Something About You Boy Quotes & Sayings

[ ... ] falling in love with someone beautiful and intelligent and the rest of it, then feeling like a blank twit put you at something of a disadvantage. — Nick Hornby

Not every girl has a bad-boy problem. Some of my friends get into relationships constantly. Others cheat all the time, or run away. Some get jealous. Some think they are too undateable to even try. Our dating pool is a circus of fuckups, misfits, and past mistakes that we keep on making. The brand of baggage you're carrying on your back is the issue. But most of all, I think we fear the same thing. I think that thing is love. Real love. Think of your first love. Think of how Bambi-like you were, prancing around all excited and in love with everything. Then think of how that happiness was beaten to death with a hatchet, spit on, shit on, leaving you cold. If you watch something you care about get destroyed, you're not going to want to go back to that place, no matter how pleasant it ever was. — Alida Nugent

I know it's common for old people to complain about the modern moment, and lament the passing of a golden age when children were polite and you could buy a kilo of meat for pennies, but in our case, my boy, I think I am not mistaken when I say that something fundamental has changed about the world in which we live. We have reached a state of constant reinvention. Revolutions have moved off the battlefield and on to home computers. — G. Willow Wilson

people coming out of church
conversing about the sermon
sniffing at the autumn air
something in the papers about forces of popular opinion
and values which are unto our nation

what is
holding you back, Catullus?
why don't you go and die?
the stalks of the potato-plants
are rotting fast this year
only October now

this evening away
A boy comes out of the wood,
crossbow on his shoulder — Pentti Saarikoski

Do you have a leather jacket? One for a ten-year-old boy?" I asked the man selling leather jackets and gloves in Covent Garden, London. "Yes, I have one right here!" And the man dug out a fine leather jacket that looked styled and tailored for a young boy. "I'm buying this for my son" I said to him. "I love this jacket, it's perfect, I think I will just come back for it tomorrow, though! I'll be back tomorrow, okay?" And the man reached his arms above his head, and said with a big smile upon his face "You only have one life to live! What is the difference if you do something today, or if you do it tomorrow?" I thought about the man's words. And I bought the jacket. He was right, there is no difference, really, between doing something today and doing something tomorrow, when you only have one life to live! Afterall, tomorrow may never come! All you really have is today! — C. JoyBell C.

The first grade class gathered around the teacher for a game of Guess the Animal. The first picture the teacher held up was a cat. "Okay, boys and girls," she said brightly, "can anyone tell me what this is?" "I know! I know! It is a cat," yelled a little boy. "Very good, Eddy. Now who knows what this animal is called?" "That's a dog," piped up the same little boy. "Right again. And what about this animal?" she asked, holding up a picture of a deer. Silence fell over the class. After a minute or two the teacher said, "I will give you a hint, children, listen. It is something that your mother calls your father around the house." "I know! I know!" screamed Eddy. "It is a horny bastard!" A — Osho

If you see Myrnin, tell him I said I want my slow cooker back."
"Your- You let him borrow something you put food in?"
Hannah's smile disappeared. "Why?"
"Um, never mind. I'll make sure it gets disinfected before you get it back. But don't lend anything to him again unless you can put it in some kind of sterilizer." That made even Hannah look nervous. "Thanks. Tell crazy boy I said hey." "I will" Claire promised. "Hey, if you don't mind me asking - when did he borrow it from you?"
"He just showed up at my door one night about a week ago, said, 'Hi, nice to meet you. Can I borrow your Crock-Pot?' Which I understand is pretty typical Myrnin. — Rachel Caine

I wonder what Mom would say if she were here," I said.
Dad pulled back, his eyes wet with happy tears. "She'd say you did good, son." He looked at Abby. "She'd say thank you for giving her boy back something that left him when she did."
"I don't know about that," Abby said, wiping her eyes. She was clearly overwhelmed by Dad's sentiment.
He hugged us again, laughing and squeezing at the same time. "You wanna bet? — Jamie McGuire

Even years from now, once I've stopped drinking, I will never stop trusting extremes. I will always believe that anything worth having is worth having in excess. The good things are worth hoarding until you have a cookie-fat ass, sex-aching loins, joy that fires through you like popping popcorn, or love, the weakness at the sight of some boy who makes your chest ache like indigestion. If it's good for you, it ought to be good for you in any amount, and you should track down every available bit of it. And if it's toxic, if it turns your liver into a hard little rock of scar tissue, or curls your memory at the edges like something burned in a fire, or makes your stomach flop, or your mind ache, or your personality contorted, you shouldn't buy into the bullshit about temperance. — Koren Zailckas

Eva knows I'm terra incognita and explores me unhurriedly, like you did. Because she's lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn't tell a C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man - his best part is commandeered by his unperformed music - but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance "beauty," yet here she is, in these soundproof chambers of my heart. — David Mitchell

