Stephen's Story Quotes & Sayings

By today's standards, if you go by the early morning TV misery shows, my broken home family of mixed parentage siblings was quite normal. — Hailey Giblin

The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy. — Ben E. King

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable ... and hilariously original. A supernatural crime story, blazing with creative intrigue ... don't miss it. — Michael Arnzen

And what about those [writers' workshop] critiques, by the way? How valuable are they? Not very, in my experience, sorry. A lot of them are maddeningly vague. I love the feeling of Peter's story, someone may say. It had something ... a sense of I don't know ... there's a loving kind of you know ... I can't exactly describe it ...
It seems to occur to few of the attendees that if you have a feeling you just can't describe, you might just be, I don't know, kind of like, my sense of it is, maybe in the wrong fucking class. — Stephen King

Not every one has a sob story and even if they do, it's no excuse. — Stephen Chbosky

Stephen Hawking's A Brief History of Time tells the story of a cosmologist whose speech is interrupted by a little old lady who informs him that the universe rests on the back of a turtle. Ah, yes, madame, the scientist replies, but what does the turtle rest on? The old lady shoots back: You can't trick me, young man. It's nothing but turtles, turtles, turtles, all the way down. — George Will

What I tell people is be the best version of yourself in anything that you do. You don't have to live anybody else's story. — Stephen Curry

When I start a story, I don't know where it's going. — Stephen King

In our world you got your mystery and suspense stories . . . your science fiction stories . . . your Westerns . . . your fairy tales. Get it?" "Yes," Roland said. "Do people in your world always want only one story-flavor at a time? Only one taste in their mouths?" "I guess that's close enough," Susannah said. "Does no one eat stew?" Roland asked. — Stephen King

Well then, I'm going to tell you a secret almost every newspaper man and woman who's been at it awhile knows: in real life, the number of actual stories - those with beginnings, middles, and ends - are slim and none. But if you can give your readers just one unknown thing (two at the very outside) and then kick in what Dave Bowie there calls a musta-been, your reader will tell himself a story. — Stephen King

In the 40 years since 'The Amityville Horror', dramatizations of those supposedly-real events have gotten loose enough - special-effects laden enough, star-power re-packaged enough - that the audience no longer trusts the dramatization's loyalty to the core story. — Stephen Graham Jones

The Compleat Angler is acknowledged to be one of the world's books. Only the trouble is that the world doesn't read its books, it borrows a detective story instead. — Stephen Leacock

Some memories were all right, but others were dangerous. — Stephen King

For a moment the dark and fearsomely sad thoughts which inhabit her mind grow even sadder and darker; Lisey thinks they will either kill her or drive her insane. — Stephen King

As long as 'Pearl Harbor' stays in the past, it's perfect; when it wretchedly changes gears in the late going, it becomes the wrong kind of same old story: Hollywood stupidity and callowness, writ large across the sky. — Stephen Hunter

I loved you then and I love you now and I have loved you every second in between. — Stephen King

Babyluv: If you need an anchor to hold your place in the world-not Boo'ya Moon but the one we shared, use the african. You know how to get it back. Kisses-at least a thousand, Scott
P.S. Everything the same. I love you. — Stephen King

And, of course, one of the great true facts of the world is this: for every old-timer who dies, there's a new old-timer coming along. And a good story never dies; it is always passed down. — Stephen King

I don't understand this at all. I don't understand any of this. Why does a story have to be socio-anything? Politics ... culture ... history ... aren't those natural ingredients in any story, if it's told well? I mean ... ' He looks around, sees hostile eyes, and realizes dimly that they see this as some sort of attack. Maybe it even is. They are thinking, he realizes, that maybe there is a sexist death merchant in their midst. 'I mean ... can't you guys just let a story be a story? — Stephen King

And he made a home run, and his team won the state championship. The greatest thing about this story is that every time my dad tells it, it never changes. He's not one to exaggerate. — Stephen Chbosky

