Speech And Writing Quotes & Sayings

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye

I wonder if any of you have ever noticed that it is sometimes those who find most pleasure and amusement in their fellow man, and have most hope in his goodness, who get the reputation of being his most carping critics. Maybe it is that the satirist is so full of the possibilities of humankind in general, that he tends to draw a dark and garish picture when he tries to depict people as they are at any particular moment. The satirist is usually a pretty unpopular fellow. The only time he attains even fleeting popularity is when his works can be used by some political faction as a stick to beat out the brains of their opponents. Satirical writing is by definition unpopular writing. Its aim is to prod people into thinking. Thinking hurts.
(John Dos Passos, 1957, from the speech he delivered upon accepting the Gold Medal for Eminence in Fiction from the National Institute of Arts and Letters) — John Dos Passos

Prescriptive grammar has spread linguistic insecurity like a plague among English speakers for centuries, numbs us to the aesthetic richness of non-standard speech, and distracts us from attending to genuine issues of linguistic style in writing. — John McWhorter

When things are going well, I can't write fast enough to keep up with my mind. Writing walks, speech runs and talk flies. Other times, though, it's like fishing. — Dylan Moran

Home. The word circled comfortably in my mouth like bubble gum, swished around sweetly soft and satisfying. Home. Try saying it aloud to yourself. Home. Isn't it like taking a bite of something lovely? If only we could eat words. — Sol Luckman

Speech is the representation of the mind, and writing is the representation of speech. — Aristotle.

One of the things that writing and speech can do is express what we're thinking one thought at a time. — David Lipsky

It says something about the type of writing I had been doing that my muse could flee without my noticing. For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint conceit, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt. When one is writing - really writing - it is as if one is given a fatline to the gods. No true poet has been able to explain the exhilaration one feels when the mind becomes an instrument as surely as does the pen or thought processor, ordering and expressing the revelations flowing in from somewhere else. — Dan Simmons

Not being able to read and write music is not the same as being illiterate in speech and writing. — Yanni

People in Israel would write in a high register, they wouldn't write colloquial speech. I do a special take on colloquial speech. When I started writing, I thought [the language] was telling the story of this country: old people in a young nation, very religious, very conservative, very tight-assed, but also very anarchistic, very open-minded. It's all in the language, and that's one thing that doesn't translate. — Etgar Keret

I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language. — James Frey

No one can really claim to know politics properly until he has stayed up all night writing a speech for delivery the following day. While the world sleeps, the orator paces by lamplight, wondering what madness ever brought him to this occupation in the first place. Arguments are prepared and discarded. The exhausted mind ceases to have any coherent grip upon the purpose of the enterprise, so that often--usually an hour or two after midnight--there comes a point where failing to turn up, feigning illness, and hiding at home seem the only realistic options. And then, somehow, just asa panic and humiliation beckon, the parts cohere, and there it is: a speech. A second-rate orator now retires gratefully to bed. A Cicero stays up and commits it to memory. — Robert Harris

He reads every book in his home but it is not enough. The country boy craves stories. He devours every poem and fable in his school and library. Still he hungers. For stories. — Jennifer Lanthier

The ancient media of speech and song and theater were radically reshaped by writing, though they were never entirely supplanted, a comfort perhaps to those of us who still thrill to the smell of a library. — Alison Gopnik

I suspect that music has qualities both of speech and writing - partly built in, partly individually constructed - and this goes on all through one's life. — Oliver Sacks

Indeed a good quotation hardly ever comes amiss. It is a pleasing break in the thread of a speech or writing, allowing the speaker or writer to retire for an instant while another and greater makes himself heard. And this calling-up of the deathless dead implies also a community of mind with them, which the reader will not grudge the author lest he should seem to deny it to himself. — William Francis Henry King

Writing seems to rob me of my being: it is a second hand mode of communication, a pallid, mechanical transcript of speech, and so always at one remove from my consciousness. — Terry Eagleton

The man that I named the Giver passed along to the boy knowledge, history, memories, color, pain, laughter, love, and truth. Every time you place a book in the hands of a child, you do the same thing. It is very risky. But each time a child opens a book, he pushes open the gate that separates him from Elsewhere. It gives him choices. It gives him freedom. Those are magnificent, wonderfully unsafe things.
[from her Newberry Award acceptance speech] — Lois Lowry

