Something Sweet For Her Quotes & Sayings

She was crouched in the corner of the room, eating something off the floor. It was the old woman dressed in endless black. When she looked up this time there was no question she was there for me. She had the face of my mother but much older, her ancient decayed mouth coming closer for her good-night kiss. I steeled myself against her putrid smell, the mouthful of bitter dust, but as her lips touched mine it was like biting into a purple black plum whose fruit was brilliant red, like an explosion of intense joy. Its childhood smell wrinkled my nose with pleasure, its sweet juices ran down my chin, turning into a beautiful black ocean where I floated safely, not lost as I had imagined, but securely tucked away deep in space. — Mary Woronov

There's something I gotta tell you," he said in a confidential tone as he leaned toward her. His face was close to hers, too close. He was making her uncomfortable again, as he no doubt intended.
That notion stiffened her spine.
"What?" she all but snapped.
"I had a major case of the hots for you when I was in high school. I still do. — Karen Robards

She [Susanna] realized she was still hugging the wall. Pride propelled her two steps forward. As she advanced, something bleated at her, as though chastising her for trespassing. She stopped midstep and peered at it. "Did you know there's a lamb in here?"
"Never mind it. That's dinner."
She gave it a smile and a friendly pat. "Hullo, Dinner. Aren't you a sweet thing."
"It's not his name, it's his ... function. — Tessa Dare

I understand that you have an urgent task for me."
"I do."
"What is it?"
"I want you to go to the coffee shop and get me something to eat."
"That-" Lauren choked. "That's your idea of urgent?"
"Very urgent," Nick replied imperturbably. "I happen to be starved."
Lauren clenched her hands into fists. "To you I may mrely be some frivolous, amusing sexual object, but downstairs I have an important job to do, and Jim needs me."
"I need you,honey.I've been here since-"
"Don't you dare call me honey!" she burst out, reeling with unwanted joy at the casual endearment.
"Why not?" he cajoled, a smile lighting his face. "You're sweet."
"You won't think so if you call me honey again," Lauren promised.
His brows drew together at her tone, and Lauren had to remind herself that he was still her boss. "Oh all right!" she capitulated ungraciously. "What do you eat for breakfast?"
"Irritating secretaries," he mocked. — Judith McNaught

You think I don't know what you're doing? This is a typical guy stunt. Protect the helpless female, lead the bad guy away and send her scurrying for help." He put a hand on her cheek. "If he caught up to us and something happened to you ... I don't know what I'd do." Her lips trembled, though she tried to look angry. "Macho garbage. — Maggie Shayne

For the first time in my life as a flirt - as something more than just a girl - I found the words. They didn't simply appear. I reasoned them out. I spoke them. Because they were true, and I didn't need anything more than that. "She doesn't deserve you," I said, and before he could dispute it, I continued. "She takes and takes and takes, but she doesn't take the right things. And she doesn't give the right things back. You're going away now. You don't need her. You probably never needed her. She's going to make it hell for you, but it's over. You know that. Free yourself."
He looked at me like I was some kind of oracle. In the best of all worlds, it would've been a look of love, an understanding that I was the one, I was it. But it wasn't that. Instead it was something almost as sweet - that mix of recognition and appreciation. That gift of worth. — David Levithan

Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him.. — Stephen King

Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she'd cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . .
"I smell something sweet," she said. She'd been gazing up at the ceiling. Now her eyes wandered
down and landed on Kell. "Hello, flower boy. — V.E Schwab

Anne walked home very slowly in the moonlight. The evening had changed something for her. Life held a different meaning, a deeper purpose. On the surface it would go on just the same; but the deeps had been stirred. It must not be the same with her as with poor butterfly Ruby. When she came to the end of one life it must not be to face the next with the shrinking terror of something wholly different
something for which accustomed thought and ideal and aspiration had unfitted her. The little things of life, sweet and excellent in their place, must not be the things lived for; the highest must be sought and followed; the life of heaven must begin here on earth.
That goodnight in the garden was for all time. Anne never saw Ruby in life again. — L.M. Montgomery

What age is she now, twenty something. I'm not sure. She is very bright, quite the bluestocking. Not beautiful, however, I admitted that to myself long ago. I cannot pretend this is not a disappointment, for I had hoped that she would be another Anna. She is too tall and stark, her rusty hair is coarse and untameable and stand out around her freckled face in an unbecoming manner, and when she smiles she shows her upper gums, glistening and whitely pink. With those spindly legs and big bum, that hair, the long neck especially ... Yet she is brave and makes the best of herself and of the world. She has the rueful, grimly humorous, clomping way to her that is common to so many ungainly girls. ... Dear Claire, my sweet girl. — John Banville

Oh, sweet peaches and cream, this hurts."