Dictionopolis is the place where all the words in the world come from. They're grown right here in our orchards."
"I didn't know that words grew on trees," said Milo timidly.
"Where did you think they grew?" shouted the earl irritably. A small crowd began to gather to see the little boy who didn't know that letters grew on trees.
"I didn't know they grew at all," admitted Milo even more timidly. Several people shook their heads sadly.
"Well, money doesn't grow on trees, does it?" demanded the count.
"I've heard not," said Milo.
"Then something must. Why not words?" exclaimed the undersecretary triumphantly. The crowd cheered his display of logic and continued about its business. — Norton Juster

My arms quickly grew too tired, and all the heat I'd gained from the shower left me. Giving up, I tossed the towel to the floor, crawled between the covers, and curled into a ball. I couldn't even rub my feet together to try to generate more heat. Clay walked in and turned off the lights. I listened to the familiar rustle of clothes. Instead of the usual bounce of him jumping up on the end of the bed, he peeled back the covers, and the bed dipped as he slid in next to me. I didn't bother to pretend I wasn't interested in what he offered. Heat radiated from him, chasing the chill from the sheets. "I really hope you're wearing shorts or something," I said with a slight slur. I stuck my cold feet right on his legs and shimmied over to his side to huddle against his warmth. Boy, was he warm. It didn't matter, though. The shaking didn't stop, but I was too exhausted to worry about it. Sighing, — Melissa Haag

When I was a boy and I sang, my voice felt to me like a leak sprung from a small and secret star hidden somewhere in my chest and whatever there was about me that was fragile disappeared when my mouth opened and I let the voice out. We learned, we were prisons for our voices. You could want to try and make sure the door was always opened ... We weren't something struck to make a tone. We were strike and instrument both. If you can hold the air and shake it to make something, you learn, maybe you can make anything. Maybe you can walk out of here on this thin, thin air. — Alexander Chee

On how to make boys like you:
the third way is to be come something called "hot"
Now Katie I would argue that there are at least two
distinct definitions
of hot. There is the like normal
human definition which is that individual seems
suitable for mating. And then theirs the weird culturally
constructed definition of hot which is that individual is
malnourished and has probably had plastic bags inserted
into her breasts. Now boys might find that hot now but I don't think there's anything inherently hot about it like if you went back to the 18th century and ask a fifteen year old boy would you like to marry a woman who has had plastic bags needlessly inserted into her breasts that fifteen year old boy would probably be like: "What's plastic? — John Green

I can't help it. I'm thinking about sex. Sex with Will Haley. Sex in general. The thing is, I can't make my brain turn the idea into something sexy. Isn't that ridiculous? It's sex. It's inherently sexy. But not to me. Because in hazily lit movies, when the girl pulls her shirt up over her head, she stops being me. The hazily lit girl is never me. She has a flat golden stomach and cute little boobs, and you can see the boy falling for her. You can read it on his face. Under my shirt, there's no flat stomach, and there are no cute little boobs, and there's no hazy lighting. It's just a lot of me. Way too much of me. — Becky Albertalli

A month ago, Gavin had given his employer four weeks' notice. "I'll get a job around here," he'd told her. "Something low-stress, part-time, maybe. We're not paying rent, and Dad's left us plenty. You should quit, too." A year earlier this news would have filled her with delicious, full fat, chocolate-coated joy. But now, after a grueling routine of shitty work, shitty- weird home life in a house where the shadow of a dead boy walked more solidly than the grownups, shitty headaches, shitty worry about a husband who couldn't keep his dick out of other women, the golden offer just weirded Laine out. She didn't trust it. — Stephen M. Irwin

Nolan has the strangest affect on people. You know, I think there's something very sad and little boy about him, but at the same time the way he goes about everything is so awkward and obnoxious. He can never say the right thing, you know? And I think if he just didn't try so hard and calmed down, people might actually like him a bit more! — Gabriel Mann

You're all Helen talks about. She's been reading Welsh history books and plaguing the family with accounts of Owain Glynd and something called the Eistedfodd." His eyes sparkled with friendly mockery. "Helen was hacking and spitting so much the other day that we thought she was coming down with a cold, until we realized she was practicing the Welsh alphabet."
Ordinarily Rhys would have made some sarcastic retort, but he'd barely noticed the gibe. His chest had gone tight with pleasure.
"She doesn't have to do that," he muttered.
"Helen wants to please you," Devon said. "It's her nature. Which leads to something I want to make clear: Helen is like a younger sister to me. And although I'm obviously the last man alive who should lecture anyone about propriety, I expect you to behave like an altar boy with her for the next few days."
Rhys gave him a surly glance. "I *was* an altar boy, and I can tell you that reports of their virtue are highly exaggerated. — Lisa Kleypas

