Stone From The Moon Quotes & Sayings

Listen to me. I will spill my insides for you once only. We were three - I am the green, the
growing, the day. I loved the moon, the silver night, and he loved the sunshine, fierce and hot, and she
loved me because the sun must love the day. And the sun and I stood in a valley of stone and faced
death, because we wanted to spare the night, who had suffered a thousand deaths already, and we didn't
want him to bleed any more. But he would not allow it. He swooped from the sky and clenched death
in both hands, and we wore his blood like skin. — Amy Lane

Nearer, my God, to Thee.

Nearer, my God, to Thee,
Nearer to Thee!
E'en though it be a cross
That raiseth me:
Still all my song shall be
Nearer, my God! to Thee,
Nearer to Thee.

Though, like the wanderer,
The sun gone down,
Darkness be over me,
My rest a stone;
Yet in my dreams I'd be
Nearer, my God, to Thee,
Nearer to Thee.

Then let the way appear
Steps unto heaven;
All that Thou sendest me
In mercy given:
Angels to beckon me
Nearer, my God, to Thee,
Nearer to Thee.

Then with my waking thoughts
Bright with Thy praise,
Out of my stony griefs
Bethel I'll raise;
So by my woes to be
Nearer, my God, to Thee,
Nearer to Thee.

Or if on joyful wing,
Cleaving the sky,
Sun, moon, and stars forgot,
Upward I fly:
Still all my song shall be,
Nearer, my God, to Thee,
Nearer to Thee. — Sarah Flower Adams

Unfortunately, the mysterious gold does not come from the moon, but from the pocket of a blacksmith, or a nail-smith, or a cartwright, or a farrier, or a laborer, or a shipwright; in a word, from John Q. Citizen, who gives it now without receiving a grain more of iron than when he was paying ten francs. Thus, we can see at a glance that this very much alters the state of the case; for it is very evident that Mr. Protectionist's profit is compensated by John Q. Citizen's loss, and all that Mr. Protectionist can do with the pot of gold, for the encouragement of national labor, John Q. Citizen might have done himself. The stone has only been thrown upon one part of the lake, because the law has prevented it from being thrown upon another. — Frederic Bastiat

To say nothing is out here is incorrect; to say the desert is stingy with everything except space and light, stone and earth is closer to the truth. — William Least Heat-Moon

Abandoned.
The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting - administered without warning or satisfactory cause.
One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light.
It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled.
Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears - a dying heart.
Abandoned. — Richelle E. Goodrich

Autunm eats its leaf out of my hand: we are friends.
From the nuts we shell time and we teach it to walk:
then time returns to the shell.
In the mirror it's Sunday,
in dream there is room for sleeping,
our mouths speak the truth.
My eye moves down to the sex of my loved one:
we look at each other,
we exchange dark words,
we love each other like poppy and recollection,
we sleep like wine in the conches,
like the sea in the moon's blood ray.
We stand by the window embracing, and people look up from
the street:
it is time they knew!
It is time the stone made an effort to flower,
time unrest had a beating heart.
It is time it were time.
It is time. — Paul Celan

This universe an old enchantment guards; Its objects are carved cups of World-Delight Whose charmed wine is some deep soul's rapture-drink: The All-Wonderful has packed heaven with his dreams, He has made blank ancient Space his marvel-house; He spilled his spirit into Matter's signs: His fires of grandeur burn in the great sun, He glides through heaven shimmering in the moon; He is beauty carolling in the fields of sound; He chants the stanzas of the odes of Wind; He is silence watching in the stars at night; He wakes at dawn and calls from every bough, Lies stunned in the stone and dreams in flower and tree. — Sri Aurobindo

The higher the trail the steeper it grows Ten thousand tiers of dangerous cliffs The stone bridge is slippery with green moss Cloud after cloud keeps flying by Waterfalls hang like ribbons of silk The moon shines down on the bright pool I climb the highest peak once more To wait where the lone crane flies — Hanshan

Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below. — Sheri S. Tepper

The Rival
If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.
Both of you are great light borrowers.
Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything.
I wake to a mausoleum; you are here,
Ticking your fingers on the marble table, looking for cigarettes,
Spiteful as a woman, but not so nervous,
And dying to say something unanswerable.
The moon, too, abuses her subjects,
But in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.
No day is safe from news of you,
Walking about in Africa maybe, but thinking of me. — Sylvia Plath

