Songs With The Best Quotes & Sayings
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I'm also a big Bob Dylan fan. The songs on The Freewheelin' Bob Dylan - which is one of his best early albums - they grow out of some of his difficulties with Suze Rotolo, and "Hard Rain," people say it had to do with the Cuban missile crisis - probably not. He denied it. I believe him, but it certainly had to do with the time. — Cass Sunstein

That's why all those records from high school sound so good. It's not that the songs were better - it's that we were listening to them with our friends, drunk for the first time on liqueurs, touching sweaty palms, staring for hours at a poster on the wall, not grossed out by carpet or dirt or crumpled, oily bedsheets. These songs and albums were the best ones because of how huge adolescence felt then, and how nostalgia recasts it now. — Carrie Brownstein

There's always that one guy who gets a hold on you. Not like your best friend's brother who gets you in a headlock kind of hold. Or the little kid you're babysitting who attaches himself to your leg kind of hold.
I'm talking epic. Life changing. The "can't eat, can't sleep, can't do your homework, can't stop giggling, can't remember anything but his smile" kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite '80s songs, like the "Must Have Been Love"s, the "Take My Breath Away"s, the "Eternal Flame"s - the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night. — Jess Rothenberg

I talk about things in music that I would never talk about with my best friends, which I think seems like a weird thing, but my justification in my head as to why it's okay is because it's cryptic enough and there's enough meat around it to make it all okay and no one can really prove what any of the songs mean. — Troye Sivan

'Appetite for Destruction' was the only thing written with lyrics and melody fitting the guitar parts at the same time. After that, I got a barrage of guitar songs that I was supposed to put words to, and I don't know if that was the best thing for Guns. — Axl Rose

15 p Look carefully then how you walk, not as unwise but as wise, 16 p making the best use of the time, because q the days are evil. 17Therefore do not be foolish, but understand what r the will of the Lord is. 18And s do not get drunk with wine, for that is t debauchery, but u be filled with the Spirit, 19addressing one another in v psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart, 20 w giving thanks always and for everything to God the Father x in the name of our Lord Jesus Christ, 21 y submitting to one another out of reverence for Christ. — Anonymous

The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was — Ric Ocasek

With every album, the approach is find the best songs you can find, write the best songs you can write and try to sound better. — Luke Bryan

Sometimes touring can warp reality because you're never in one place long enough to get a feel for it. You don't interact with people long enough to know what real life is. That's why a lot of artists write songs about longing and missing people when they're on the road. I do my best to keep my mind open and I read a lot when I'm on tour, so I hope I have good things to write about. I'm constantly in the songwriting process. — Jason Mraz

Sad songs are not my strong suit. All the songs that have saved my life make you feel like driving with the top down or dancing in your room with your best friend. — J.C. Lillis

bought a pristine copy of Man on the Run, a biography of Paul McCartney that began not with the Beatles, but with what McCartney did after they broke up. Parker had always preferred McCartney's work to John Lennon's, whatever effect it might have had on his standing with the cool kids. Lennon could only ever really write about himself, and Parker felt that he lacked empathy. McCartney, by contrast, was capable of thinking, or feeling, himself into the lives of others. It was the difference between "Strawberry Fields Forever" and "Penny Lane": although Parker loved both songs, "Penny Lane" was filled with characters, while "Strawberry Fields Forever" really had only one, and his name was John Lennon. Parker might even have taken the view that Lennon needed to get out of his apartment more, but when he did, an idiot shot him. He'd probably been right to spend the best part of a decade locked inside. Ross appeared just as McCartney — John Connolly

I've been lucky, because people have done such great versions of my songs, and I've worked with the best singers ever, and I'm lucky that way. — Diane Warren

Poetry is like a portrait of a moment or person, and the poem is almost like looking at a photograph; it slaps you in the face and kisses you at the same time. Nothing else does that, with that brevity. Songs try to do it, but that's three minutes. A poem, you read it and it kind of changes your life and you don't know how it happened and you can never forget it. It's like the best song lyric, the best line from a film-everything in the world that's short and great put together. — Warsan Shire

If I am a fan of my own music, which I am, I want to hear the best Madchild I can hear. What am I missing? I sort of had a good talk with some close friends of mine that I really respect and look up to in music as well and we all just came to the conclusion, just some more storytelling songs of things I have gone through. — Shane Bunting

I tend to write songs critiquing myself. The best way for me to deal with stuff is to write a song about it ... That's not to say all my songs are like that. — Ty Segall

Straightening, I asked, "What do you believe in?"
"Old love songs, best friends, the collected works of J.R.R.Tolkien, crispy pork egg rolls with just the right amount of grease, the Big Boss and eternity."
"The Big Boss?"
Zachary pointed up, as if to heaven.
"Pious,"I teased. — Cynthia Leitich Smith

