Stories To Feet Quotes & Sayings

What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet.
(A Teller of Tales) — W.B.Yeats

Then I sit there, running the heat to try and thaw my feet after Lucy's flat, and watch the people going past. They make me edgy. Dozens and dozens of people, they just keep coming, and every single one of their heads is crammed with stories they believe and stories they want to believe and stories someone else has made them believe, and every story is battering against the thin walls of the person's skull, drilling and gnawing for its chance to escape and attack someone — Tana French

But it doesn't happen that way, I keep telling myself knowingly and sadly. Only in our fraternity pledges and masonic inductions, our cowboy movies and magazine stories, not in our real-life lives. For, the seventeenth-century humanist to the contrary, each man is an island complete unto himself, and as he sinks, the moving feet go on around him, from nowhere to nowhere and with no time to lose. The world is long past the Boy Scout stage of its development; now each man dies as he was meant to die, and as he was born, and as he lived: alone, all alone. Without any God, without any hope, without any record to show for his life.
("New York Blues") — Cornell Woolrich

Sometimes I look a the Moon, and I imagine that those darker spots are caverns, cities, islands, and the places that shine are those where the sea catches the light of the sun like the glass of a mirror ... I would like to tell of war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries or the bones with the marrow. All the stories I would like to write persecute me when I am in my chamber, it seems as if they are all around me, the little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful'. — Umberto Eco

I see hope creeping in, destabilizing old power structures. I feel it in the ground under my feet. I hear it in the stories of the people of God living right now. We're whispering to each other, eyes alight, "Aslan is on the move." Can't you feel that? The kingdom is breathing among us already. — Sarah Bessey

All they get around here is stories. Stories don't make you bleed. Stories don't make you go hungry, don't give you sore feet. When you're young smelling of pigshit and convinced there ain't a weapon in all the damn world that's going to hurt you, all stories do is make you want to be part of them. — Steven Erikson

Truth came home one day, naked and wounded, having been beaten and cursed by the people who did not wish to hear, while his brother Falsehood went dressed in the brightest garments and feasted with every household.
"What shall I do?" cried Truth to the gods. "No man wishes to hear me and all beat me and throw things at me; look, I am covered with dung."
"You are naked" said the goddess Maat, sympathetically. "No naked one can command respect. Therefore take these robes and you will walk without fear and all men will sit at your feet to hear your stories." And she dressed Truth in Fable's garments, and he was welcome at every house. — Kerry Greenwood

I didn't fully process this concept until I was on my way back to the States. A few thousand feet over the Atlantic, I began to unpack this idea I had held, unquestioned, for so long. Was having an adventure really about doing the most daring, bold, energetic thing? Was it about having stories to tell at cocktail parties? Was it about freedom and travel and not being tied down? Or did it have something to do with your own heart and your own courage, in whatever form that came? — Various

We particularly need to listen to older people and children. They all have stories to tell that enrich the mind and the heart. Children simplify things, often with brutal honesty. Older people bring the perspective of their long years on issues. Suffering people also help us understand what are the truly important matters of life. There is something to learn from all people if we are only willing to sit at their feet and humble ourselves enough to ask the right questions. — Gordon MacDonald

I belong to clever words and bedtime stories
even a good riddle or two
I belong to the sound of music
and dance to my own rhythm
I belong to the sunlight on a chilly autumn day
when the world awaits a new beginning
I belong by the shore under a star-filled sky
with the ocean caressing my feet
I belong everywhere.
And anyway I please. — M.J. Abraham

Lounging on his side, he tipped his head back. "So, you slept like a little baby Apollyon last night. I wonder why."

I glared at him. Seth had stayed the night again. "I loathe you."

He chuckled. "You reluctantly like me."

"Whatever. So are you going to tell me why you're always with Lucian? Is he a part of your little fan club now?"