"Child, what have you done to your foot?"

Beth glanced down to see blood dripping from the side of her sandal. "Crap."

"Honey, that's blood. That calls for a shit or a damn or something stronger than crap. — Terri Osburn

I used to love hospitals. That's another weird thing about me. I remember when my grandmother
so sweet, God rest her soul
was in the hospital, I always loved visiting her there. Very morbid memory! Most people hate hospitals. And I'm not a big fan of them now, but there was something about it for me back then. — Jennifer Aniston

He'd never encountered beauty of such magnitude and intensity. It was not allure, but grace, like the sight of land to a shipwrecked man. And he, who hadn't been on a capsized vessel since he was six - and that had only been an overturned canoe - suddenly felt as if he'd been adrift in the open ocean his entire life.
Someone spoke to him. He couldn't make out a single word.
There was something elemental to her beauty, like a mile-high thunderhead, a gathering avalanche, or a Bengal tiger prowling the darkness of the jungle. A phenomenon of inherent danger and overwhelming perfection.
He felt a sharp, sweet ache in his chest: His life would never again be complete without her. But he felt no fear, only excitement, wonder, and desire.
Christian's thoughts upon seeing Venetia for the first time (Beguiling the Beauty, Fitzhugh Trilogy 1, by Sherry Thomas) — Sherry Thomas

The oversize jar that held Regan's collection of beach glass was stored at the back of his closet, shoved there years ago because, like so much else in the house, it triggered bad memories. But as he pulled it out and carried it downstairs, the edges of his dark mood lifted for the first time all day. The sweet, generous side of Regan's nature would have loved passing on her precious beach stones to Livia, one little girl to another.
As he descended the stairs that his sister had raced up and down a dozen times a day, something brushed past him. Something warm. Invisible. He stopped where he was and shut his eyes, the glass jar cool in his hands, his sister's face vivid in his mind.
Regan smiling at him. A smile that said Be happy. — Susan Elizabeth Phillips

I saw her tonight. I didn't mean to and I wasn't prepared for it.

I came across her sweet smiling face and I had no choice but to be confronted with all the emotions and memories I associated with her.

It brought me back to this past summer when she passed from this world into the next and how I watched the minutes in the day pass and felt the sorrow of the approaching sunset knowing that darkness would soon follow.

There is something profound about the first night after someone you love dies.

Seeing her again and mourning the loss of her anew reminded me that we keep too much to ourselves and we let people go without them ever knowing how much they touched us, intrigued us, taught us, or moved us.

I'm a firm believer in actions doing the telling, but people need to hear it as well. — Donna Lynn Hope

We protected America from what happened, like a man takes care of his wife. The man doesn't mind when she closes her eyes at the scary part of the ride, of the movie. He loves her for that sweet, willful ignorance. She gives him something to protect, a nice world in which bad things don't happen. It's a pleasure, and a relief, to keep that ignorance intact, even as it comes between them. — Amy Bloom

The drawing Anna was thinking of wasn't particularly wicked, not so far as drawings in Anover House went. It was a colored sketch of a young man and woman embracing in a sun-dappled garden.

Her embarrassment was not in the nudity portrayed ... well, not all the embarrassment ... it was in the sentiment. The couple were entwined in each other's arms, lost in each other's gaze, seemingly oblivious to the world around them.

For Anna, the picture was a sweet bit of ink and imagination that epitomized every silly romantic notion she'd ever had about falling in love. And it was that silly romanticism that embarrassed her. It was always a little uncomfortable to admit wanting something you knew you couldn't have. — Alissa Johnson

So then I thought, I'd like you to have something to remember me by, you know, if you ever meet some veela when you're off doing whatever you're doing.'
I think dating opportunities are going to be pretty thin on the ground, to be honest.'
There's a silver lining I've been looking for,' she whispered, and then she was kissing him as she never kissed him before, and Harry was kissing her back, and it was a blissful oblivion, better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand on her back, the other in her long sweet-smelling hair ... — J.K. Rowling

How people's faces turned slightly upward when they stared at the sea, as if they were straining to see a trace of God or were hearing the silent humming of the universe; she would notice how, at the beach, people's faces became soft and wistful, reminding her of the expressions on the faces of the sweet old dogs that roamed the streets of Bombay. As if they were all sniffing the salty air for transcendence, for something that would allow them to escape the familiar prisons of their own skin. — Thrity Umrigar

