Stories Of Change Quotes & Sayings

Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull. — Orson Scott Card

Our group has been in Asia since 1981 in mining, oil and gas. Now we want to mine not silver and gold, but great stories and people, and change the world of cinema, and we want to do that by walking in the footsteps of Wu Tianming. — Robert Friedland

Okies who had just stepped into the corridor long enough to get a tin can of water for our boiling radiator. There are other stories, other dilemmas, but the characters never change. We're always standing around, unwashed, uncurled, harried, penniless, memory gone, no lipstick, no hose, unmatched shoes, and using the dirtiest cloth in the house to bind our wounds. Makes — Erma Bombeck

Our business is communication oftentimes through the medium of stories but our capacity has a far greater scope - to entertain certainly, but also to stimulate debate, to mark up changes and differences and that way, to maybe, just now and then, to change the world. — Sara Sheridan

The telling and the hearing of a story is not a simple act. The one who tells must reach down into deeper layers of the self, reviving old feelings, reviewing the past. Whatever is retrieved is reworked into a new form, one that narrates events and gives the listener a path through these events that leads to some fragment of wisdom. The one who hears takes the story in, even to a place not visible or conscious to the mind, yet there. In this inner place a story from another life suffers a subtle change. As it enters the memory of the listener it is augmented by reflection, by other memories, and even the body hearing and responding in the moment of the telling. By such transmissions, consciousness is woven. — Susan Griffin

Childrens books change lives. Stories pour into the hearts of children and help make them what they become. — Jane Yolen

The stories leaders and others tell, few of which are true, are a lousy foundation on which to base any sort of science, and we know how to accomplish behavioral change and the importance of priming, informational saliency, and social networks. Producing inspiration and other good feelings doesn't last very long. — Jeffrey Pfeffer

When you look at every studio in the '20s or '30s, from Louis B. Mayer to Jack Warner, you see people who started with one plan and quickly shifted gears to adapt to a changing world. One of my favorite stories is that Walt Disney mortgaged his house to make 'Snow White.' He saw there was a real opportunity to change the world. — Ryan Kavanaugh

Everywhere I go, I meet people ready for change. People who are fed up with the exhaustion that comes from devoting one's life to the work-watch-spend treadmill. People who know in their hearts that it's wrong to treat the planet and whole groups of people as disposable. People who are challenging the bogus stories we've been fed for years and are writing their own about hope and love and working together to build a better future for everyone. — Annie Leonard

No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes - forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'd mistake one for another, after a minute's close inspection), but still unique. — Neil Gaiman

Change your story, change your life. Divorce the story of limitation, and marry the story of the truth and everything changes. — Tony Robbins

I think of life as a book of stories," he goes on. You move through the stories and the characters change. — Alice Hoffman

A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they? — Cornelia Funke

Change but the name, and you are the subject of the story. — Horace

But one story in this book, 'How a Husband Weaned His Wife from Fairy Tales', shows just how much fairy stories could change a woman's desires, and how much a man might fear that change, would go to any lenghts to keep her from pleasure, as if pleasure itself threatened his authority.
Which, of course, it did.
It still does. — Angela Carter

Writing is powerful. Whether it's a little girl hiding from the Nazis in an attic, or Amnesty International writing letters on behalf of political prisoners, the power of telling stories is usually what causes change. — Erin Gruwell

From depression to ceiling fans, I've been through it all. I've taken almost every step that life has to offer and invariably I've found several different endings to my Choose Your Own Adventure stories. I've lived, loved, sacrificed and scraped for this existence, this paltry little city state I call my time so far. And by God, I wouldn't change a single frame of this movie. — Corey Taylor

I could write stories; I could hide from the world and make my own instead of trying to change it or live in it. I could make paper people and I would love them too; I could make them almost real. — Ally Condie

Children and teens take in stories to the deepest imaginable level. What we put on the page can change the people they'll become and the course of their lives. — Cynthia Leitich Smith