"My fans love to hear my war stories." He jumped to his feet, swinging at me. "They're obsessed with me. What can I say? I'm that cool. And I'm not always with Lucian. — Jennifer L. Armentrout

Members of the Coyote Clan are not easily identified, but there are clues. You can see it in their eyes. They are joyful and they are fierce. They can cry louder and laugh harder than anyone on the planet. And they have an enormous range.
The Coyote Clan is a raucous bunch: they have drunk from desert potholes and belched forth toads. They tell stories with such virtuosity that you'll swear you've been in the presence of preachers.
The Coyote Clan is also serene. They can float on their backs down the length of any river or lose entire afternoons to the contemplation of stone.
Members of the Clan court risk and will dance on slickrock as flash floods erode the ground beneath their feet. It doesn't matter. They understand the earth re-creates itself day after day. — Terry Tempest Williams

Cobb was in a Klan group back in the 60's, and told me stories about how they used to throw live 'coons, possums, porcupines, or ganders into Black houses at night in attempts to run them out of Johnston and Harnett County. Cobb said that late one night, he and three or four other local rednecks snuck up on the house of one Black family, peered through the window and saw a huge Black woman sitting in front of a TV watching Gunsmoke, with a gang of children all around her.
The window was open and Cobb threw a live possum in her lap. Cobb said she squalled about the loudest and longest he'd ever heard, and jumped about four feet up in the air. Cobb then ran and jumped into a nearby ditch to observe what would happen next, and it wasn't long before they saw the Black woman bust out of the back door and run across a cotton field with a trail of children behind. Cobb said she was as wide as three rows of cotton, but fast and agile. She outran all the young'uns. — Frazier Glenn Miller

Utah's mountains are not the Himalayas, but by one standard they are the highest in the country. According to a series of stories in the The Salt Lake Tribune, the average elevation of Utah's tallest peaks in each county is roughly 11,222 feet. Colorado ranks second, with an average county high peak elevation of 10,791 feet, followed by Nevada (10,764) and Wyoming (10,179). Alaska, home to the country's highest peak - the 20,320-foot Denali - ranks only sixth, with an average county high peak elevation of 9,280 feet. — Michael Weibel

She is a figure of legend and fairy tale, one to be taken seriously, or she might knock you off your feet with a quick whirl of the staff she carries everywhere. — Claire Wong

Eve told him as she swung a leg over the steel safety wall, lowered herself over the edge. The wind didn't seem quite so pleasant when she was dangling seventy stories over the street, nudged on a steel ledge barely two feet wide. Here it buffeted and swirled, aided by the backwash from the air vans. It plucked at the clothes and slapped the skin. She ordered her heart to stop jumping and pressed her back to the building. "Isn't it beautiful," Cerise sighed. "I'd love to have some wine now, wouldn't you? — J.D. Robb

Some stories don't get told. Some stories you hold on to. To stand and watch and hold it in your arms was not cowardice. To look straight at the beast and feel its breath on your flanks and not to turn
one could carry the world that way.
They sat together, the four of them, a little longer, before Harry rose slowly to his feet. It was Thursday. It was the end of the afternoon. It was time to pick up and carry on to the other side of the day. — Sarah Blake

Didn't you want to be anything?" said Ginger, putting a whole sentence-worth of disdain in a mere three letters. "Not really," said Victor. "Everything looks interesting until you do it. Then you find it's just another job. I bet even people like Cohen the Barbarian get up in the morning thinking, 'Oh, no, not another day of crushing the jeweled thrones of the world beneath my sandalled feet.'" "Is that what he does?" said Ginger, interested despite herself. "According to the stories, yes." "Why?" "Search me. It's just a job, I guess. — Terry Pratchett

BACK IN SCHOOL, I loved ending stories that way. It's the perfect conclusion, isn't it? Billy went to school. He had a good day. Then he died. The end. It doesn't leave you hanging. It wraps everything up nice and neat. Except in my case, it didn't. Maybe you're thinking, Oh, Magnus, you didn't really die. Otherwise you couldn't be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah. Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. Gee, Magnus, what did it feel like? It hurt. A lot. Thanks for asking. I — Rick Riordan

To me, when you have people trying to put their best foot forward but facing conflict, that's when stories are the most interesting. — Jason Katims