What we try to do with all of our albums, is live out our musical fantasies in the most honest fashion we know how ... We want to include songs that lyrically cover subjects ranging from the heaviest things we've ever done to light-hearted experiences that can best be presented through sentimental bluesy ballads that are usually good for a chuckle or two. — Michael Hutchence

There are so many songs out there in the world that - if I know we have to come up with a new cover, then I'll just sit in my room and sing song after song and figure out which one I can kind of sing the best. — Britt Daniel

Another fresh new year is here ... Another year to live! To banish worry, doubt, and fear, To love and laugh and give! This bright new year is given me To live each day with zest ... To daily grow and try to be My highest and my best! I have the opportunity Once more to right some wrongs, To pray for peace, to plant a tree, And sing more joyful songs! — William Arthur Ward

So, if music is the best, what is music? Anything can be music, but it doesn't become music until someone wills it to be music, and the audience listening to it decides to perceive it as music.
Most people can't deal with that abstraction
or don't want to. They say: Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notees I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT
something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away
andthen, write me some more songs like that
over and over and over again, because I'm really into music. — Frank Zappa

A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been. — Scott Ian

Universal was absolutely marvelous about sitting down with me and listening to my input. It wasn't something where they chose a bunch of songs that were best sellers. They did a marvelous job on the packaging. It's a beautiful tribute. — Rita Coolidge

Hey, the boy replied back, looking better than he had before. His eyes, although they still carried sadness, also carried happiness. Their first words weren't the best of opening liners, not like in the fairytales the girl had read back when she was a princess. Stories that promised fantasies of princes sweeping a princess off their feet, wooing hearts with words and sometimes songs. But that was okay. She didn't need wooing. She didn't need songs. Because she wasn't a princess. And the boy wasn't a prince. She was just a girl. And he was just a guy. And this wasn't a fairytale. But real life. And fairytales were overrated anyway. — Jessica Sorensen

Radio was truly diverse in the seventies. A station would play a rock track, then a country track, then something else. You didn't have to change the dial if you wanted to hear a certain kind of sound. We knew we had a good shot at getting on the radio with the original Eagles sound, but we also knew the best-selling hit songs were all rock-oriented, which was why everyone but Bernie wanted to head in this direction. — Don Felder

The best song is what resonates with that one person the most. It's why, if you ask a million people on the face of the Earth, they're all gonna have different favorite songs, their own best song ever, because that's the one that touched them the most. — Vince Staples

One of the best things about road-tripping with monks is that monks are used to repeating chants over and over and over, so they really don't mind songs like 'Ninety-nine Bottles of Beer on the Wall' or 'The Song That Never Ends. — M T Anderson

I would describe my songs as just a collection of my thoughts, with melodies that probably occurred to me in the grocery store or cycling home, sung as best I can over a bunch of chords. — Withered Hand

Jonas' music is inspiring, energizing, and spiritually uplifting. A brilliant songwriter, he writes music that reaches deep into the soul and awakens the best and highest in all of us. And Jonas delivers his songs with a power, joy, and grace that last long after the last note is played. The world needs this music! — Marci Shimoff

I think all the boys that write the screaming stuff would write the best love songs ... because they have the most to hide. The guys that are in the most pain are usually the ones with the biggest hearts. — Tori Amos

If our worship is just great youth meetings, nice songs, lots of jumping around and a few CDs, then we're missing it. Our vertical expression must have a horizontal effect. So, we'll continue to worship, praise and honour God with heart, soul, mind and strength the best we know how, but the fruit of that must be a generation who are totally committed to reaching the lost and helping those who need help, locally and globally. — Joel Houston

I've just tried for all of these years to find the best records, the best songs that I could find that fit me, and I've had great people to work with all these years. — George Strait

I just try and get the best out of an artist - we all have a responsibility to fill the world with awesome songs! — Matt Squire

We often behave as though Jesus is only interested in saving and loving a romanticized version of ourselves, or an idealized version of our mess of a world, and so we offer to him a version of our best selves. With our Sunday school shoes on, we sing songs about kings and drummers at his birth, perhaps so we can escape the Herod in ourselves and in the world around us. But we've lost the plot if we use religion as the place where we escape from difficult realities instead of as the place where those difficult realities are given meaning. — Nadia Bolz-Weber

Writing songs is an essential part of my life: my mother teaches piano, and I have inherited my grandparents' passion for music, especially from my grandfather Tommy, who was a great drummer. It's no coincidence that I play the drums best, but I am also good with the guitar and the piano. — Caleb Landry Jones

The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part. — Drake Bell

I see rock music as the best example of modernday storytelling that exists in our society. Songs are narratives that help the listeners cope with the reality of life that can't be easily spoken about in everyday conversation. It is a hugely powerful process of helping people find themselves through music. — Stephan Jenkins

But, like Shakespeare, I too am often occupied with the pursuit of my creative endeavors and dealing with all aspects of life's mundane matters. "Who are the best musicians for these songs?" "Am I recording in the right studio?" "Is this song in the right key?" Some things never change, even in 400 years.
Not once have I ever had the time to ask myself, "Are my songs literature?"
So, I do thank the Swedish Academy, both for taking the time to consider that very question, and, ultimately, for providing such a wonderful answer. — Bob Dylan