I know who you are," he says.
Something about his tone causes my heart of smoke to flicker in response, and I throw my guard up. "Oh? And who, O boy of Parthenia, am I?"
He nods to himself, his eyes alight. "You're her. You're that jinni. Oh, gods. Oh, great bleeding gods! You're the one who started the war!"
"Excuse me?"
"You're the jinni who betrayed that famous queen - what was her name? Roshana? She was trying to bring peace between the jinn and the humans, but you turned on her and started the Five Hundred Wars."
I turn cold. I want him to stop, but he doesn't.
"I've heard the stories," he says. "I've heard the songs. They call you the Fair Betrayer, who enchanted humans with your . . ." He pauses to swallow. "Your beauty. You promised them everything, and then you ruined them. — Jessica Khoury

That was an amazing night in the city. But, there's something rare and intimate about being here - just you, me, the ocean, and the moon. — Nicole Gulla

That you're so bound up about writing tells me that writing is what you're here to do. And when people are here to do that, they almost always tell us something we need to hear. I want to know what you have inside you. I want to see the contours of your second beating heart. So write, Elissa Bassist. Not like a girl. Not like a boy. Write like a motherfucker. Yours, — Cheryl Strayed

Norbert Wiener," Tillingford said. "You recall his work in cybernetics. And, even more important, Enrico Destini's work in the field of theophonics." "What's that?" Tillingford raised an eyebrow. "You are a specialist, my boy. Communication between man and God, of course. Using Wiener's work, and using the invaluable material of Shannon and Weaver, Destini was able to set up the first really adequate system of communication between Earth and Heaven in 1946. Of course, he had the use of all that equipment from the War Against the Pagan Hordes, those damned Wotan-Worshiping, Oak-Tree-Praising Huns." "You mean the - Nazis?" "I'm familiar with that term. That's sociologist jargon, isn't it? And that Denier of the Prophet, that Anti-Bab. They say he's still alive down in Argentina. Found the elixir of eternal youth or something. He made that pact with the devil in 1939, you remember. Or was that before your time? But you know about it - it's history." "I — Philip K. Dick

His father shook him roughly to get his attention. "Listen to me, boy. I need you to take care of your sisters. You hear me?" Even though he was the youngest of the Dagan children and only eight years old, it was something his dad always said to him. "Yeah, I know." "No, Cai, you don't. You're too young to comprehend what I'm trying to tell you, but you have to try." There was a sadness in his father's eyes that scared him. A resignation that had never been there before and it made him want to cry. But Dagans didn't cry and he wasn't about to let his dad see him act like one of his sisters. His father cupped his face in his calloused palm. "It'll be years before you understand what's happening - if even then. But I need you to listen to me and trust me. I won't be here to protect you anymore." Caillen — Sherrilyn Kenyon

Was in lower school. And she figures it's your fault that things have changed." "That's just idiotic!" Ximena said. "I know!" I said. "It's like Savanna being mad at me for having been in a TV commercial once. It makes no sense." "How do you know all this?" asked Ximena. "Did she tell you?" "No!" I said. "Did you know about the note beforehand?" "No!" I said. Summer rescued me. "So what did Ellie say when she read Maya's note?" she asked Ximena. "Oh, she was so mad," answered Ximena. "She and Savanna want to go all out on Maya, post something super-mean about her on Facebook or whatever. Then Miles drew this cartoon. They want to post it on Instagram." She nodded for Summer to hand me a folded-up piece of loose-leaf paper, which I opened. On it was a crude drawing of a girl (who was obviously Maya) kissing a boy (who was obviously Auggie Pullman). Underneath it was — R.J. Palacio

You mentioned something about needing resuscitation?" Her pussy quivered as she mentally visualized him breathing life into her kitty and easing the tension inside her. Her knees buckled and she forced them to straighten. Unable to find her voice she gave a quick, tight nod. He flashed her a bad-boy grin, and in a low, barely controlled voice, he said, "I believe a little mouth to mouth is in order." Mitch's hand slipped between their bodies and cupped her passion-drenched sex. Pleasure engulfed her and she nearly orgasmed right there, on the spot, all over his hand. She clamped her thighs together and leaned into him, her nipples crushed into his chest and tightening to the point of pain. She made a sexy noise and shifted. He sank to his knees, and shot her a glance, all traces of humor gone from his eyes. "Or, rather, a little mouth to kitty." — Cathryn Fox

Hamilton awkwardly folded himself into the passenger seat. "Couldn't you get something bigger?" he asked as he banged his knee against the dashboard.
"We're supposed to be a diversion," Jonah said. "Got to make an entrance. Can't do that in a minivan, Giganto Boy. Can't do much in a minivan except look about as uncool as it gets."
"Hey! My dad drives a minivan."
"Snap. — Jude Watson