That's how religions and histories make their way into the world, not through battles and conquests, but through poems and kennings and songs, passed through generations and written down by scholars and scribes ...
After all, words are what remain when all the deeds have been done. Words can shatter faith, start a war, change the course of history. A story can make your heart beat faster, topple walls, scale mountains
Hey, a story can even raise the dead. And that's why the King of Stories ended up being King of the gods, because writing history and making history are only the breadth of a page apart. — Joanne Harris

I can't change the past, and I don't think I would. I don't expect to be understood. I like what I've written, the stories and two novels. If I had to give up what I've written in order to be clear of this disease, I wouldn't do it. — Harold Brodkey

The first question we must address deals with optimism, the possibility of achieving our goal. Are we in a position where we can actually hope to effect change? Assuming we become convinced that there are reasons for optimism, we move to the next question. Are we cetain that we want change? The stories about EHMs, jackals, and suffering around the globe strike raw nerves, but now we demand absolute proof that our grievances justify the efforts change will demand. Third: Is there a unifying principle that will validate our efforts? We look to ascertain that we are not merely seeking to impose our moral, religious, or philosophical values on others but instead are intent on creating something of true and lasting universal benefit. And finally: What can we each do? You and I personally need to evaluate our talents and passions. What are our individual options and desires? How do they fit into the bigger picture? — John Perkins

There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen. — Edward Zwick

As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing for instance. It has always been clear to me that the stories of each other's lives are our best textbooks. Every social justice movement that I know of has come out of people sitting in small groups, telling their life stories, and discovering that other people have shared similar experiences. So, if we've shared many experiences, then it probably has something to do with power or politics, and if we unify and act together, then we can make a change. — Gloria Steinem

And yet, it was still a performance. Odin and I both knew it. It was a kind of play, a dream of how things might have been if he and I had been capable of trusting each other for a change. And so we hunted, and sang, and laughed, and told heavily edited stories of the good old days, while each of us watched the other and wondered when the knife would fall. — Joanne Harris

Find the story, Granny Weatherwax always said. She believed that the world was full of story shapes. If you let them, they controlled you. But if you studied them, if you found out about them ... you could use them, you could change them. — Terry Pratchett

The oceans are in trouble. There are some serious problems out there that I believe are not clear to many people. My hope is to continually find new ways of creating images and stories that both celebrate the sea yet also highlight environmental problems. Photography can be a powerful instrument for change. — Brian Skerry

The rise of the Internet and the camera phone have started to change what stories are accessible. — Cameron Russell

In December 2011, I will be opening up my production house, Sharmeen Obaid Films, and aspire to change the way Pakistanis approach nonfiction storytelling. There are thousands of stories to be found here. — Sharmeen Obaid-Chinoy

I tell personal stories associated with aspects of the theory, and I hope they are interesting and compelling. I don't feel you're going to change a grownup's mind in one reading. People have to be exposed to scientific ideas over and over again for years. It's also not a textbook. — Bill Nye

You will ask me, after this, why, I didn't tell you this before. It is because I know how powerful a story can be. It can change the course of history. It can save a life. But it can also be a sinkhole, a quicksand in which you become stuck, unable to write yourself free. — Jodi Picoult

In my mind's eye, the image of bodies dancing quickly fades into the image of a group of men standing in a circle outside a club, trading stories in perfect American English, and then to the awkward silence caused by the sudden appearance of a middle-aged woman in tattered clothes, a baby strapped to her chest, a hand stretched out for loose change. — Bobby Benedicto

But what all these responses have in common is that they point to the decisive power of information and stories [ ... ] — Wes Moore

She still loved the profession and enjoyed the lives and piece to cameras, but she knew it was all a tad too farcical at times. There were far too many stories they reported and forgot. Far too many conflicts that were once headlines and had captured the imaginations of many now awaited resolution, stale and unwanted as yesterday's tea. It was hard to keep up your spirit when you started realizing it was just a job after all and that a headline did not change someone's destiny. Except maybe the reporter's if she or he was picked up by a rival channel for better pay. So getting into the profession wanting to make a difference and working for the greater good as the journalists of yore had done was certainly not an option anymore. — Shweta Ganesh Kumar

