fish, without a brother; and the island, without a story; and Diana, without her something real, we will all be a little bit less than we were before we knew him.
So he wouldn't leave. Not until I could come with him. And I have never been less able to leave than I am now.
But this isn't a fairy tale, and he doesn't appear. We stand here for a long time.
He really left.
Because it was all that we could do. — Hannah Moskowitz

The writer Lee Smith, who once had a New York copy editor query in the margin of her manuscript "Double-wide what?" tells a perfectly marvelous, spot-on story about Eudora Welty when she came to Hollins College, where Smith was a student. Welty read a short story in which one female character presents another with a marble cake. In the back of the audience Smith noted a group of leather-elbowed, goatee-sporting PhD candidates, all of whom were getting pretty excited. One started waving his hand as soon as she stopped reading and said, "Miz Welty, how did you come up with that powerful symbol of the marble cake, with the feminine and masculine, the yin and the yang, the Freudian and the Jungian all mixed together like that?" Smith reported that Welty looked at him from the lectern without saying anything for a while. Finally she replied mildly, "Well, you see, it's a recipe that's been in my family for some time. — Sally Mann

The orphan in children's literature allows the child protagonist to move the story forward themselves. I think that, however happy a family, every intelligent child thinks: 'How did I come to be born to these parents?' - it is about finding your place in the world. — Brian Selznick

I think we're always in the process of writing and rewriting the story of our lives, forming our experiences into a narrative that makes sense. Much of that work involves demythologizing family myths and cultural myths - getting free of what we have been told about ourselves. — Sam Keen

I could have written a story about a well-adjusted family. Ned Stark comes down to King's Landing and takes over and solves all their problems. Would that have been as exciting? — George R R Martin

I try to act cool. I've never had a hand on my thigh, under the table. Cathy - my brother's wife - is telling a very funny story about the family's trips to Bridlington, and her elderly Grandmother is doling out peas, which makes the experience even stranger. — Charlotte Stein

War and Peace is many things. It is a war novel, a family saga, a love story. But at its core it is a book about people trying to find their footing in a ruptured world. It is a novel about human beings attempting to create a meaningful life for themselves in a country being torn apart by war, social change, and spiritual confusion. Russian — Leo Tolstoy

The ritual of the blood on the lintel of the door, which protected the Israelites from the angel of death, is an apotropaic (avoidance) ritual, such that the family in question would be 'passed over' by the aforementioned denizen of death. Later Jewish and Christian ideas that amalgamated this story with ideas about the scapegoat's providing a substitutionary remedy should not be read into the original tale. The scapegoat symbolized the removal of sin from the nation and perhaps the judging of a substitute. The blood of the Passover lamb on the door symbolized not a sacrifice for sin but rather protection from divine judgment. There is a difference. — Ben Witherington III

Coming Home, a story about a family that contains a beautiful parable about contemporary China. — Anonymous

You know, what I like about 'The Family Tree' is it's a kitchen sink movie; you can't think of anything that it doesn't either throw into the story for conflict or poke fun at or attack, even, so I like it. — Dermot Mulroney

I don't think of community as being a romantic notion. I think it's as vital as air and water, and so I think that informs a lot of what I write about. It could be a story about a couple, or a song about the slow death of the family farm or a small town. — Greg Brown

I don't know what story y'all trying to get out of me. I don't know what image y'all trying to portray of me. But it don't matter what y'all think, what y'all say about me because when I go home at night, the same people that I look in the face - my family that I love, that's all that really matter to me. — Marshawn Lynch

This book is a personal memoir; but it is also a larger story-about carelessness and guilt, and the wreckage they can make of lives. — Brooke Hayward

Lucy gripped her chilled glass of orange and raspberry juice. When Rebecca talked about Austen, she'd mostly mentioned Mr. Darcy or Mr. Knightley. She hadn't really thought of the doe-eyed, pale-skinned heroines.
On the screen, Anne Elliot walked down a long hallway, glancing just once at covered paintings, her mouth a grim line. Lucy thought Jane Austen would start the story with the romance, or the loss of it, but instead the tale seemed to begin with Anne's home, and having to make difficult decisions. Maybe this writer from over two hundred years ago knew how everything important met at the intersection of family, home, love, and loss. This was something Lucy understood with every fiber of her being. — Mary Jane Hathaway

