Quotes & Sayings About Stage Props

In pain with you, and yet I could not go. I stayed since nothing better came along. I loved you by default or just for show, My life a whistled flat unechoed song. I groped for notches in our dun abyss, And looked for more in lonely only less. I shunned the path adorned with signs to bliss, And stood the loyal ground of wait or guess. It took the tender you to shift the scene, Bold arsonist beneath our tinder stage! I then in friendly fire to earth careen And from our props and ashes disengage. I begged you long with such a silent ache In fear of, wish for mercy for my sake. What Love Feels Like — David Richo

Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props. — Jane Badler

An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it. — Jeremy Irons

when all the like props and stage-settings that let you just go around smugly assuming you're not a thing are ripped away and broken because all of a sudden now the world understands you as a thing, everybody else thinks you're a rat or a thing and now it's up to you, you're the only one that can decide if you're more. — David Foster Wallace

Memory is imagination, and imagination is memory. I don't think we remember the past, we imagine it. We take a few props with us into the future, and out of those props we make a model, some stage set, and that's our version of the past. Of course models decay, and they change. And so we're constantly reshaping the past. Because the past is us. The past is our foundation. — John Banville

All the world's a stage. Creative work is a kind of theater. The stage is your studio, your desk, or your workstation. The costume is your outfit - your painting pants, your business suit, or that funny hat that helps you think. The props are your materials, your tools, and your medium. The script is just plain old time. An hour here, or an hour there - just time measured out for things to happen. — Austin Kleon

Adolescence is the same tragedy being performed again and again. The only things that change are the stage props. — Lindsey Leavitt

A farmer's work in many ways is like setting a stage. In theater, stage managers lay out furniture and props, set up lights, and clean to get a set ready for actors to take over and create a show. Farmers plow, fertilize, set up irrigation systems and fences, and otherwise prep the stage of their farms for the real actors -- the sun and the life within the seeds and animals -- to create the show. — Ben Hartman

The whole world had become a stage, in which the props were continually shifting, four extras reprising the roles of twenty-four characters and people I'd never seen before playing my most beloved ones. — Chris Campanioni

That seduction or initiation into evil can be understood by recognizing that most actors are not solitary figures improvising on the empty stage of life. Rather, they are often an ensemble of different players, on a stage with various props and changing costumes, scripts, and stage directions from producers and directors. — Philip G. Zimbardo

The Thirties had seen the first generation of American industrial designers; until the Thirties, all pencil sharpeners looked like pencil sharpeners - your basic Victorian mechanism, perhaps with a curlicue of decorative trim. After the advent of the designers, some pencil sharpeners looked as though they'd been put together in wind tunnels. For the most part, the change was only skin-deep; under the streamlined chrome shell, you'd find the same Victorian mechanism. Which made a certain kind of sense, because the most successful American designers had been recruited from the ranks of Broadway theater designers. It was all a stage set, a series of elaborate props for playing at living in the future. — William Gibson

And once their imaginations are liberated, they begin glimpse the grand interconnectedness of all things. Eternity begins to peek out from behind the everyday things and they see the trappings of any earthly moment as the stage and props for Heaven to reveal itself. There is now nothing ordinary. Everything is being used and spun out for His vast scheme and in His eternal economy, nothing is wasted. Suddenly, all the myriad moments and minutiae of a lifetime show their orchestration - there was nothing that did not lead to this! They look over all their time to find that His redemption has always been rushing, swooping, swerving through their experience, racing to and fro to intervene and infuse Grace. — Geoffrey Wood