I was interested in writing a child's understanding of a cataclysmic event - something experienced in fragments, whispers, viewed from around corners - and it seemed to me a child would try to understand it through stories and games, which distort and change the experience, then become the experience. — Gregory Allen Howard

I write books because I have always been fascinated by stories and language, and because I love thinking about what makes people tick. Writing a story ... 'The Giver' or any other ... is simply an exploration of the nature of behavior: why people do what they do, how it affects others, how we change and grow, and what decisions we make along the way. — Lois Lowry

The thing that's helped me from wrestling is sometimes when you do live television, things change immediately, so you can be immersed in one story and then the story shifts. Ultimately, if you just get the point of what you're trying to accomplish, if you know the story, then you can put forth a good product. — John Cena

It's important for me to play women who can overcome adversity, make change, and take control of their lives. I think it's a great time for women in TV and film in general, and I want to help tell these stories. — Beth Riesgraf

I want that perfect ending. But I've learned the hard way, that some stories don't have a clear beginning, middle and end. My life has not been about knowing or figuring everything out. It's been about having to deal with change, about taking a moment and making the best of it, even if I knew I'd have to take a big risk. Life is really about trying to move forward without knowing exactly what is going to happen next. — Jose N. Harris

But I love you, and before you say it words do matter. They're not pointless. If they were pointless then they couldn't start revolutions and they wouldn't change history and they wouldn't be the things that you think about every night before you go to sleep. If they were just words we wouldn't listen to songs, we wouldn't beg to be read to when we're kids. If they were just words, then they'd have no meaning and stories wouldn't have been around since before humans could write. We wouldn't have learned to write. If they were just words then people wouldn't fall in love because of them, feel bad because of them, ache because of them, stop aching because of them, have sex, quite a lot of the time, because of them. — Cath Crowley

The religious stories, the religious truths, the spiritual principles - obviously, they don't change. But as you get older and you experience more, you recognize the applicability, the profundity, and the fundamental truths of spiritual principles in ways that you couldn't when you simply were living a less dimensional life. — Marianne Williamson

The next time you lose heart and you can't bear to experience what you're feeling, you might recall this instruction: change the way you see it and lean in. Instead of blaming our discomfort on outer circumstances or on our own weakness, we can choose to stay present and awake to our experience, not rejecting it, not grasping it, not buying the stories that we relentlessly tell ourselves. This is priceless advice that addresses the true cause of suffering - yours, mine, and that of all living beings. — Pema Chodron

I answer that I try to write true stories but that at a given point the story becomes unbearable because of it's very truth, and then I have to change it. I tell her that I try to tell my story but all of a sudden I can't-I don't have the courage, it hurts too much. And so I embellish everything and describe things not as they happened but the way I wished they happened.
She says, "Yes, there are lives sadder than the saddest of books." I say, "Yes. No book, no matter how sad, can be as sad as a life. — Agota Kristof

It'd make a wonderful change to have the leader of a pluralist democracy who acted on that, who told people just how tough things are going to be, just what's going to have to be done - and, maybe, ran all the risks on the side of honesty, rather than spinning stories and trying to win the headlines every day. — Chris Patten

Each human being, however small or weak, has something to bring to humanity. As we start to really get to know others, as we begin to listen to each other's stories, things begin to change. We begin the movement from exclusion to inclusion, from fear to trust, from closedness to openness, from judgment and prejudice to forgiveness and understanding. It is a movement of the heart. — Jean Vanier

Call them stories. When things happen, we invent stories about them. About why they happened. That's all science is, and history - stories about why things happen or happened. They are never, never true - never complete and always at least a little bit wrong, and we know it. But they're true enough to be useful. I doubt our minds could even grasp the whole truth about anything - the nets of causality spread too wide to be held within a single mind. But the stories, the useful lies - we share those and pass them on and when we learn more we improve on them, or when we need different stories for new circumstances, we change them and pretend we always told them that way." Ender — Orson Scott Card

