Stories Themes Quotes & Sayings

You don't choose your themes; they choose you. The meaning of your stories will rise out of your deepest longings, often out of longings so deep that you haven't admitted them even to yourself. Your convictions, your confusions, your most passionate dreams will be there whenever you begin a story, so you might as well learn to tap into them. — Marion Dane Bauer

I genuinely was just such a fan of the books. When I heard that this was on the cards, I've got to do this; I've got to get involved with this. I'm such a Philip Pullman fan and actually his philosophies, morals and the way he looks at the world. He does what he does brilliantly as a writer. He writes children's stories with major adult themes and major ideas about making the right choices. — Daniel Craig

I believe that the great stretches of forests in northern Europe, with their constant seasonal changes, their restricted views, their astonish biological diversity, their secret gifts and perils and the knowledge that you have to go through them to get anywhere else, created the themes and ethics of the fairy tales we know best. There are secrets, hidden identities, cunning disguises; there are rhythms of change like the changes of the seasons; there are characters, both human and animal, whose assistance can be earned or spurned; and there is
over and over again
the journey or quest, which leads first to knowledge and then to happiness. The forest is the place of trial in fairy stories, both dangerous and exciting. Coming to terms with the forest, surviving its terrors, utilising its gifts and gaining its help is the way to 'happy ever after. — Sara Maitland

The principles of storytelling are immutable, explaining why we see shards of ourselves in other people's stories. All enduring stories predicate its themes upon humankind's ability to exercise free will. Without a character's ability to make choices of how to act, there can be no story. In absence of free will, there is no humanity. Only after God evicted them from the Garden of Eden, could Adam and Eve experience what it means to be human. — Kilroy J. Oldster

Dickens writes such brilliant characters and stories, and his themes and social commentary are still so relevant. I think that's why he's still so loved today. — Douglas Booth

With my students, I don't offer any simple tips like that, maybe because my own process is pretty messy, but when we workshop we talk a lot about the deeper subject, which is what the story or novel is about. I think defining a narrative's themes can lay bare a narrative's tensions. — Edan Lepucki

The mere existence of 'Buffy' proves the declinists wrong about one thing: Hollywood commercialism can produce great art. Complex and evolving characters. Playful language. Joy and sorrow, pathos and elation. Episodes that dare to be different - to tell stories in silence or in song. Big themes and terrible choices. — Virginia Postrel

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers. — Mary Alice Monroe

In almost all my work, I try to re-invent Christian images and stories and themes. You'd be amazed by the letters I get from young Christians who recognise this and enjoy it. — Chuck Palahniuk

Stories survive not just because of empathetic characters that we can still identify with but because the author has something to say to us and they have the ability to communicate that to the reader in a clear and often amusing way. Jane Austen knows how to hook a reader with her endearing and often infuriating characters but she also keeps us hooked by her wit, her observations, and her unique use of language. Lots of other writers had books published at the same time as Jane Austen and yet they've been lost to us. Austen has survived because she has a unique voice. But the themes she explores are also important. — Victoria Connelly

Matthew's story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile. And when we ask why such stories, so different in many ways and yet so interestingly consistent in these and other features, could have come into existence so early, all the early Christians give the obvious answer: something like this is what happened, even though it was hard to describe at the time and remains mind-boggling thereafter. — N. T. Wright

There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen. — Edward Zwick

I wasn't writing stories with the intention of creating a particular collection. I simply wrote stories, and then discovered common themes among a good number of them. — Bonnie Jo Campbell

She sighed once, wishing she had a talent for the details of telling stories. She wasn't bad at themes, she mused, but she could never figure out how to turn a theme into an engaging tale. — Nora Roberts

Throughout the ages, stories with certain basic themes have recurred over and over, in widely disparate cultures; emerging like the goddess Venus from the sea of our unconscious. — Joan D. Vinge

The one thing that is always clear in my mind is that the people, and their stories, and the themes of life that I photograph are always more important to me than the process of photography itself. — Peter Turnley

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness ... The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them. We all need stories, but children are more frank about it. — Philip Pullman

I would wish this book could take the form of a plea for everlasting peace, a plea from one who knows ... Or it would be fine to confirm the odd beliefs about war: it's horrible, but it's a crucible of men and events and, in the end, it makes more of a man out of you.
But, still, none of these notions seems right. Men are killed, dead human beings are heavy and awkward to carry, things smell different in Vietnam, soldiers are afraid and often brave, drill sergeants are boors, some men think the war is proper and just and others don't and most don't care. Is that the stuff for a morality lesson, even for a theme?
Do dreams offer lessons? Do nightmares have themes, do we awaken and analyze them and live our lives and advise others as a result? Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories. — Tim O'Brien

A lot of the themes of my movies, the actual stories, come from tabloid stories. — Errol Morris

I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about. — Neal Stephenson

Like Rodgers and Hammerstein, I'm not afraid to deal with themes about the ups and downs of life, yet which are still entertaining, and you still feel these stories. — Harvey Weinstein

People like scary stories. There's a fascination with fear themes, and we want to face those things in a weird, subconscious way. — Mel Gibson

It is as true for the writer as for the reader that any novel worth its ink should be an experience first and foremost - not an essay, not a statement, not an orderly rollout of themes and propositions. All of which is to say: stories, too, are wild things. — David Wroblewski

The stories are there first, and they come from my experiences wandering around in the world. They will resonate into bigger things, forces sweeping the planet, themes and archetypes, but I'm not smart enough to have lucid integration of all that in my head as I'm writing. — Bob Shacochis

I mean these are universal themes. I try not to preach, for sure. I don't enjoy movies that preach - so I don't want to preach myself when I tell stories because I just feel all of these themes are built into us in terms of redemption and mercy and love and compassion and all these things. And the negative sides, as well. — Michael Landon Jr.