You're welcome, ma'am.
My head whips up at the ma'am.
Not that I haven't heard that word spilled like sticky sweet syrup from a thousand mouths of a thousand boys who've been born and bred to use it everyday.
There's something about this boy, the way that word just slides off his tongue, buoyed with cautious respect and elegant pleasure.
Like he loves saying the word.
Like his lips weigh the worth of it. — Liz Reinhardt

They haven't spoken about it, they haven't said what will we do when we leave here, do you want to come with me, let's work something out, and she knows that this means they will quickly and easily drift apart, into other people's lives, into other people's arms in rooms like this. She is surprised that this doesn't make her feel sad. She listens to the music, she looks around at the things people dropped when they fell asleep or went out of the room, she kisses the boy's arm again and she feels only a kind of sweet nostalgia. She wonders if you can feel nostalgic for something before it's in the past, she wonders if perhaps her vocabulary is too small or if her chemical intake has corroded it and the music goes doowah doowah doowah. — Jon McGregor

Straight guys only feel three ways about girls ... First, either they love you, and they show it by writing a song about you, like Gabriel, and asking you out, and everything is nice and fun like it should be. Second, they love you, but they're scared of their passion for you because it's so strong, like your boy Christopher, so they stuff it way, way down and ignore you, or do stupid things like make fun of you because they don't know how to express it any other way, because they're immature little babies and are too shy to, say, write a song about you. Or third, there's something wrong with them, and they start out nice and loving and then turn around and do stupid things like sleep with other girls behind your back, like Justin Bay. But we'll never figure out what went wrong with them, and neither will they, so it's not worth thinking about. Okay? That's it. The end.
Lulu Collins — Meg Cabot

And put myself in the hands of total strangers?"
She snapped the lid shut, "What do you take me for? Of course I checked out their stories. I am a researcher, you know. They are who they say they are, and their stories are verifiable. You have nothing to fear. I wouldn't put my daughter in any danger."
"Any danger!" I cried. "what do you call hunting unicorns? Big, sharp horns; fangs ... " And those were just the goat-sized ones.
"I call it your birthright." Lilith stood tall. "Honey, I know you've been down ever since that stupid boy broke up with you but this is about more than a prom date. Don't you realize that? You have a destiny. Most people would kill for something like that."
If Lilith and this Cornelius guy had their way with me at this boot camp, I was going to kill. — Diana Peterfreund

You know that half the girls in school would have been after you."
He gave a soft laugh. "If they were into someone who was flunking out ... I don't think I'd do too well with having to go to class when a bell rings or caring about homework ... "
"A bad boy
even better. You'd have done well in Spanish class."
"If I ever went to it."
We lay in silence for a awhile; Alex's arms felt so warm and safe that I was starting to get sleepy. "Say something in Spanish," I mumbled.
He kissed my hair. "Te amo, Willow," he said quietly.
I came awake, smiling into the darkness. "What does that mean?" I whispered.
I could almost hear his own smile. "What do you think it means?"
I hugged him, kissing his collarbone and wondering if it was possible to actually die of happiness. "Te amo, Alex. — L.A. Weatherly

The day after we met," Fatima said, "you told me that you loved me. Then, you taught me something of the universal language and the Soul of the World. Because of that, I have become a part of you." The boy listened to the sound of her voice, and thought it to be more beautiful than the sound of the wind in the date palms. "I have been waiting for you here at this oasis for a long time. I have forgotten about my past, about my traditions, and the way in which men of the desert expect women to behave. Ever since I was a child, I have dreamed that the desert would bring me a wonderful present. Now, my present has arrived, and it's you." The — Paulo Coelho

Derek, if a boy wanted to take away a girl's power by having sex with her, what would you think about it?"
"I'd break something. His leg. Maybe his arm." He squeezed the wire tighter. "Probably wouldn't kill him unless he wanted to make an issue of it. — Ilona Andrews

When I was fifteen and had quit school forever, I went to work in a vineyard near Sanger with a number of Mexicans, one of whom was only a year or two older than myself, an earnest boy named Felipe. One gray, dismal, cold, dreary day in January, while we were pruning muscat vines, I said to this boy, simply in order to be talking, "If you had your wish, Felipe, what would you want to be? A doctor, a farmer, a singer, a painter, a matador, or what?" Felipe thought a minute, and then he said, "Passenger." This was exciting to hear, and definitely something to talk about at some length, which we did. He wanted to be a passenger on anything that was going anywhere, but most of all on a ship. — William, Saroyan