When you are content to simply be yourself, without comparing and competing to impress others, everyone worthwhile will respect you. And even more importantly, you will respect yourself. No one has the right to judge you. People may have heard your stories, and they may think they know you, but they can't feel what you are going through; they aren't living YOUR life. So forget what they think and say about you. Focus on how you feel about yourself, and keep walking the path that feels best under your feet. — John Geiger

If you do not want to be forgotten as soon as you are dead...be read, or try coming back and pull the feet of those who are still alive instead! — Ana Claudia Antunes

A small cabin stands in the Glacier Peak Wilderness, about a hundred yards off a trail that crosses the Cascade Range. In midsummer, the cabin looked strange in the forest. It was only twelve feet square, but it rose fully two stories and then had a high and steeply peaked roof. From the ridge of the roof, moreover, a ten-foot pole stuck straight up. Tied to the top of the pole was a shovel. To hikers shedding their backpacks at the door of the cabin on a cold summer evening
as the five of us did
it was somewhat unnerving to look up and think of people walking around in snow perhaps thirty-five feet above, hunting for that shovel, then digging their way down to the threshold. [1971] — John McPhee

Unfortunately I am afraid, as always, of going on. For to go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I'll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time. — Samuel Beckett

Just waking up "clothed in my right mind," being able to put my feet on the floor, walk to the bathroom, and do what needs to be done there is five stars. I've heard many stories of people who aren't healthy — Oprah Winfrey

A happy love is a single story, a disintegrating one is two or more competing, conflicting versions, and a disintegrated one lies at your feet like a shattered mirror, each shard reflecting a different story, that it was wonderful, that it was terrible, if only this had, if only that hadn't. The stories don't fit back together, and it's the end of stories, those devices we carry like shells and shields and blinkers and occasionally maps and compasses. The people close to you become mirrors and journals in which you record your history, the instruments that help you know yourself and remember yourself, and you do the same for them. When they vanish so does the use, the appreciation, the understanding of those small anecdotes, catchphrases, jokes: they become a book slammed shut or burnt. — Rebecca Solnit

Johanna sat by the fire every night and worked on her tapestry. Dumfries waited until she was settled in her chair and then draped himself across her feet. It became a ritual for Alex to squeeze himself up next to her and fall asleep during her stories about fierce warriors and fair maidens. Johanna's tales all had a unique twist, for none of the heroines she told stories about ever needed to be rescued by their knights in shining armor. More often than not, the fair maidens rescued their knights.
Gabriel couldn't take issue with his wife. She was telling Alex the truth. It was a fact that maidens could rescue mighty, arrogant warriors. Johanna had certainly rescued him from a bleak, cold existence. She'd given him a family and a home. She was his love, his joy, his companion.
She was his saving grace. — Julie Garwood

Gregory is a good boy, though all the Latin he has learned, all the sonorous periods of the great authors, have rolled through his head and out again, like stones. Still, you think of Thomas More's boy: offspring of a scholar all Europe admired, and poor young John can barely stumble through his Pater Noster. Gregory is a fine archer, a fine horseman, a shining star in the tilt yard, and his manners cannot be faulted. He speaks reverently to his superiors, not scuffling his feet or standing on one leg, and he is mild and polite with those below him. He knows how to bow to foreign diplomats in the manner of their own countries, sits at table without fidgeting or feeding spaniels, can neatly carve and joint any fowl if requested to serve his elders. He doesn't slouch around with his jacket off one shoulder, or look in windows to admire himself, or stare around in church, or interrupt old men, or finish their stories for them. If anyone sneezes, he says, 'Christ help you! — Hilary Mantel

We have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me
just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable ... — Amal El-Mohtar

But there are other stories waiting to be told, and they will be lost one day, too. Whatever the case, it's all beneath your feet, right now. — Brian Selznick

When she looked back at Michael, he was staring up at her with murder in his eyes. "Get down from there!" he roared. He pulled the brake on the wagon and sprang to the ground, stalking across the yard like a barbarian on the march. Even from three stories up she could hear him muttering in Romanian, and whatever he was saying did not sound complimentary. He stood in the middle of the yard and yelled up at her. "Why can't you be a normal woman and keep your feet on the ground? I have traveled nine hundred miles to get back to you, and look! Trousers! — Elizabeth Camden