All writers start out mimicking other writers. I've never relinquished that. I have a good ear for speech and writing patterns. — Jesse Kellerman

The spoken discourse may roll on strongly as the great tidal wave; but, like the wave, it dies at last feebly on the sands. It is heard by few, remembered by still fewer, and fades away, like an echo in the mountains, leaving no token of power. It is the written human speech, that gave power and permanence to human thought. — Albert Pike

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

I would touch its walls with my fingers and its ceilings with my looks, I would invoke the powers of writing, I would bathe my soul in the rivers of unknown thoughts that genius unrolls when surrounded by the song of all the books its heart receives the marvelous measures of its own speech ... — Helene Cixous

The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit - for gallantry in defeat, for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally flags of hope and of emulation. I hold that a writer who does not believe in the perfectibility of man has no dedication nor any membership in literature.
- Steinbeck Nobel Prize Acceptance Speech — John Steinbeck

A letter is always better than a phone call. People write things in letters they would never say in person. They permit themselves to write down feelings and observations using emotional syntax far more intimate and powerful than speech will allow. — Alice Steinbach

It was a shocking thing to say and I knew it was a shocking thing to say. But no one has the right to live without being shocked. No one has the right to spend their life without being offended. Nobody has to read this book. Nobody has to pick it up. Nobody has to open it. And if you open it and read it, you don't have to like it. And if you read it and you dislike it, you don't have to remain silent about it. You can write to me, you can complain about it, you can write to the publisher, you can write to the papers, you can write your own book. You can do all those things, but there your rights stop. No one has the right to stop me writing this book. No one has the right to stop it being published, or sold, or bought, or read. — Philip Pullman

By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display - the ailing or dead figure, which so often turns out to be the nasty companion, the cause and location of inhibitions. Censor the body and you censor breath and speech at the same time.
Write your self. Your body must be heard. Only then will the immense resources of the unconscious spring forth. — Helene Cixous

Unfortunately, I have dedicated great effort to the task of compiling this 'sensitive words glossary,' and I have mastered my filtering skills. I knew which words and sentences had to be cut, and I accepted the cutting as if that was the way it should be. In fact, I will often take it on myself to save time and cut a few words. I call this 'castrated writing' - - I am a proactive eunuch, I have already castrated myself before the surgeon raises his scalpel. — Murong Xuecun

The alien laws collectively invested the president the authority to deport resident aliens he considered dangerous. The sedition bill criminalized free speech, forbidding anyone to "write, print, utter or publish ... any false, scandalous, and malicious writing or writings against the government of the United States, or either House of the Congress of the United States, with intent to defame ... or to bring them ... into contempt or disrepute, or to excite against them, or either or any of them, the hatred of the good people of the United States."16 So — Jon Meacham

It's so easy to use tired, shopworn figures of speech. I love using long, fancy words but have learned - mostly from writing my biography of Winston Churchill - that short, strong words work better. I am ever-vigilant against the passive and against jargon, both of which are so insidious. — Gretchen Rubin

I met Jon Lovett, who was just coming off of three years of being a presidential speech writer and had just arrived here to be a comedy writer in Hollywood. I thought he was super green, in terms of this world, but he knows so much about the world that we're attempting to write about. — Josh Gad

Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation ... Writing with real voice has the power to make you pay attention and understand
the words go deep. — Peter Elbow

If unbridled licence of speech and writing be granted to all, nothing will remain sacred and inviolate; even the highest and truest mandates of nature, justly held to be the common and noblest heritage of the human race, will not be spared. Thus, truth being gradually obscured by darkness, pernicious and manifold error, as too often happens, will easily prevail. — Pope Leo XIII

Language is political. That's why you and me, my Brother and Sister, that's why we supposed to choke our natural self into the weird, lying, barbarous, unreal, white speech and writing habits that the schools lay down like holy law. — June Jordan

I often wonder if I have fulfilled my purpose. I believe the key to living life to the fullest is to always be recognizing opportunities and following your own path. To enjoy every minute, whether it's writing a novel, giving a speech, or petting the kitties, it's your life. — David Mezzapelle