I want to retain my own identity. Therefore the thing I'm most anxious to avoid is any kind of work that can be considered 'interesting' in its own right. I want something that can't possibly touch me. I want some big, swollen corporation that's been bumbling along making money in its sleep for a hundred years, where they have to hire eight guys for every one job because none of them can be expected to care about whatever boring thing it is that they are supposed to be doing. I want to go into that kind of place and say, Look. You can have my body and my nice college-boy smile for so many hours a day, in exchange for so many dollars, and beyond that we'll leave each other strictly alone. — Richard Yates

I met this boy here who I knew as a kid and his mum left him with a pedophile for two weeks when he was eight years old and I'm presuming you know everything there is to know about Jonah's father, and that my father is dead, and my mother hasn't been around for years, and God knows Jessa's real story. So what I'm saying here, Sergeant, is that we're just a tad low on the reliable adult quota so you have no right to be all self-righteous about what Chaz did and if you're going to go around not talking to him when his only crime was wanting me to have what he has, then I think you're going to turn out to be a bit of a dud and you know something? I'm just a bit over life's little disappointments right now. Do you understand what I'm saying? — Melina Marchetta

I'll tell you an incident that happened right at the Brown Derby [restaurant] since I've been here in Honolulu," Armstrong tells a friend on one of the recordings. "You remember that white boy, he's a sailor or something, on one of these battleships, on Pearl Harbor, and he caught my show, and I come to find out he has damn near every record I made from childbirth. "He come up and shook my hand after the whole show was over . . . and he said, 'You know, I don't like Negroes.' "Right to my [expletive] face, that [expletive] told me. And so I said, 'Well, I admire your [expletive] sincerity.' "And he said, 'I don't like Negroes, but you're one [expletive] I'm crazy about. I've got every [expletive] record.' "I've said it for years. You take the majority of white people," continued Armstrong, "they always got one [expletive] at least that they're just crazy about, [expletive]. Every white man in the world got one [expletive] at least that they just love his dirty drawers. — Howard Reich

All the dying that summer began with the death of a child, a boy with golden hair and thick glasses, killed on the railroad tracks outside New Bremen, Minnesota, sliced into pieces by a thousand tons of steel speeding across the prairie toward South Dakota. His name was Bobby Cole. He was a sweet-looking kid and by that I mean he had eyes that seemed full of dreaming and he wore a half smile as if he was just about to understand something you'd spent an hour trying to explain. I should have known him better, been a better friend. He lived not far from my house and we were the same age. But he was two years behind me in school and might have been held back even more except for the kindness of certain teachers. He was a small kid, a simple child, no match at all for the diesel-fed drive of a Union Pacific locomotive. It — William Kent Krueger

How can you be falling for me if you already love me?"
"Because, even though a part of me deep down inside loves you, I'm not in love with you. What I'm trying to say is that having you back in my life these last few weeks has been amazing. It reminds me of everything I loved about you, you've reminded me of the boy I used to be in love with. So, I guess what I'm trying to say is that I want you back in my life but you should know up front that if you stick around, I'm probably going to end up being in love with you again, so if that's something that you don't want, I need you to tell me now. — Rachel Spanswick

I can't tell you what that first song was about. Something about love and a boy and a girl ... And this boy can think of nothing but holding that girl's hand in the darkness ... All those ridiculous songs about love - I finally understood. — Jennifer Flackett

Fuck Tris. I would give body parts to have a guy write something like that for me. My kidney? Oh, both of them? Here, Nick, they're yours - just write more for me. I'll give you a start: boy in punk club asks strange girl to be his girlfriend for five minutes, girl kisses boy, boy kisses back, boy then meets girl - what did you notice about this girl? Nick, let's hear some lyrics. Please? Ready. Set. Go. — Rachel Cohn

A story has come down about Rumi: a woman asks if he would say something to her young boy about his eating too much of a particular kind of white-sugar candy. Rumi tells her to come back in two weeks. She does, and he tells her again to come in two weeks. She does, and he advises the child to cut down on sweets.
"Why did you not say this a month ago?"
"Because I had to see if I could resist having that candy for two weeks. I couldn't. Then I tried again and was successful. Only now can I tell him to try not to have so much. — Coleman Barks

I am a hero. It is a trade, no more, like weaving or brewing, and like them it has its own tricks and knacks and small arts. There are ways of perceiving witches, and of knowing poison streams; there are certain weak spots that all dragons have, and certain riddles that hooded strangers tend to set you. But the true secret of being a hero lies in knowing the order of things. The swineherd cannot already be wed to the princess when he embarks on his adventures, nor can the boy knock at the witch's door when she is away on vacation. The wicked uncle cannot be found out and foiled before he does something wicked. Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a long time, but not forever. The happy ending cannot come in the middle of the story. Heroes know about order, about happy endings -- heroes know that some things are better than others. — Peter S. Beagle

