Stone Carving Quotes & Sayings

To be a full-blooded hillbilly was to be a living koan. Half of you wanted to be dignified and half of you couldn't tolerate any restraint. You could see it in the regional art and hear it in the music. Wood carving with chainsaws. Cloggers who danced up a storm with the lower half of their bodies, but held the upper half perfectly still and stared off into the distance stone-faced. Or a group of bluegrass musicians who'd be playing the most raucous tunes imaginable, looking around at each other with bemused expressions that seemed to say where's all that racket comin from?
Phoebe believed that nearly all the adult males everywhere were pretty much the same way. Most of them could manage to keep the top half of themselves under a semblance of control, but the bottom half tended to run wild. As she continued to descend the trail she couldn't help but think that most men were mentally ill below the waist. — Carolyn Jourdan

The Cavern you are asking about, yes, I have seen that, with rows and rows of tubes stored neatly in the earth. I have also seen a cave full of papers, and golden apples on dark trees twisted from growing in a place with great wind and little rain, and my name carved in a tree, and paintings on stone. And in the Carving I have seen burned bodies under the sky and a man singing his daughter to her grave, marking her arms and his with blue. I have felt life in that place, and I have seen death. — Ally Condie

Piece by Piece Piece by piece They tear at you: Peeling away layers of being, Lying about who you are, Speaking for your dreams. In the squalor of their eyes You are an outlaw. Dressing you in a jacket of lies - tailor-made in steel - You fit their perfect picture. Take it off! Make your own mantle. Question the interrogators. Eyeball the death in their gaze. Say you won't succumb. Say you won't believe them When they rename you. Say you won't accept their codes, Their colors, their putrid morals. Here you have a way. Here you can sing victory. Here you are not a conquered race Perpetual victim - the sullen face in a thunderstorm. Hands/minds, they are carving out A sanctuary. Use these weapons Against them. Use your given gifts - they are not stone. — Luis J. Rodriguez

When carving stone, the sculptor removes everything that is not the statue. [ ... ] The art of revealing beauty lies in removing what conceals it. So, too, Patanjali [in the Yoga Sutras] tells us that wholeness exists within us. Our work is to chisel away at everything that is not essence, not Self. — Judith Hanson Lasater

It was a heavy piece, about thirty inches in height, carved of stone. And so ugly that it defied description. Surely only a blind person could have carved it.
Maybe carving it was what made the person blind. — Sherrilyn Kenyon

The Great Stone at the center of the Somme memorial has this inscription: "Their name liveth for evermore." The memorial contains 73,077 names, the names of young men who were robbed of life. Note that we often say that they gave their lives, but of course, this is not true; their lives were taken from them. It is not outrageous to consider the carving of their names and the false promise of "evermore" another act of violence. — Nel Noddings

Models need to be judged by what they eliminate as much as by what they include - like stone carving, the art is in removing what you do not need. — John H. Miller

Each of us is carving a stone, erecting a column, or cutting a piece of stained glass in the construction of something much bigger than ourselves. — Adrienne Clarkson

On the top of my desk there are initials, carved into the wood, and dates ... This carving, done with a pencil dug many times into the warn varnish of the desk, has the pathos of all vanished civilizations. It's like a handprint on stone. Whoever made this was once alive. — Margaret Atwood

What do you do with everything that is cut away? she asked Tilman, thinking now about the negative space of stone sculpture, the stone that is discarded, thinking too about how she had thrown away huge pieces of her own early life ... — Jane Urquhart

Recently I have been working in the country, where, carving in the open air, I find sculpture more natural than in a London studio, but it needs bigger dimensions. A large piece of stone or wood placed almost anywhere at random in a field, orchard, or garden, immediately looks right and inspiring. — Henry Moore

A parable: A man was examining the construction of a cathedral. He asked a stone mason what he was doing chipping the stones, and the mason replied, "I am making stones." He asked a stone carver what he was doing. "I am carving a gargoyle." And so it went, each person said in detail what they were doing. Finally he came to an old woman who was sweeping the ground. She said. "I am helping build a cathedral." ... Most of the time each person is immersed in the details of one special part of the whole and does not think of how what they are doing relates to the larger picture. — Richard Hamming

You forgot to cough!" he said.
"Sorry." She coughed.
"Your sneakiness is dangerous. Next time that chisel will lodge itself in my head."
"Now, Peder, there's plenty of stone around here for carving. No need to practice on your own face."
He stroked his chin. "You're right, my jaw is already chiseled to perfection."
She agreed, but she felt too silly to say so aloud. — Shannon Hale

Jack was too absorbed in his work to hear the bell. He was mesmerized by the challenge of making soft, round shapes of hard rock. The stone had a will of its own, and if he tried to make it do something it did not want to do, it would fight him, and his chisel would slip, or dig in too deeply, spoiling the shapes. But once he had got to know the lump of rock in front of him he could transform it. The more difficult the task, the more fascinated he was. He was beginning to feel that the decorative carving demanded by Tom was too easy. Zigzags, lozenges, dogtooth, spirals and plain roll moldings bored him, and even these leaves were rather stiff and repetitive. He wanted to curve natural-looking foliage, pliable and irregular, and copy the different shapes of real leaves, oak and ash and birch. — Ken Follett

So she moved away from the carving of the mythical stag, instantly cold as she severed contact with the delightful heat living within the stone. Part of her could have sworn that ancient, strange power was sad to see her go. — Sarah J. Maas

That was on the pillar stone on Ynys Bainail," I said, indicating the carving. "What does it mean?"
"It is Mor Cylch, the maze of life," Tegid told me. "It is trodden with just enough light to see the next step or two ahead, but not more. At each turn the soul must decide whether to journey on or whether to go back the way it came."
"What if the soul does not journey on? What if it chooses to go back the way it came?"
"Stagnation and death," replied Tegid with mild vehemence. He seemed irritated that anyone would consider retreating.
"And if the soul travels on?"
"It draws nearer its destination," the bard answered. "The ultimate destination of all souls is the Heart of the Heart. — Stephen R. Lawhead