Space Artist Quotes & Sayings

It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating. — Kalup Linzy

Creative experimentation propels our culture forward. That our stories of innovation tend to glorify the breakthroughs and edit out all the experimental mistakes doesn't mean that mistakes play a trivial role. As any artist or scientist knows, without some protected, even sacred space for mistakes, innovation would cease. — Evgeny Morozov

You've gotta be an outsider a little bit to shake yourself loose from the mill, the "machine." In order to even cut the space in your life to pursue what most people literally cannot afford a moment to pursue. So, yeah. I think that not only is that the role of the artist, but it might be a requirement. — El-P

It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them. — Mark Rothko

They call it collective energy. It's that same feeling that you get when you meditate amongst a ton of people. What actually makes the festival feel so special is that while you're watching a band or an artist, you're standing there, kind of feeling the same feeling with so many people in such a small space and that gives you collective energy. It's that kind of strange feeling in which you almost feel people breathing. — Chelsea Leyland

Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos. — Lyall Watson

Editors can be stupid at times. They just ignore that author's intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don't make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author's mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, 'Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?'. Monet would be ripping his hair out. — E.A. Bucchianeri

You don't become an 'artist' unless you've got something missing somewhere. Blaise Pascal called it a God-shaped hole. Everyone's got one but some are blacker and wider than others. It's a feeling of being abandoned,cut adrift in space and time-sometimes following the loss of a loved one. You can never completely fill that hole-you can try with songs,family,faith and by living a full life ... but when things are silent, you can still hear the hissing of what's missing. — Bono

An artist in this nuthouse century is like a man running an obstacle race fitted out with all the gadgets of our riotous technology. He gets blown a mile into the air on a jet of liquid helium, shuttles about on little rocket tubes, plunges into the deeps of the ocean, shoots out again a hundred miles into the space while lurid sights and sounds shred his senses. Every year, every month, and 'panoptic' work appears and warps his consciousness into a new shape. Knowledge itself is in a molten, a plasmatic state and what titanic electromagnetic grip of intellect would be required to lock it solid long enough to reach artistic fusion point? The damned language becomes obsolete as it clatters from the typewriter. — Paul Ableman

Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist. — Louis Kahn

What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and oversatiates the eye, creating an unfavorable and disquieting effect on the viewer. — Caspar David Friedrich

We're at 103,000 feet. Looking out over a very beautiful, beautiful world ... a hostile sky. As you look up the sky looks beautiful but hostile. As you sit here you realize that Man will never conquer space. He will learn to live with it, but he will never conquer it. Can see for over 400 miles. Beneath me I can see the clouds ... They are beautiful ... looking through my mirror the sky is absolutely black. Void of anything ... I can see the beautiful blue of the sky and above that it goes into a deep, deep, dark, indescribable blue which no artist can ever duplicate. It's fantastic. — Joseph Kittinger

The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Usually, in the history of art, the narrower the focus in which the artist is forced to work, the greater the art. — Philip J. Klass

Hildebrand, too, challenged the ideals of scientific naturalism by an appeal to the psychology of perception: if we attempt to analyze our mental images to discover their primary constituents, we will find them composed of sense data derived from vision and from memories of touch and movement. A sphere, for instance, appears to the eye as a flat disk; it is touch which informs us of the properties of space and form. Any attempt on the part of the artist to eliminate this knowledge is futile, for without it he would not perceive the world at all. His task is, on the contrary, to compensate for the absence of movement in his work by clarifying his image and thus conveying not only visual sensations but also those memories of touch which enable us to reconstitute the three-dimensional form in our minds. — E.H. Gombrich

We like to think of creativity as a space for untrammelled imagination, free from all constraints. Yet
while freedom, rule-breaking and inspiration are undoubtedly essential to the creative process, the
popular image of creativity overlooks another aspect: examine the life of any great artist and you
will find evidence of hard work, discipline and a hard-won knowledge of the rules and conventions
of their medium. — Mark McGuinness

As nice as some of the booths are, it's not the same thing. It's a pity for young artists, because one of the things that a younger artist can look forward to is an emerging dealer who has a space that they can take over and build whatever will suit whatever aesthetic they find themselves in. In an art fair, you turn yourself into an object. — Lawrence Weiner

Chosen are those artists who penetrate to the region of that secret place where primeval power nurtures all evolution. There, where the powerhouse of all time and space call it brain or heart of creation activates every function, who is the artist who would not dwell there? — Paul Klee

An artist's studio should be a small space because small rooms discipline the mind and large ones distract it. — Leonardo Da Vinci

In order to be artists we need to be in our studios, in our private rooms ... in our private personal space ... that sacred protected space, so we can make our work. That's the only work that's worth making, right? That's the place where we can be free enough and vulnerable enough to share what we have to share. — Adam Leipzig