What's your name again?"
"Peter. Peter Granford."
Lewis opened up his mouth to speak, but then just shook his head.
"What?" The boy ducked his head. "You just, uh, looked like you were going to say something
important."
Lewis looked at this namesake, at the way he stood with his shoulders rounded, as if he did not
deserve so much space in this world. He felt that familiar pain that fell like a hammer on his
breastbone whenever he thought of Peter, of a life that would be lost to prison. He wished he'd
taken more time to look at Peter when Peter was right in front of his eyes, because now he would be
forced to compensate with imperfect memories or-even worse-to find his son in the faces of
strangers.
Lewis reached deep inside and unraveled the smile that he saved for moments like this, when there
was absolutely nothing to be happy about. "It was important," he said. "You remind me of someone
I used to know. — Jodi Picoult

Someone gave me a copy of The Alchemist by Paulo Coelho, a fable about a shepherd boy who travels to the Pyramids in search of treasure when all the time it's at home. I loved that book and read it over and over again. 'When you want something all the universe conspires in helping you achieve it,' it says. I don't think that Paulo Coelho had come across the Taliban or our useless politicians. — Malala Yousafzai

I want to say something about bad writing. I'm proud of my bad writing. Everyone is so intelligent lately, and stylish. Fucking great. I am proud of Philip Guston's bad painting, I am proud of Baudelaire's mamma's boy goo goo misery. Sometimes the lurid or shitty means having a heart, which's something you have to try to have. Excellence nowadays is too general and available to be worth prizing: I am interested in people who have to find strange and horrible ways to just get from point a to point b. — Ariana Reines

One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone's thinking about their own problems and nobody wakes up in the morning thinking, 'Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.' Nobody does that. If you want to write, it has to come from you. If you don't want to write, that's great. Go do something else. That was a very liberating moment for me. — Sam Lipsyte

Son, I hope your opinion of your mother hasn't lessened, knowing what you now know."
Gavin glanced up; incredulity skewed his eyebrows. His expression appeared both stunned and appalled. "Never, Father! I love her! It makes no difference to me where she came from."
The man nodded, a show of relief in his features. His large hand, soft in touch, went to brush a string of hair away from his wife's peaceful profile. "Your mother loves you too, son, more than anything in the world. She worries about you, day and night."
That sentiment stirred something profoundly pleasant inside the boy. He grinned at the internal warmth it created. — Richelle E. Goodrich

But there's one thing about quitters you have to guard against - they are contagious. If one boy goes, the chances are he'll take somebody with him, and you don't want that. So when they would start acting that way, I used to pack them up and get them out, or embarrass them, or do something to turn them around. — Bear Bryant

There's just something about vampires that's sexy. It's the same reason why women go for the bad boy - you want them but you shouldn't have them. — Nina Dobrev

I don't know what game you and geek boy are playing, Gautier. But you get in my way as I leave and I'll wipe my boots on your balls. (Brett)
Before he realized what was happening, Simi had taken Brett's hand and squeezed it so hard Nick heard the bones break.)
Nick is a friend of the Simi's. You threaten him and you make the Simi really unhappy and want to eat your head. Trust me, not something you want me to think about. Now go away mean person or the Simi will tell akri she don't know what happened to you and your masticated form. Not that I like to lie, but there are deceptions to every rule. And you're about to become one. Now get in there and be quiet. (Simi) — Sherrilyn Kenyon

touched her shoulder, she flinched. "I need to do this, Vicky. It's the right thing to do. I need to do everything I can to make sure my boy has his mum." Still no reply. "Please?" "What if you're not back?" "I'll be back." "I'm not so sure about that." "Trust me, Vicky, I'll be back. I promise." The same darkness sat on her features, but something had changed. — Michael Robertson

Something about family and trying to relate it to the movie with, 'Oh, if I was to have a child how many kids do I want?' And 'do I want a boy or a girl?' I didn't realize you could place orders, I honestly didn't realize it was like a drive-through, that you could talk to a little electronic voice. — Jennifer Aniston

At twenty-one, Richard Wright was not the world-famous author he would eventually be. But poor and black, he decided he would read and no one could stop him. Did he storm the library and make a scene? No, not in the Jim Crow South he didn't. Instead, he forged a note that said, "Dear Madam: Will you please let this nigger boy have some books by HL Mencken?" (because no one would write that about themselves, right?), and checked them out with a stolen library card, pretending they were for someone else. With the stakes this high, you better be willing to bend the rules or do something desperate or crazy. To thumb your nose at the authorities and say: What? This is not a bridge. I don't know what you're talking about. Or, in some cases, giving the middle finger to the people trying to hold you down and blowing right through their evil, disgusting rules. Pragmatism is not so much realism as flexibility. — Ryan Holiday

