Sounds In The Sky Quotes & Sayings

But there, in the inky dark, half drunk from lack of sleep, with the fire and the endless sea and infinite sky, with the sounds of the music in our ears...and my heart bursting this something I couldn't quite identify, I just needed to dance. — Jojo Moyes

We are here in a wood of little beeches:
And the leaves are like black lace
Against a sky of nacre.
One bough of clear promise
Across the moon.
It is in this wise that God speaketh unto me.
He layeth hands of healing upon my flesh,
Stilling it in an eternal peace,
Until my soul reaches out myriad and infinite hands
Toward him,
And is eased of its hunger.
And I know that this passes:
This implacable fury and torment of men,
As a thing insensate and vain:
And the stillness hath said unto me,
Over the tumult of sounds and shaken flame,
Out of the terrible beauty of wrath,
I alone am eternal.
One bough of clear promise
Across the moon — Frederic Manning

No one in that city understands, Gil, because it doesn't matter to them anymore. They've never learned to fear the steel and the men who carry it, and none of them ever will, because they don't have to. Because in this place I've seen, men like that don't exist anymore. We don't exist anymore.
Sounds like a beautiful fucking place. How do I get there? Ringil grinned fiercely up at the Kiriath clan captain. Oh wait - you're going to tell me the rents are sky-high, right? And how am I going to earn a living if they keep their swords in a museum? — Richard K. Morgan

Thou art the sky and thou art the nest as well.

O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.

There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.

And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.

But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word. — Rabindranath Tagore

An open car drove by, fleeing into the country. The car was overfilled with people bound for a picnic. There was a jumble of bright sweaters, and scarfs fluttering in the wind; a jumble of voices shrieking without purpose over the roar of the motor, and overstressed hiccoughs of laughter; a girl sat sidewise, her legs flung over the side of the car; she wore a man's straw hat slipping down to her nose and she yanked savagely at the strings of a ukelele, ejecting raucous sounds, yelling 'Hey!' These people were enjoying a day of their existence; they were shrieking to the sky their release from the work and the burdens of the days behind them; they had worked and carried the burdens in order to reach a goal
and this was the goal. — Ayn Rand

All words are possible, then, all names. They rain down, all these words, they disintegrate into a powdery avalanche. Belched from the volcano's mouth, they spurt in to the sky, then fall again. In the quivering air, like gelatine, the sounds trace their bubble paths. Can you imagine that? — Jean-Marie G. Le Clezio

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon. — James Carlos Blake

Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face. The air is full of sounds;the sky, of tokens; the ground is all memoranda and signatures; and every object covered over with hints, which speak to the intelligent. — Ralph Waldo Emerson

Discovery is adventure. There is an eagerness, touched at times with tenseness, as man moves ahead into the unknown. Walking the wilderness is indeed like living. The horizon drops away, bringing new sights, sounds, and smells from the earth. When one moves through the forests, his sense of discovery is quickened. Man is back in the environment from which he emerged to build factories, churches, and schools. He is primitive again, matching his wits against the earth and sky. He is free of the restraints of society and free of its safeguards too. — William O. Douglas

Perhaps there will be a slight streak of green, a patch that will deepen and then grow. Then another patch on the horizon, like a green searchlight. And then shivering curtains of light can fill the sky, or looping spirals, or flickering flames of green and purple, and candy-apple red. It feels as if they should be accompanied by dramatic sounds, the bangs of fireworks or the roars of rockets. But these are utterly silent, almost solemn in their dancing. And yet they can be comforting in their own way; as if in this remote and frozen wilderness there's something else out there that is alive. — Gabrielle Walker

For I was reared in the great city, pent with cloisters dim,and saw naught lovely but the sky and stars.But thou, my babe! Shalt wander like a breeze By lakes and sandy shores, beneath the cragsOf ancient mountains, and beneath the clouds,Which image in their bulk both lakes and shoresAnd mountain crags: so shall thou see and hearThe lovely shapes and sounds intelligible Of that eternal language, which thy GodUtters, who from eternity doth teachHimself in all, and al things in himselfGreat universal teacher! He shall moldThy spirit and by giving , make it ask. — Samuel Taylor Coleridge