Whoever said misery loves company was full of shite. Whatever can go wrong will go wrong, however ... that guy was onto something. — Stephen King

I'd have you see the like this; I'd have you see them very well. Will you? They are clustered around Suzie's Cruisin Trike, embracing in the aftermath of their victory. I'd have you see them this way not because they have won a great battle - they know better than that, every one of them - but because now they are ka-tet for the last time. The story of their fellowship ends here, on this make-believe street and beneath this artificial sun; the rest of the tale will be short and brutal compared to all that's gone before. Because when ka-tet breaks, the end always comes quickly.
Say sorry. — Stephen King

I am, after all, not just the novel's creator but its first reader. And if I'm not able to guess with any accuracy how the damned thing is going to turn out, even with my inside knowledge of coming events, I can be pretty sure of keeping the reader in a state of page-turning anxiety. And why worry about the ending anyway? Why be such a control freak? Sooner or later every story comes out somewhere. — Stephen King

If you keep having to dip into the story's past to explain the present, then there's a good chance your real story's in the past, and you're just using the present as a vehicle to deliver us there. — Stephen Graham Jones

It is completely raw, the sort of thing I feel free to do with the door shut - it's the story undressed, standing up in nothing but its socks and undershorts. — Stephen King

It's easy to think that if we had a different house, different car, different job, different relationship, different city, everything would be different; that we would feel different then.

The problem is, you are the main character in the story that is your life. No matter how much you alter the setting of that story, you can't escape from yourself. There are many factors which contribute to your experience on this planet, but ultimately, you are the one creating your experience here. In order to get to the life you are here to live, you must begin by becoming the person you are here to become. — Stephen Lovegrove

Although I don't know for sure, I'd bet my dog and lot that John Grisham never worked for the mob. All of that is total fabrication (and total fabrication is the fiction-writer's purest delight). He was once a young lawyer, though, and he has clearly forgotten none of the struggle. Nor has he forgotten the location of the various financial pitfalls and honeytraps that make the field of corporate law so difficult. Using plainspun humor as a brilliant counterpoint and never substituting cant for story, he sketches a world of Darwinian struggle where all the savages wear three-piece suits. And - here's the good part - this is a world impossible not to believe. Grisham has been there, spied out the land and the enemy positions, and brought back a full report. He told the truth of what he knew, and for that if nothing else, he deserves every buck The Firm made. — Stephen King

Isn't bravery always sort of beautiful? — Stephen King

The fact that the Antarctica is beginning to look more like it's part of the story, as well. — Stephen Schneider

Book-buyers aren't attracted, by and large, by the literary merits of a novel; book-buyers want a good story to take with them on the airplane, something that will first fascinate them, then pull them in and keep them turning the pages. This happens, I think, when readers recognize the people in a book, their behaviors, their surroundings, and their talk. When the reader hears strong echoes of his or her own life and beliefs, he or she is apt to become more invested in the story. I'd argue that it's impossible to make this sort of connection in a premeditated way, gauging the market like a racetrack tout with a hot tip. — Stephen King

If you could get anything at all off Santa, what would it be?'
I asked for a fire engine and sweets. Bunty exclaimed in delight, 'Santa will get you that, but you and Scott will need to leave out a bowl of milk and some carrots for Rudolph.'
'Who's Rudolph?' I asked.
Bunty told me in confidence that Rudolph was Santa's reindeer and that he helped pull all the children's toys in the world over the snow. I couldn't wait.
In readiness for Rudolph, Scott, Martha, Bunty and I picked out four of the biggest carrots from a bag in the kitchen, which we then washed. We found a big bowl that we used to lick the cream out of, which we filled with milk. We put the bowl along with the carrots under the Christmas tree, with all the other children's offerings. Then Bunty and Martha came in and washed us, put us to bed and read us a story, before kissing us good night. On their way out they said, 'When you wake up, Santa will have been'. — Stephen Richards

