Square Body Quotes & Sayings

I had known David Ham and Marco Santiago from having met and worked with them on The Cross and the Switchblade which we worked on together at Times Square Church. We joined together as Trace Life Media to be a directing/producing team to be able to assist churches in the production of a play in their own community or to bring a fully-produced productions - something that will be ministering to the Body of Christ. — Patricia Mauceri

I thought: This is what the living do. And I swooned at the ordinary nature of the task and myself, at my chapped hands and square palms, at the way my wrists bent and fingers flexed inside this living body. — Dee Williams

She has the sort of body you go to see in marble. She has golden hair. Quickly, deftly, she reaches with both hands behind her back and unclasps her top. Setting it on her lap, she swivels ninety degrees to face the towboat square. Shoulders back, cheeks high, she holds her pose without retreat. In her ample presentation there is defiance of gravity. There is no angle of repose. She is a siren and these are her songs. — John McPhee

Savannah moved gracefully, going directly across the darkened street, heading for the shadows of the square. She was very much aware of Gregori still close to her, his body protective. For a moment she thought he brushed her shoulder with his hand, the sensation was so real, but when she turned her head, he was several feet behind.
Go, ma petite, take Gary to the house.Do not allow the neighbors to see either of you.And place the safeguards carefully.
What about you?
There is no safeguard I cannot unravel. Go now. This time, there was so mistake. He was four feet away, already turning away from her, but she felt his mouth burning possessively on hers, lingering for just a moment, his tongue tracing the curve of her lip. She couldn't believe he could make her want him, burn for him, when he was going off into the night alone to fight their enemies.
The night has always been mine, Savannah.Do not waste your time worrying about me. — Christine Feehan

One square yard of drag will slow a falling body almost twenty percent. — Dan Brown

A familiarity had been activated in a reoccurring
theme that had been ignited from a recognizable old pattern of self distancing behavior. The tone of Laura's voice and the poise of her body language seemed to shrug at the expectations of Ed's reconciliatory efforts. It felt to Ed as though their relationship was right back to the same rugged place that it had been at before their vacation; right back to a recondite square one. It seemed like any connecting that had been accomplished had all unraveled into a recoiled heap of uncertainty. — Calvin W. Allison

I confront the city with my body; my legs measure the length of the arcade and the width of the square; my gaze unconsciously projects my body onto the facade of the cathedral, where it roams over the mouldings and contours, sensing the size of recesses and projections; my body weight meets the mass of the cathedral door, and my hand grasps the door pull as I enter the dark void behind. I experience myself in the city, and the city exists through my embodied experience. The city and my body supplement and define each other. I dwell in the city and the city dwells in me. — Juhani Pallasmaa

The only spot of comfort was the lingering impression of her fingertips through the fabric of his shirt, a reminder of the good side of having skin. He cultivated that square-inch patch, tilled and tended it into a full-body embrace. — Alex Shakar

More honestly and purely speaks the healthy body, perfect and square-built; and it speaks of the meaning of the earth.- — Friedrich Nietzsche

Her body is a city. Her heart is a large shady square, her fingers pedestrians, her hair the light of streetlamps, her knees two rows of buildings. She tries to give people footpaths. She tries to open up her cheeks and her towers. She didn't know streets hurt so much, not that there were so many streets in her to begin with. She wants to take her body on a stroll, out of her body, but she doesn't know where the key is. — Jenny Erpenbeck

Mom told me ... it's better to trust people than to doubt them. She said that people aren't born with kind hearts. When we're born, all we have are desires for food and material things. Selfish instincts, I guess. But she said that kindness is something that grows inside of each person's body ... but it's up to us to nurture that kindness in our hearts. That's why kindness is different for each person. Mom taught me that people's differences are something to celebrate ... When I thought of all the different shapes of human kindness
imaging them as round or square ... I got really excited. Your kindness is like a candle, Sohma-kun. I can feel it light up ... and I just want to smile. -Tohru — Natsuki Takaya

All I know is that right now I wanna rip your clothes off right here in the middle of this hall and throw you in one of these classrooms and kiss every square inch of your body, while a bunch of people who drive minivans listen wishing they were us. — L.J.Smith

night and day, a hundred billion neutrinos from the Sun pass through each square inch of your body, every second, without a trace of interaction with your body's atoms. — Neil DeGrasse Tyson

Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone. — Diane Setterfield

I want to paper cut her. On every square inch of her body. And then roll her in salt water. — M. Leighton

Lot's Wife

And the just man trailed God's messenger,
his huge, light shape devoured the black hill.
But uneasiness shadowed is wife and spoke to her:
'It's not too late, you can look back still

At the red towers of Sodom, the place that bore you,
the square in which you sang, the spinning-shed,
at the empty windows of that upper storey
where children blessed your happy marriage-bed.'

Her eyes that were still turning when a bolt
of pain shot through them, were instantly blind;
her body turned into transparent salt,
and her swift legs were rooted to the ground.

Who mourns one woman in a holocaust?
Surely her death has no significance?
Yet in my heart she never will be lost,
she who gave up her life to steal one glance.