Boy, these conservatives are really something, aren't they? They're all in favor of the unborn. They will do anything for the unborn. But once you're born, you're on your own. Pro-life conservatives are obsessed with the fetus from conception to nine months. After that, they don't want to know about you. They don't want to hear from you. No nothing. No neonatal care, no day care, no head start, no school lunch, no food stamps, no welfare, no nothing. If you're preborn, you're fine; if you're preschool, you're fucked. — George Carlin

His [Luke]letter went something like this: "Dear Mr President, Thank you for introducing me to the Hall of Famers and for showing me the Oval Office. I think if I work really hard I will have a chance for both."
The next time I saw the president I told him about my son's ambitious plans. His response was beautiful: "Never get between a boy and his dreams — Tim Russert

Mispronouncing "buoy." The thing that floats in a navigation channel is not a "boo-ee." It's a "boy." Think about it. Would you call something that floats "boo-ee-ant"? Also, in a similar vein, pronouncing Brett Favre's last name as if the "r" comes before the "v." It doesn't, so stop it. Hotel — Bill Bryson

Sublimity," Hauptmann says, panting, "you know what that is, Pfennig?" He is tipsy, animated, almost prattling. Never has Werner seen him like this. "It's the instant when one thing is about to become something else. Day to night, caterpillar to butterfly. Fawn to doe. Experiment to result. Boy to man. — Anthony Doerr

She saw her mother appearing at her bedroom door. "Daddy and I want to talk to you about something." It would not happen to Liam the way it had happened to her. Over her dead body. It was the one thing she'd always known she could and would spare him from. Her beautiful, grave-faced little boy would not feel the loss and confusion she'd felt that awful summer all those years ago. He would not pack a little overnight bag every second Friday. He would not have to check a calendar on the refrigerator to see where he was sleeping each weekend. He would not learn to think before he spoke whenever one parent asked a seemingly innocuous question about the other. — Liane Moriarty

For a man, there's a big responsibility that comes with having a boy because men are made by their fathers. If you've got a good productive man around it's better. I have such a close relationship with my dad and that responsibility to produce a good man is something I think about. — Rafe Spall

Boy I need a hug (boy I need a hug)
'Cause my heart stops without you
There's something about you — Owl City

Another voice rages.
I hate that boy! I hate me! I am so incredibly stupid!
A sunflower leans over the fence, smiling
How dare you!
I rip off its head and throw it in the gutter.
The smart thing to do is to keep going on. Walk away quickly and no one will know what I've done. But I can't move because my eyes are locked on the slowly opening front door - locked on Mrs Muir.
'I'm sorry.' My tiny voice sounds so pathetically lame, but I've still got more lameness for her. 'I never do this sort of thing. I like sunflowers. I was just angry about something - nothing to do with you or the flower. I'm really, really sorry.'
'Oh, you are upset! Well, never mind'. Mrs Muir comes closer to me. 'Goodness, we all get cross. The main thing is: did it make you feel any better?'
'No. Yes. Maybe. A little bit.'
'Would you like to do another one? There's more out the back, too. You go for your life dear. I don't mind at all - they need a good pruning. — Bill Condon

Nd I thought how liking a boy was just the same as believing you wanted to know a secret - everything was better when you were denied and could feel tormented by curiousity or loneliness. But the moment of something happening was treacherous. It was just so tiring to have to worry about whether your face was peeling, or to have to laugh at stories that weren't funny. — Curtis Sittenfeld

As a player, it says everything about you if you made the Hall of Fame. But, then again, boy ... there's something about winning a Super Bowl. — Terry Bradshaw

You make me laugh, with your metaphysical anguish, its just that you're scared silly, frightened of life, of men of action, of action itself, of lack of order. But everything is disorder, dear boy. Vegetable, mineral and animal, all
disorder, and so is the multitude of human races, the life of man, thought,
history, wars, inventions, business and the arts, and all theories, passions
and systems. Its always been that way. Why are you trying to make something out
of it? And what will you make? what are you looking for? There is no Truth.
There's only action, action obeying a million different impulses, ephemeral
action, action subjected to every possible and imaginable contingency and
contradiction, Life. Life is crime, theft, jealousy, hunger, lies, disgust,
stupidity, sickness, volcanic eruptions, earthquakes, piles of corpses. what can you do about it, my poor friend? — Blaise Cendrars

And just when His Grace was certain they were going to gain the privacy of the men's punch bowl, who should come wafting by but dear little Sophia herself ? "Lord Sindal?" She stopped, her gaze fixed on Sindal's face. "I'm fetching him a glass of punch, Sophie." His Grace took Sindal by the arm. "I believe Her Grace said something about Westhaven decimating the marzipan trays. You might want to have a look, hmm?" He had to drag the boy away bodily. "You can lurk under the mistletoe later, Sindal. I want no more than five minutes of your time." And grandchildren. He most assuredly wanted grandchildren, though based on the way Sophie and her swain made eyes at each other, this happy outcome was a foregone conclusion. Legitimate — Grace Burrowes