Because there are hundreds of different ways to say one thing, I, being a writer, songwriter, and poet, speak childishly and incoherently. In speech there is so much to decide in so little time. — Criss Jami

Theodore," Ben says, interrupting him. " You seem like a... nice guy."
"Thanks," Theodore says, smiling.
"Let me finish," Ben says, holding up a finder in warning. "Because you're about to hate me. I lied. I'm not writing a paper." He points at Glenn. "This guy told me earlier today where to show up tonight so that I could find the girl I'm supposed to spend the rest of my life with. And I'm sorry, but that girl just so happens to be your date. And I'm in love with her. Like, really in love with her. Crippling, debilitating, paralyzing love. So please accept my sincerest apologies, because she's coming home with me tonight. I hope. I pray." Ben shoots me an endearing look. "Please ? Otherwise this speech will make me look like a complete fool and that won't be good when we tell our grandkids about this. — Colleen Hoover

Speech is highly elliptical. It would scarcely be endurable otherwise. Ellipsis is indispensable to the writer or speaker who wants to be brief and pithy, but it can easily cause confusion and obscurity and must be used with skill. — Bergen Evans

The Psalms are the steady, sustained subcurrent of healthy Christian living. They shaped the praying and vocation even of Jesus himself. They can and will do the same for us. The Psalms do this, to begin with, simply because they are poetry set to music: a classic double art form. To write or read a poem is already to enter into a different kind of thought world from our normal patterns. A poem is not merely ordinary thought with a few turns and twiddles added on to make it pretty or memorable. A poem (a good poem, at least) uses its poetic form to probe deeper into human experience than ordinary speech or writing is usually able to do, to pull back a veil and allow the hearer or reader to sense other dimensions. Sometimes — N. T. Wright

There's a lot about being "A Writer" that has nothing to do with writing. That's one thing I've discovered. You've got to meet with the sales force, and you've got to have all these luncheons, and be gracious, and you've got to give a lot of presentations and you've got to give a lot of speeches, and you've got to be on tour. — Augusten Burroughs

I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate. — Louis Auchincloss

In the absence of any written analogue to speech, the sensible, natural environment remains the primary visual counterpart of spoken utterance, the palpable site, or matrix wherein meaning occurs and proliferates. In the absence of writing, we find ourselves situated in the field of discourse as we are embedded in the natural landscape; indeed, the two matrices are not separable. We can no more stabilize the language and render its meanings determinate than we can freeze all motion and metamorphosis within the land. — David Abram

The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement.
[Nobel Prize Acceptance Speech] — John Steinbeck

Silence is death, and you, if you talk, you die, and if you remain silent, you die. So, speak out and die. — Tahar Djaout

Writing comes into being to retain information across time and across space. Before writing, communication is evanescent and local; sounds carry a few yards and fade to oblivion. The evanescence of the spoken word went without saying. So fleeting was speech that the rare phenomenon of the echo, a sound heard once and then again, seemed a sort of magic. — James Gleick

Remember, we all make our work available in a commercial transaction, the terms of which we, ourselves, dictate. If we give it away for free, that's our decision, and there is no refuge in the lame defense, "what do you want for nothing?" The buyer does not waive his right to express his opinion."
[Thick Skin and Bad Reviews, Blog post, June 26, 2013] — Pete Morin

Cinema captures the sound of speech close up and makes us hear in their materiality, their sensuality, the breath, the gutturals, the fleshiness of the lips, a whole presence of the human muzzle (that the voice, that writing, be as fresh, supple, lubricated, delicately granular and vibrant as an animal's muzzle), to succeed in shifting the signified a great distance and in throwing, so to speak, the anonymous body of the actor into my ear: it granulates, it crackles, it caresses, it grates, it cuts, it comes: that is bliss. — Roland Barthes

Speech is the body part of thinking, the voice of the mind. Writing is the blood and mind mixing to speak through the fingers, through the hands. — Lenora Champagne