It was one of those bitter mornings when the whole of nature is shiny, brittle, and hard, like crystal. The trees, decked out in frost, seem to have sweated ice; the earth resounds beneath one's feet; the tiniest sounds carry a long way in the dry air; the blue sky is bright as a mirror, and the sun moves through space in icy brilliance, casting on the frozen world rays which bestow no warmth upon anything. — Guy De Maupassant

I was downstairs, reading."
" Now?" I strained to see her face. She was smiling, it appeared.
"Yes, now," she said. "It's nice, sometimes, to read in the middle of the night. The sky is so dark and soft-looking outside the window, all the stars out. You have just on light on, you know, and it seems to pour onto the page. Makes the book seem better. You are this little island, just up alone with a book. And you heard the night sounds of the house ... It's so interesting to me, that sound. Time. The measure of it. — Elizabeth Berg

Ms. Maxwell,", the housekeeper turned her attention to Lily. "I think a hot soak would do you good."
Lily clasped her hands together, a look of entreaty on her face. "Do you have a tub? A soak sounds wonderful."
Tyler winked at her. "Better than a tub. We have mineral hot springs - good for what ails you."
"What in the world?" Her eyes widened and her mouth pinched. "Hot springs? Outdoors?"
He grinned at the proper expression on her face. "Outside under God's blue sky. — Debra Holland

How beautiful the old Glen was, in its August ripeness, with its chain of bowery old homesteads, tilled meadows and quiet gardens. The western sky was like a great golden pearl. Far down the harbour was frosted with a dawning moonlight. The air was full of exquisite sounds - sleepy robin whistles, wonderful, mournful, soft murmurs of wind in the twilit trees, rustle of aspen poplars talking in silvery whispers and shaking their dainty, heart-shaped leaves, lilting young laughter from the windows of rooms where the girls were making ready for the dance. The world was steeped in maddening loveliness of sound and colour. He would think only of these things and of the deep, subtle joy they gave him. — L.M. Montgomery

White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens.
A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North") — Yevgeny Zamyatin

THE MOCKINGBIRD All summer the mockingbird in his pearl-gray coat and his white-windowed wings flies from the hedge to the top of the pine and begins to sing, but it's neither lilting nor lovely, for he is the thief of other sounds - whistles and truck brakes and dry hinges plus all the songs of other birds in his neighborhood; mimicking and elaborating, he sings with humor and bravado, so I have to wait a long time for the softer voice of his own life to come through. He begins by giving up all his usual flutter and settling down on the pine's forelock then looking around as though to make sure he's alone; then he slaps each wing against his breast, where his heart is, and, copying nothing, begins easing into it as though it was not half so easy as rollicking, as though his subject now was his true self, which of course was as dark and secret as anyone else's, and it was too hard - perhaps you understand - to speak or to sing it to anything or anyone but the sky. — Mary Oliver

The next thing I knew, I was sprawled in the traffic circle, coughing and gasping as a tower of fire roared into the evening sky. My throat burned. My eyes felt like they'd been splashed with acid. I looked for Thalia and instead found myself staring at the bronze face of Medusa. I screamed, somehow found the energy to stand, and ran. I didn't stop until I was cowering behind the statue of Robert E. Lee. Yeah, I know. It sounds comical now. But it's a miracle I didn't have a heart attack or get hit by a car. Finally Thalia caught up to me, her spear back in Mace canister form, her shield reduced to a silver bracelet. — Rick Riordan

The beautiful clarity of all marked outlines occurred to her--there would be a deep satisfaction in strengthening fences, for instance, going along on the inside of a strong fence enclosing a large land, leaning outward to push towards the extreme limit of property; too, what about the lovely definition of a sheet of white paper alone on her desk, oblong and complete, the tightness with which the sky fitted onto the earth at the horizon, the act of caressing the spine of a book? Irresistibly, she thought with a shiver of a razor sharp edge slicing horizontally through her eyes, into her mouth, and then coming around the hard corner of a building, saw again the campus and its lights and heard its sounds. — Shirley Jackson