I was in the car with Trace and heard his side of the conversation with you. Sounded clear enough to me."
"Apparently not, cuz I'm not sweet on her. What kind of dumb-ass thing is that to say? I like her, sure, even though she's not the easiest lady to be around."
"No?"
Jackson didn't seem to hear her. He continued on as he pulled food from the tiny fridge and piled it on the counter. "She has her reasons for being prickly, and I know it."
"Those reasons are?"
"And there isn't a man alive who wouldn't want her. She's about the sexiest thing I've ever seen." He shook his head. "But I'm not sweet> about anything." He scoffed. "That sounds like some adolescent bullshit or something."
"You have a very limited vocabulary."
"My balls still hurt. It's affecting my brain."
"Your brain is located a little low, isn't it?"
He paused, then laughed. Shaking a loaf of bread at her, he said, "Good one. I'll have to try to remember this sharp wit of yours. — Lori Foster

Is there something I can do?"
"About what?" she snapped.
"About your problem," he persisted. "Does anybody's ass need kicking? I can take care of that for you. I kick good ass."
Her laughter rang out, sweet and bright and gorgeous. "Wow," she said. "You'd do that for me? After, what has it been now, a fifteen-minute acquaintance? Twenty, maybe, tops?"
He considered that, and opened his mouth, and the raw, uncut, uncensored truth just plopped right out. "Yeah," he said. "I would. — Shannon McKenna

Her heart sprang up into her throat.
Watching that shadow play was like paying a quarter for a peep show. Only she got it for free.
He thinks I'm pretty.
Butterflies did a dance around her heart before she could swat them away.
Behind the shade. his shadow unbuttoned those soft, worn, butt-hugging jeans and slid them down his lean hips. Charli sucked in a big gulp of air, then headed back to the veranda and her glass of wine.
With all the estrogen doing a conga line through her blood, she needed a drink.
Well, she really needed something else.
But she'd settle for a drink. — Candis Terry

His dear face, dear to her, dearer still. how could she love his face more for its damage? What kind of person saw someone's suffering and felt her heart crack open even wider, even more sweetly than before?
There was something wrong with her. It was wrong to want to touch a scar and call it beautiful. — Marie Rutkoski

Varian rubbed the back of his head where his lump was growing significantly. "Not that I particularly want to defend Merrick, but those little rocks did happen to hurt. Thank the gods for armor."
Merewyn gave him a sweet, sympathetic pout. "Poor baby." She reached up to rub his sore spot, but honestly he'd much rather have her rub something else that was bothering him. The touch of her hand made his entire body break out into chills. Not to mention that the smell of her so close played total havoc with his hormones.
He honestly wanted to curl up beside her and start purring like a cat.
More than that, he had a vicious need to nibble her body until he was drunk on her scent. And there was a thought that made him glad he was wearing his armor again since it kept his erection hidden from the ones around him.
Stepping away from her before he actually did purr, he looked at Merrick. "What other nasty surprises do we have in store for us? — Kinley MacGregor

He shouldn't be inclined. Mallory Quinn was sweet, warm, and caring. She was a white picket fence and two-point-four kids. She was a diamond ring.
She was someone's keeper.
Not his. Never his. He didn't do keepers.
And yet in that beat, with her mouth close to his, a smile in her eyes, he ... ached. He ached and yearned for something. Someone. He wanted to wrap his arms around a woman, this woman, and lose himself in her. — Jill Shalvis

As a girl she had imagined the Milky Way was the curtain of heaven, a notion she had been sorry to abandon as she had grown up. But she would not abandon a belief in heaven itself, wherever that may be, because she felt that if she gave that up then there would be very little left. Heaven may not turn out to be the place of her imagining, she conceded
the place envisaged in the old Botswana stories, a place inhabited by gentle white cattle, with sweet breath
but it would surely be something not too unlike that, at least in the way it felt; a place where late people would be give all that they had lacked on this earth
a place of love for those who had not been loved, a place where those who had had nothing would find they had everything the human heart could desire. — Alexander McCall Smith

Any chance of getting something sweet to go with my coffee?" [Finn] asked in a hopeful voice.
I arched an eyebrow at him. "You mean all those pieces of strawberry pie that you ate for lunch weren't enough?"
"I'm a growing boy," Finn said in a sincere tone. "I need my vitamins."
Bria snorted. "The only thing that's growing on you, Lane, is your ego."
Finn sidled up to my sister and gave her a dazzling smile. "Well, other things of mine also tend to swell up in your presence, detective. — Jennifer Estep