Writing will never be perfect in a poet's eye that is why we need people's criticism good or bad, whether or not it gives a positive or negative frame to our work. We are first at hand to fight against the real and the normal in our writing as our outspoken, brimming voice bring truths to light so vividly and intensely for mass consumption that we so long for in our hearts. When the poet, not jubilant, neither spirited, allows his mind to quiet, allows the survival of and realises that all figures of speech matters; when God has witnessed the culmination of his progress; when the writer is almost in a hypnotic stance. Then the poet cannot stop himself when he is in the right place, then he can guess at the intensity, the prowess of his pen, his prolific writing and the intelligence behind his words becomes a self portrait kind of like what Vincent van Gogh used to do when he was depressed and lonely, fighting against the feelings of isolation and rejection by the establishment. — Abigail George

I cannot write in verse, for I am no poet. I cannot arrange the parts of speech with such art as to produce effects of light and shade, for I am no painter. Even by signs and gestures I cannot express my thoughts and feelings, for I am no dancer. But I can do so by means of sounds, for I am a musician ... — Wolfgang Amadeus Mozart

Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper. — John Dos Passos

If anything is scary about my writing, it's that it's the product of a very particular vision and doesn't reference common speech that heavily. By 'common speech,' I don't mean language as much as an agreed-on way of seeing, or a shorthand. — Mary Gaitskill

In brief: consciousness is a phenomenon in the zone of evolution. This world lights up to itself only where or only inasmuch as it develops, procreates new forms. Places of stagnancy slip from consciousness; they may only appear in their interplay with places of evolution.
If this is granted it follows that consciousness and discord with one's own self are inseparably linked up, even that they must, as it were, be proportional to each other. This sounds a paradox, but the wisest of all times and peoples have testified to confirm it. Men and women for whom this world was lit in an unusually light of awareness, and who by life and word have, more than others, formed and transformed that work of art which we call humanity, testify by speech and writing or even by their lives that more than others have they been torn by the pangs of inner discord. Let this be a consolation to him who also suffers from it. Without it nothing enduring has ever been begotten. — Erwin Schrodinger

Make your copy straightforward to read, understand and use. Use easy words; those that are used for everyday speech. Use phrases that are not too imprecise and very understandable. Do not be too stuffy; remove pompous words and substitute them with plain words. Minimize complicated gimmicks and constructions. If you can't give the data directly and briefly, you must consider writing the copy again. — Jay Abraham

[My] interest as a writer is not in reflecting actual human speech, which, of course, does not occur in sentences and is totally undiagrammable ... My interest is in trying to reflect the reality of experience-how we feel when we talk to each other, how we feel when we're engaging with questions that interest us. — John Green

All men are really most attracted by the beauty of plain speech, and they even write in a florid style in imitation of this. Theyprefer to be misunderstood rather than to come short of its exuberance. — Henry David Thoreau

Threats to freedom of speech, writing and action, though often trivial in isolation, are cumulative in their effect and, unless checked, lead to a general disrespect for the rights of the citizen. — George Orwell

Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others. — Elena Ferrante

I tended to do anything as long as it felt like an adventure, and to stop when it felt like work. Which meant that life did not feel like work. — Neil Gaiman

When I give a speech at a corporate event, I often ask those in attendance, 'Do you know how to tell if you're doing the job?' As heads start whispering back and forth, I provide these clue: 'If you're up at 3 A.M. every night talking into a tape recorder and writing notes on scraps of paper, have a knot in your stomach and a rash on your skin, are losing sleep and losing touch with your wife and kids, have no appetite or sense of humor, and feel that everything might turn out wrong, then you're probably doing the job.' — Bill Walsh

Many are ready, when listening to the inventor, to belittle and deny his achievements so that he will no longer be heard in honourable places, but after some months or a year, they use the inventor's words in speech or writing or design. — Filippo Brunelleschi

If one single invention was necessary to make this larger mechanism operative for constructive tasks as well as for coercion, it was probably the invention of writing. This method of translating speech into graphic record not merely made it possible to transmit impulses and messages throughout the system, but to fix accountability when written orders were not carried out. Accountability and the written word both went along historically with the control of large numbers; and it is no accident that the earliest uses of writing were not to convey ideas, religious or otherwise, but to keep temple records of grain, cattle, pottery, fabricated goods, stored and disbursed. This happened early, for a pre-dynastic Narmer mace in the Ashmolean Museum at Oxford records the taking of 120,000 prisoners, 400,000 oxen, and 1,422,000 goats. The arithmetical reckoning was an even greater feat than the capture. — Lewis Mumford