[On Chopin's Preludes:]
His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky ... The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power. — George Sand

I Miss You Outside the sun is shining, and the roses are in bloom. The sky this morning is so lovely, but here I sit in gloom. Outside the birds are singing, but in here, no beauty resides. For my heart is empty, shattered and broken, and will be 'til you're back by my side. Honey, I miss you every morning, and at night when I go to bed. I remember the times you were with me, and all the things that we said. And I miss your touch; the touch that makes me feel so much a man. I miss the smell of your hair, and the softness of your hands. I miss holding you in my arms and feeling your lips on mine. I miss hearing your sweet voice, which sounds so loving and kind. But most of all, I miss your warm tender body next to me as I sleep. I feel so empty when you're not here; I lie awake all night and weep. Because without your love, my life is over and I'll spend the rest of it being blue. So please say you love me and come back; for sweetheart, I miss you. — Kenneth Edward Barnes

Everything we think we know is really only perceived by our senses,' he explains patiently. 'The sounds we hear are just waves in the air; colors are electromagnetic radiation; your sense of taste comes from molecules that match a specific area on your tongue. Hey, if our eyes could access the infrared part of the light spectrum, the sky would be green and trees would be red. Some animals see in completely different ways, so who knows what colors look like to them. Nothing is really how we perceive it. — Wendy Mass

She herself, as she had said, was oddly enjoying the snowy night. She had seldom had reason to be abroad in such weather at night, and she had forgotten, or never noticed, how clear the sky was or how brightly the stars twinkled down. They might have been the only ones alive in the whole world, for it was deadly still, the eerie light giving the night almost a magical quality. Everyday items were rendered mysterious and beautiful by their layer of white, and the only sounds were those they made, of creaking leather and the crisp squeak of snow underfoot. — Dawn Lindsey

A magnificent fireworks began: magnesium flares blindingly white, yellow, and then red, like dying stars; straight bright red streaks of machine-gun fire; elegant and clear lines of bullets traced like fugitive neon light; and scarlet, sinister rugged patches from antiaircraft artillery. Then the noise: after the solemn, promising silence of the flares came the mad disorderly reaction of the inhabitants of the earth to the regular, obstinate sounds of the invisible motors in the sky.
The airplanes replied to the nervous coughing of the machine guns with great battering blows that shook the earth. It was a celebration in honor of death. — Albert Memmi

For a long while, he sat on the steps and sharpened the chain-saw blade with a round file, dipping it in bar-and-chain oil and raking it over each tooth with sleek, grating sounds. He lost himself in the rhythm of the labor. A victory over tears is a small thing, but it was his. The sky went from indigo to blackness, and he saw nothing ominous in it, nothing but cold stars wheeling in their course, a course determined by the same firm hand he hoped was guiding his own. But satellites, too, crossed the sky in sly, winking arcs. Sull knew that. He could not let himself be confounded. He went inside, to sleep beside his wife. — Matthew Neill Null

She stands on top of the hill again. A small round piece of gold in her hands: the compass. A disk of brighter gold on the horizon: the sun rising. She opens the compass and looks at the arrow. Tears on her face, wind in her hair. She wears a green dress. Her skirt brushes the grass when she bends down to put the compass on the ground. When she stands up again her hands are empty. Xander waits behind her. He holds out his hand. "He's gone," he tells her. "I'm here." His voice sounds sad. Hopeful. No, I start to say, but Xander tells the truth. I'm not there, not really. I'm only a shadow watching in the sky. They're real. I'm not anymore. — Ally Condie

Everybody prays whether [you think] of it as praying or not. The odd silence you fall into when something very beautiful is happening or something very good or very bad. The ah-h-h-h! that sometimes floats up out of you as out of a Fourth of July crowd when the sky-rocket bursts over the water. The stammer of pain at somebody else s pain. The stammer of joy at somebody else's joy. Whatever words or sounds you use for sighing with over your own life. These are all prayers in their way. — Frederick Buechner