1922-24 — Anna Akhmatova

And in the shadow of the square below, a small movement betrayed the presence of a man. Waiting. Roger closed his eyes, cold rising from his bare feet up his body, seeing in his mind the sudden vision of a green-eyed woman, lazy in the arms of a fair-haired lover ... and a look of surprise and then of horror on her face as the man vanished from her side. And an invisible blue glow rose in her womb. With his eyes tight shut, he put a hand on the icy windowpane, and said a prayer to be going on with. — Diana Gabaldon

The rock struck Piggy a glancing blow from chin to knee; the conch exploded into a thousand white fragments and ceased to exist. Piggy, saying nothing, with no time for even a grunt, travelled through the air sideways from the rock, turning over as he went. The rock bounded twice and was lost in the forest. Piggy fell forty feet and landed on his back across that square, red rock in the sea. His head opened and stuff came out and turned red. Piggy's arms and legs twitched a bit, like a pig's after it has been killed. Then the sea breathed again in a long, slow sigh, the water boiled white and pink over the rock; and when it went, sucking back again, the body of Piggy was gone. — William Golding

Arthur felt extraordinarily lonely stuck up in the air above it all without so much as a body to his name, but before he had time to reflect on this a voice rang out across the square and called for everyone's attention. A man standing on a brightly dressed dais before the building which clearly dominated the square was addressing the crowd over a tannoy "O people who wait in the shadow of Deep Thought!" he cried out. "Honored Descendants of Vroomfondel and Majikthise, the Greatest and Most Truly Interesting Pundits the Universe has ever known, the Time of Waiting is over! — Douglas Adams

Do it, Octavian" She ghosted the tips of her fingers along the hem of his shirt. "Touch me."
He growled low in his throat, his forehead dropping another inch toward her shoulder, his hair tickling the side of her face. "Be my angel, Riley, not my siren. Don't tempt me."
Moistening her lips with a sweep of her tongue, Riley glided her fingers over his belt, tracing the strip of leather to the silver buckle in the center. She felt rather than heard his deep inhalation and the tremor that raked his powerful body. Driven by his surrender, she used two fingers to walk over the square carvings etched into his abdomen, biting her lip to stop the grin that pulled when he groaned.
"I want to be both for you, Octavian," she whispered, letting her lips brush the curve of his shoulder. — Airicka Phoenix

[on camp:]
There were ten of us, living in a three-hundred-square-foot bunk, going through puberty as lightning speed. It was too much hormonal action for any one room, and the result was a frenzied, emotionally volatile space that smelled like a Bath and Body Works. — Lena Dunham

On a small square, wood is being cut for the city school. Cords of healthy, crisp timber are piled high and melt slowly, one log after another, under the saws and axes of workmen. Ah, timber, trustworthy, honest, true matter of reality, bright and completely decent, the embodiment of the decency and prose of life! However deep you look into its core, you cannot find anything that is not apparent on its evenly smiling surface, shining with that warm, assured glow of its fibrous pulp woven in a likeness of the human body. In each fresh section of a cut log a new face og the human body. In each fresh section of a cut log a new face appears, always smiling and golden. Oh, the strange complexion of timber, warm eithout exaltation, completely sound, fragrant, and pleasant! — Bruno Schulz

The Ancients, having taken into consideration the rigorous construction of the human body, elaborated all their works, as especially their holy temples, according to these proportions; for they found here the two principal figures without which no project is possible: the perfection of the circle, the principle of all regular bodies, and the equilateral square. — Luca Pacioli

Every whole person has ambitions, objectives, initiatives, goals. This one particular boy's goal was to be able to press his lips to every square inch of his own body. His arms to the shoulders and most of the legs beneath the knee were child's play. After these areas of his body, however, the difficulty increased with the abruptness of a coastal shelf. The boy came to understand that unimaginable challenges lay ahead of him. He was six. — David Foster Wallace

Remember - the fault is in the garment, certainly not the girl. There is nothing whatsoever wrong with the shape of her. Some designers cut their clothes for certain body types and others for others. Occasionally the pattern will make her ass look strangely square or the fabric will cling in an unflattering way, but Not Cut Well is always the answer, and it has the extremely delightful quality of saving your ass and being completely true at the same time. Use it wisely. — S. Bear Bergman

[H]alf blinded you embraced your own body, and with the warmth still under your jacket, you walked up the pavement along the square, moving through the grey light, and let your thoughts seep softly in, undisturbed, on the way up to the station, but also walking as one of many in the chill of December. I liked the feeling being a we, being more than myself, being larger than myself, being surrounded by others in a way I had never experienced before, of belonging, and it made no difference if those who walked to the left or the right of me, in front or behind me on this street, did not share the same feeling. — Per Petterson

My mouth blooms like a cut.
I've been wronged all year, tedious
nights, nothing but rough elbows in them
and delicate boxes of Kleenex calling crybaby
crybaby, you fool!
Before today my body was useless.
Now it's tearing at its square corners.
It's tearing old Mary's garments off, knot by knot
and see - Now it's shot full of these electric bolts.
Zing! A resurrection!
Once it was a boat, quite wooden
and with no business, no salt water under it
and in need of some paint. It was no more
than a group of boards. But you hoisted her, rigged her.
She's been elected.
My nerves are turned on. I hear them like
musical instruments. Where there was silence
the drums, the strings are incurably playing. You did this.
Pure genius at work. Darling, the composer has stepped
into fire. — Anne Sexton