I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that. — Rick Wakeman

We cannot avoid the globalization of knowledge and information. When I was a boy growing up in Kansas, I could never think about a Buddhist, or a Hindu, or Muslim, or even a Protestant - I grew up in such a Catholic ghetto. That's not possible anymore, unless you live in a cave or something. So either we have knowledge of what the other religions and other denominations are saying, and how they tie into the common thread, or we end up just being dangerously ignorant of other people and therefore prejudiced. — Richard Rohr

I recently discovered that a friend who was re-reading Bleak House had done no other Dickens apart from Barnaby Ridge. That's just weird. I shamed and nagged him into picking up Great Expectations instead. But when I tried to recall anything about it other than its excellence, I failed. Maybe there was something about a peculiar stepfather? Or was that This Boy's Life? And I realized that, as this is true of just about every book I consumed between the ages of, say fifteen to forty, I havent even read the books I think I've read. I can't tell you how depressing this is. What's the fucking point? — Nick Hornby

I hate asking directions. I am always afraid that the person I approach will step back and say, 'You want to go where? The centre of Brussels? Boy, are you lost. This is Lille, you dumb shit,' then stop other passers-by and say, 'You wanna hear something classic? Buddy, tell these people where you think you are,' and that I'll have to push my way through a crowd of people who are falling about and wiping tears of mirth from their eyes. So I trudged on. — Bill Bryson

Moaning about how his own brilliance disadvantaged him was not a recipe for popularity. Stanley was initially as isolated in high school as Shirley would be in Rochester: "miserably lonely, reading prodigiously, hating everyone, and wishing I had enough courage to talk to girls." One day a boy he recognized from class sat down next to him in the locker room. Stanley, trying to make conversation as he best knew how, asked his classmate if he read Poe. "No, I read very well, thank you," came the reply. Stanley responded huffily that he didn't think puns were very clever. "I don't either," said the other boy, "but they're something I can't help, like a harelip. — Ruth Franklin

I happened to observe a mother lifting her eight-year-old boy in her arms. As she did so she laughed and said, "You're getting so big you'll be lifting me soon." It was the simplest of statements. Yet I felt something transiently touching about the scene merely because millions upon millions of mothers reaching back into the dawn of history must have said the same thing to their children at some time and because other millions will say it in the remote future long — Leo Tolstoy

Something just ain't right about thanking the Lord for sending you an opportunistic pretty boy who carried a string of condoms and single use packets of lube in his pocket. Still, I did it. — James Buchanan

See there, Heck? Thank you from the bottom of my heart, but I don't want my boy starting out with something like this over his head. Best way to clear the air is to have it all out in the open. Let the county come and bring sandwiches. I don't want him growing up with a whisper about him, I don't want anybody saying, 'Jem Finch . . . his daddy paid a mint to get him out of that.' Sooner we get this over with the better." "Mr. Finch," Mr. Tate said stolidly, "Bob Ewell fell on his knife. He killed himself. — Harper Lee

All I can think about is that boy's skull, bashed in, the way his head was caved in and how it wasn't like a heid at all, just like a broken silly puppet face, about how when you destroy something, when you brutalise it, it always looks warped and disfigured and slightly unreal and unhuman and that's what makes it easier for you to go on brutalising it, go on fucking it and hurting it and mashing until you've destroyed it completely, proving that destruction is natural in the human spirit, that nature has devices to enable us to destroy, to make it easier for us; a way of making righteous people who want to act do things without the fear of consequence, a way of making us less than human, as we break the laws ... — Irvine Welsh

Spiderman: You're going to have to do something about those children, Stark.
Tony: What children?
Spiderman: The annoying, ill-mannered ones.
Tony: I need more.
Spiderman: Bomb Boy and Solar Flare.
Tony: I think you mean Cannonball and Sunspot. What did they do this time?
Spiderman: We were in the kitchen and they decided to - rather rudely - confront me about eating the leftovers in the refrigerator.
Tony: Was it your food?
Spiderman: No.
Tony: Was it theirs?
Spiderman: Possibly. It was an honest mistake. My point - I think THE point - is I won't be spoken to that way by infants.
Tony: Then don't eat their food. — Jonathan Hickman

He was just hungry, Papa. He's going to die.
He's going to die anyway.
He's so scared, Papa.
The man squatted and looked at him. I'm scared, he said. Do you understand? I'm scared.
The boy didn't answer. He just sat there with his head down, sobbing.
You're not the one who has to worry about everything.
The boy said something but he couldn't understand him. What? He said.
He looked up, his wet and grimy face. Yes I am, he said. I am the one. — Cormac McCarthy