Not everyone has a sob story, Charlie, and even if they do, it's no excuse. — Stephen Chbosky

I see so, so many novels written by people who are obviously short story writers. What they end up doing, it's going the full distance, covering three hundred pages or so, but they do it by just writing five or six long stories, and weaving them together, making them interdependent. — Stephen Graham Jones

I sit on the bench in front of Bell's Market and think about Homer Buckland and about the beautiful girl who leaned over to open his door when he come down that path with the full red gasoline can in his right hand - she looked like a girl of no more than sixteen, a girl on her learner's permit, and her beauty was terrible, but I believe it would no longer kill the man it turned itself on; for a moment her eyes lit on me, I was not killed, although a part of me died at her feet. (from the short story Mrs. Todd's Shortcut) — Stephen King

No, it's not a very good story - its author was too busy listening to other voices to listen as closely as he should have to the one coming from inside. — Stephen King

'Harold and Maude' was a seminal movie for me because it's not only a beautiful love story, but it's also about the moment when misfits find each other. — Stephen Chbosky

If you're writing primarily for one person besides yourself, I'd advise you pay very close attention to that person's opinion (I know one fellow who says he writes mostly for someone who's been dead fifteen years, but the majority of us aren't in that position). And if what you hear makes sense, then make the changes. You can't let the whole world into your story, but you can let in the ones that matter the most. And you should. — Stephen King

When you start, it's very cold, an impossible task. But then maybe the characters start to take on a little bit of life, or the story takes a turn that you don't expect ... With me that happens a lot because I don't outline, I just have a vague notion. So it's always felt like less of a made thing and more of a found thing. That's exciting. That's a thrill. — Stephen King

For me, that emotional payoff is what it's all about. I want you to laugh or cry when you read a story ... or do both at the same time. I want your heart, in other words. If you want to learn something, go to school. — Stephen King

The story is the only thing that's important. Everything else will take care of itself. It's like what bowlers say. You hear writers talk about character or theme or mood or mode or tense or person. But bowlers say, if you make the spares, the strikes will take care of themselves. If you can tell a story, everything else becomes possible. But without story, nothing is possible, because nobody wants to hear about your sensitive characters if there's nothing happening in the story. And the same is true with mood. Story is the only thing that's important. — Stephen King

It occurred to him that there were a lot of stories for kids with stuff like this in them, stuff that threw acid all over your emotions. Hansel and Gretel being turned out into the forest, Bambi's mother getting scragged by a hunter, the death of Old Yeller. It was easy to hurt little kids, easy to make them cry, and this seemed to bring out a strangely sadistic streak in many story-tellers ... including, it seemed, Beryl Evans. — Stephen King

The world is full of victims; don't add to the growing culture of "I've a story to tell", well not unless it's a story to help others overcome situations or as a warning. — Stephen Richards

I haven't been thinking at all, not really, I've just been following the steps. The recipe.
& this is like turning a page in the cookbook & finding the next one blank. — Stephen King

Among the clay tablets brought back by Rassam from Ashurbanipal's library, were fragments of the Babylonian story of the Deluge. These, as translated by George Smith, aroused immense interest, which led to the desire that search be made for the missing fragments. The explorers of the Heroic Period had uncovered palaces, bas-reliefs, and statues, but had given the insignificant tablets secondary consideration. From the library chamber of Ashurbanipal's palace Rassam had extracted only those tablets which could be conveniently reached. With the power to read attained meanwhile, the tablets had become fully as important as the sculptures, if not more so. George Smith's expedition indicated, therefore, that the Modern Scientific Period of excavation had begun. Its end is not yet in sight, since its goal is the investigation of all feasible localities in the Mesopotamian valley, with the purpose of throwing all available light upon the history and life of these ancient peoples. — George Stephen Goodspeed