Tall, way taller than her five foot five frame, his body bulged with muscles covered in tanned skin. He possessed layered down brown hair with gold highlights, vivid turquoise eyes and chiseled features, including a strong straight nose
surprising because with a taunting mouth like his she expected he'd gotten it broken more than once in his life
a square chin, and wickedly full lips that now quirked into a grin.
-"Enjoying the view?" he taunted.
-"Deciding what part to carve off your body first," she replied."Do you have a name by the way? Or should I just refer to you as 'that asshole'?"
-"You can call me Remy, but when I get your thighs around my neck, feel free to call me God. It totally pisses Lucifer's brother off, which means brownie points for me. — Eve Langlais

Now that the house was securely hidden, the fact that he was holed up with Havily sent a wave of heat over his body. I'm not going to be able to keep away from you, he said. Tell me you know that. Tell me you understand.
Her eyelids fell to half-mast as she released a deep sigh. Another wave of honeysucke hit him square in the chest. No one is asking you to, Warrior. — Caris Roane

The wind blew through the window. The trousers swayed. Doubtless when they were on Mr. Craggs, the trousers looked splendid and went perfectly well together with his body. But like this, isolated in space, Mr. Cragg's trousers were nightmarish.
The wind blew through the window. As they swayed, the trousers were alive. A shot, truncated, square creature consisting entirely of legs, belly and what went with them. And now it would get down and start walking among people and over people and grow and ... — Yevgeny Zamyatin

Straightening up so the full force of that cold blast hit him square in the face, Qhuinn glared into the rush, picturing those pines ahead that he couldn't see because his eyes were watering from the wind. Opening his mouth, he screamed bloody murder, adding his voice to the maelstrom.
Godd*mn it, he wasn't going down like a pussy. No ducking, no pathetic oh-please-God-no-saaaaaave-me. F**k that. He was going to meet death with his fangs bared and his body braced and his heart pounding not from fear, but from a whole boatload of ...
Blow me, Grim Reaper! — J.R. Ward

THE BODY SHOULD be triangular, the mind circular. The triangle represents the generation of energy and is the most stable physical posture. The circle symbolizes serenity and perfection, the source of unlimited techniques. The square stands for solidity, the basis of applied control. — Morihei Ueshiba

In England on a hot day, women are happy to walk around with their bra straps showing. In Paris, they don't shave their armpits. And you just can't mention Germany and style in the same book, let alone the same sentence. It's the same story in America too, where the Farrah Fawcett haido of 1975 still reigns supreme. In Italy, even the policemenists look like they've just come off a catwalk. One I found, standing on a rostrum in the middle of a Roman square, was immaculate, as was his routine. Each wave of the hand, each toot of the whistle and each twist of the body was Pans People perfect. Never mind that the traffic was completely ignoring him, he looked good, and that's what mattered. Looking good in Italy is even more important than looking where you're going. — Jeremy Clarkson

I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever. — Stephanie Perkins

I reveled in the smallness, the coziness of an upstairs bedroom in a traditional American Cape Cod house the half-floor that forces you to duck, to feel small and naive again, ready for anything, dying for love, your body a chimney filled with odd, black smoke. These square, squat, awkward rooms are like a fifty-square-foot paean to teenage-hood, to ripeness, to the first and last taste of youth. — Gary Shteyngart

And the first till last alshemist wrote over every square inch of the only foolscap available, his own body, till by its corrosive sublimation one continuous present tense integument slowly unfolded all marryvoising moodmoulded cyclewheeling history ... — James Joyce

Science is not a body of facts. Science is a state of mind. It is a way of viewing the world, of facing reality square on but taking nothing on its face. It is about attacking a problem with the most manicured of claws and tearing it down into sensible, edible pieces. — Natalie Angier

from The Prep Pantheon: An All-Time Great Alumni Association

Caroline Kennedy. Concord Academy '75. Harvard '80. On technical points Preppier than Mummy. During four years at Harvard Square, an unnatural fiber never went near her body (except for the shell of her L. L. Bean down vest). Her lacrosse game was ruthless, her brunch technique dazzling (smoked heavily, sat with the descendents of three other presidents). — Lisa Birnbach

It's like the frog that tried to outdo the cow...see, the consequences are reflected in each of us as individuals. A people so oppressed by the West have no mental leisure, they can't do anything worthwhile. They get an education that's stripped to the bare bone, and they're driven with their noses to the grindstone until they're dizzy -- that's why they all end up with nervous breakdowns. Try talking to them -- they're usually stupid. They haven't thought about a thing beyond themselves, that day, that very instant. They're too exhausted to think about anything else; it's not their fault. Unfortunately, exhaustion of the spirit and deterioration of the body come hand-in-hand. And that's not all. The decline of morality has set in too. Look where you will in this country, you won't find one square inch of brightness. It's all pitch black. So what difference would it make... — Soseki Natsume