Sound What Is Pitch Quotes & Sayings

There is another physical law that teases me, too: the Doppler Effect. The sound of anything coming at you- a train, say, or the future- has a higher pitch than the sound of the same thing going away. If you have perfect pitch and a head for mathematics you can compute the speed of the object by the interval between its arriving and departing sounds. I have neither perfect pitch nor a head for mathematics, and anyway who wants to compute the speed of history? Like all falling bodies, it constantly accelerates. But I would like to hear your life as you heard it, coming at you, instead of hearing it as I do, a somber sound of expectations reduced, desires blunted, hopes deferred or abandoned, chances lost, defeats accepted, griefs borne. — Wallace Stegner

The program I use is called MED Soundstudio. It's basically a column of numbers that relate to pitch, duration, the type of sound. If I want to play a chord, I have to press keys on a keyboard - like a computer keyboard, on my Amiga - that relate to sharps and flats, note by note. — Max Tundra

There is in souls a sympathy with sounds:
And as the mind is pitch'd the ear is pleased
With melting airs, or martial, brisk or grave;
Some chord in unison with what we hear
Is touch'd within us, and the heart replies. — William Cowper

the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound - it's a measurement of the number of cycles per second of a sound wave - pitch refers to what we hear. The chromatic scale, — Bernie Krause

These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound. — Ani DiFranco

I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff. — Guy Pearce

The other song we did was my cover of "Addicted to Love." There used to be a sort of karaoke booth on Saint Mark's, where anyone could go in and record themselves. I chose "Addicted to Love" because I liked Robert Palmer's video, with its background cast of zombie models identically dressed and holding guitars. I took the tape with the canned version of the song back to the studio, and we sped up the vocal to make it sound higher in pitch. Later I brought the cassette mix to Macy's, where they had a video version of the karaoke sound booth. You could customize a background while two cameras filmed you. For my backdrop I picked jungle fighters, and I wore my Black Flag earrings. The entire bill came to $19.99, and in a slick, commercial MTV world, it felt gratifying and empowering to pay for the whole thing with a credit card. — Kim Gordon

Discussing it later, many of us felt we suffered a mental dislocation at that moment, which only grew worse through the course of the remaining deaths. The prevailing symptom of this state was an inability to recall any sound. Truck doors slammed silently; Lux's mouth screamed silently; and the street, the creaking tree limbs, the streetlight clicking different colors, the electric buzz of the pedestrian crossing box - all these usually clamorous voices hushes, or had begun shrieking at a pitch too high for us to hear, though they sent chills up our spines. Sound returned only once Lux had gone. Televisions erupted with canned laughter. Fathers splashed, soaking aching backs. — Jeffrey Eugenides

The fanged shadows boiled out behind them, howling for blood, their voices creaking with the sound of snapping bones. The fallen of Hethor's own party seemed to be swept up in the pursuit, dead correct people on their trail, keening, crying, blaming. Rivers of red flowed rapidly across the stone dock in the twilight, slippery sticky blood overtaking their flight to make them trip and slide headfirst into stone bollards or pitch screaming into the sea. — Jay Lake

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more. — Donald Hall

The obvious priority is to get your intonation together. Your sound and your pitch should be inspiring to people, not a distraction. — John Patitucci

The paintings are more about physicality and gesture than meditation. I'd compare it to playing scales on the Cello - each sound (pitch and intensity) depends on the manner in which you hold and apply the bow. The same goes for the gesture of applying paint to a surface. — Stephen Beal

Chapter 8 - The Rescue Team: "Timbroke Hall was completely dark. A creaking shutter opened and closed to the rhythm of a howling, north wind. It bore a cold reminder of the harsh winter coming quickly this year. The children crept up the rock stairs to the familiar wooden doors at the front of the building. Ariana led them around the porch to a side door according to her, was never locked. The broken handle dangled loosely and offered free entrance. The team cautiously crossed the threshold of the old hall into pitch blackness. An owl hooted and the sound of large wings flapping reverberated around them. Camilla startled, cried out a fearful yelp causing everyone to jump. Hannah reflexively covered Camilla's mouth until she was certain nothing more would slip out. "Quiet," whispered Jess in an angry tone directed at Hannah. "It wasn't me," whispered Hannah pointing down at Camilla. "Sorry," whispered Camilla apologetically. — M.K. McDaniel

I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff. It's the first thing I have to solidify whenever ... I get into a character. The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice. — Guy Pearce

I don't have perfect pitch. My drums sound like a drummer, not a drum machine. — Taylor Hawkins

Okay, time to get serious. I let my smile fade slowly and lowered my pitch, as no human woman could have. "I'm not joking this time. If I see it, it's mine, and you won't get it back at the end of the school year." I growled, deep and long, savoring the feel of the vibrations in my throat, as if the sound alone could save me. It wasn't quite a cat's growl but it was damn close. And it was his last warning.
Miguel dismissed my threat with an easy smile, and my stomach clenched. Oh, yeah, Faythe. You have Puss shaking in his boots, all right. — Rachel Vincent

