Stories As Identity Quotes & Sayings

[Northrop] Frye was concerned mostly with literary criticism, and myths interested him as structural elements in works of literature. He used the word myth to mean story, without attaching any connotation of truth or falsehood to it; but a myth is a story of a certain kind. The myths of a culture are those stories it takes seriously - the ones that are thought to be a key to its identity. — Margaret Atwood

So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am. — John Marsden

Another root of our malady is our loss of the sense of the worth and dignity of the human being. Nietzsche predicted this when he pointed out that the individual was being swallowed up in the herd, and that we were living by a "slave-morality." Marx also predicted it when he proclaimed that modern man was being "de-humanized," and Kafka showed in his amazing stories how people literally can lose their identity as persons. — Rollo May

There are so many different forms of silence: the silence that tyrannical states force on their citizens, stealing their memories, rewriting their histories, and imposing on them a state-sanctioned identity. Or the silence of witnesses who choose to ignore or not speak the truth, and of victims who at times become complicit in the crimes committed against them. Then there are the silences we indulge in about ourselves, our personal mythologies, the stories we impose upon our real lives. — Azar Nafisi

Fantasy elevates ordinary and eternal problems of young people into stories via the language of myth. It turns "No one really knows me" into "I've got a secret identity." It turns "I don't understand why other people act the way they do" into "I'm trapped in a faerie realm." It turns "my high school must have been built over the mouth of hell" into "my high school must have been built over the mouth of hell."
There are certain things in life that are glorious, and they are glorious for everyone. There are more that are hard, and they are hard for everyone. We like to see these things retold, but with dragons. — Erin Bow

Symbols give us our identity, our self image, our way of explaining ourselves to ourselves and to others. Symbols in turn determine the kinds of stories we tell, and the stories we tell determine the kind of history we make and remake. — Mary Robinson

Throughout history, works of art have been stolen under mysterious circumstances ... Said by some to be the work of "Phantom" thieves ... Others dismiss it as mere myth. But in this country, the stories are all too true. The name of this mysterious thief? "Dark." And his true identity? No one knows ... — Yukiru Sugisaki

When we really start searching for the truth in stories, we can find it everywhere, not just in sincere confessions but in the deliberate lies and imagined possibilities, the magic and fantasy, and all the other unreal elements that go into the concoction of identity. — Joanna Scott

SK: What causes a person to be transgender?

MS: I think the question should be flipped around: What's the cause for assuming that one's gender identity has to be the one that you are born with? When I first came into this job, I was much more comfortable about people's sexuality than I was with people's gender identity. But when you hear the same stories over and over again, from people from all over the world, you start realizing that transgender is not an anomaly. It's a part of the spectrum of people's realities. Then you stop wondering about the cause and you start realizing it's a part of reality. — Susan Kuklin

I was someone hungry for stories; more specifically, I was someone who craved after facts ... I was, you see, at the start of this tale, a person with history. I had no story of my own. Lacking this, I developed a curiosity about other people's lives. — Arlene J. Chai

On the surface, we are all different. We ascribe to a variety of belief systems, attain our identity from various stories, get our customs from diverse cultures, and so on. And, rightly or wrongly, we generally define ourselves by these differences - there is no denying that. However, when we look beneath the surface, we discover certain universal elements. — Gudjon Bergmann

Through "posts" and "sharing," by exhibiting one's loves and tastes, personal stories, photos, and more, each "curates" a public image of oneself on the web, to which one then continually strives to conform. Personal identity becomes one's reflection in the others' eyes. — Nicos Hadjicostis

I know it may sound silly, but I think my short stories have a life and identity of their own. They crop up in all sorts of places. — Morley Callaghan

Storytelling is an essential part of our cultural and human identity...when we become afraid of stories outside the mainstream, I believe we have lost a valuable part of our cultural inheritance and growth. — Louise Sommer

Aimee says the themes are simple: Goodbye individuality, goodbye uniqueness. The uniform, soulless future is coming and the seeds have already been planted. She's read or watched about a billion similar stories. That's what people fear, she says, because they think it's like death and that death is the ultimate robber of identity. "Do you think that's what death's really like?" I ask. "No," she says. "I think, when we die, we don't lose our identity, we gain a much, much bigger one. As big as the universe. — Anonymous

A squat grey building of only thirty-four stories. Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State's motto, COMMUNITY, IDENTITY, STABILITY. — Aldous Huxley

There's nothing about me on the jacket because I have no credentials. I majored in English at school, but I only took one creative writing class. I think I got a B. And I never really thought about getting an MFA. I'm too spiteful to take criticism constructively and I'm only comfortable being honest about people behind their backs, so workshops or group critiques were never what I was looking for. For years I just wrote in journals and didn't really worry about turning any of it into stories or stuff for other people to read, so I guess I developed my writing style by talking to myself, like some homeless people do. Only I used a pen and paper instead of just freaking out on the street. If they switched to a different medium they might be better off. It would probably help if they had someplace to live too. — Paul Neilan

Who are we but the stories we tell ourselves, about ourselves, and believe? — Scott Turow