One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories. — Marina Warner

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the whine of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith. — Yann Martel

In books, in songs, in stories, love is floating thing. A falling thing. A flying thing. A good-bye to all your little earthbound worries, as you soar heart-first toward a light pink sky and your dangling feet forget the feel of the ground.
Only I know, now: it isn't like that at all.
Love is a sense of place. It's effortless balance, no stumbling, no stammering. It's your own voice, quiet but strong, and the sense that you can open your mouth, speak your mind, and never feel afraid. A known quantity, a perfect fit. It's the thing that holds you tight to the earth, fast and solid, and sure. You feel it, and feel that it's right and true, and you know exactly where you are:
Here. — Kat Rosenfield

I think it's also safe to say genre TV and movies were a big influence - the first stories I ever tried to write were Godzilla fan fiction when I was in elementary school, complete with elaborate maps of Monster Island made with multiple sheets of typing paper and nearly six feet wide. I kind of wish I still had those. — Martha Wells

I would like to tell about war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries, or the bones with the marrow. All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.' Then I realize that an equally beautiful story can be told, inventing an original duel, for example, a man fighting and convincing his adversary to deny God, then running him through so that he dies damned ... — Umberto Eco

I wanted to resist, allowing the night to go on forever. As we walked along the beach, I pressed my feet into the sand firmly, leaving an impression deep enough to last a lifetime.

And I did not look back... — Scott Hildreth

For weeks Octavio returned to the shelter of the trees. The woman would appear as the sun reached midday. She would walk to the edge of the trees, find her chair and drag it to the boat pond. Every Sunday the same chair, the same spot. Every Sunday a book.
He needed only one word to imagine a hundred stories: she -
was a dancer; cooling her feet after a morning of twists and leaps.
was the daughter of a sea captain, remembering her childhood as the toy boats crossed the pond.
was an empress hiding among her subjects, shielding her face with a scarf made from the silk of ten thousand worms. Five thousand green, five thousand blue.
was a teacher, a lover of learning, patient and gentle with her students.
She - was a reader.
He had a library. — C.S. Richardson

Tragedy whores don't feel the foundation break apart beneath their feet - the reeling blast of emptiness, though to watch them you might think so. They're voyeurs. They feed like coffin flies on drama, embroiled in virtual grief and the illusion of heartbreak. They all have stories they want to tell, insist on telling, proclaiming their link to tragedy. Emotional rubberneckers. — Carole Radziwill

What if I never get out, what if I'm always filled with the ghost of that place haunting my dreams? The footsteps of lost feet here and there tripping to run as fast as they can. What if here is always there, where I'll always be? — Renee Thebeau

How To Be An Explorer Of The World
1. Always Be LOOKING (notice the ground beneath your feet.)
2. Consider Everything Alive & Animate
3. EVERYTHING Is Interesting. Look Closer.
4. Alter Your Course Often.
5. Observe For Long Durations (and short ones).
6. Notice The Stories Going On Around You.
7. Notice PATTERNS. Make CONNECTIONS.
8. DOCUMENT Your Findings (field notes) In A VAriety Of Ways.
9. Incorporate Indeterminacy.
10. Observe Movement.
11. Create a Personal DIALOGUE With Your Environment. Talk to it.
12. Trace Things Back to Their ORIGINS.
13. Use ALL of the Senses In Your Investigations. — Keri Smith

It would be boring to say how much we laughed. He lay in his bed, and told stories, and would go quiet - asleep? - and then he would giggle, and then I would giggle, and he would say, 'You put the phone down,' and I would say, 'No, you put the phone down.'
At one point, he staggered in for a piss, three feet from where I lay - a thunderous unloading of whisky, Guinness and gin.
'You put the phone down,' he said.
'No - you put the phone down.'
'Love you, babe.'
He flushed, and went back to bed
We were like two kids on a camping holiday. — Caitlin Moran

If you're going to be a healer, it's not enough to read books and learn allegorical stories. you need to get your feet wet, get some clinical experience under your belt. — Andrew Schneider