Are you waiting for the next full moon? You realize the Tournament will be done by then, yes? " called Vikram.
"Calm down."
"I am turning ancient."
I stepped outside. He opened his mouth to speak. Saw me. Closed it.
"Are you so ancient you've turned to stone? "
He straightened. "Are you planning to seduce your way into
winning? "
"Envy doesn't suit you,"
"Not envy. If I could seduce my way into winning, I would. In fact, I considered wearing your outfit, but chest hair
lacks a certain feminine charm. — Roshani Chokshi

A forest," William said, his expression distant. "Where the ground is dry soil and stone. Where tall trees grow and centuries of autumn carpet their roots. Where the wind smells of game and wildflowers."
"Why, that was lovely, Lord Bill. Do you ever write poetry? Something for your blueblood lady?"
"No."
"She doesn't like poetry?"
"Leave it."
Hehe. "Oh, so you have a lady. How interes
— Ilona Andrews

The moon was sharp enough to draw blood from a stone — Tom Waits

Maple. Maypole
Catch and carry.
Ash and Ember.
Elderberry.
Woolen. Woman.
Moon at night.
Willow. Window.
Candlelight.
Fallow farrow.
Ash and oak.
Bide and borrow.
Chimney smoke.
Barrel. Barley.
Stone and stave.
Wind and water.
Misbehave. — Patrick Rothfuss

BALLROOMS OF MARS"

"You gonna look fine
Be primed for dancing
You're gonna trip and glide
All on the trembling plane
Your diamond hands
Will be stacked with roses
And wind and cars
And people of the past

I'll call you thing
Just when the moon sings
And place your face in stone
Upon the hill of stars
And gripped in the arms
Of the changeless madman
We'll dance our lives away
In the Ballrooms of Mars

You talk about day
I'm talking 'bout night time
When the monsters call out
The names of men
Bob Dylan knows
And I bet Alan Freed did
There are things in night
That are better not to behold

You dance
With your lizard leather boots on
And pull the strings
That change the faces of men
You diamond browed hag
You're a gutter-gaunt gangster
John Lennon knows your name
And I've seen his — Marc Bolan

And as I ran along the shore, crushing sleeping flowers with heedless feet and maddened ever by the fear of unknown things and the lure of the dead faces, I saw that the garden had no end under that moon; for where by day the walls were, there stretched now only new vistas of trees and paths, flowers and shrubs, stone idols and pagodas, and bendings of the yellow-litten stream past grassy banks and under grotesque bridges of marble. And the lips of the dead lotos-faces whispered sadly, and bade me follow, nor did I cease my steps till the stream became a river, and joined amidst marshes of swaying reeds and beaches of gleaming sand the shore of a vast and nameless sea. Upon — H.P. Lovecraft

Where I lived - winter and hard earth.
I sat in my cold stone room
choosing tough words, granite, flint,
to break the ice. My broken heart -
I tried that, but it skimmed,
flat, over the frozen lake.
She came from a long, long way,
but I saw her at last, walking,
my daughter, my girl, across the fields,
In bare feet, bringing all spring's flowers
to her mother's house. I swear
the air softened and warmed as she moved,
the blue sky smiling, none too soon,
with the small shy mouth of a new moon. — Carol Ann Duffy

Tis said if under a waxing moon a maid weaves a chain of bluebells within the stone circle, the next lad she sees will be her true love." She held up her handiwork. "Tis no' quite finished, so I believe ye are safe from me... — Willa Blair

After a time, he felt a deeper rhythm, the rhythm of the stone and water, not the rhythm of his words and heartbeat. He breathed into this deeper rhythm, let it teach him a new mantra, a wordless mantra that waxed and waned, ebbed and flowed, moon and stars and clouds, river and sun, the wordless singing of the earth beneath it all like the world's own heartbeat. He laid his palms flat on the stone beneath him and listened in quiet rapture to the mantra of the world's praying. — Katherine Addison

Aim for the moon. If you miss, you may hit a star. — W. Clement Stone

We are unraveling our navels so that we may ingest the sun.
We are not afraid of the darkness.
We trust that the moon shall guide us.
We are determining the future at this very moment.
We know that the heart is the philosopher's stone.
Our music is our alchemy. — Saul Williams

All good writing is built one good line at a time. You build a novel the same way you do a pyramid. One word, one stone at a time, underneath a full moon while the fingers bleed. — Kate Braverman