Howbeit, though no scholar, I am not one of those who misuse the English speech, and, being foolishly led by the hasty custom of scriveners and printers to write the letters "T" and "H" joined together, which resembleth a "Y," do incontinently jump to the conclusion the THE is pronounced "Ye,"
the like of which I never heard in all England. — Bret Harte

Surprise is when a prime minister is assassinated during his speech. Suspense is when an assassin lurks while the prime minister speaks. Balancing surprise and suspense is the job of the thriller writer. — Ashwin Sanghi

The mind working alone produces thought; the heart produces feeling; the tongue makes speech and the hand in isolation makes scribble: all four together create voice. — Geoff Hewitt

I maintain that cultural sensitivity should be replaced by cultural awareness. Awareness implies research, consideration, thought, and judiciousness ...
Sensitivity denies equal access to language. It segregates and censors based on the background of the writer rather than the content of the story. No society can embrace cultural sensitivity and retain full capacity for freedom of speech. — Scott M. Roberts

Bad facts make bad law, and people who write bad laws are in my opinion more dangerous than songwriters who celebrate sexuality. Freedom of speech, freedom of religious thought, and the right to due process for composers, performers and retailers are imperiled if the PMRC and the major labels consummate this nasty bargain. — Frank Zappa

I'm not one who can write out a speech and remember all the names of the people that you need to thank because you need to thank all of those people. — Morgan Freeman

But is it not absurd to think of the Word as in any sense incarnate before the flesh existed, before Jesus was born? So that it could be the incarnate Word who spoke to Moses on the mountain or who cried out to his Father in many psalms? Or is it not absurd to think of the writing and collecting and reading and interpreting of the New Testament as this same Word's actual speech to us, who, as the angel said, is not here but risen? — Ellen F. Davis

Journalism equals intellectual male prostitution of speech and writing, — Malcolm Lowry

Richard Price, who has made a fortune writing fake ghetto books, says he takes a cab into the ghetto, transcribes Black speech for a brief time and returns home. His fake ghetto books have bought him a townhouse in Gramercy Park and home on Staten Island. — Ishmael Reed

It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.' — Dario Fo

His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings. — James Joyce

Anarchists prepare for social revolution and use every means- speech, writing, or deed, whichever is more to the point - to accelerate revolutionary development. — Johann Most

The secret of force in writing lies not so much in the pedigree of nouns and adjectives and verbs, as in having something that you believe in to say, and making the parts of speech vividly conscious of it. — James Russell Lowell

To write is to make oneself the echo of what cannot cease speaking - and since it cannot, in order to become its echo I have, in a way, to silence it. I bring to this incessant speech the decisiveness, the authority of my own silence. — Maurice Blanchot

The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history. — John Dos Passos

The spirit of the depths took my understanding and all my knowledge and placed them at the service of the inexplicable and the paradoxical. He robbed me of speech and writing for everything that was not in his service, namely the melting together of sense and nonsense, which produces the supreme meaning. — C. G. Jung

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

The strangest thing that human speech and human writing can do is create a metaphor. That is an amazing leap, is it not? — Dennis Potter

There are some words I find impossibly difficult ... 'Love,' 'feeling' and especially 'happiness' are at the head of the list. This is not because I haven't experienced any of them but because whenever I think about using the words I don't really know what anyone means by them. I'd find it easier to sit down and write a book about each (coming, obviously, to no conclusion) than to use them casually in speech or writing. — Jenny Diski

Another segment of society that has constructed a language of its own is business. People in business say that toner cartridges are in short supply, that they have updated the next shipment of these cartridges, and that they will finalize their recommendations at the next meeting of the board. They are speaking a language familiar and dear to them. Its portentous nouns and verbs invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights. We should tolerate them
every person of spirit wants to ride a white horse. — William Strunk Jr.