She told herself a story about a daughter in a family so hungry for a daughter that it would have eaten her alive if she hadn't run away. — Jonathan Franzen

But the fantasy kingdom and trappings of success soon lost their luster, as I discovered that the most prestigious and remunerative of my resume's way stations was also the most tedious and unfulfilling I had ever experienced. This paradox only made me more morose about modernity. Why was I going to watch my hairline recede in front of two-thousand-line spreadsheets staring at me from cold, glowing monitors? Why was everyone in my office apparently so happy to be spending so many hours there, when the things they really cared about - people, pets, pastimes - were all relegated to a few photographs on their desks? That seemed to be the formula: spend the best years of your life in an office with photos of what you really care about. — Zack Love

To be an Indian writer is to write, necessarily and inevitably, about politics, so it was a given that the story of the Ghoshes, the family at the centre of 'The Lives of Others,' should have a political soul. — Neel Mukherjee

Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears' stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors' saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family's history as well as scrawl out our personal story. — Kilroy J. Oldster

We all love stories, even if they're not true. As we grow up, one of the ways we learn about the world is through the stories we hear. Some are about particular events and personalities within our personal circles of family and friends. Some are part of the larger cultures we belong to - the myths, fables, and fairy tales about our own ways of life that have captivated people for generations. In stories that are told often, the line between fact and myth can become so blurred that we easily mistake one for the other. This is true of a story that many people believe about education, even though it's not real and never really was. It goes like this: Young children go to elementary school mainly to learn the basic skills of reading, writing, and mathematics. These skills are essential so they can do well academically in high school. If they go on to higher education and graduate with a good degree, they'll find a well-paid job and the country will prosper too. — Ken Robinson

The first time I read Isaac Babel was in a college creative writing class. The instructor was a sympathetic Jewish novelist with a Jesus-like beard, an affinity for Russian literature, and a melancholy sense of humor, such that one afternoon he even "realized" the truth of human mortality, right there in the classroom. He pointed at each of us around the seminar table: "You're going to die. And you're going to die. And you're going to die." I still remember the expression on the face of one of my classmates, a genial scion of the Kennedy family who always wrote the same story, about a busy corporate lawyer who neglected his wife. The expression was confused. — Elif Batuman

The way you remember or dream about your loved ones - the ones who are gone - you can't stop their endings from jumping ahead of the rest of their stories. You don't get to choose the chronology of what you dream, or the order of events in which you remember someone. In your mind - in your dreams, in your memories - sometimes the story begins with the epilogue. — John Irving

There's something about you,
Your eyes speak a story in a language only known to my soul. The kind of communication we as humans dream about, the one that reaches into the core of who you are and loves you for it.
It doesn't appear often or by accident & when it happens you just know " There's something about you ". — Nikki Rowe

She was now drowning in that pool of desires without having any idea about the depth of it. — Viraj J. Mahajan

'Marley and Me' was a book I was proud of and believed in, but I thought it would just have a modest audience because it is such a personal story about my marriage and my family. — John Grogan

Edgar Sawtelle is a boy without a voice, but his world, populated by the dogs his family breeds, is anything but silent. This is a remarkable story about the language of friendship - a language that transcends words. — Dalia Sofer

Ah, you pitiful, pitiful creatures! Beautiful family! Nobler far than stupid men ... " he cried softly to himself. What was he doing here with his arrow? Cornering these creatures? Armor
an armor to brag about! Save his dignity before that armor-maker because of a promise? Foolish ... foolish! If the old man jeered at him, why should it matter anymore; a common suit of armor would do as well! Armor did not make a man, nor did it signify valor.
"Dumb creatures that you are, how magnificent! Sorrow, love
parental love incarnate! Were I that fox
what if Tokiko and Shigemori were trapped like this? Even the beast can rise above itself
could I as much? — Eiji Yoshikawa

Hitchcock's debut novel introduces 14-year-old Jessie Pearl, who endures more than her fair share of hardships, beginning with the death of her mother. Opening in 1922, the story follows the daily activities on the family's North Carolina tobacco farm. ...Hitchcock's story is gently and lovingly written, with elements drawn from her own family history. Its detailed honesty about the particular struggles of the period, especially for strong women (Maude, a no-nonsense midwife, is particularly memorable), is significant.
- PUBLISHERS WEEKLY — Publishers Weekly

