Srinath Sampath Quotes & Sayings

Sometimes we are inclined to class those who are once-and-a-half witted with the half-witted, because we appreciate only a third part of their wit. — Henry David Thoreau

It's thematic in my career, if you look at most of my choices. It is some level of exploration of maternal angst and maternal heroism. — Vera Farmiga

It is only in times of great and grievous dullness that the believer regards prayer as a duty, and not as a privilege. — Adolph Saphir

Learning to prioritize is the secret to annihilating clutter. — Geralin Thomas

Directing is like meeting a woman. You don't know her, but something strikes you, and then you just have to go into it. — Maximilian Schell

I'll be one of the spokespeople, one of the people who sells the Administration's plans. — Donna Shalala

I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook. — Jay-Z

Working with and collaborating with and for Peter Jackson was an incredible experience because he is such a phenomenal filmmaker. — Andy Serkis

None of what I know is out of books ... I prefer tactual learning. Touching, on the quick of the sore nail, of present, mobile life. To toy, to gnaw, to tear: at the living element of pain. Like at a living drumstick. — Caitlin Thomas

We may eat dinner together, but everyone puts the food in his own mouth. — Mason Cooley

Progress really is possible. — Michael Bloomberg

There is plenty of room left for exact experiment in art, and the gate has been opened for some time. What had been accomplished in music by the end of the eighteenth century has only begun in the fine arts. Mathematics and physics have given us a clue in the form of rules to be strictly observed or departed from, as the case may be. Here salutary discipline is come to grips first of all with the function of forms, and not with form as the final result ... in this way we learn how to look beyond the surface and get to the root of things. — Paul Klee

I would go into a place that was quiet and isolated and think about how my character would feel in the situation, considering who he was and what he had been through. I would think about that even up to 30 minutes. And when I felt the character was in my body and I had left, I could walk onto set or into rehearsal. — Thomas Horn