Swear words and profanities are mere abbreviations of speech, similar to the abbreviations in writing. — Franz Grillparzer

Many words and expressions which only a matter of decades ago were considered so distastefully explicit that, were they merely to be breathed in public, the perpetrator would be shunned, barred from polite society, and in extreme cases shot through the lungs, are now thought to be very healthy and proper, and their use in everyday speech and writing is evidence of a well-adjusted, relaxed and totally un****ed-up personality. — Douglas Adams

Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.
[Commencement Speech; Mount Holyoke College, May 23, 1999] — Anna Quindlen

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. — George Orwell

Yes, writers are writing in all corners of the world. Yes they are writing in countries rich and poor. Yes, they are writing despite threats to their freedom of speech or even to their very lives. . . . everywhere on earth writers were writing in their own language. — Minae Mizumura

Logic might be imagined to exist independent of writing - syllogisms can be spoken as well as written - but it did not. Speech is too fleeting to allow for analysis. Logic descended from the written word, in Greece as well as India and China, where it developed independently. Logic turns the act of abstraction into a tool for determining what is true and what is false: truth can be discovered in words alone, apart from concrete experience. Logic takes its form in chains: sequences whose members connect one to another. Conclusions follow from premises. These require a degree of constancy. They have no power unless people can examine and evaluate them. In contrast, an oral narrative proceeds by accretion, the words passing by in a line of parade past the viewing stand, briefly present and then gone, interacting with one another via memory and association. — James Gleick

In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,
can go far and live long. — Ralph Waldo Emerson

As they say, it's possible to kill and to revive someone using a proper speech. I agree with the statement because I know for sure it is true. — Sahara Sanders

When you ask yourself, What does an intelligent system do?, it is intuitively obvious to think in terms of behavior. We demonstrate human intelligence through our speech, writing, and actions, right? Yes, but only to a point. Intelligence is something that is happening in your head. Behavior is an optional ingredient. This is not intuitively obvious, but it's not hard to understand either. — Jeff Hawkins

I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper. — Corey Taylor

Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.
Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.
The skalds, the bards, the writers are not separate and exclusive. From the beginning, their functions, their duties, their responsibilities have been decreed by our species.
speech at the Nobel Banquet at the City Hall in Stockholm, December 10, 1962 — John Steinbeck

You know you're a mom when you open the door to the dishwasher mid-cycle and think, 'This is the closest I'm going to get to a spa treatment till next Mother's Day.'"

"Joining the words 'Lose Weight, Effortlessly!' in the same sentence may be a form of hate speech."

"Try to make time for the things that are important, not just the things that are urgent."

"I want my work to matter, my words to count for the good, and to spread some good cheer along the way. — Judy Gruen

By speech first, but far more by writing, man has been able to put something of himself beyond death. In tradition and in books an integral part of the individual persists, for it can influence the minds and actions of other people in different places and at different times: a row of black marks on a page can move a man to tears, though the bones of him that wrote it are long ago crumbled to dust. In truth, the whole progress of civilization is based upon this power. — Julian Huxley

Writing an acceptance speech gives you the expectation of winning, and you are therefore devastated or hurt if you didn't win. — William Shatner

We all know what good writing is: It's the novel we can't put down, the poem we never forget, the speech that changes the way we look at the world. It's the article that tells us when, where, and how, the essay that clarifies what was hazy before. Good writing is the memo that gets action, the letter that says what a phone call can't. It's the movie that makes us cry, the TV show that makes us laugh, the lyrics to the song we can't stop singing, the advertisement that makes us buy. Good writing can take form in prose or poetry, fiction or nonfiction. It can be formal or informal, literary or colloquial. The rules and tools for achieving each are different, but one difficult-to-define quality runs through them all: style. "Effectiveness of assertion" was George Bernard Shaw's definition of style. "Proper words in proper places" was Jonathan Swift's. You — Mitchell Ivers

Political speech and writing are largely the defence of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. — George Orwell

After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I set up the publishing company in Hong Kong, with offices in Shenzhen in mainland China, and managed to publish works of fiction, philosophy, and politics by unapproved authors. — Ma Jian

Short of a small range of physical acts-a fight, murder, lovemaking-dialogue is the most vigorous and visible inter-action of which characters in a novel are capable. Speech is what characters do to each other. — Elizabeth Bowen

Confucians, along with Hebrew, Islamic, and Catholic scholastics, as well as Protestant fundamentalists, are like tourists who study guidebooks and maps instead of wandering freely and looking at the view. Speech and writing are undoubtedly marvelous, but for this very reason they have a hypnotic and fascinating quality which can lead to the neglect of nature itself until they become too much of a good thing. — Alan W. Watts