As for me, I delight in the every day Way Among mist-wrapped vines and rocky caves Here in the wilderness I am completely free With my friends, the white clouds, idling forever There are roads, but they do not reach the world Since I am mindless, who can rouse my thoughts On a bed of stone I sit, alone in the night While a round moon climbs up Cold Mountain — Hanshan

He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. "She's my alpha," he murmured, with a haunting sadness in his voice.
Alpha.
Cress leaned forward, propping her elbows on her knees, "Like the star?"
"What star?"
She stiffened, instantly embarrassed, and scooted back from him again. "Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she's ... like ... your brightest star." Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was.
But instead of sneering or laughing, Wolf sighed, "Yes," he said, his gaze climbing up to the full moon that had emerged in the blue evening sky. "Exactly like that. — Marissa Meyer

The moon is a stone and the sky is full of deadly hardware, but oh God, how beautiful anyway. — Margaret Atwood

Night lay upon the forest. There was no moon, but the stars of Silverpelt shed their frosty glitter over the trees. At the bottom of a rocky hollow, a pool reflected the starshine. The air was heavy with the scents of late greenleaf. Wind sighed softly through the trees and ruffled the quiet surface of the pool. At the top of the hollow, the fronds of bracken parted to reveal a cat; her bluish grey fur glimmered as she stepped delicately from rock to rock, down to the water's edge. Sitting on a flat stone that jutted out over the pool, she raised her head to look around. As if at a signal, more cats began to appear, slipping into the hollow from every direction. They padded down to sit as close to the water as they could, until the lower slopes were filled with lithe shapes gazing down into the pool. — Erin Hunter

He went under the stars, and the tender light of the moon, when it hung like an eyelash and the tree trunks shone like bones. He walked through wind and weather, and beneath sun-bleached skies. It seemed to Harold that he had been waiting all his life to walk. He no longer knew how far he had come, but only that he was going forward. The pale Cotswold stone became the red brick of Warwickshire, and the land flattened into middle England. Harold reached his hand to his mouth to brush away a fly, and felt a beard growing in thick tufts. Queenie would live. He knew it. — Rachel Joyce

Lorenzo il Magnifico, the Plato Four, the humanists had taught him that man was the center of the universe; and this was never more demonstrable that when he stood looking upward and found himself, a lone individual, serving as the central pole holding up the tarpaulin of sun and clouds, moon and stars, knowing that, lone or abandoned as he might feel, without his support the heavens would fall. — Irving Stone

I fold back the sheet, get carefully up, on silent bare feet, in my nightgown, go to the window, like a child, I want to see. The moon on the breast of the new-fallen snow. The sky is clear but hard to make out, because of the searchlight; but yes, in the obscured sky a moon does float, newly, a wishing moon, a sliver of ancient rock, a goddess, a wink. The moon is a stone and the sky is full of deadly hardware, but oh God, how beautiful anyway. I want Luke here so badly. I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name, remind myself of what I once could do, how others saw me. I — Margaret Atwood

Lucille has a dull life, Mr. Marlowe. She's stuck here with me and a PBX. And an itty-bitty diamond ring - so small I was ashamed to give it to her. But what can a man do? If he loves a girl, he'd like it to show on her finger."
Lucille held her left hand up and moved it around to get a flash from the little stone. "I hate it," she said. "I hate it like I hate the sunshine and the summer and the bright stars and the full moon. That's how I hate it".
I picked up the key and my suitcase and left them. A little more of that and I'd be falling in love with myself. I might even give myself a small unpretentious diamond ring. — Raymond Chandler

Why can't I find you? I know you're out there.
Why am I forced to live a life of despair?
I want to find you and hold your hand.
My heart beats for you it's all I can stand.
I know I will find you and hope someday soon.
Until then I will think of you and stare at the moon.
I know my heart beats for you and you alone.
Until then it's heavy and feels like stone.
I want to hold you in my arms and whisper a soft word.
The feeling of your touch would make my soul be stirred.
For this is a dream and it will never be.
If only you knew I'm out here and could see.
For I am lonesome for you and want this so much.
To feel your skin on mine as we touch.
I long for the day we meet and you're part of my life.
For until you do this solitude cuts me like a knife.
John A Miller — John A. Miller

Cold as winter, strong as stone;
She faced the darkness all alone.
A silver goddess; a reflection.
A mirage; a recollection.
No return; no turning back.
The past is gone, the future, black.
Serpents gather in their nest,
And she stands above the rest.
Shadows hunt; she hunts the shadow.
The moon is risen; she stands below.
She views her world through the eyes of others.
Black and white; there are no colors,
As she looks down upon a shattered youth.
A shattered mirror shows a shattered truth. — Amelia Atwater-Rhodes