I am aware that somewhere along the line, I've subconsciously turned down the pitch of my speech, like a silencer of a gun that softens the sound of its firing. Now, even when I yell, I don't feel like I am using my full voice. — Koren Zailckas

The radicals are really always saying the same thing. They do not change; everybody else changes. They are accused of the most incompatible crimes, of egoism and mania for power, indifference to the fate of their own cause, fanaticism, triviality, want of humor, buffoonery and irreverence. But they sound a certain note. Hence the great practical power of consistent radicals. To all appearance nobody follows them, yet everyone believes them. They hold a tuning-fork and sound A, and everybody knows it really is A, though the time-honored pitch is G flat. The community cannot get that A out of its head. Nothing can prevent an upward tendency in the popular tone so long as the real A is kept sounding. — John Jay Chapman

A person's native tongue influences the way he or she perceives music. The same succession of notes may sound different depending on the language the listener learned growing up.12 As evidence, speakers of tonal languages including Mandarin are more likely than Westerners to have perfect pitch. In one study, 92 percent of Mandarin speakers who began the music lessons at or before the age of five had perfect pitch compared to 8 percent of English speakers with comparable music training. — Ken Robinson

Within the context of Western music, jazz has always contained certain radical or revolutionary aspects. These are: improvisation, collective composition and individuality or the personal sound (based on amazing variations in sonority, timbre and pitch). — Michael Snow

The frequencies of the notes in a scale - do, re, mi, fa, sol, la, ti, do - sound to us like they're rising in equal steps. But objectively their vibrational frequencies are rising by equal multiples. We perceive pitch logarithmically. — Steven Strogatz

If you want something that's going to provide you with a lot of challenges and a variety of different things to do, then you really can't beat a place like the Air Force. I don't mean this to sound like a recruiting pitch. But it's been a lot of fun. — Michael P. Anderson

To some people, there is no noise on earth as exciting as the sound of three or four big fan-jet engines rising in pitch, as the plane they are sitting in swivels at the end of the runway and, straining against its brakes, prepares for takeoff. The very danger in the situation is inseparable from the exhilaration it yields. You are strapped into your seat now, there is no way back, you have delivered yourself into the power of modern technology. You might as well lie back and enjoy it. — David Lodge

Thank God, I have sort of a pan-European accent rather than Russian, which doesn't sound very pleasantly to Americans. For them, we speak with a rather rude pitch, and that might be our actors' problem there. Now I've begun working with language coaches in Los Angeles to get rid of the accent completely. — Yuliya Snigir

I saw it all suddenly while I was reading Howards End . . . Forster's the only one who understands what the modern novel ought to be . . . Our frightful mistake was that we believed in tragedy: the point is, tragedy's quite impossible nowadays . . . We ought to aim at being essentially comic writers . . . The whole of Forster's technique is based on the tea-table: instead of trying to screw all his scenes up to the highest possible pitch, he tones them down until they sound like mothers'-meeting gossip . . . In fact, there's actually less emphasis laid on the big scenes than on the unimportant ones: that's what's so utterly terrific. It's the completely new kind of accentuation - like a person talking a different language . . . . — Christopher Isherwood

Don't say another goddamn word. Up until now, I've been polite. If you say anything else--word one--I will kill myself. And when my tainted spirit finds its destination, I will topple the master of that dark place. From my black throne, I will lash together a machine of bone and blood, and fueled by my hatred for you this fear engine will bore a hole between this world and that one. When it begins you will hear the sound of children screaming--as though from a great distance. A smoking orb of nothing will grow above your bed, and from it will emerge a thousand starving crows. As I slip through the widening maw in my new form, you will catch only a glimpse of my radiance before you are incinerated. Then, as tears of bubbling pitch stream down my face, my dark work will begin. I will open one of my six mouths, and I will sing the song that ends the Earth. — Jerry Holkins

Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your life's journey and play on. — Suzy Kassem

The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it. — Louise Erdrich

You can take a bad singer and make them sound decent; you couldn't do that in the past. With things like Pro Tools and all the other things you have available; like auto tune, and pitch correction you can make someone who can't sing into someone who can. — Michael Sweet

A pain so vibrant and intense that it seemed to become a sound inside me that rang out at an unwavering pitch and my whole body was now just an instrument that could play only that one note, and I was its audience of one. There was nothing else to experience. No thought could enter, no emotion be felt. Only the pain existed and I existed only for the pain to be felt. — Adam M. Booth

These are the three things - volume of sound, modulation of pitch, and rhythm - that a speaker bears in mind. It is those who do bear them in mind who usually win prizes in the dramatic contests; and just as in drama the actors now count for more than the poets, so it is in the contests of public life, owing to the defects of our political institutions. — Aristotle.

Ideals are like tuning forks: sound them often to bring your life up to standard pitch. — S.D. Gordon