When we change the shape of the Land, we alter the contents and contexts of our collective, familial, and personal memories. Yet, stories can preserve both mythic and familiar elements of geography even when the physical features are forgotten, buried, or obliterated. And more than this: the stories can bring these elements back. If the Land can be preserved long enough for its stories to be told, and retold, perhaps we all - as custodians of both place and memory - stand a chance at real preservation. — Ari Berk

To animals they were just the weather, just part of everything.
But humans arose and gave them names, just as people filled the starry sky with heroes and monsters, because this turned them into stories.
And humans loved stories, because once you'd turned things into stories, you could change the stories. — Terry Pratchett

Wash your dress in running water. dry it on the southern side of a rock. let them have four guesses and make them all wrong. take a fistful of snow in the summer heat. cook haluski in hot sweet butter. drink cold milk to clean your insides. be careful when you wake: breathing lets them know how asleep you are. don't hang your coat from a hook in the door. ignore curfew. remember weather by the voice of the wheel. do not become the fool they need you to become. change your name. lose your shoes. practice doubt. dress in oiled cloth around sickness. adore darkness. turn sideways in the wind. the changing of stories is a cheerful affair. give the impression of not having known. — Colum McCann

You know, Motorcycle Diaries has no incredible stories, no sudden plot twists, it doesn't play that way. It's about recognizing that instance of change and embracing it. — Gael Garcia Bernal

Who makes things up? Who tells the real story? We all turn our lives into stories. It is a defining characteristic of our species. We retell our experiences. We quickly learn what parts are interesting to our listeners and what parts lag, and we shape our narratives accordingly. It doesn't mean we aren't telling the truth; we've simply learned which parts to leave out. Every time we tell the story again, we don't go back to the original event and start from scratch, we go back to the last time we told the story. It's the story we shape and improve on, we don't change what happened. This is also a way we have of protecting ourselves. It would be too painful to relive a childhood illness or the death of your best friend every time you had to speak of it. By telling the story from the story, instead of from the actual events, we are able to distance ourselves from our suffering. It also gives us the chance to make the story something people can hear. — Ann Patchett

Letters tell the truths a person will not speak. They contain the deepest of feelings, the wisest of stories. Letters are powerful. They contain messages of hope, love, change. — Juliet Marillier

Change, no matter how small, requires loss. And the prospect of loss is far more powerful than potential gain. It's difficult to imagine what a change will do to us. This is why we need stories so desperately. — Shawn Coyne

When well told, a story captured the subtle movement of change. If a novel was a map of a country, a story was the bright silver pin that marked the crossroads. — Ann Patchett

While my library contains the works of travel writers, I have mostly searched for those who speak about their own place in the world. But the world is changing and many people have no place to call home. Some of the most important kinds of travel writing now are stories of flight, written by people who belong to the millions of asylum seekers in the world. These are stories that are almost too hard to tell, but which, once read, will never be forgotten. Some of these stories had to be smuggled out of detention centres, or were caught covertly on smuggled mobiles in snatches of calls on weak connections from remote and distant prisons. Why is this writing important? Behrouz Boochani, a Kurdish journalist and human rights campaigner who has been detained on Manus Island for over three years with no hope for release yet in sight, puts it plainly in a message to the world in the anthology Behind the Wire. It is, he wrote, 'because we need to change our imagination'. — Alexis Wright

Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper. — William Kennedy

As far as superhero stories, what's appealing is of course that aspect of wish fulfillment. I mean, you start out reading them as a kid, and a couple things jump out at you - there are heroes out there, and you wish you could run into a phone booth and change your life, or be like Peter Parker and put on a mask and become a hero. — John Ridley

I've always loved shows that combine both approaches - that have a mythology and a set of characters, whose stories develop and change, and where the relationships evolve and fracture. — Jonathan Nolan