I just use my life story as a kind of device on which to hang comic observations. It's not my interest or instinct to tell the world anything pertinent about myself or my family. — Bill Bryson

There was something about him that had always rubbed her the wrong way. Before her mother's death, she [Shiara] could remember her saying that he was a nice enough young man, but not the one for her daughter. — J.C. Morrows

My family, they're story tellers. My mom is Irish, and my dad is Italian. In my family, we weren't allowed to watch TV while we ate - we had to sit around the table and tell stories about our day. — Meg Cabot

Every family has a story that it tells itself, that it passes on to the children and grandchildren. The story grows over the years, mutates, some parts are sharpened, others dropped, and there is often debate about what really happened. But even with these different sides of the same story, there is still agreement that this is the family story. And in the absence of other narratives, it becomes the flagpole that the family hangs its identity from. — A.M. Homes

I'm a very traditional person. The tattoos are about my grandmother dying and they tell the story about my mother and father, my brothers and my sister, my kids. It's pretty much a family tree on my arm with my life in football too. — Timothy F. Cahill

The story about Bessie Goldberg that I heard from my parents was that a nice old lady had been killed down the street and an innocent black man went to prison for the crime. Meanwhile
unknown to anyone
a violent psychopath named Al was working alone at our house all day and probably committed the murder. In our family this story eventually acquired the tidy symbolism of a folk tale. Roy Smith was a stand-in for everything that was decent but utterly defenseless. Albert DeSalvo, of course, was a stand-in for pure random evil. — Sebastian Junger

My greatest interest in it was certainly not to avoid those things that were going to be controversial about the family but the interest I had in the story was predominantly what he was pursuing and not as much what he was fleeing. — Sean Penn

Woolf worried about the childlessness from time to time, and suffered from the imposed anxiety that she was not, unlike her friend Vita Sackville-West, a real woman. I do not know what kind of woman one would have to be to stand unflinchingly in front of The Canon, but I would guess, a real one. There is something sadistic in the whip laid on women to prove themselves as mothers and wives at the same time as making their way as artists. The abnormal effort that can be diverted or divided. We all know the story of Coleridge and the Man from Porlock. What of the woman writer and a whole family of Porlocks?
For most of us the dilemma is rhetorical but those women who are driven with consummate energy through a single undeniable channel should be applauded and supported as vigorously as the men who have been setting themselves apart for centuries. — Jeanette Winterson

Lee Duffy was a man apart and someone who only comes around once in a lifetime, a total one off. There have been a lot of things written about him in the press and it's always been from the other side of the coin. There are always two sides to every story and Lee's family have never fully told us their side. They are very distrustful of the press after Lee was made out to be some kind of monster.
If Lee had been born and bred in London, he would have been an icon.
He was Robin Hood, Dick Turpin and Muhammad Ali rolled into one. — Stephen Richards

The old family carriage and the two lady's maids were there,
as necessaries of life; but London society was not within her reach. It was therefore the case that they had not heard very much about Lizzie Eustace. But they had heard something. "I hope she won't be too fond of going out," said Amelia, the second girl.
"Or extravagant," said Georgina, the third.
"There was some story of her being terribly in debt when she married Sir Florian Eustace," said Diana, the fourth.
"Frederic will be sure to see to that," said Augusta, the eldest.
"She is very beautiful," said Lydia, the fifth.
"And clever," said Cecilia, the sixth.
"Beauty and cleverness won't make a good wife," said Amelia, who was the wise one of the family.
"Frederic will be sure to see that she doesn't go wrong," said Augusta who was not wise. — Anthony Trollope

I've always regretted that I never was able to talk openly with my parents, especially with my father. I've heard and read so many things about my family that I can no longer believe anything; every relative I question has a completely different story from the last. — David Bowie

Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don't ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl's pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn't that a heartwarming story? Restores my faith in just about everything. — Don DeLillo

Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung. — Billy Marshall Stoneking

Ah, typical writing day? Well, I tend to do e-mail and the business stuff of writing more in the morning while my brain wakes up and then write more in the afternoon, sometimes from about 11 until 5, or 12 until 5. If a story is driving me nuts, I'll work more in the evenings, but usually I try not to do that. That's family time. — Shiloh Walker

But I can't control my dreams. I can't even remember them. For all I know I'm having the time of my life when I sleep, but I just can't remember. So I'm forced to live in a life I have no control over. A life where I'm either numb to everything or terrified of every thought that crosses my mind. If this is all just a dream, then it sure is a disappointing one.