A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history. — Natasha Trethewey

We are our stories - dozens, hundreds, thousands of them - sprayed across our memories, embedded in our identity. Calling them up for others or for ourselves or for God, can enlighten, crush, amuse, trap, or free us, depending on how we pay attention. — Emma Lou Warner Thayne

You are the stories and incidents that you never tell to anyone. You are the thoughts that you get while standing under the
shower. You are those memories that won't lets you sleep at night peacefully. You are those words that you will never say while
speaking with someone. You are those scars that you always hide from everyone. You are those little secrets that you will never let the world know. You are everything that you hide under the identity that you call the real you. — Akshay Vasu

It [the Harlem Renaissance] was a time of black individualism, a time marked by a vast array of characters whose uniqueness challenged the traditional inability of white Americans to differentiate between blacks. — Clement Alexander Price

I was familiar with the little mating rituals of getting to know each other, of dragging out the stories from childhood, summer camp, and high school, the famous humiliations, and the adorable things you said as a child, the familial dramas - of having a portrait of yourself, all the while making yourself out to be a little brighter, a little more deep than deep down you knew you actually were. And though I hadn't had more than three or four relationships, I already knew that each time the thrill of telling another the story of yourself wore off a little more, each time you threw yourself into it a little less, and grew more distrustful of an intimacy that always, in the end, failed to pass into true understanding. — Nicole Krauss

Kenya is rapidly developing its industry and manufacturing, and its cultural identity as a new country. We had a humongous history pre-British, and when we were colonized and violently reshuffled, we had to decide who we were again. We couldn't rest on the stories and the cultures of our great-grandparents. — Wangechi Mutu

A high school teacher once told me that identity is half what we tell ourselves and half what we tell other people about ourselves. But the missing piece he didn't mention - the piece that holds so much weight, especially in the minds of young women and girls - is the stories that other people tell us about ourselves. — Jessica Valenti

I had a book of Bible stories when I was a kid. There was a picture I'd look at twenty times every day: Jacob wrestles with the angel. I don't really remember the story, or why the wrestling
just the picture. Jacob is young and very strong. The angel is ... a beautiful man, with golden hair and wings, of course. I still dream about it. Many nights. I'm ... It's me. In that struggle. Fierce, and unfair. The angel is not human, and it holds nothing back, so how could anyone human win, what kind of a fight is that? It's not just. Losing means your soul thrown down in the dust, your heart torn out from God's. But you can't not lose. — Tony Kushner

I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity. I'm a writer. I just love telling stories. — Kurt Busiek

It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story. — Patrick Rothfuss

We all belong to an ancient identity. Stories are the rivers that take us there. — Frank Delaney

I wear makeup and I don dramatic attire because I like control. I'm not interested in controlling others but I'm invested in strict self-governance. This is why I don't do many face-to-face interviews. I don't like being caught off-guard. It all goes back to that attempt to create order amidst disorder. One of the most frightening things about losing your mind is that you feel like your body, your brain, every part of your essence is being invaded. There is such a palpable helplessness to that narrative and I hate the sense of victimhood that it implies. Certainly, this is how I felt during my moments of psychological disquiet. I felt like my personhood was under attack. Performativity is important to me because I'm the teller of my own stories. I have been performing these multiple roles for so long that they have bled into my identity. I have become the man that I always wanted to be. — Diriye Osman

Same species, same earth, different stories. Like Creation stories everywhere, cosmologies are a source of identity and orientation to the world. They tell us who we are. We are inevitably shaped by them no matter how distant they may be from our consciousness. — Robin Wall Kimmerer

As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections. — Carlos Ruiz Zafon

Just recognizing and naming that many of the things we treat as historical fact are stories can help erode their power over our sense of identity and thinking. If they are stories rather than "truth," we can write new stories that better represent the country we aspire to be. Our new stories can be about diverse people working together to overcome challenges and make life better for all, about figuring out how to live sustainably on this one planet we share, and on deep respect for cooperation, fairness, and equity instead of promoting hyper-competitive individualism. — Annie Leonard

I'm really interested in stories about identity - who I am now versus who I used to be. — Seth Gordon

These stories are important to me, not because they happen to be about South Asians, but because they're circling around a certain strain of loneliness that goes deeper than cultural dissonance, that has to do with the yearning to connect with someone else, or with some unreachable vision of home. — Tania James

The theme of corporate stories (and millions drink them in every day) seldom varies: to be happy you must consume, to be special you must conform. Absurd, obviously, yet our identities have become so fragile, so elusive, that we seem content to let advertisers provide us with their version of who we are, to let them recreate us in their image: a cookie-cutter image based on market research, shallow sociology, and insidious lies. — Tom Robbins

You can tell it any way you want, he said, you can be I or he or she or we or they or you and you won't be lying, though you might be telling two stories at once. — China Mieville