In the press grandstand where I watched Discovery rise against the cloudless sky, the media hit the abort button on cynicism. The Earth shook to the sounds of man, three miles away. The candle lit ... only someone stripped of awe can leave a launch untouched. — Jonathan Alter

The truth is, Lang," Angel whispered, "your brother hangs the stars in my goddamn sky. It sounds stupid and maybe corny, but when he's around me, it's like the night's full of light. So yeah, I love him. I love him pretty hard. — Rhys Ford

In the twilight of dawn, when his ears are still fresh to the day's first sounds, he can hear clearer than at any other time of day. He turns his head back and forth, cocking his ears to each direction. Sometimes, he closes his eyes to listen better. He hears the branches cracking from the frost, the groan of the snow beneath his feet, the rumbling of the lake ice, the timber in the house shrinking and shifting, sometimes he thinks he can even hear the clouds sliding across the sky. — Shandi Mitchell

If I were to choose the sights, the sounds, the fragrances I most would want to see and hear and smell
among all the delights of the open world
on a final day on earth, I think I would choose these: the clear, ethereal song of a white-throated sparrow singing at dawn; the smell of pine trees in the heat of the noon; the lonely calling of Canada geese; the sight of a dragon-fly glinting in the sunshine; the voice of a hermit thrush far in a darkening woods at evening; and
most spiritual and moving of sights
the white cathedral of a cumulus cloud floating serenely in the blue of the sky. — Edwin Way Teale

In the expectant quiet, there were only the usual sounds of the night. Wind in the big trees out past the school wall, starting to rise as the sky darkened, Crickets beginning to chirp. Then Sabriel heard it
the massed grinding of Dead joints, no longer joined by gristle; the padding of Dead feet, bones like hobnails clicking through necrotic flesh. — Garth Nix

When student-actors see people and the way they behave when together, see the color of the sky, hear the sounds in the air, feel the ground beneath them and the wind on their faces, they get a wider view of their personal world and development in the theater is quickened. The world provides the material for the theater and artistic growth develops hand-in-hand with one's recognition of it and one's self within it. — Viola Spolin

In the year 3,000,002,012 the Andromeda Galaxy may collide with our Milky Way. At first this sounds miserable, like a collision of two bird flocks. But galaxy members fly farly, not tip to tip. In a galactic collision the stars do not actually collide - as with crisscrossing marching bands, only the interstices collide. (Oh to be like a galaxy, to mingle without wrecking. But then we would have to be composed of so much more sky.) The spaces between stars are so wide that thousands of galaxies have to converge before the stars will crash. — Amy Leach

Alone he watched the sky go out, dark deepen to its full. He kept his eyes on the engulfed horizon, for he knew from experience what last throes it was capable of. And in the dark he could hear better too, he could hear the sounds the long day had kept from him, human murmurs for example, and the rain on the water. — Samuel Beckett

Devotion is the essence of the path, and if we have in mind nothing but the guru and feel nothing but fervent devotion, whatever occurs is perceived as his blessing. If we simply practice with this constantly present devotion, this is prayer itself. When all thoughts are imbued with devotion to the guru, there is a natural confidence that this will take care of whatever may happen. All forms are the guru, all sounds are prayer, and all gross and subtle thoughts arise as devotion. Everything is spontaneously liberated in the absolute nature, like knots untied in the sky. — Dilgo Khyentse Rinpoche

The train slows and lengthens, as we approach London, the centre, and my heart draws out too, in fear, in exaltation. I am about to meet
what? What extraordinary adventure awaits me, among these mail vans, these porters, these swarms of people calling taxis? I feel insignificant, lost, but exultant. With a soft shock we stop. I will let the others get before me. I will sit still one moment before I emerge into that chaos, that tumult. I will not anticipate what is to come. The huge uproar is in my ears. It sounds and resounds under this glass roof like the surge of a sea. We are cast down on the platform with our handbags. We are whirled asunder. My sense of self almost perishes; my contempt. I become drawn in, tossed down, thrown sky-high. I step on to the platform, grasping tightly all that I possess
one bag. — Virginia Woolf

Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye. — Ralph Ellison

Would you like me to grovel with gratitude for bringing me here, High Lord?"
"Ah. The Suriel told you nothing important, did it?"
That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats."
Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh.
"I might die of surprise," Lucien said behind me. "You made a joke, Feyre."
I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat.
"I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said.
A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed. — Sarah J. Maas

I'll tell you what I don't believe, Alwyn. I don't believe there's a pretty forest in the sky with castles and a white light and God and all his angels waiting to welcome all the good people in. And you and me standing there sick with nerves while they check us out to see if we've made the grade. That sounds too much like immigrating to Australia. — Beverly Rycroft

A new moon lay on its back, and stars were out. Here, away from lights and sounds of town or village, the night was deep, the black sky stretching, fathomless, away among the spheres to some unimaginable world where gods walked, and suns and moons showered down like petals falling. Some power there is that draws men's eyes and hearts up and outward, beyond the heavy clay that fastens them to earth. Music can take them, and the moon's light, and, I suppose, love, though I had not known it then, except in worship. — Mary Stewart

Know all things to be like this: A mirage, a cloud castle, A dream, an apparition, Without essence, but with qualities that can be seen. Know all things to be like this: As the moon in a bright sky In some clear lake reflected, Though to that lake the moon has never moved. Know all things to be like this: As an echo that derives From music, sounds, and weeping, Yet in that echo is no melody. Know all things to be like this: As a magician makes illusions Of horses, oxen, carts and other things, Nothing is as it appears. — Gautama Buddha

He turns to the Council. 'Sounds like Foolish behavior to me, boys. I hereby nominate the human race for membership in the Council of Fools!' He raises both arms and shouts to the sky. 'Humanity! Join us! Join your masters! All opposed, say nay!
And then nothing but silence and Flip's panting as he strains, listening.
'There are no dissenting votes!' he cries. 'I hereby admit humanity to the Council of Fools!' He punches the air in triumph. 'Dude,' he says, grinning, 'I just upped our membership by six billion. Not bad, huh? — Barry Lyga

One day in May, the whiteness in Milo's brain turns into that of a flock of Canadian geese that fills the entire sky. Pan to the young man staring up at them. Clinging to his arm is a pert and pretty, dark-haired girl by the name of Viviane, also looking up. Their mouths are open in amazement. Milo recites a few lines from "The Wild Swans at Coole." De trees are in deir autumn beauty, De woodland paths are dry, Under de October twilight de water Mirrors a still sky; Upon de brimming water among de stones Are nine-and-fifty swans. Viviane looks at him adoringly. "Sounds beautiful!" she says. "Who's it by?" "Yeats." "Never heard of him. — Nancy Huston

Hey, I'm not a total idiot," said Nagasawa. "Of course life frightens me sometimes. I don't happen to take that as the premise for everything else, though. I'm going to give it a hundred percent and go as far as I can. I'll take what I want and leave what I don't want. That's how I intend to live my life, and if things go bad, I'll stop and reconsider at that point. If you think about it, an unfair society is a society that makes it possible for you to exploit your abilities to the limit." "Sounds like a pretty self-centered way to live," I said. "Maybe so, but I'm not just looking up at the sky and waiting for the fruit to drop. In my own way, I'm working hard. I'm working ten times harder than you are." "That's probably true," I said. — Haruki Murakami

What I can play is blues. She was never that into blues. I can salve with Lightning and Cotton, BB and Clapton and Stevie Ray. I can blast Son Seals singing Dear Son until the coyotes in the creek raise up a sympathetic sky ripping interpretation of the harmonica solo. Piercing howls and yelps. Sounds like it's killing them and also like they love it. Which when you get right down to it is the blues. — Peter Heller