The Tonys ignored West Side Story. The Tonys ignored Gypsy. It's a kind of public humiliation. — Stephen Sondheim

On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point. — Stephen Sondheim

Some things you never forgot. She had come to believe that the very things the practical world dismissed as ephemera - things like songs and moonlight and kisses - were sometimes the things that lasted the longest. They might be foolish, but they defied forgetting. And that was good.
That was good. — Stephen King

If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song. — Stephen Sondheim

I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story. — Stephen King

Like attending the masquerade ball in Poe's story about the Red Death. You know, 'Come on, everybody! Kick out the jams, have another glass of champagne, and ignore all those people dropping like flies. — Stephen King

I think writers can get too attached to these worlds they create, these characters they make real, so that, instead of ending the story where the story's asking to end, they draw it out, unable to let go. — Stephen Graham Jones

Film and television have convinced too many writers that heaps of dialogue make novels more like movies and therefore good. This is an amateur's fantasy, and it has induced some writers to surrender the few advantages they have over cinematic storytelling. The moviemaker is stuck with what the camera can see and the microphone can hear. You have more freedom. You can summarize situations. You can forthrightly give us people's histories. You can concentrate ten years into ten words. You can move anywhere you like outside real time. You can tell us - just tell us - what people are thinking and feeling. Yes, abundant dialogue can lighten a story, make it more readable and sparkle with wonders. But it is pitiably inadequate before what it is not suited to do. — Stephen Koch

What you need to remember is that there's a difference between lecturing about what you know and using it to enrich the story. The latter is good. The former is not. — Stephen King

Sometimes a cigar is just a smoke and a story's just a story — Stephen King

The ghost story movie that scared me the most was The Changeling with George C. Scott. I think that's sometimes overlooked, but it's a wonderful piece of work. — Stephen King

I believe there's a landscape that exists underneath everything that we can see in present-day stuff. And I think that makes life kind of a detective story. — Stephen Hopkins

It's also important to remember it's not about the setting, anyway - it's about the story, and it's always about the story. — Stephen King

President Obama awarded a National Medal of Arts to author Stephen King. You know, because if there's anyone who can relate to the story of a guy trapped in a mansion that's driving him insane, it's Obama. — Jimmy Fallon

It was that kind of story. The kind that's like a sneeze which threatens but never quite arrives. — Stephen King

I liked lots of 'Doctor Who' books, but my favourite tale was a spooky story about two invalid children - who've never met in the real world - who get trapped in a shared dreamscape when they fall asleep. It's called 'Marianne Dreams' by Catherine Storr. — Stephen Cole

I responded (and with rather touching wholeheartedness) to the sweep of Tolkien's imagination-to the ambition of his story-but I wanted to write my own kind of story, and had I started then, I would have written his ... Thanks to Mr. Tolkien, the twentieth century had all the elves and wizards it needed. — Stephen King

Around 1980, I'd been writing short stories, all to no success; so I wrote a fan letter to Stephen King and asked "How long should it take an aspiring writer to either get published or know when to give up?" Lo and behold, King wrote back to me in long hand with blue flair pen on 14-inch paper, purveying a very nice, helpful note; in it he said my letter proved a "command of the language," that I should never give up, and that it would take years to succeed, not months. "That's cold comfort but it's the truth." This was the ultimate encouragement for a young writer to be who didn't know shit about the market. I took Mr. King's advice and actually sold my first novel little more than a year later. I'll always be copiously grateful for this advice, and it's the same advice I give aspiring writers now (along with the story of King's reply!). — Edward Lee

When I encountered these haunting words from Franz Kafka, I realized exactly why this light sermon about the search for God had struck such a nerve: Everyday life is the greatest detective story ever written. Every second, without noticing, we pass by thousands of corpses and crimes. That's the routine of our lives. — Stephen Kendrick

