Quotes & Sayings About Stepford Wives

That's what she was, Joanna felt suddenly. That's what they all were, all the Stepford wives: actresses in commercials, pleased with detergents and floor wax, with cleansers, shampoos, and deodorants. Pretty actresses, big in the bosom but small in the talent, playing housewives unconvincingly, too nicey-nice to be real. — Ira Levin

'The Stepford Wives' was too big, and it was unsatisfying to do. Not that it was unsatisfying to do, but it was unsatisfying as a result because, as much as I loved parts of it, and I'm really proud of so much of it, the entire movie wasn't what I wanted it to be. It's my own fault; I didn't follow my instincts. — Frank Oz

Though Women's Studies was supposed to give a voice to "silenced" women, all too many women who dissent from its orthodoxy have themselves felt silenced by intolerant professors - and students, too. Indeed, while some (generally tenured) older professors like Willingham do dare to challenge Women's Studies dogma, younger initiates, whether students or greenhorn instructors, often act as fierce enforcers of dogma, reiterating it (as did Tholen and Alder at the Beijing +15 session) with all the zeal of fresh converts to a fundamentalist faith and bristling at any violation of Holy Writ. Patai and Koertge quote professors who complain about students being "zombified" by Women's Studies, turned into "ideologically inflamed Stepford Wives" who "utter ... stock phrases" and are plainly "terrified of a thought because if they ever had a serious thought, they might start reflecting on this stuff they're taught to repeat. — Bruce Bawer

They never stop, these Stepford wives. They something something all their lives. Work like robots. Yes, that would fit. They work like robots all their lives. — Ira Levin

I laughed my way through The Stepford Wives. — Cathleen McGuigan

Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope ... but darkness wins. — Chuck Palahniuk

Horror stories give us a way of exhausting our emotions around social issues, like a woman's right to an abortion, which I always thought was the core of 'Rosemary's Baby,' or the backlash against feminism which I always thought was the core to 'Stepford Wives.' — Chuck Palahniuk