I'm just a girl from Flatbush, Bo. There's nothing special here.""You're so wrong.""I know what people think. To friends and family I'm sweet and helpless. To guys I'm a body.""Your body is spectacular. I'm not going to pretend I don't see that. But I can have any body. You've lit something inside me. And it's you, not your assets.""You don't know me. We've hardly scratched the surface.""That's why I need time. I want to know your story, your dreams, your longings. Every part I see makes me want more." He was speaking her own desire to understand him, because his real self called to her more strongly than anyone she'd known , even people she'd known for years. — Kristen Heitzmann

The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh
and a poke in the ribs, you went to Jenny's and got your money's worth; but if the sweet worldsadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days. — John Steinbeck

He raised his voice over the crowd's roar and gestured to Cade's phone. "Good news?"
Cade tucked the phone back into his pocket. "She said yes."
Vaughn blinked - clearly having expected Cade to say something else - then threw out his hands. He had no clue what they were talking about, but right then everything was a cause for celebration. "She said yes! Hell, yeah!" He grabbed Huxley and pointed to Cade, shouting over the crowd. "She said yes."
"Sweet," Huxley said, tapping his beer to Cade's. "Who said yes?"
"Brooke Parker. I'm seeing her tonight."
"Fuck you," Vaughn said, somewhat in awe. "I knew it. You've been digging her from the moment she told you to shove your obstruction of justice threats up your ass."
"What can I say? I'm a sucker for the shy, quiet types. — Julie James

Alex leaned over and treated me to a Rhett Butler kiss, slow and deep but not too sweet. He once told Scarlett something to the effect of how badly she needed kissing, and by someone who knew what he was doing. Alex knew what he was doing. By the time he finished proving it, I was breathless. I rested my head on his shoulder, basking in his warmth and filling my lungs with his scent. "What was that for?"
"That was to show you how glad I am that we got out of that mess in one piece and that we're here together." He extracted his arm from around my shoulders and sat back. "Now let's talk about your crazy stunt."
Damn it, Rhett did that, too. He'd kiss Scarlett silly, then lecture her. — Suzanne Johnson

[Sasha] for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death. — Brigid Brannagh

As he entered her, as the piston of lovemaking grew slick with her clear oils, she thought about being
crushed to death in his arms, and she - thought how odd it was for her to consider such a thing, and how
much stranger still to consider it without fear and with something very like desire, a melancholy longing, a
curiously pleasant anticipation, not a death wish but a sweet resignation,
and she knew that Dr. Cauvel
would say this was a sign of her sickness, that now she was prepared
to surrender even her ultimate
responsibility
(the fundamental responsibility for her own life, for deciding whether or not she was
worthy of life), and he would say that she needed to rely more on herself and less on Max, but she didn't
care, didn't care at all; she just felt the power, Max's power, and began to call his name, dug her fingers
into his unyielding muscle and surrendered
willingly. — Dean Koontz

I thought it could be something, I mean, eventually." Harrison finally looks at us. "My life I thought-but I mean ... it's nothing."
"Don't cry" Grace says. "You have a lot of time."
"No, I don't."
"Yeah, you do."
"No.-"
"Yeah! Yeah, you do. It's okay. Look-"
She does something that is so amazingly selfless and also gross. She tilts Harrison's face up and gives him a sweet kiss on the lips and it lasts long enough for him to taste her back, to move his mouth against hers.
Harrison stares at her dumbfounded but he's stopped crying
She is so nice. — Courtney Summers

Daniel looked down the barrel of the shotgun al set to blow his
brains out and grinned. These days, even a gun-toting, trigger-happy
female was a delight to behold, and she was perfect.
Sunlight streamed in through the kitchen window. She all but shone
with it, like an angel or a princess or something. Something a little
overdue for a bath and a lot on edge, but something very good just
the same. The feeling of sweet relief rushing through him nearly
buckled his knees.
Tall and curvy, around thirty at a guess, and uninfected, she was by
far the best thing he had ever seen in jeans and a t-shirt. Not even the
dried blood splattered on the wal behind her could diminish the
picture she made.
Sadly, his girl did not appear to share his joy — Kylie Scott

I met Shannon Hale through some friends and family. I was interested in her book called Princess Academy, which is just a very sweet, Newbery-nominated fairy tale for young readers. She was like, "Oh, actually I have something else for you." She gave me Austenland. The next morning, I'm sure I called her and I was like, "Let's make this movie." It is so fun. It just felt so girly and great and a great vehicle for the weird Hess comedy. — Jerusha Hess