I was so absolutely riveted, I felt I was looking into the eyes of the artist. Art just closed the gap of time and space. The 16th century became as real to me as the 20th. It was something magical. — Betty Churcher

To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing. — Marcel Duchamp

I will waste an extraordinary amount of time, you know. And if it's not watching television, I'll be sitting staring out of the window. And yes, I know there's the idea of the artist, sitting there doing nothing while things are going on, but actually, no. It's vacant space. I'm thinking about the laundry. — Glen Duncan

From the outside looking in, i think my life would appear very isolated, occupying a huge empty space, with hollow-sounding, emotional echoes. But in reality, this solitary sanctuary i inhabit, allows my artistic nature to sing at the top of its lungs. My feelings have the space they need to breathe. And my art can gain the momentum, it requires, to bubble up to the surface of consciousness. For me, creativity is a chaotic and quiet hybrid, an entity that seeks a safe place to call home. — Jaeda DeWalt

Being single is like being an artist, not because creating a functional single life is an art form, but because it requires the same close attention to one's singular needs, as well as the will and focus to fulfill them. Just as the artist arranges her life around her creativity, sacrificing conventional comforts and even social acceptance, sleeping and eating according to her own rhythms, so that her talent thrives above all else, nurtured the way a child might be, so a single person has to think hard to decipher what makes her happiest and most fulfilled. — Kate Bolick

We are trying to evoke and reinforce meanings from the spaces we cover and the times we're given. Short or long this becomes our purpose. What we artists do is important stuff. — Robert Genn

To a certain extent that happens with all kinds of successful writers and artists and celebrities, but there is also something about the form of memoir that creates an eerie reader space of intimacy that is only "real" in the space of the text. — Lidia Yuknavitch

The genius is not in how much Stanley Kubrick does in "2001: A Space Odyssey,' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, "2001' is not concerned with thrilling us, but with inspiring our awe. — Roger Ebert

Only the artistic will to transform the future into a space of unlimited art-elevating chances enables us to understand the core of the procreation rule: 'a creator shall you create [...] a self-propelling wheel, a first movement'. This rule contains no less than Nietzsche's theology after the death of God: there will continue to be a God and gods, but only humanity-immanent ones, and only to the extent that there are creators who follow on from what has been achieved in order to go higher, faster and further. — Peter Sloterdijk

I think about that 'empty' space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce. — Meredith Monk

Some say it appears that painting has come to an end. I say the problem is that the painters' curiosity has come to an end, and this is more observable in the West and not in the East, since in the East there are plenty of untouched and unexplored spaces that could still inspire an artist as sources of creativity. — Guity Novin

This is why the shaman is the remote ancestor of the poet and artist. Our need to feel part of the world seems to demand that we express ourselves through creative activity. The ultimate wellsprings of this creativity are hidden in the mystery of language. Shamanic ecstasy is an act of surrender that authenticates both the individual self and that which is surrendered to, the mystery of being. Because our maps of reality are determined by our present circumstances, we tend to lose awareness of the larger patterns of time and space. Only by gaining access to the Transcendent Other can those patterns of time and space and our role in them be glimpsed. — Terence McKenna

Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening. — Will Oldham

During the nuit blanche I think: Henry, my love, I can love you better now that you cannot hurt me. I can love you more gaily. More loosely. I can endure space and distance and betrayals. Only the best, the best and the strongest. Henry, my love, the wanderer, the artist, the faithless one who has loved me so well. Believe me, nothing has changed in me toward you except my courage. I cannot walk with one love ever. My head is strong, my head, but to walk, to walk into love I need miracles, the miracles of excess, and white heat, and two-ness! Lie here, breathing into my hair, over my neck. No hurt will come from me. No criticalness, no judgment. I bear you in my womb. — Anais Nin

The biggest enemy of an artist is apathy ... A kid gets killed by the police and I buy a T-shirt and before I can wear that one, there's another kid (killed) and I'm running out of closet space. — Dave Chappelle

I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space. — Danger Mouse

Every day is a writing day. I get to my desk between 8 and 8:30 in the morning and then work through until 6pm, and then normally I'll take up whatever will be happening in the evening, usually painting or photography.
I do about four drafts total. I do handwritten drafts because I don't type and I have no wish to type. I mean, I know how to type, but I have no interest in putting the words down that way.
Maybe that's because I'm an artist and because I've always used a pen and so there's a sort of natural feel to it.
I don't know how familiar you are with Blake's illuminated texts, but you know very often he'll literally make words flower. It's really this glorious thing in bringing words and pictures into the same place, the same space. — Clive Barker

... Have you ever reflected that posterity may not be the faultless dispenser of justice that we dream of? One consoles oneself for being insulted and denied, by reyling on the equity of the centuries to come; just as the faithful endure all the abominations of this earth in the firm belief of another life, in which each will be rewarded according to his deserts. But suppose Paradise exists no more for the artist than it does for the Catholic, suppose that future generations prolong the misunderstanding and prefer amiable little trifles to vigorous works! Ah! What a sell it would be, eh? To have led a convict's life - to have screwed oneself down to one's work - all for a mere delusion!...