Shine on me, sunshine Rain on me, rain Fall softly, dewdrops And cool my brow again. Storm, blow me from here With your fiercest wind Let me float across the sky 'Til I can rest again. Fall gently, snowflakes Cover me with white Cold icy kisses and Let me rest tonight. Sun, rain, curving sky Mountain, oceans, leaf and stone Star shine, moon glow You're all that I can call my own. — Maya Angelou

Like the moon, the novel is a symbol and a necessary reality. Ideally it serves neither gods nor masters. Philosopher's stone, it sublimates, precipitates, and quickens. House of Keys, it opens all our darkest doors. May the Pol Pot Persons of all genders and denominations take heed: to create a fictional world with rigor and passion, to imagine a character of any sex, place, time, or color and make it palpitate and quiver, to catapult it into the deepest forests of our most luminous reveries, is to commit an act of empathy. To write a novel of the imagination is a gesture of tenderness; to enter the body of a book is a fearless act and generous. — Rikki Ducornet

Oysters open completely when the moon is full; and when the crab sees one it throws a piece of stone or seaweed into it and the oyster cannot close again so that it serves the crab for meat. Such is the fate of him who opens his mouth too much and thereby puts himself at the mercy of the listener. Leonardo da Vinci, 1452-1519 — Robert Greene

The moon, our lonely sister, filters pain and harm from sunlight, and reflects it back to us safely, free of burn and blemish. We danced in moonlight on the balcony that night, Oleg and I, and we sang and shouted and laughed, hardening ourselves to what we'd done in life, and what we'd lost. And the moon graced two fallen fools, on a fallen day, with sunlight purified by a mirror in the sky, made of stone. — Gregory David Roberts

If you break up with Alec, you will not only be losing one stone cold fox, but a family of foxes. I will pass down the word to my children's children. No Lightwood is ever going to so much as wink at you in a bar. Think about that. Think about being Lightwoodless and lonely five hundred years from now, in a sad and chilly nightclub on the moon. — Cassandra Clare

He watched the early light of the new moon glint fretfully on the river, now silver slivers, now darkness, as the night breeze stirred the choked growth on the banks and lifted the tree branches. The watersteps were a deserted invitation, and he envied Hori who must surely even now be reclining on the bottom of his skiff, Antef beside him, their fishing lines tied to the boat whilst they watched the stars and gossiped. His fountain tinkled like music in the darkness, and the monkeys sighed and snuffled in their favourite warm spot under the stone basin, which still held the warmth of the day's heat. — Pauline Gedge

Ancient indeed. Joppa was a walled city with a stone barricade curving like a quarter moon around the natural port. Along its length, seven watchtowers rose like pillars holding up the sky. The ancient port had long since outgrown its former boundaries, however. More people lived outside the city walls than within. — Davis Bunn

You sit at the edge of the world,
I am in a crater that's no more.
Words without letters
Standing in the shadow of the door.
The moon shines down on a sleeping lizard,
Little fish rain from the sky.
Outside the window there are soldiers,
steeling themselves to die.
(Refrain)
Kafka sits in a chair by the shore,
Thinking for the pendulum that moves the world, it seems.
When your heart is closed,
The shadow of the unmoving Sphinx,
Becomes a knife that pierces your dreams.
The drowning girl's fingers
Search for the entrance stone, and more.
Lifting the hem of her azure dress,
She gazes
at Kafka on the shore — Haruki Murakami

That was the breaking point. the old knowers realized no talk would ever stop the shapers." Her hand dropped back into the water. "he stole the moon and with it came the war." "Who was it?" I asked. Her mouth curved into a tiny smile. She hooted: "who? who?" "Was he of the faen courts?" I prompted gently. Felurian shook her head, amused. "no. as I said, this was before the fae. the first and greatest of the shapers." "What was his name?" She shook her head. "no calling of names here. I will not speak of that one, though he is shut beyond the doors of stone. — Patrick Rothfuss

All through the deep blue night The fountain sang alone; It sang to the drowsy heart of the satyr carved in stone. The fountain sang and sang But the satyr never stirred- Only the great white moon In the empty heaven heard. — Sara Teasdale

Ars Poetica

A poem should be palpable and mute
As a globed fruit,

Dumb
As old medallions to the thumb,

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown -

A poem should be wordless
As the flight of birds.