Emerson lifts his head. His eyes are two dark pools of desire, a clouded night's sky. He catches his breath a moment, unsteady, and then drops a kiss on my lips. Sweet. Almost tender. I barely have time to take it in before he grabs my shoulder and spins me around, pushing me so my bare chest is slammed up into the wall, my cheek pressed against the cold concrete.
I gasp, my heart skipping with the thrill. I can feel him up against me, a solid wall of muscle trapping me in place, the hard ridge of him pressed against the small of my back. I can't move, or see the expression on his face, only hear the hoarse groan Emerson sounds as he twists a handful of my hair and yanks it to one side, kissing a searing trail along the curve of my neck.
I whimper, bound and powerless against him, and oh God, loving every minute of it. — Melody Grace

Somewhere there was a book of love, with all the symptoms written down in red ink: Dizziness and Desire. A tendency to stare at the night sky, searching for a message that might be found up above. A lurching in the pit of the stomach, as if something much too sweet had been eaten. The ability to hear the quietest sounds--snails munching the lettuce leaves, moths drinking nectar from the overripe pears on the tree by the fence, a rabbit trembling in ivy-just in case he might be there, which was what mattered all along. Real hunger, just to see him, as if this would ever be enough. — Alice Hoffman

Night.
The beach and the sea are in darkness.
A dog passes, going toward the sea wall.
No one walks on the boardwalk, but, on the benches lining it, people sit. They relax. Are silent. Separated from one another. They do not speak.
The traveler passes. He walks slowly, he goes in the same direction as the dog.
He stops. Returns. He seems to be out for a walk. He starts off again.
His face is no longer visible.
The sea is calm. No wind.
The traveler returns. The dog does not return. The sea begins to rise, it seems. Its sounds getting closer. Muffled thudding coming from the river's many mouths. Somber sky. — Marguerite Duras

And now above and beyond the birds' song, Andy hears a more distant singing, whether of voices or instruments, sounds or words, he cannot tell. It is at first faint, and then stronger, filling the sky and touching the ground, and the birds answer it. He understands presently that he is hearing the light; he is hearing the sun, which now has risen, though from the valley it is not yet visible. The light's music resounds and shines in the air and over the countryside, drawing everything into the infinite, sensed but mysterious pattern of its harmony. From every tree and leaf, grass blade, stone, bird, and beast, it is answered and again answers. The creatures sing back their names. But more than their names. They sing their being. The world sings. The sky sings back. It is one song, the song of the many members of one love, the whole song sung and to be sung, resounding, in each of its moments. And it is light. — Wendell Berry

My real log is written in the sea and sky; the sails talking with the rain and the stars amid the sounds of the sea, the silences full of secret things between my boat and me, like the times I spent as a child listening to the forest talk. — Bernard Moitessier

Like an attack this melancholy comes from time to time. I don't know at what intervals, and slowly covers my sky with clouds. It begins with an unrest in the heart, with a premonition of anxiety, probably with my dreams at night. People, houses, colors, sounds that otherwise please me become dubious and seem false. Music gives me a headache. All my mail becomes upsetting and contains hidden arrows. At such times, having to converse with people is torture and immediately leads to scenes ... Anger, suffering, and complaints are directed at everything, at people, at animals, at the weather, at God, at the paper in the book one is reading, at the material of the very clothing one has on. But anger, impatience, complaints and hatred have no effect on things and are deflected from everything, back to myself. — Hermann Hesse

Everything is interconnected. My readings of classical authors, who never speaks of sunsets, have made many sunsets intelligible to me, in all their colors. There is a relationship between syntactical competence, by which we distinguish the values of beings, sounds and shapes, and the capacity to perceive when the blue of the sky is actually green, and how much yellow is in the blue green of the sky. It comes down to the same thing - the capacity to distinguish and to discriminate. There is no enduring emotion without syntax. Immortality depends of the grammarians. — Fernando Pessoa

The music defied classification. If I had been writing a
review of the show, I would have labeled it progressive,
guitar-driven rock 'n' roll. But the guitars made sounds guitars
didn't always make. Symphonic sounds. Sacred sounds.
The music dug in so deep you didn't hear it so much as feel
it, reminding me of a dream I used to have when I was a kid,
where I would be standing on a street corner, I would jump
into the air, flap my arms, and soar up into the sky.
That's the only way I could describe the music.
It was the sonic equivalent of flight. — Tiffanie DeBartolo