But I still have time to try and control my dreams. I have time to try and make my dreams a reality in this waking life as well. The one bloody thing I have is time. I've got to remember that. I still have time. And despite everything, there is something reassuring about that. — F.K. Preston

Nobody is perfect. I don't think it's the most scathing indictment of anybody. It's pretty innocuous. [Miral] is just the story of one family and one girl, living in that part of the world, and that's what goes on over there. I thought that maybe it would be informative and useful for people to know more about it. — Julian Schnabel

Your family is real, but mine isn't? Real people with real feelings, but my family isn't real to you. You think. I'm a character. A story. Those women you talk about. Not real people to you. Stupid women. I'm real. I'm as real as you are. My family is real like your family. — Bryn Greenwood

I realized that this story [Shelter] is all about family, family loss, and how it influences you day to day life. — Paul Bettany

True success - financial, personal, and professional - lies above all in loving your family, working hard, and living your passion. In telling your story. In authenticity, hustle, and patience. In caring fiercely about the big and the small stuff. In valuing legacy over currency. — Gary Vaynerchuk

The family tree of Christ startlingly notes not one woman but four. Four broken women - women who felt like outsiders, like has-beens, like never-beens. Women who were weary of being taken advantage of, of being unnoticed and uncherished and unappreciated; women who didn't fit in, who didn't know how to keep going, what to believe, where to go - women who had thought about giving up. And Jesus claims exactly these who are wandering and wondering and wounded and worn out as His. He grafts you into His line and His story and His heart, and He gives you His name, His lineage, His righteousness. He graces you with plain grace. Is there a greater Gift you could want or need or have? Christ comes right to your Christmas tree and looks at your family tree and says, I am your God, and I am one of you, and I'll be the Gift, and I'll take you. Take Me? — Ann Voskamp

GraceQuest is a gripping story of one man's (and his family's) struggle with tremendous weakness and pain, but it is also a narrative theodicy
defense of God's goodness in spite of the undeniable reality of evil ... This is an honest and hard-hitting book about God's grace in and through tremendous loss of health and strength. Readers will find hope and help here if they are open to its message about the God-given 'strength to suffer well.' — Roger E. Olson

This is the story of V and me.
Look. Each person has the possibilities of being simultaneously several beings, having several lives. The good family man doesn't have a sense of responsibility. Simultaneously, he's my angel. Simultaneously, his family's a pack of incontinent dogs. In front of men such as him who believe they're respectable, I love to talk about who they really are, the people they don't want to know and socially and politically chastise. Look. I have loved and worshiped a pig.
This society hates and locks up its madness because they hate and lock up themselves. I know the system of schizophrenia. Nevertheless I loved a pig and couldn't stop. — Kathy Acker

Time can be cruel if you don't use it wisely ~ Imani Wisdom, Zion's Road: A Love Story about Faith and Redemption. — Imani Wisdom

When I was a little girl,' I said, sitting down, 'the wallpaper in my room had pictures of Noah's story.' [ ... ]
You know what's weird though? It's weird that the ark would be such a kids' story, you know? I mean, it's ... really a story about death. Every person who isn't in Noah's family? They die. Every animal, apart from two of each on the boat? They die. They all die in the flood. Billions of creatures. It's the worst tragedy ever,' I finished, my voice tied off by a knot in my chest.[ ... ] 'What the hell,'I said, 'pardon my language, was that doing on my wallpaper? — Adam Rex

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising. — Michael Lowenthal

One of the things I want to do with 'Desi Rascals' is go a bit deeper into the characters and their family lives and have a bit more heart and a bit more inter-generational story-telling, so it's not all about young people. — Gurinder Chadha

call me a nobody. He just had a lot on his mind. 'You ever meet your dad?' I asked. 'Once.' I waited, thinking that if he wanted to tell me, he'd tell me. Apparently, he didn't. I wondered if the story had anything to do with how he got his scar. Luke looked up and managed a smile. 'Don't worry about it, Percy. The campers here, they're mostly good people. After all, we're extended family, right? We take care — Rick Riordan