A poem should be motionless in time
As the moon climbs,

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,
Memory by memory the mind -

A poem should be motionless in time
As the moon climbs.

A poem should be equal to:
Not true.

For all the history of grief
An empty doorway and a maple leaf.

For love
The leaning grasses and two lights above the sea -

A poem should not mean
But be. — Archibald MacLeish

There is a moon shaped rictus in the streetlamp's globe where a stone has gone and from this aperture there drifts down through the constant helix of aspiring insects a faint and steady rain of the same forms burnt and lifeless. — Cormac McCarthy

O Light Invisible, we praise Thee!
Too bright for mortal vision.
O Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening,
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
O Light Invisible, we worship Thee!
We thank Thee for the light that we have kindled,
The light of altar and of sanctuary;
Small lights of those who meditate at midnight
And lights directed through the coloured panes of windows
And light reflected from the polished stone,
The gilded carven wood, the coloured fresco.
Our gaze is submarine, our eyes look upward
And see the light that fractures through unquiet water.
We see the light but see not whence it comes.
O Light Invisible, we glorify Thee! — T. S. Eliot

Man is naturally a religious being. His heart instinctively seeks for God whether he reverences the sacred cow or prays to the sun or moon; whether he kneels before wood and stone images, or prays in secret to his Heavenly Father, he is satisfying an inborn urge. — Spencer W. Kimball

They checked Westish Field, and then the big stone bowl of the football stadium. Nothing. There weren't many electric lights nearby, and the moon that hung between banks of clouds was as slender as an eyelash. Schwartz had never experienced this kind of darkness before enrolling at Westish; in his first days on campus he'd been afraid to fall asleep, as if the night and the quiet might swallow him whole. Now he wondered whether he could ever live in a city again. "I don't suppose he's out drowning his sorrows," Owen said. Henry never went to the bars unless he — Chad Harbach

The sound of the wind stretches its limbs.
The jazz music witholds some of its ruckus.
Hands move something in the dark.
I say: just an old romanticism...
No matter, the place will fit everything.

Vision descends upon flaccid pathways
and rides them on cheap metal.
Dried out trees and others take their water
from the drowned sand by force.
I say: a passing depression.
No matter, the place will fit everything.
During the day the sun approaches the mountain,
places its hand upon it,
its cold hand of lovers,
strikes stone with stone.
Mountain scrub dances behind the stone.
The sun does not see it.
Only the moon shines upon it all the way beyond the bend
and the guardian stones watch from afar.
I say: a passing coincidence.
No matter, the place will fit everything. — Ashur Etwebi

Synchronized with the rising moon Even with the evening star They were true love written in stone They were never alone, they were never that far apart — James Taylor

Evidence of this [transformation of animals into fossils] is that parts of aquatic animals and perhaps of naval gear are found in rock in hollows on mountains, which water no doubt deposited there enveloped in sticky mud, and which were prevented by coldness and dryness of the stone from petrifying completely. Very striking evidence of this kind is found in the stones of Paris, in which one very often meets round shells the shape of the moon. — Albertus Magnus

He'd been about to turn away when she lifted her face to the moon and sang.
It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent
This language was ancient, each word full of power and rage and agony.
She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
And the the song finished, its end as butal and sudden as Nehemia's death had been.
She stood there a few moments, silent and unmoving. — Sarah J. Maas

Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains of the moon.
Roads go ever ever on
Under cloud and under star,
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen
And horror in the halls of stone
Look at last on meadows green
And trees and hills they long have known — J.R.R. Tolkien

O Moon that rid'st the night to wake
Before the dawn is pale,
The hamadryad in the brake,
The Satyr in the vale,
Caught in thy net of shadows
What dreams hast thou to show?
Who treads the silent meadows
To worship thee below?
The patter of the rain is hushed,
The wind's wild dance is done,
Cloud-mountains ruby-red were flushed
About the setting sun:
And now beneath thy argent beam
The wildwood standeth still,
Some spirit of an ancient dream
Breathes from the silent hill.