Johnny Depp's performance is quite remarkable. Sweeney's desire for revenge and the simmering anger and hurt that he feels carry the story forward, and Johnny finds the most remarkable variety within that narrow set of emotions. The intensity is at a boil all the time and he never drops it. It's real anger. — Stephen Sondheim

I come to you and you see me whole,' he says. 'You love me all the way around the equator and not just for some story I wrote. When the door closes and the world's outside, we're eye to eye. — Stephen King

Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on. — Stephen Hopkins

Their situation was becoming ever harder to deny: they were characters in someone's story. This whole world
— Stephen King

I was watching him crawl,
Back over the wall-!
Then bang! Crash!
And the lightning flash!
And- well, that's another story,
Never mind-
Anyway ... — Stephen Sondheim

The short story, it's not a step on the way to becoming a novelist. — Stephen Graham Jones

If the main character's not in jeopardy - physical, psychological, emotional, whatever - then you don't have any tension, and you don't have a story. — Stephen Graham Jones

The woman who entered had the plump, matronly figure of the Good Gramma in a children's story and the beady eyes of a dick in a department store. — Stephen King

My take on all these things is pretty simple. It's all on the table, every bit of it, and you should use anything that improves the quality of your wiring and doesn't get in the way of your story. If you like an alliterative phrases-the knights of nowhere battling the nabobs of nullity-by all means throw it in and see how it looks on paper. If it seems to work, it can stay. If it doesn't (and to me this one sounds pretty bad, like Spiro Agnew crossed with Robert Jordan), well that delete key is on your machine for a good reason. — Stephen King

Everyone's taste is different. But I think the best way to defend against regrets after opening night is to try your best to tell the story you want to tell. In terms of smaller changes over time, I think good plays are like poems. Every syllable counts. — Stephen Karam

My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish. — Stephen Greenblatt

I know Charlie Kaufman really well, for instance. Charlie Kaufman starts a story, and he has no freaking idea where he's going. None. Zero. And he doesn't want to know, because there's a little bit of death in that. — Stephen Gaghan

Stories need stupid decisions that, at the time, seem absolutely rational and necessary. Without stupid decisions, the world isn't thrown out of balance, and so there's no need for a 'rest of the story' to balance it back. — Stephen Graham Jones

I'm very opinionated about movie musicals when they're adapted from live shows. You'll sit still for a three-minute song in a theater. But in movies, a glance from someone's eyes will tell you the whole story in a few seconds. — Stephen Sondheim

When you came right down to it, how did anyone know they weren't a character in some writer's story, or a transient thought in some bus-riding schmoe's head, or a momentary mote in God's eye? — Stephen King

Music blows lyrics up very quickly, and suddenly they become more than art. They become pompous and they become self-conscious ... I firmly believe that lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you not only have the music, but you've got costume, story, acting, orchestra. There's a lot to take in. — Stephen Sondheim

Plot is, I think, the good writer's last resort and the dullard's first choice. The story which results from it is apt to feel artificial and labored. I lean more heavily on intuition, and have been able to do that because my books tend to be based on situation rather than story. Some of the ideas which have produced those books are more complex than others, but the majority start out with the stark simplicity of a department store window display or a waxwork tableau. I want to put a group of characters (perhaps a pair; perhaps even just one) in some sort of predicament and then watch them try to work themselves free. My job isn't to help them work their way free, or manipulate them to safety - those are jobs which require the noisy jackhammer of plot - but to watch what happens and then write it down. — Stephen King

The argument that the literal story of Genesis can qualify as science collapses on three major grounds: the creationists' need to invoke miracles in order to compress the events of the earth's history into the biblical span of a few thousand years; their unwillingness to abandon claims clearly disproved, including the assertion that all fossils are products of Noah's flood; and their reliance upon distortion, misquote, half-quote, and citation out of context to characterize the ideas of their opponents. — Stephen Jay Gould

In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls. — David Foster Wallace