Aimee says the themes are simple: Goodbye individuality, goodbye uniqueness. The uniform, soulless future is coming and the seeds have already been planted. She's read or watched about a billion similar stories. That's what people fear, she says, because they think it's like death and that death is the ultimate robber of identity. "Do you think that's what death's really like?" I ask. "No," she says. "I think, when we die, we don't lose our identity, we gain a much, much bigger one. As big as the universe. — Anonymous

Life stories with themes of ruin can trap us. Life stories that are triumphant can transform us. — Meg Jay

Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings and themes - but the difficulty is choosing a voice and a language in which to present it. — Joyce Carol Oates

All stories interest me, and some haunt me until I end up writing them. Certain themes keep coming up: justice, loyalty, violence, death, political and social issues, freedom. — Isabel Allende

I'm not thinking much about overall themes or preoccupations or anything like that. Instead I'm just trusting that, if I'm working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book. — George Saunders

I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in. — Porochista Khakpour

Sometime during the 1990s, when I was teaching philosophy at UCSD, my friend, colleague, and music teacher, Carol Plantamura, discussed the possibility of teaching a course together looking at ways in which various literary works (plays, stories, novels) had been treated as operas, and how different themes emerged in the opera and in its original. One of the pairings we planned to use was Mann's great novella and Britten's opera. Unfortunately, the course was never taught, but the idea remained with me. — Philip Kitcher

Illiada by Homer is one of the great stories in literature. And I thought its themes really resonated today, whether that was my projection or Homer's intentions. It didn't seem like we had come very far. — Brad Pitt

[T]he incomparable Diana Wynne Jones, one of the finest mythic fiction writers of our age, who left us too early (due to cancer) two days ago. I'm so grateful to her for the extraordinary books she has left behind, which have inspired a whole generation of younger writers. She was writing brilliant YA fantasy before the genre (as we know it now) even existed; she was writing enchanting "wizard school" books long before Harry Potter was a gleam in Rowling's eye; and her knowledge of how to weave mythic/folkloric themes into contemporary fiction was second to no one's. Diana will be terribly missed, but through her magical stories, her light will stay on. — Terri Windling

Anchor Your Stories in Redemptive Themes So We Are Moved to Live Up to Them: Rather than making yourself the victim or the hero in the stories you tell, describe a daunting time of loss, crisis, or criticism or where you made a mistake or acted badly, yet you were eventually able to learn from it. Such stories show vulnerability and a desire to grow and live fully rather than in fear. Then that facet of you can be the place where others can positively and productively connect with you, hard-earned strengths firmly attached together. You can support each other in reinforcing redemptive characterizations and action. — Kare Anderson

I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing. — Tatyana Tolstaya

Our dreams and stories may contain implicit aspects of our lives even without our awareness. In fact, storytelling may be a primary way in which we can linguistically communicate to others - as well as to ourselves - the sometimes hidden contents of our implicitly remembering minds. Stories make available perspectives on the emotional themes of our implicit memory that may otherwise be consciously unavailable to us. This may be one reason why journal writing and intimate communication with others, which are so often narrative processes, have such powerful organizing effects on the mind: They allow us to modulate our emotions and make sense of the world. — Daniel J. Siegel

I'm always writing across the same themes. But with short stories, I'm doing something different than with novels. In some ways, they're coming from a much deeper place. — Lynn Coady

There is no one story that will replace the American dream, but stories
like this one - and there are thousands - can inform the myth or myths
we create for building and preserving the next culture. In order to do so,
however, we must recognize that we cannot live without myth, for it is an
essential part of our humanity. If we attempt to do so - given the fact that
something in us needs myth - we
will only create more myths that echo
the American dream - with themes of heroism, greed, entitlement, narcissism,
exploitation, exceptionalism, and myriad abuses of power. How we prepare for and navigate collapse will provide the raw materials for the myths we make and will live by in a postindustrial world. — Carolyn Baker

I like the stories with the historical themes. — Sarah Sutton

From Borges, those wonderful gaucho stories from which I learned that you can be specific as to a time and place and culture and still have the work resonate with the universal themes of love, honor, duty, betrayal, etc. From Amiri Baraka, I learned that all art is political, although I don't write political plays. — August Wilson

We used the Western style to express our own themes and stories. But don't forget that our heritage includes The Thousand and One Nights. — Naguib Mahfouz

I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes — George Tillman Jr.

In The Second Fontana Book of Great Ghost Stories, Aickman elaborates further his ideas: The good ghost story gives form and symbol to themes from the enormous areas of our own minds which we cannot directly discern, but which totally govern us; and also to the parallel forces of the external universe, about which we know so little, much less than people tell us [8]. He sees that modern man has spent his time avoiding his true nature, the mystery within himself and in the universe that makes him human. — Gary William Crawford

Why do stories cluster around a few big themes, and why do they hew so closely to problem structure? Why are stories this way instead of all the other ways they could be? I think that problem structure reveals a major function of storytelling. It suggests that the human mind was shaped for story, so that it could be shaped by story. — Jonathan Gottschall

My impression is that life - a big word, I know - inflicts themes on a writer through certain experiences that impress themselves on his consciousness or subconscious and later compel him to shake himself free by turning them into stories. — Mario Vargas-Llosa

Properly told, stories are able to operate on two levels. On the surface, they deal with particulars involving a range of facts related to a given time and place, a local culture and a social group
and it is these specifics that tend to bore us whenever they lie outside of our own experience. But then, a layer beneath the particulars, the universals are hidden: the psychological, social and political themes that transcend the stories' temporal and geographical settings and are founded on unvarying fundamentals of human nature. — Alain De Botton

I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them. — John Boyne