Witch-Goddess Moon, thy spell invokes
The Ancient Ones of night,
Once more the old stone altar smokes,
The fire is glimmering bright.
Scattered and few thy children be,
Yet gather we unknown
To dance the old round merrily
About the time-worn stone.
We ask no Heaven, we fear no Hell,
Nor mourn our outcast lot,
Treading the mazes of a spell
By priests and men forgot. — Gerald Gardner

Cold be hand and heart and bone, and cold be sleep under stone: never more to wake on stony bed, never, till the Sun fails and the Moon is dead. In the black wind the stars shall die, and still on gold here let them lie, till the dark lord lifts his hand over dead sea and withered land. — J.R.R. Tolkien

On westminster Bridge, Arthur was struck by the brightness of the streetlamps running across like a formation of stars. They shone white against the black coats of the marching gentlefold and fuller than the moon against the fractal spires of Westminster. They were, Arthur quickly realized, the new electric lights, which the city government was installing, avenue by avenue, square by square, in place of the dirty gas lamps that had lit London's public spaces for a century. These new electric ones were brighter. They were cheaper. They required less maintenance. And they shone farther into the dime evening, exposing every crack in the pavement, every plump turtle sheel of stone underfoot. So long to the faint chiaroscuro of London, to the ladies and gentlemen in black-on-black relief. So long to the era of mist and carbonized Newcastle coal, to the stench of the Blackfriars foundry. Welcome to the cleasing glare of the twentieth century. — Graham Moore

I have kept thee long in waiting, dear Romuald, and thou mayst well have thought that I had forgotten thee. But I have come from a long distance and from a place from which no one has ever before returned; there is neither moon nor sun in the country from which I come; there is naught but space and shadow; neither road nor path; no ground for the foot, no air for the wing; and yet here I am, for love is stronger than death, and it will end by vanquishing it. Ah! what gloomy faces and what terrible things I have seen in my journeying! What a world of trouble my soul, returned to this earth by the power of my will, has had in finding its body and reinstating itself therein! What mighty efforts I had to put forth before I could raise the stone with which they had covered me! See! the palms of my poor hands are all blistered from it. Kiss them to make them well, dear love! — Theophile Gautier

And then, some morning in the second week, the mind wakes, comes to life again. Not in a city sense - no - but beach-wise. It begins to drift, to play, to turn over in gentle careless rolls like those lazy waves on the beach. One never knows what chance treasures these easy unconscious rollers may toss up, on the smooth white sand of the conscious mind; what perfectly rounded stone, what rare shell from the ocean floor. Perhaps a channeled whelk, a moon shell, or even an argonaut. — Anne Morrow Lindbergh

THE MOON was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.
Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.
Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!
And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.
Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue. — Emily Dickinson

I've never been content to pass a stone without looking under it. And it is a black disappointment to me that I can never see the far side of the moon. — John Steinbeck

And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike. — James Wolcott

In the broad light of day mathematicians check their equations and their proofs, leaving no stone unturned in their search for rigour. But, at night, under the full moon, they dream, they float among the stars and wonder at the miracle of the heavens. They are inspired. Without dreams there is no art, no mathematics, no life. — Michael Atiyah

And the Shdaow fell upon the Land, and the World was riven stone from stone. The oceans fled, and the mountains were swallowed up, and the nations were scattered to the eight corners of the World. The moon was as blood, and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon. - from Aleth nin Taerin alta Camora, The Breaking of the World. Authoer unknown, the Fourth Age. — Brandon Sanderson

A song she heard
Of cold that gathers
Like winter's tongue
Among the shadows
It rose like blackness
In the sky
That on volcano's
Vomit rise
A Stone of ruin
From burn to chill
Like black moonrise
Her voice fell still ... — Robert Fanney

Even at brightest noon, it's always
Full moon in my country. In these streets of
Tropic stone and Malay blood, daylight is
Moonlight mugging me on every corner
Where human shadows loll in an atmosphere
Both lunar and lunatic.
And while from either pole we're
Half a world and seas away, this
Might as well be
An arctic archipelago, where as
The sun burns the colder it gets.
This might as well be
Equatorial Antarctica... — Luis H. Francia

Guess what it is that turns plants to coal.
Pressure.
Guess what it is that turns limestone to marble.
Pressure.
Guess what it is that turns Briony's heart to stone.
Pressure.
Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldric's, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars. — Franny Billingsley

We claim the present as the pre-sent, as the hereafter. We are unraveling our navels so that we may ingest the sun.
We are not afraid of the darkness, we trust that the moon shall guide us.
We are determining the future at this very moment. We now know that the heart is the philosophers' stone. Our music is our alchemy. We stand as the manifested equivalent of 3 buckets of water and a hand full of minerals, thus realizing that those very buckets turned upside down supply the percussion factor of forever ... — Saul Williams