Then her face tilted up to his, and he was looking into her eyes again. He had heard of drowning in a woman's eyes in some poem or story, and thought it ridiculous. He still thought it ridiculous, but understood it was perfectly possible, nonetheless. And she knew it. He saw concern in her eyes, perhaps even fear. — Stephen King

I wouldn't do a project if it weren't a story I wanted to tell. That's rewarding in itself, as a writer, if you're working on a story that you enjoy telling. — Stephen Schwartz

You stole my story and something's got to be done about it. — Stephen King

But just as we can all agree on what is red, even if we will never know if we each see it in the same way, so we can all agree - can't we? - that no matter how confident we may appear to others, inside we are all sobbing, scared and uncertain for much of the time. Or perhaps it's just me.
Oh God, perhaps it really is just me.
Actually it doesn't really matter, when you come to think of it. If it is just me, then you are reading the story of some weird freak. You are free to treat this book like science fiction, fantasy or exotic travel literature. Are there really men like Stephen Fry on this planet? Goodness, how alien some people are. And if I am not alone, then neither are you, and hand in hand we can marvel together at the strangeness of the human condition. — Stephen Fry

Since I'm a story-oriented critic, sometimes it's difficult to discuss issues without defining them. At the same time, I try not to give away anything that hasn't been given away in first half, in TV commercials, or that isn't obvious from the set-up of the movie. My editors are aware of this tendency of mine and read carefully for spoilers. — Stephen Hunter

There is a folk tale that before birth, every human soul knows all the secrets of life and death and the universe. But then, just before birth, an angel leans down, puts his finger to the new baby's lips, and whispers "Shhh."' Harris touches his philtrum. 'According to the story, this is the mark left by the angel's finger. Every human being has one. — Stephen King

Lee Duffy was a man apart and someone who only comes around once in a lifetime, a total one off. There have been a lot of things written about him in the press and it's always been from the other side of the coin. There are always two sides to every story and Lee's family have never fully told us their side. They are very distrustful of the press after Lee was made out to be some kind of monster.
If Lee had been born and bred in London, he would have been an icon.
He was Robin Hood, Dick Turpin and Muhammad Ali rolled into one. — Stephen Richards

I can't get why people are afraid of books or films which are horror. What's the scary of the film "Cube 1,2,3" - Yeah it was brutal I get scary, but after an hour I'm fine. I just continue to live my life. I check out "Saw", the most brutal film ever watched, yeah I could have some kind a bad thoughts and other stuff about the film. Like to think that this guy "Saw", is there with the bike, but after few days everything it went on the right path. I had chance to see what is the real face of the killers - "Saw" and what does goverment do "Cube"!

GreenMile was a sad story, I still can't believe that Stephen King has written it! — Deyth Banger

I have several books I can read over and over. With fiction, it's 'The Stand' by Stephen King, which is my favorite all time. I read that at least once a year, the version which has 100,000 extra words, which is like the director's cut and unabridged. I love the story. I love the social connotation to it. — Corey Taylor

You see something, then it clicks with something else, and it will make a story. But you never know when it's going to happen. — Stephen King

Stephen Schlesinger's Act of Creation tells a dazzling story of the dramatic events that have shaped the world in which we live. Never has a book been more relevant to present dangers and future hopes. — James Chace

In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity. — Stephen King

I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra. — Stephen Sondheim

The benefit of this kind of outlining is that you discover a story's flaws before you invest a lot of time writing the first draft, and it's almost impossible to get stuck at a difficult chapter, because you've already done the work to push through those kinds of blocks. — George Stephen

What the readers want is a good story, and what the writers always want to luck into, it's a good story. — Stephen Graham Jones

I hope you liked them, Reader; that they did for you what any good story should do
make you forget the real stuff weighing on your mind for a little while and take you away to a place you've never been. It's the most amiable sort of magic I know. — Stephen King

The exhausted mind is obsession's easiest prey. — Stephen King

There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in. — Stephen King