Nothing can change the past, including thought. However, dwelling on thoughts about the past does change our experience of the Now. When we drag the past into the present, everything else that belongs to the Now is marginalized and overlooked. All we see is the past or, more accurately, our story about it. All we can ever have of the past is our story about it, and that story is very unsatisfying. Our stories about the past don't feed our soul like the Now does. And worse, any story is usually a sad tale that keeps us caught up in negative feelings, and then those feelings become our current experience of life. — Gina Lake

One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories. — Marina Warner

Though we come and go, and pass into the shadows, where we leave behind us stories told - on paper, on the wings of butterflies, on the wind, on the hearts of others - there we are remembered, there we work magic and great change - passing on the fire like a torch - forever and forever. Till the sky falls, and all things are flawless and need no words at all. — Tanith Lee

All those stories about time travel, they were comforting, and at the same time it bothered me how they always made it seem fun and how everything fit into place, how things could only ever be how they were supposed to be, how the heroes found a way to change the world while still obeying the laws of physics. — Charles Yu

Many of the best fantastic stories begin in a leisurely way, set in commonplace surroundings, with exact, meticulous descriptions of an ordinary background, much as in a 'realistic' tale. Then a gradual - or it may be sometimes a shockingly abrupt - change becomes apparent, and the reader begins to realize that what is being described is alien to the world he is accustomed to, that something strange has crept or leapt into it. This strangeness changes the world permanently and fundamentally. — Franz Rottensteiner

High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script. — Neill Blomkamp

But afterwards in the pub, they had dreamed about the big stories and talked for hours of how they would never be satisfied with the conventional or the shallow but instead would always dig deep. They were young and ambitious and wanted it all, all at once. There were times when Levin missed that, not the salary, or the working hours, or even the easy life in the bars and the women, but the dreams - he missed the power in them. He sometimes longed for that throbbing urge to change society and journalism and to write so that the world would come to a standstill and the mighty powers bow down. Even a hotshot like himself wondered: Where did the dreams go? — David Lagercrantz

She hadn't said a word about his comment concerning marrying her. If she was of the French nobility, she might not wish to marry him. But still, he was of the mind he would change her thoughts concerning the matter - despite that he had no title or lands to call his own. What Highlander could say that he had a wife who would fight a Highland warrior, wielding only a pitchfork, or that she would raise a Highlander's sword to fight a Viking warrior to protect him?
Her stories fascinated him, and he was thinking that if he had a bairn with her, how she would tell the child her delightful tales. And he would settle down with them to listen, too. Most of all, he loved the way she worried about his health, snuggled with him as if it was for more than warmth, and even kissed him back when he weakly attempted to kiss her earlier. — Terry Spear

For the past few years my fans have made it very clear that they would like to read my novels and revisit my family of characters faster than I can write them. For them, I am willing to make a change to my working methods so the stories in my head can reach the page more frequently. — Wilbur Smith

Margaret ... you must know that you could never change your own life. You are a girl: girls have no choice. You could never even choose your own husband: you are of the royal family. A husband would always have been chosen for you. It is forbidden for one of royal blood to marry their own choice. You know this too. And finally, you are of the House of Lancaster. You cannot choose your allegiance. You have to serve your house, your family, and your husband. I have allowed you to dream, and I have allowed you to read, but the time has come to put aside silly stories and silly dreams and do your duty. — Philippa Gregory

All stories have a curious and even dangerous power. They are manifestations of truth
yours and mine. And truth is all at once the most wonderful yet terrifying thing in the world, which makes it nearly impossible to handle. It is such a great responsibility that it's best not to tell a story at all unless you know you can do it right. You must be very careful, or without knowing it you can change the world. — Vera Nazarian

I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone. — Jonathan Safran Foer

Then, just at the peak of complacency, when it was assumed that the climate of the world had changed forever, when the conductor of the philharmonic played Vivaldi's Four Seasons and left out an entire movement, and when to children of a young age stories of winter were told as if they were fairy tales, New York was hit by a cataclysmic freeze, and, once again, people huddled together to talk fearfully of the millennium. — Mark Helprin

Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons. — Catherynne M Valente

Once upon a time I thought I could change stories, make them go the way I wanted, instead of where they actually went. — April Genevieve Tucholke

This is a consistent theme in stories about traveling to the future: Things are always worse when you get there. And I suspect this is because the kind of writer who's intrigued by the notion of moving forward in time can't see beyond their own pessimism about being alive. People who want to travel through time are both (a) unhappy and (b) unwilling to compromise anything about who they are. They would rather change every element of society except themselves. — Chuck Klosterman

The world that you and I live in is increasingly challenged. Population growth, pollution, over-consumption, unsustainable patterns, social conflict, climate change, loss of nature ... these are not good stories. — Jack Dangermond

Serving [Hamilton's] legacy didn't just mean commemorating him, though: It also meant continuing his work. [Eliza] crusaded against slavery, as Hamilton had. And this widow of an orphan helped to found the first private orphanage in New York. That's the real power of a legacy: We tell stories of people who are gone because like any powerful stories, they have the potential to inspire, and to change the world. — Jeremy McCarter

So long as the people with the power - to hire and fire you, approve or deny your loan, or write up your speeding ticket - look at you through the lens of institutionalized racism, sexism, homophobia or any other -sim they've learned form stories, videos, media and other biased individuals, a single win means nothing. We cannot effect true change alone. — Kameron Hurley

Not enough books focus on how a culture responds to radically new ideas or discovery. Especially in the biography genre, they tend to focus on all the sordid details in the life of the person who made the discovery. I find this path to be voyeuristic but not enlightening. Instead, I ask, After evolution was discovered, how did religion and society respond? After cities were electrified, how did daily life change? After the airplane could fly from one country to another, how did commerce or warfare change? After we walked on the Moon, how differently did we view Earth? My larger understanding of people, places and things derives primarily from stories surrounding questions such as those. — Neil DeGrasse Tyson

Old stories have a habit of being told and retold and changed. Each subsequent storyteller puts his or her mark upon it. Whatever truth the story once had is buried in bias and embellishment. The reasons do not matter as much as the story itself. — Erin Morgenstern

Films really can change a conversation and change someone's thinking and perception, especially with people of color at the center. It rarely happens. I think it's important for both the community but also the world to see people of color in all genres, especially love stories. — Gina Prince-Bythewood

There are stories about technology. There are stories about stories. Most of all, though, there are stories that tackle our understanding, or lack thereof, of the many machines that have freed us to love, work, birth, build, change, destroy, and reconfigure reality, often beyond our will or comprehension - even as they greatly augment our will and comprehension. — Jason Heller

So much history can be lost if no one tells the story
so that's what I do. I tell the stories. This is my way of fighting for social change. — Alanis Obomsawin

I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think. — Jamie Hector

Our task is to announce in deed and word that the exile is over, to enact the symbols that speak of healing and forgiveness, to act body in God's world in the power of the Spirit. Luther's definition of sin was homo incurvatus in se, "humans turned in on themselves." Does the industry in which you find yourself foster or challenge that? You may not be able to change the way your discipline currently works, but that isn't necessarily your vocation. Your task is to find the symbolic ways of doing things differently, planting flags in hostile soil, setting up signposts that say there is a different way to be human. And when people are puzzled at what you are doing, find ways - fresh ways - of telling the story of the return of the human race from its exile, and use those stories as your explanation. — N. T. Wright

Before she came ill, David's mother would often tell him that stories were alive. They weren't alive in the way that people were alive, or even dogs or cats. ( ... ) Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by torch light beneath a blanket, they had no real existence in our world. ( ... ) They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read, David's mother would whisper. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life. — John Connolly

It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history. — Jennifer Beals

If you start to see more successful businesses that are playing on a global level, the story of Africa will begin to change — Tara Fela-Durotoye