"Bah! What does it matter? Well, there's nothing hereafter. We are even madder than the fools who kill themselves for a woman. When the earth splits to pieces in space like a dry walnut, our works won't add one atom to its dust. — Emile Zola

Nature was one of the key forces that brought me back to God, for I wanted to know the Artist responsible for beauty such as I saw on grand scale in photos from space telescopes or on minute scale such as in the intricate designs on a butterfly wing. — Philip Yancey

And still, still, there is more to describe-
we paint because drawing breath is an agony
and exhaling an ecstasy
and somewhere in the space in-between
we think we once found a truth;
and the eternal part of us desires
to share this truth at all costs
only it's never quite how we pictured it,
and it's never quite received the way we want
and the paint drips with our own blood
the handles of our brushes are our own bones
our own tears become the words to our most beautiful love songs
and we know we'll never get it right before we die-

getting up every morning and facing our own limited truth
is a courage so divine
most men quell and women stay enslaved in silence. — Marie Anzalone

The color of one's creed, neckties, eyes, thoughts, manners, speech, is sure to meet somewhere in time of space with a fatal objection from a mob that hates that particular tone. And the more brilliant, the more unusual the man, the nearer he is to the stake. Stranger always rhymes with danger. The meek prophet, the enchanter in his cave, the indignant artist, the nonconforming little schoolboy, all share in the same sacred danger. And this being so, let us bless them, let us bless the freak; for in the natural evolution of things, the ape would perhaps never have become man had not a freak appeared in the family. — Vladimir Nabokov

A typical National World Weekly would tell the world how Jesus' face was seen on a Big Mac bun bought by someone from Des Moines, with an artist's impression of the bun; how Elvis Presley was recently sighted working in a Burger Lord in Des Moines; how listening to Elvis records cured a Des Moines housewife's cancer; how the spate of werewolves infesting the Midwest are the offspring of noble pioneer women raped by Bigfoot; and that Elvis was taken by Space Aliens in 1976 because he was too good for this world. Remarkably, one of these stories is indeed true. — Neil Gaiman

It's always been most important for me to figure out "my space" rather than trying to check out what everyone else is up to, minute by minute. Technology is making it easier to connect to other people, but maybe harder to keep connected to yourself
and that's essential for any artist, I think. — Jay-Z

The rocket was beautiful. In conception it had been shaped by an artist to break a chain that had bound the human race ever since we first gained consciousness of earth's gravity and all it's analogs in suffering, failure and pain. It was at once a prayer sent heavenward and the answer to that prayer: Bear me away from this awful place. — Michael Chabon

Master Alfred de Musset says great artists have no country. They have also no world! They belong to the space, to the universe, to anything infinite! — Mehmet Murat Ildan

Conversation lets you be an artist every time you open your mouth--or shut it. As Robert Louis Stevenson said, "The most important art is to omit"; the key to being a master conversationalist is to listen at least as much as you talk. Just as the other arts include pauses in a dramatic play, white margins around printed text, and space between a singer's phrases, conversation is about silences as well as about words. — Margaret Shepherd

The artist fills space with an attitude. The attitude never comes from himself alone. — Willem De Kooning

I do not think it is any benefit for artists or fans to have all the new, wide distribution channels in the online world controlled by those who have controlled the old, narrower ones, .. This is especially true if they achieve that control by leveraging their dominance in content or conduit space in an anticompetitive way to control the new, independent music services that are attempting to enhance the consumer's experience of music. — Orrin Hatch

In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist's signature. — Carl Sagan

The idea of space is given to the artist to change if he can. The subject matter in the abstract is space. — Willem De Kooning

The modern artist is working with space and time and expressing his feelings rather than illustrating. — Jackson Pollock

I am an abstract artist in the sense that I abstract. I cannot be called non-figurative while I am still interested in the modern magic of space, primitive sex forms, the sensual and erotic, disconcerting contours, the things of life. — Sean William Scott

While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and curators who are simply not up to the term. — Jerry Saltz

Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another. — Joseph Campbell

I like to blow up this notion that all we have to do as writers and artists is represent reality, which is presumably solid and self-evident, with no negotiation of the gap between myself and the world, between this body and this space, which needs narration to close it. — Aleksandar Hemon

An illustration is an enlargement, and interpretation of the text, so that the reader will comprehend the words better. As an artist, you are always serving the words.
You must never illustrate exactly what is written. You must find a space in the text so that the pictures can do the work. Then you must let the words take over where words do it best. It's a funny kind of juggling act. — Maurice Sendak

Through photography, both artist and scientist can find a common denominator in their search for the synthesis of modern vision in time, space and structure. — Ernst Haas