In the moments when I feel like being truly happy is an impossible puzzle, one I'm not meant to figure out, if you have a best friend you can laugh with and a few good songs you're more than halfway there. — Emery Lord

One of the best records I've ever heard. Seriously, maybe top 20 all-time ... I think if Rich Mullins had been given more time here, and if God had blessed his life with love and a wife, if he had the chance to see as much of the relational beauty as he saw of the natural beauty, I think he might have written some songs like the ones we find on BiRDS OF RELOCATiON. And you know that's about the highest praise I can give someone. You will not find a combination of more beautiful poetry, raw honesty, and gorgeous melodies for a long time. — Todd Agnew

The best tunes are songs with a face. You recognize them. You know them. It's like a person. They have a face that's outstanding. Other songs don't have a face. You just hear them, that's all. The really good ones are few and far between. — Cindy Walker

I realized that the people I want to impress most are already in my band. If I just do my best and try to write great songs and then collaborate with these guys and try to make a great record, that's my best path to success. — Ed Robertson

Most songwriters who have been lucky enough to have their song on the radio or be heard widely don't know anything about science. The best songs have a strong dose of metaphor. Most songs about science don't have that. Like 'She Blinded Me With Science.' It's a stupid song, no offense to Thomas Dolby. — Greg Graffin

Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that. — Alan Cumming

Billy Rankin is a true Glasgow rock legend. He has everything going for him: he's a brilliant guitarist, he writes killer songs, he's worked with the best, toured the world and he is one handsome-looking chap. I know all of this because Billy told me. — Robert Fields

You told me mornings were the best time to break your own heart. So here I am, smoking your brand of cigarettes for the scent. I wonder if you still sing Beatles songs as you make coffee. You said your mother used to sing them to you when you couldn't sleep, nineteen years before we met, twenty before you moved your clothes out of our closet while I was at work. By the way, I hate you for leaving all the photographs on the fridge. Taking them down felt like peeling off new scabs, like slapping a sunburn. I spent so many nights carving your body into pillows, I can promise you nothing feels like sleeping with your arm around me and your breath in my ear. Still, it's comforting to know we sleep under the same moon, even if she's so much older when she gets to me. I like to imagine she's seen you sleeping and wants me to know you're doing well. — Clementine Von Radics

They were looking for a builder to construct the home they thought they wanted, but he was the architect, coming with a new plan that would give them everything they needed, but within quite a new framework. They were looking for a singer to sing the song they had been humming for a long time, but he was the composer, bringing them a new song to which the old songs they knew would form, at best, the background music. He was the king, all right, but he had come to redefine kingship itself around his own work, his own mission, his own fate. — N. T. Wright

School of Rock. The best music school anywhere. This whole idea of getting kids not just taking lessons and learning notes and chords, but learning songs and playing with other young musicians, and getting out on stage ... I was so impressed that my daughter Cheyenne goes to School of Rock on Long Island. — Dee Snider

Paul Simon once said that a songwriter's supreme challenge was being complex and simple at the same time-writing songs with lasting depth that are also simple enough to be memorable. Jimmy Van Heusen was a master at this kind of song. His music was complex, with deeply rich chord changes any jazzman can embrace, but also possessed catchy, crystalline melodies of exceeding sing-ability. His songs were meant to be sung, not just listened to, and they were sung by the best, with Frank Sinatra and Bing Crosby at the top of that list. — Paul Zollo

Rick smiled mischievously and said, "I think I'm going to learn 'Kisses sweeter than wine'. It's a fun one."
Amelia laughed. "What it about?"
"It's about a guy who falls in love with this girl who has kisses sweeter than wine. As you know, folk songs have a story to tell. Well, he asked her to marry him. At first she wouldn't accept his proposal, so he had to beg and plead with her."
"Why didn't she want to marry him?"
"I think she was worried about how it would change her life. She'd been on her own for quite some time and she had to get used to the idea."
Amelia bit her lip and glanced down at her lap. With curiosity, she asked, "Did she finally accept his proposal?"
"Yup. It just took her a while to realize he was the best thing that ever happened to her." Rick grinned. "She sort of reminds me of someone else I know. — Linda Weaver Clarke

With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer. — Skip Horack

sweetness on the tongue and a promise of scent on the night air. It was sensual in the best meaning of that word, saturating every sense at once, so that the flesh was known, finally, as a thing of such goodness that man blessed his Creator from morning to night for having made him. Here in this medieval town where once an extraordinary little fellow had burst forth with songs to God, as a passionate lover speaks to his bride, here the restoration of man to his own true home was no longer the dream of saints. It was the wedding feast. It was a word made flesh. — Michael D. O'Brien

What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways.
I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever.
And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says.
I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first
paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes ... Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music. — Shauna Cross