Growing up in Fitzgerald, I lived in an intense microcosm, where your neighbor knows what you're going to do even before you do, where you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking. What is said, what is left to the imagination, what is denied, withheld, exaggerated-all these secretive, inverted things informed my childhood. Writing the stories that I found in the box, I remember being particularly fascinated by secrets kept in order to protect someone from who you are. That protection, sharpest knife in the drawer, I absorbed as naturally as a southern accent. At that time, I was curious to hold up to the light glimpses of the family that I had so efficiently fled. We were remote-back behind nowhere-when I was growing up, but even so, enormous social change was about to crumble foundations. Who were we, way far South? "We're south of everywhere," my mother used to lament. — Frances Mayes

I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them. — Gene Luen Yang

Many of our holidays revolve around traumas that happened to our people and how we must remember them in specific ways. The way these stories are told and what we take away from them can change, and do in certain contexts, but overall I am not sure whether Jews want to let go of the narrative of the victim. — Jill Soloway

Polite and velvety leaders, who take care to avoid bruising others, are generally not as effective at forcing change. Dozens of the colleagues whom Jobs most abused ended their litany of horror stories by saying that he got them to do things they never dreamed possible. And he created a corporation crammed with A players. — Walter Isaacson

In committing a work to memory we make it safe from decay. It stands untouched. Children memorize parts of stories their parents tell them. They want the same story again and again. Don't change a word or they get terribly upset. This is the unchanged narrative every culture needs in order to survive. — Don DeLillo

The space between the private and the public is the nexus of the personal and the social, if not political. It's where we meet the strong or subtle cultural censors who attempt to define what community, race, class, or gender can or cannot speak, to tell us which stories are told and valued and which are not. In short, it's where we're reminded of the power of personal stories and the power of the storyteller. — John Capecci And Timothy Cage

I am a director because I believe in my own impulses and my own point of view, and that belief encourages me to tell stories that will move, provoke, and change people. But I became a director because I wanted to be a part of the world. — Anna D. Shapiro

All experience and phenomena are understood to be a dream, this should not be just an intellectual understanding, but a vivid and lucid experience ... Genuine integration of this point produces a profound change in the individual's response to the world. Grasping and aversion is greatly diminished, and the emotional tangles that once seemed so compelling are experienced as the tug of dream stories, and no more. — Tenzin Wangyal Rinpoche

Quote from my future book "Beyond the Absurd":
"Psychologists have finally proven that the entire justice system's deep motives and its idea as a whole, which have existed for thousands of years, are completely false, since they rest upon empty human delusions. Namely, the delusion that people can control or change the future and win over the evil that has already taken place. According to the studies, this is impossible, since it's the evil of the moment that makes the world go round and this is a fixed constant". — Alexandar Tomov

In my world," said Posy, "authors write stories, and the characters do whatever the author tells them. It's not like this--the characters don't have minds and lives of their own."
"How do you know this?" was Caris' surprising reply. The corner of her mouth turned up in a playful smile. "You do not see the characters when the pages of the book are shut. Is there never a time when you read a book for the second time and you notice something that you didn't remember from the first time? Or hear a story told, and every time it is told it grows and changes in the telling? Change is the nature of everything. — Ashlee Willis

Maybe, through the stories I share about my life and others and the medical research that has been dedicated to the world of positive psychology, they'll relate to the power of a positive perspective and change the world one person at a time. Pipe dream, of course, but I love the thought of being given the chance to inspire! — Trista Sutter

Dear God,
Reveal to me through stories something of what it is like to walk around in someone else's shoes.
Show me something about myself in the stories I read, something that needs changing, a thought, a feeling or attitude.
Deliver me from myself, O God, and from the parachial and sometimes prejudiced views I have of other people, other nations, other races, other religions.
Enlarge by heart with a story, and change me by the characters I meet there.
May some of the light from their lives spill over into mine, giving me illumination where there was once ignorance, compassion where there was once contempt. — Ken Gire

Some stories aren't meant to be told. The more they get told, the more they change from what they once were, worn down and smooth like pieces of sea glass too beautiful to have ever been broken bottles. — Caren Gussoff