There's not a stone or leaf or life that men won't put a name to. It gives them a nice safe box to collect things in. They get in the habit of collecting things and end up surprised at the weight they're carrying. A dream they thought might fit someday, something bright and sweet like a woman, picked up for her shine and somehow never left or at least never forgotten. Or an ambition! There's a fine item in any man's bag. A great, glowing ambition. They never fade, never wear even when you've outgrown them. Always there to look at and remember and play might-have-been. — Parke Godwin

He looked up from the paper he was scribbling on and offered
her a lopsided grin. "Hey, sweet pea. You bring me anything
special?"
The lopsided bit wasn't odd, but there was something forced
about it. "Got a fresh bag of cat food outside." Cat food that she'd
bought with the twenty he'd left to pay for his ice cream.
He pushed his makeshift drum set aside and rose with a
stretch. "Words every man dreams of hearing. Make my night if
you say you got catnip too."
She tried not to giggle. She tried hard.
But she couldn't help herself. "Extra strength," she said.
This time, his grin came out bigger, less forced. "Woman of
my dreams."
"In your dreams," she said. — Jamie Farrell

K.T. stops dead in her tracks, her eyes locked on Horace's car.
"Holy crap," she mutters, eyes wide. "Is that a '69 Camaro SS?"
I glance back at her as I unlock the door. "Yeah. You know cars?"
She shakes her head, her lips trembling. "Just this one."
Her reaction is too strong to be normal. People don't usually get choked up at the sight of a car. There's something about this car specifically that freaks her out.
It takes a second for her to smile, but she forces the expression onto her face. "It's my sister's favorite car. — Erica Cameron

Behind the building was a field and when the potpourri scent of her cleaner made me sneeze, I went outside. There were calves there, these sweet things that watched me with less interest than I watched them. There was this raggedy one, sitting in the middle of the field, its mother nearby. I didn't realize it was sick until it tried to get up and it couldn't. It kept trying and it couldn't and then, eventually - it didn't. After a while, a truck drove in. A man and a boy got out, looked it over while its mother stood close. It was dead, the calf. Dead and too heavy to load into the truck bed, so they tied a rope around its neck, tied the other end to the truck and dragged it off the field like that. Its mother watched until it disappeared and when it was out of view, she called for it. Just kept calling for it so long after it was gone. Sometimes I feel something like that, between my mom and me. That I'm the daughter she keeps calling for so long after she's been gone. — Courtney Summers

My whole life I've been ordered about. Now I shall give the orders." I've never seen Felicity so wounded. "Not me," she says. "I never ordered you about." "Oh, Fee." The old Pippa surfaces for just a moment, hopeful and childlike. She pulls Felicity to her. Something I cannot name passes between them, and then Pip's lips are on Fee's in a deep kiss, as if they feed on one another, their fingers entwined in each other's hair. And suddenly, I understand what I must have always known about them - the private talks, the close embraces, the tenderness of their friendship. A blush spreads across my neck at the thought. How could I not have seen it before? — Libba Bray

Starling tries to seduce Fitz.
"Be with me" she said simply "Just for here. Just for now. With gentleness and friendship. To take ... the other away. Give me that much of yourself."
I wanted her. I wanted her with a desperation that had nothing to do with love, and even, I believe, little to do with lust. She was warm and alive and it would have been sweet and simple human comfort. If I could have been with her and arisen from it unchanged in how I thought of myself and what I felt for Molly, I would have done so. But what I felt for Molly was not something that was only for when we were together. I had given Molly that claim to me; I could not resend it just because we were apart for while. — Robin Hobb

It dispelled, on the spot - something, to the elder woman's ear, in the sad, sweet sound of it - any ghost of any need of explaining. The sense was constant for her that their relation might have been afloat, like some island of the south, in a great warm sea that represented, for every conceivable chance, a margin, an outer sphere, of general emotion; and the effect of the occurrence of anything in particular was to make the sea submerge the island, the margin flood the text. The great wave now for a moment swept over. 'I'll go anywhere else in the world you like. — Henry James

They haven't spoken about it, they haven't said what will we do when we leave here, do you want to come with me, let's work something out, and she knows that this means they will quickly and easily drift apart, into other people's lives, into other people's arms in rooms like this. She is surprised that this doesn't make her feel sad. She listens to the music, she looks around at the things people dropped when they fell asleep or went out of the room, she kisses the boy's arm again and she feels only a kind of sweet nostalgia. She wonders if you can feel nostalgic for something before it's in the past, she wonders if perhaps her vocabulary is too small or if her chemical intake has corroded it and the music goes doowah doowah doowah. — Jon McGregor