You can overcome the things that are done to you, but you cannot escape the things that you have done.
Here is the truth: It matters, what you do at war. It matters more than you ever want to know. Because countries, like people, have collective consciences and memories and souls, and the violence we deliver in the name of our nation is pooled like sickly tar at the bottom of who we are. The soldiers who don't die for us come home again. They bring with them the killers they became on our national behalf, and sit with their polluted memories and broken emotions in our homes and schools and temples. We may wish it were not so, but action amounts to identity. We become what we do.You can tell yourself all the stories you want, but you can't leave your actions over there. You can't build a wall and expect to live on the other side of memory. All of the poison seeps back into our soil. — Megan K. Stack

The immersive stories of This Is Paradise are a lithe blend of formal invention and traditional narrative pleasures. As such they reflect Kristiana Kahakauwila's intimate but expansive vision of a Hawai'i forged from the collisions of past and present, here and there. Her protagonists are as richly distinctive as the pidgin they speak, and yet each struggles profoundly with identity-that negotiation between ourselves and the world, which is at once Hawaiian, American, universally and compellingly human. — Peter Ho Davies

Man is the Storytelling Animal, and that in stories are his identity, his meaning, and his lifeblood. — Salman Rushdie

Stories are how we think. They are how we make meaning of life. Call them schemas, scripts, mental maps, ideas, metaphors, or narratives. Stories are how we inspire and motivate human beings. Great stories help us to understand our place in the world, create our identity, discover our purpose, form our character and define and teach human values. — Jeroninio Almeida

Stories are able to help us to become more whole, to become Named. And Naming is one of the impulses behind all art; to give a name to the cosmos, we see despite all the chaos. — Madeleine L'Engle

In American Romances, her new book of essays, Rebecca Brown has a voice that is full of pop references, family stories, and the fruits of a lifetime of
in her perfect phrase - extreme reading. The voice is a hoot, and it is dead serious. This is writing with exquisite control, fully up to the task Brown takes on of playing a fierce game of beach ball with deep problems of American (and personal) history and identity. — Susan Stinson

Why else do we read fiction, anyway? Not to be impressed by somebody's dazzling language - or at least I hope that's not our reason. I think that most of us read these stories that we know are not 'true' because we're hungry for another kind of truth: The mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. — Orson Scott Card

identity stories have tremendous power over us and over the quality of our lives. We — Aziz Gazipura

It was as if my sould had left my body, floated up to the ceiling, and was watching me destroy my own career with one deliberately assaultive punch. (Dark City Lights) — Peter Hochstein

I want to kiss your forehead; my love now is so evolved. I want to hold your hand and see all the little marks and nicks and find out how they happened. I want to assimilate myself in your identity, to have my existence intertwined with yours. I want to know what all stories still lie hidden in you.'
('Left from Dhakeshwari') — Kunal Sen

We are curious creatures, we Taiwanese. Orphans. Eventually, orphans must choose their own names and write their own stories. The beauty of orphanhood is the blank slate. — Shawna Yang Ryan

I was increasingly both horrified and sceptical about these memories - I had no recall of these things at all, though I couldn't imagine why I'd want to make it all up either. It felt as though it had all happened to somebody else, I was not there - it wasn't me - when those people did nasty things.
But then, of course, it didn't feel like me, that's the whole point of dissociation - to create distance between the victim and her experience of the abuse. The alters were created for just that purpose: so that I'd not be aware that it happened to me, but rather to "others". The trouble is, in reality it was my body that took the abuse. It was only my mind that was divided, and sooner or later the amnesic barriers were bound to come down.
And that's exactly what had begun to happen as I heard their stories. They triggered a vague and growing sense in me that this really is my story. — Carolyn Bramhall

The mind needs stories as much as the body needs food. There are junk stories and more nourishing ones. The food we eat becomes our bodies, assimilated stories form our identities — David Loy

Take me back into the time when I lost track of time! — Jasleen Kaur Gumber

Then you are a poet?' she asked, fingering the flyer in her pocket.
'No not at all,' he waved his hand. 'I am merely a character in a poem. — Karen Tei Yamashita

It takes courage to create your own identity, to stop believing old stories about who you are or that limit who you can be. — Christie Ridgway

Wendy Doniger has spent decades collecting not only myths from ancient texts but stories of all kinds from novels, movies, newspapers about an old mystery: what has or hasn't happened in bed for centuries. Rich in insights about sex, lies, and personal identity, the result is entertaining, enthralling, and, yes, sexy. — Roberto Calasso

Instead of spelling stories you spread silence, which was outside the alphabet. — Lauren Slater

I was a reader before I was a writer, and when I started putting together my first collection of short stories, Fairytales For Lost Children, I drew on my rich history as a reader to try and create my voice. I wanted this voice to reflect my Somali background, my Kenyan upbringing and my London home. This voice would be a mashup of all the elements that formed my youth; the sticky-sweet Jamaican patois, the Kenyan street slang, my Somali and Italian linguistic tics, my love of jazz poetics and nineties hip-hop slanguistics. This language would form the bed on which my narratives of love, loss, identity and hope would rest. — Diriye Osman

To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut. — Lynn Emanuel

My basic point being that stories are at the heart of what explorers and novelists say about strange regions of the world; they also become the method colonized people use to assert their own identity and the existence of their own history. — Edward W. Said